Blown Top [Haiku]

mountain’s missing top
tells that it’s a volcano,
and once had a top

Kevala [Free Verse]

breath ceases
and the body is quiet
and the mind is calm

and there is nothing
no world
no throngs
no hordes
no disasters

breath returns
&
so does the world

Golden Spotlight [Tanka]

early morning 
rays hit the canopy
and fan out
into gold bands of light:
spotlights with no targets

Lake Reveal [Haiku]

endless tall grass.
then, with a single step,
a lake appears

Mistletoe Limerick

A young man of Vienna was caught off guard
smooched by a stranger beside the churchyard.
There's mistletoe
that naturally grows
in the trees above that Viennese churchyard.

Moment Hunting [Lyric Poem]

Seeking perfect moments:

in times of bliss,
in times of pain,
in times of sanity,
and when insane

a divine meal,
a fine strong gin,
the kindest virtue,
a dark age sin

falling into never,
coming out the other side,
landing on one's skates
in the smoothest glide

falling but not crashing,
running but not gasping,
finding but not keeping,
fingers interclasping,

and wishing for nothing more.

Sparrow [Haiku]

a sparrow 
stops in mid-peck
to eyeball me

Edge of Desert [Haiku]

over the crest, the
world turns from grassy pasture
to barren desert

BOOK REVIEW: 100 Poems to Break Your Heart ed. Edward Hirsch

100 Poems to Break Your Heart100 Poems to Break Your Heart by Edward Hirsch
My rating: 5 of 5 stars

Amazon.in Page

Release Date: January 31, 2023

This anthology (and the accompanying analytical essays by Hirsch) covers over two-hundred years of poetry and works with a large set of translated languages as well as poems of English language origin. Therefore, the poems include an eclectic set of forms and schools of poetry. There are narrative poems and philosophical poems. There are sparse poems and elaborate poems. Besides the fact that they are all short to intermediate length poems (a few pages, at most,) the only thing the included poems have in common is some serious subject matter at each poem’s core. There are elegies and cathartic poems of illness or ended relationships, as well as tales of various types of tragedy (personal, global, and of scales in between.)

That said, not all of the poems feature a dark and melancholic tone. There are several poems that are humorous — in a gallows humor sort of way. Such poems include: Dunya Mikhail’s “The War Works Hard,” Harryette Mullen’s “We Are Not Responsible,” and Stanley Kunitz’s “Halley’s Comet.”

Of course, there are many poems that are as devastatingly sad as the title leads one to expect. Of these, Eavan Boland’s “Quarantine,” the story of a man carrying his illness-ravaged wife in search of survival during a famine in Ireland in 1847 takes the award for saddest. There are poems in this book that are more brutal, encompass vaster scales of suffering, or combine lyrical skill and emotional experience more artfully. But none of those poems socked me in the chest like Boland’s. One thing that struck me during my reading was what an intense force multiplier story is in creating poignant poems. Several others among my favorites told stories that made for visceral reads. These include: “Song” by Brigit Pageen Kelly, “The Race” by Sharon Olds, “Terminus” by Nicholas Christopher (also among the most savage tear-jerkers,) and “The Gas-Poker” by Thom Gunn.

Other favorites include: Langston Hughes’s “Song for a Dark Girl,” Miklós Radnóti’s “The Fifth Eclogue,” Stevie Smith’s “Not Waving but Drowning,” and “Mendocino Rose” by Garrett Hongo.

I’d highly recommend this book for poetry readers.


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