It's as if ones gone mining -- From lead, silver refining. That's how one cleanses a heart: With pure love, not pining.
Like a pond from Spring rainfall: Mirror to heavens and all, Without defect of image -- True as the moon's bright, white ball.
Stargazing across night skies; Singing songs of hermits, wise; The water flowing today Will know that bright moonrise.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the seventh of the twenty-four poems. This poem’s Chinese title is 洗炼, and it has been variously entitled: “Clean,” “Refining,” and “Wash — Smelt.”
A touch of cold in the Autumn night -- I walked abroad, And saw the ruddy moon lean over a hedge Like a red-faced farmer. I did not stop to speak, but nodded, And round about were the wistful stars With white faces like town children.
One sleepless night: I sit up to strum my lute. The moon shines through thin curtains, A gentle breeze rustles my robe. A wild goose honks in the wilderness, Stirring a cascade of other birdcall. I pace and peek out windows -- Alone, and burdened with sorrows.
Slowly, silently, the moon Walks the night in her silver shoon; This way, and that, she peers, and sees Silver fruit upon silver trees; One by one the casements catch Her beams beneath the silvery thatch; Couched in his kennel, like a log, With paws of silver sleeps the dog; From their shadowy cote the white breasts peep Of doves in a silver-feathered sleep; A harvest mouse goes scampering by, With silver claws, and silver eye; And moveless fish in the water gleam, By silver reeds in a silver stream.