“Disillusionment of Ten O’Clock” by Wallace Stevens [w/ Audio]

The houses are haunted   
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches tigers
In red weather.

“The Death of a Soldier” by Wallace Stevens [w/ Audio]

Life contracts and death is expected,
As in a season of autumn.
The soldier falls.

He does not become a three-days personage,
Imposing his separation,
Calling for pomp.

Death is absolute and without memorial,
As in a season of autumn,
When the wind stops,

When the wind stops and, over the heavens,
The clouds go, nevertheless,
In their direction.

BOOKS: “The Flowers of Evil” by Charles Baudelaire

Les Fleurs du MalLes Fleurs du Mal by Charles Baudelaire
My rating: 5 of 5 stars

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I read the 1909 Cyril Scott translation of Baudelaire’s poetry collection. It consists of 54 poems, including “Condemned Women” but not including others of the six poems that were banned in early editions and which only came to be included in later editions. (I did look up and read a couple translations each for the six poems — because censorship can’t be allowed to prevail. Not surprisingly, they are calm by today’s standards. It should be noted that Baudelaire played in symbolism, and so his poems – while ahead of their time in subject matter – didn’t tend toward explicit vulgarity in the first place.)

The Scott translation is all in rhymed verse, the largest share of it presented as sonnets — though there are some longer pieces (longer, but not long. It’s a quick read.) “The Broken Bell” and “Spleen” were highlights for me, but the whole collection is intriguing, evocative, and readable.

I enjoyed this collection tremendously, even with such an old translation. The hedonism, eroticism, and macabre of Baudelaire’s work creates an intense tone.

I’d highly recommend this collection for all poetry readers.



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The Red Wheelbarrow by William Carlos Williams [w/ Audio]

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens

Thirteen Ways of Looking at a Blackbird by Wallace Stevens [w/ Audio]

I
 Among twenty snowy mountains,
   The only moving thing
  Was the eye of the blackbird.

II
 I was of three minds,
   Like a tree
  In which there are three blackbirds.

III
 The blackbird whirled in the autumn winds.
   It was a small part of the pantomime. 

IV
 A man and a woman
   Are one.
 A man and a woman and a blackbird
   Are one.

V
 I do not know which to prefer,
   The beauty of inflections
 Or the beauty of innuendoes,
   The blackbird whistling
     Or just after.

VI
 Icicles filled the long window
   With barbaric glass. 
 The shadow of the blackbird
   Crossed it, to and fro.
 The mood
   Traced in the shadow
     An indecipherable cause.

VII
 Old thin men of Haddam,
   Why do you imagine golden birds?
 Do you not see how the blackbird
   Walks around the feet
     Of the women about you?

VIII
 I know noble accents
   And lucid, inescapable rhythms;
 But I know, too,
   That the blackbird is involved
     In what I know.

IX
 When the blackbird flew out of sight,
   It marked the edge 
 Of one of many circles.

X
 At the sight of blackbirds
   Flying in a green light,
 Even the bawds of euphony
   Would cry out sharply.

XI
 He rode over Connecticut
   In a glass coach.
 Once, a fear pierced him,
   In that he mistook
 The shadow of his equipage 
   For blackbirds.

XII
 The river is moving.
   The blackbird must be flying. 

XIII
 It was evening all afternoon.
   It was snowing
 And it was going to snow.
   The blackbird sat
     In the cedar-limbs.

BOOK REVIEW: Puella Mea by e.e. cummings

Puella MeaPuella Mea by E.E. Cummings
My rating: 5 of 5 stars

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Free online at: Project Gutenberg

This is a single poem, Cummings’s longest, a love poem to his first wife. It’s a longform poem – at least by the standards of poets of the Modern era, though at less than 300 lines it’s far from epic in scale. It’s a beautiful love poem, favorably comparing the wife in question to Helen of Troy, Medea (from “Jason and the Argonauts,”) Guinevere, and other historic beauties.

It’s a highly readable poem; its short lines pack a lot of punch, and while Cummings writes in free verse, he’s not afraid to drop a rhyme or play with the texture of meter to give his lines an appealing sound quality.

The edition I read included art from Paul Klee, Pablo Picasso, Amedeo Modigliani, and Kurt Roesch. It’s definitely worth checking out this edition, particularly if you enjoy Modern and Surreal art.

I’d highly recommend this for poetry readers.

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