PROMPT: Three Books

List three books that have had an impact on you. Why?

Steven Kotler’s The Rise of Superman changed the way I looked at mind-body development.

Water Margin [a.k.a. Outlaws of the Marsh] convinced me a sprawling epic could be worth reading if it was done well, it kicked my love of Chinese Literature into high gear, and it started me on the path of learning Chinese.

Self-Reliance and Other Essays by Ralph Waldo Emerson had a major influence on my early philosophical development — especially the titular essay.

Now, I’m thinking I should’ve pushed one of these out for Leaves of Grass by Walt Whitman, but perhaps another time.

“Song of the Open Road” (15 of 15) by Walt Whitman [w/ Audio]

Allons! the road is before us!
It is safe -- I have tried it -- my own feet have
tried it well -- be not detain'd!

Let the paper remain on the desk unwritten,
and the book on the shelf unopen'd!
Let the tools remain in the workshop! let
the money remain unearn'd!
Let the school stand! mind not the cry of
the teacher!
Let the preacher preach in his pulpit! let the
lawyer plead in the court, and the judge
expound the law.

Camerado, I give you my hand!
I give you my love more precious than
money,
I give you myself before preaching or law;
Will you give me yourself? will you come
travel with me?
Shall we stick by each other as long as we
live?

“Song of the Open Road” (13 of 15) by Walt Whitman [w/ Audio]

Allons! to that which is endless as it was
beginningless,
To undergo much, tramps for days, rests of
nights,
To merge all in the travel they tend to, and
the days and nights they tend to,
Again to merge them in the start of superior
journeys,
To see nothing anywhere but what you may
reach it and pass it,
To conceive no time, however distant, but
what you may reach it and pass it,
To look up or down no road but it stretches
and waits for you, however long but it
stretches and waits for you,
To see no being, not God's or any, but you
also go thither,
To see no possession but you may possess it,
enjoying all without labor or purchase,
abstracting the feast yet no abstracting
one particle of it,
To take the best of the farmer's farm and the
rich man's elegant villa, and the chaste
blessings of the well-married couple, and
the fruits of orchards and flowers of
gardens,
To take to your use out of the compact
cities as you pass through,
To carry buildings and streets with you
afterward wherever you go,
To gather the minds of men out of their
brains as you encounter them, to gather
the love out of their hearts,
To take your lovers on the road with you,
for all that you leave them behind you,
To know the universe itself as a road, as
many roads, as roads for traveling souls.

All parts away for the progress of souls,
All religion, all solid things, arts,
governments -- all that was or is apparent
upon this globe or any globe, falls into
niches and corners before the procession
of souls along the grand roads of the
universe.

Of the progress of the souls of men and
women along the grand roads of the
universe, all other progress is the needed
emblem and sustenance.

Forever alive, forever forward,
Stately, solemn, sad, withdrawn, baffled,
mad, turbulent, feeble, dissatisfied,
Desperate, proud, fond, sick, accepted by
men, rejected by men,
They go! they go! I know that they go, but I
know not where they go,
But I know that they go toward the best --
toward something great.

Whoever you are, come forth! or man or
woman come forth!
You must not stay sleeping and dallying
there in the house, though you built it, or
though it has been built for you.

Out of the dark confinement! out from
behind the screen!
It is useless to protest, I know all and expose
it.

Behold through you as bad as the rest,
Through the laughter, dancing, dining,
supping, of people,
Inside of dresses and ornaments, inside of
those wash'd and trimm'd faces,
Behold a secret silent loathing and despair.

No husband, no wife, no friend, trusted to
hear the confession,
Another self, a duplicate of every one,
skulking and hiding it goes,
Formless and wordless through the streets of
the cities, polite and bland in the parlors,
In the cars of railroads, in steamboats, in the
public assembly,
Home to the houses of men and women, at
the table, in the bedroom, everywhere,
Smartly attired, countenance smiling, form
upright, death under the breast-bones,
hell under the skull-bones,
Under the broadcloth and gloves, under the
ribbons and artificial flowers,
Keeping fair with the customs, speaking not
a syllable of itself,
Speaking of any thing else but never of
itself.

“Song of the Open Road” (12 of 15) by Walt Whitman [w/ Audio]

Allons! after the great Companions, and to 
belong to them!
They too are on the road -- they are the
swift and majestic men -- they are the
greatest women,
Enjoyers of calms of seas and storms of seas,
Sailors of many a ship, walkers of many a
mile of land,
Habituès of many distant countries,
habituès of far-distant dwellings,
Trusters of men and women, observers of
cities, solitary toilers,
Pausers and contemplators of tufts,
blossoms, shells of the shore,
Dancers at wedding-dances, kissers of
brides, tender helpers of children, bearers
of children,
Soldiers of revolts, standers by gaping
graves, lowerers-down of coffins,
Journeyers over consecutive seasons, over
the years, the curious years each emerging
from that which preceded it,
Journeyers as with companions, namely
their own diverse phases,
Forth-steppers from the latent unrealized
baby-days,
Journeyers gayly with their own youth,
journeyers with their bearded and well-
grain'd manhood,
Journeyers with their womanhood, ample,
unsurpass'd, content,
Journeyers with their own sublime old age
of manhood or womanhood,
Old age, calm, expanded, broad with the
haughty breadth of the universe,
Old age, flowing free with the delicious
near-by freedom of death.

“Song of the Open Road” (11 of 15) by Walt Whitman [w/ Audio]

Listen! I will be honest with you,
I do not offer the old smooth prizes, but
offer rough new prizes,
These are the days that must happen to you:
You shall not heap up what is call'd riches,
You shall scatter with lavish hand all that
you earn or achieve,
You but arrive at the city to which you were
destin'd, you hardly settle yourself to
satisfaction before you are call'd by an
irresistible call to depart,
You shall be treated to the ironical smiles
and mockings of those who remain
behind you,
What beckonings of love you receive you
shall only answer with passionate kisses of
parting,
You shall not allow the hold of those who
spread their reach'd hands toward you.

“Song of the Open Road” (7 of 15) by Walt Whitman [w/ Audio]

Here is the efflux of the soul,
The efflux of the soul comes from within
through embower'd gates, ever provoking
questions,
These yearnings why are they? these
thoughts in the darkness why are they?
Why are there men and women that while
they are nigh me the sunlight expands my
blood?
Why when they leave me do my pennants
of joy sink flat and lank?
Why are there trees I never walk under but
large and melodious thoughts descend
upon me?
(I think they hang there winter and summer
on those trees and always drop fruit as I
pass;)
What is it I interchange so suddenly with
strangers?
What with some driver as I ride on the seat
by his side?
What with some fisherman drawing his
seine by the shore as I walk by and pause?
What gives me to be free to a woman's and
man's good-will? what gives them to be
free to mine?

“Song of the Open Road” (6 of 15) by Walt Whitman [w/ Audio]

Now if a thousand perfect men were to
appear it would not amaze me,
Now if a thousand beautiful forms of
women appear'd it would not astonish
me.

Now I see the secret of the making of the
best persons,
It is to grow in the open air and to eat and
sleep with the earth.

Here a great personal deed has room,
(Such a deed seizes upon the hearts of the
whole race of men,
Its effusion of strength and will overwhelms
law and mocks all authority and all
argument against it.)

Here is the test of wisdom,
Wisdom is not finally tested in schools,
Wisdom cannot be pass'd from one having
it to another not having it,
Wisdom is of the soul, is not susceptible of
proof, is its own proof,
Applies to all stages and objects and
qualities and is content,
Is the certainty of the reality and
immortality of things, and the excellence
of things;
Something there is in the float of the sight
of things that provokes it out of the soul.

Now I re-examine philosophies and
religions,
They may prove well in lecture-rooms, yet
not prove at all under the spacious clouds
and along the landscape and flowing
currents.

Here is realization,
Here is a man tallied -- he realizes here what
he has in him,
The past, the future, majesty, love -- if they
are vacant of you, you are vacant of them.

Only the kernel of every object nourishes;
Where is he who tears off the husks for you
and me?
Where is he that undoes stratagems and
envelopes for you and me?

Here is adhesiveness, it is not previously
fashion'd, it is apropos;
Do you know what it is as you pass to be
loved by strangers?
Do you know the talk of those turning eye-
balls?

“I Sing the Body Electric” [9 of 9] by Walt Whitman [w/ Audio]

O my body! I dare not desert the likes of
you in other men and women, nor the
likes of the parts of you,
I believe the likes of you are to stand or fall
with the likes of the soul, (and that they
are the soul,)
I believe the likes of you shall stand or fall
with my poems, and that they are my
poems,
Man's, woman's, child's, youth's, wife's,
husband's, mother's, father's, young
man's, young woman's poems,
Head, neck, hair, ears, drop and tympan of
the ears,
Eyes, eye-fringes, iris of the eye, eyebrows,
and the waking or sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the
mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat,
back of the neck, neck-slue,
Strong shoulders, manly beard, scapula,
hind-shoulders, and the ample side-
round of the chest,
Upper-arm, armpit, elbow-socket, lower-
arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm,
knuckles, thumb, forefinger, finger-joints,
finger-nails,
Broad breast-front, curling hair of the
breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the
backbone,
Hips, hip-sockets, hip-strength, inward and
outward round, man-balls, man-root,
Strong set of thighs, well carrying the trunk
above,
Leg fibres, knee, knee-pan, upper-leg,
under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the
heel;
All attitudes, all the shapeliness, all the
belongings of my or your body or of any
one's body, male or female,
The lung-sponges, the stomach-sac, the
bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves,
sexuality, maternity,
Womanhood, and all that is a woman, and
the man that comes from woman,
The womb, the teats, nipples, breast-milk,
tears, laughter, weeping, love-looks, love-
perturbations and risings,
The voice, articulation, language,
whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep,
walking, swimming,
Poise on the hips, leaping, reclining,
embracing, arm-curving and tightening,
The continual changes of the flex of the
mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when
feeling with the hand the naked meat of
the body,
The circling rivers the breath, and breathing
it in and out,
The beauty of the waist, and thence of the
hips, and thence downward toward the
knees,
The thin red jellies within you or within
me, the bones and the morrow in the
bones,
The exquisite realization of health;
O I say these are not the parts and poems of
the body only, but of the soul,
O I say now these are the soul!

“I Sing the Body Electric” [5 of 9] by Walt Whitman [w/ Audio]

This is the female form,
A divine nimbus exhales from it from head
to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no
more than a helpless vapor, all falls aside
but myself and it,
Books, art, religion, time, the visible and
solid earth, and what was expected of
heaven or fear'd of hell, are now
consumed,
Mad filaments, ungovernable shoots play
out of it, the response likewise
ungovernable,
Hair, bosom, hips, bend of legs, negligent
falling hands all diffused, mine too
diffused,
Ebb stung by the flow and flow stung by the
ebb, love-flesh swelling and deliciously
aching,
Limitless limpid jets of love hot and
enormous, quivering jelly of love, white-
blow and delirious juice,
Bridegroom night of love working surely
and softly into the prostrate dawn,
Undulating into the willing and yielding
day,
Lost in the cleave of the clasping and sweet-
flesh'd day.

This the nucleus -- after the child is born of
woman, man is born of woman,
This the bath of birth, this the merge of
small and large, and the outlet again.

Be not ashamed women, your privilege
encloses the rest, and is the exit of the
rest,
You are the gates of the body, and you are
the gates of the soul.

The female contains all qualities and
tempers them,
She is in her place and moves with perfect
balance,
She is all things duly veil'd, she is both
passive and active,
She is to conceive daughters as well as sons,
and sons as well as daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with
inexpressible completeness, sanity, beauty,
See the bent head and arms folded over the
breast, the Female I see.

“I Sing the Body Electric” [4 of 9] by Walt Whitman [w/ Audio]

I have perceiv'd that to be with those l like
is enough,
To stop in company with the rest at evening
is enough,
To be surrounded by beautiful, curious,
breathing, laughing flesh is enough,
To pass among them or touch any one, or
rest my arm ever so lightly round his or
her neck for a moment, what is this then?
I do not ask any more delight, I swim in it
as in a sea.

There is something in staying close to men
and women and looking on them, and in
the contact and odor of them, that
pleases the soul well,
All things please the soul, but these please
the soul well.