DAILY PHOTO: Temple Excavation

Taken in July of 2014 in South Karnataka

Taken in July of 2014 in South Karnataka

DAILY PHOTO: Dasara Flower Show Gazebo

Taken on October 3, 2014 in Mysore

Taken on October 3, 2014 in Mysore

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I just got back from attending Dasara (a.k.a. Dussehra or Vijayadashami) festivities in Mysore. Dasara celebrates Rama’s victory over Ravana, as well as Durga’s defeat of Mahishasur. There was a flower show about a block from the palace, and this gazebo was the centerpiece. The bottom pick was part of the floor of the gazebo.

BOOK REVIEW: The Bhagavad-Gita Translated by Barbara Stoler Miller

The Bhagavad GitaThe Bhagavad Gita by Anonymous

My rating: 4 of 5 stars

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The Bhagavad-Gita is a philosophical poem, the title of which is translated as “Song of the Lord.” It’s often read as a stand-alone work, but it’s included in the sixth book of longest known epic poem, entitled the Mahabharata.

In The Bhagavad-Gita, Krishna teaches the warrior-prince Arjuna about sacred duty (dharma.) The setting is the battlefield at Kurukshetra as a war is about to get underway. Arjuna asks his charioteer, Krishna, to halt the vehicle between the opposing armies. Arjuna is struck with a crisis of conscience. He doesn’t want to fight and kill the men on the opposing side–some of whom are related to him by blood and others of whom are well-respected elders. Arjuna can see no virtue in the war.

Krishna, after briefly mocking what he describes as Arjuna’s newly developed cowardice, goes on to offer his explanation of why it is that Arjuna should fight. The first argument is that nobody really dies because consciousness is reborn. This makes sense if you believe in reincarnation… otherwise, not so much. A concise restatement of this argument is presented in the 11th teaching: “I am time grown old, creating world destruction, set in motion to annihilate worlds; even without you, all these warriors arrayed in hostile ranks will cease to exist. Therefore, arise and win glory! Conquer your foes and fulfill your kingship! They are already killed by me. Be just my instrument, the archer at my side!”

Another of Krishna’s argument is that if Arjuna fails to fulfill his duty he will be thought less of by others. This is an odd argument to make as Krishna makes a more compelling case for ridding oneself of ego, whereas this seems to be saying that one should put what others think of one above doing what one believes is right. That sounds a lot like succumbing to ego rather than eliminating. In the 12th teaching, in fact, Krishna tells us that the best of men are “Neutral to blame or praise…” This suggests that perhaps one shouldn’t be moved by what others will think of one.

At the core of Krishna’s argument is that one cannot escape the Karmic cycle by engaging any acts but those that are selfless. Like the reincarnation argument. One may find this logic compelling or not depending upon whether one believes in Karmic theory. Karma is the idea of cause and effect. If you do good, you’ll receive good effects and if you do bad you’ll experience bad effects. Ultimately, however, the goal is to break free of the Karmic cycle and, in theory, the only way to do that is to engage in acts that are selfless—hence doing your sacred duty. If your driver isn’t God, it’s not entirely clear how you know what your sacred duty is, at least not by way of this work. (Presumably, God talks to kings and princes, and kings and princes tell the unwashed masses what they are supposed to do. If you happened to have already done away with such a system—as most of the planet has—you may have trouble with this logic.) However, if one takes the lesson to be that one should not be consumed with personal gain when one acts, one has an argument of more general appeal.

Another argument is that devotion to God is all important, not a man’s actions in any absolutist sense. From the 9th teaching, “If he is devoted to me, even a violent criminal must be deemed a man of virtue, for his resolve is right.”

It should be noted that Krishna delivers a number of lessons beyond the need to comply with one’s dharma, and, in my opinion, many of these ancillary lessons are more compelling than Krishna’s explanation of why Arjuna must fight.

One such lesson is to concern oneself with the journey and not the destination. Krishna states it as such, “Be intent on action; not the fruits of action…” Furthermore, there are a great many teachings that will be familiar to Buddhists, such as the need for non-attachment and moderation.

The poem contains lessons of Samkhya (e.g. discussion of the three gunas) and Yoga. It describes concepts from the three original forms of yoga (predating yoga as a fitness activity by centuries): those being of action yoga (karma yoga), knowledge yoga (jnana yoga), and devotional yoga (bhakti yoga.) While The Bhagavad-Gita predates the formulation of eight limbs of yoga as described by Patanjali, it does address certain among them in varying detail. Early on, it speaks about pratyahara—withdrawal from the senses—in considerable detail. There are also references to pranayama (breath/energy control exercises) and most of the yama and niyama are listed among the virtues in the latter part of the teachings. Of course, samadhi (liberation / yoga’s 8th limb) is a central concept in this work.

While The Bhagavad-Gita remains widely cited and relied upon for guidance to this day, it’s not without its controversial elements. In the fourth teaching, Krishna explains how he created the caste system. Of course, Krishna might not have intended it to be the stain it became.

The Miller translation that I read has a few nice ancillary features. There is an introduction that offers background and context for those who have little knowledge of Indian history or mythology. There’s also a glossary that goes into detail about terms that are frequently used in the work. It’s not that there are Sanskrit words mixed into to the text. The glossary explains what the English words should be taken to mean in the context of the Hindu worldview.

What is most intriguing, however, is the afterword which is entitled, “Why Did Henry David Thoreau Take the Bhagavad-Gita to Walden Pond?” Of all the thinkers that have cited The Bhagavad-Gita, the use of Thoreau and Emerson as examples raises intriguing questions. The Thoreau of Civil Disobedience and the Emerson of Self-Reliance would seem to be as far from the message of The Bhagavad-Gita as possible. Krishna is telling Arjuna to ignore his conscience, and just do what God tells him to do—be a selfless instrument of destruction. Thoreau and Emerson both preached that one’s conscience should always be one’s ultimate guide. Thoreau went to jail because he refused to pay taxes that would support the war with Mexico. I suspect Krishna would say to Thoreau, “Hey, I’m throwing this war, and you’d damn well better do your part.” However, there are ideas in The Bhagavad-Gita that work with the American Transcendentalist philosophers. The idea of removing self-interest and egotism as a way to eliminate delusion before one makes one’s own decision is a consistent suggestion.

I have mixed feelings about The Bhagavad-Gita. Like many (most?) sources of religious doctrine, I think the central message of The Bhagavad-Gita is just another means by which to keep the masses under the control of an elite—and, specifically, fighting the wars of the royalty. However, I–like Thoreau and Emerson—also see a great deal of insight into how to be a better person in this poem.

I think The Bhagavad-Gita is worth a read, regardless of how you may ultimately feel about its message. It offers a concise summary of key ideas in Indian philosophy and psychology. It will give one a better understanding of the Indian worldview, and may teach you something about how to live in the process.

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DAILY PHOTO: Bangkok’s Big Swing

Taken in September of 2014 in Bangkok

Taken in September of 2014 in Bangkok

This swing is located outside Bangkok’s Wat Suthat. It’s due west of the grand palace in an area north of the heart of little India and northwest of the heart of Chinatown, but very much in an area that reflects a blending of these cultures.

The swing is of Hindu origins. There’s a swing ceremony that reenacts events surrounding Shiva’s descent to Earth at Bramha’s behest. The ceremony involves people trying to snatch a satchel of coins off a pillar by swinging to it.

DAILY PHOTO: Ganesh Goes to Thailand

Taken on August 25, 2014 in Thailand.

Taken on August 25, 2014 in Thailand

I visited this gigantic Ganesh on the road between Ayutthaya and Nakornnayok to the northeast of Bangkok. Through the magic of Google, I was able to learn that the Thais refer to this deity as Phra Phikanet (พระพิฆเนศ), and that he is known as the remover of obstacles and the bringer of good fortune.

DAILY PHOTO: Chamundeshwari Temple Metal Art

Taken in November of 2014 in Mysore.

Taken in November of 2014 in Mysore on Chamundi Hill.

DAILY PHOTO: Temple Gate at Chennakeshava

Taken November 23, 2013 at Belur.

Taken November 23, 2013 at Belur.

This is the gate into the Chennakeshava temple in Belur. In the foreground is the base of a pillar that served to hold the temple lantern that let all find the temple in the darkness. (Fun fact: the pillar isn’t secured to the base. That is, it’s held in place by gravity.) The base is the same multi-sided shape as the temple mounts.

Below is a pic of the lantern pillar (it’s not as askew as it appears in the pic.) (Fun fact #2: if you type askew into Google’s browser it will twist the page askew.)

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DAILY PHOTO: Red-faced

Taken on October 12, 2013 in Agra

Taken on October 12, 2013 in Agra.

This photo was taken during Dussehra (Vijayadashami) celebrations in Agra. There were many street parades that day.

Dussehra is a Hindu festival that celebrates the victory of Lord Suraj over Ravana and also marks the victory of the Goddess Durga over the Mahishasur demons.

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DAILY PHOTO: Shiva Dancing in an Elephantine Demon

Taken November 23, 2013 at Halebidu.

Taken November 23, 2013 at Halebidu.

This frieze is located at Hoysaleshwara temple in Halebidu. Hoysaleshwara is dedicated to Shiva, and was finished in 1121AD–though many believe it was not actually finished. It’s one of the largest temples to Shiva in southern India and is actually a double temple–the inside being split between the king’s temple and the queen’s temple.

This is a depiction of Shiva dancing inside a vanquished elephant. It may seem mean to kill an elephant and dance inside it, but this particular elephant was a demon or possessed by a demon. Of course, the question remains as to why one would dance inside a slain enemy. I guess it’s a little like dancing on your enemy’s grave, but a lot stinkier and messier. It’s just weird no matter how you slice it. 

DAILY PHOTO: Chennakeshava Temple at Belur

Taken November 23, 2013 at Belur.

Taken November 23, 2013 at Belur.

Chennakeshava temple at Belur is a Hoysala era temple to Vishnu–the deity of the Hindu trilogy responsible for processes of sustenance and evolution (as opposed to creation or destruction, which are the bailiwicks of Brahma and Shiva, respectively.)

This temple and its sister temple at Halebidu, Hoysaleshwara temple, are probably the most ornate structures I’ve seen anywhere in the world. They are covered with soapstone carvings arranged in several tiers. For example, the bottom layer is a series of elephants, each one unique. There is a layer that tells tales from the Mahabharata in pictures.

Soapstone is soft and easily worked when quarried, but it becomes hard enough to survive everything but looters as it’s exposed to the elements. You’ll note the “windows” carved in the rock to allow in light and breezes.

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