a Rock Agama peeks over a rock, stops, and tries to be inconspicuously bright orange
Rock Agama [Tanka]
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DAILY PHOTO: Rhododendrons of Many Colors
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Discovery Distance [Free Verse]
Mountains are best viewed at a distance, despite humanity's "closer is better" bias. Up close, one is invariably in a cloud, looking at an undifferentiated mass of gray-white: ice -- granite -- snow -- fog. One may climb a mountain to see other mountains in the distance, but standing eye-to-rock with a mountain offers little spectacle & grandeur. Massive things can be too close to see. I wonder whether I'm also better viewed from a distance. Not everything is. Consider the opposite mistake: People say things such as, "My Great White Whale is out there." But Great White Whales are always found looking inward -- not out in the distance.
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Nocturnal [Kyōka]
owl sticks its head out, staring in silent rebuke as if to say: "Hey! I'm nocturnal. What's with all the ruckus?"
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DAILY PHOTO: Scenes from Ahmedabad
BOOK REVIEW: An Essay on Criticism by Alexander Pope
An Essay On Criticism by Alexander PopeMy rating: 5 of 5 stars
Amazon.in Page
View free at The Poetry Foundation
This essay is a poem, i.e. heroic couplets in iambic pentameter, to be precise. It advises both poets and critics of some of the mistakes made in their respective pursuits (though at the outset he warns that bad criticism is a bigger sin than bad poetry.) To critics, Pope advises against nit-picking, as well as failure to recognize the tradeoffs inherent in poetry – i.e. sometimes the better sounding line is grammatically strained, or the wittier line may be less musical. To poets, he lays out a range of insights from stylistic to psychological, and it is an essay both about improving the product of writing as well as improving the relations between writers and critics.
Those unfamiliar with the essay will still be aware of a few of its lines, these include: “A little learning is a dang’rous thing;” “To err is human, to forgive, divine.” “For fools rush in where angels fear to tread” and anyone who’s learned to write iambic pentameter (and the sins, thereof) will remember: “And ten low words oft creep in one dull line.”
But those everyday aphorisms are by no means the full extent of this essay’s wise words and its clever phrasing. My favorite couplets of the poem include:
“Some neither can for wits nor critics pass, // As heavy mules are neither horse nor ass.”
“Trust not yourself, but your defects to know, // Make use of ev’ry friend – and ev’ry foe.”
“For works may have more wit than does ‘em good, // As bodies perish through excess of blood.”
“Words are like leaves; and where they most abound, // Much fruit of sense beneath is rarely found.”
“True ease in writing comes from art, not chance, // As those move easiest who have learn’d to dance.”
“Some praise at morning what they blame at night; // But always think the last opinion right.”
“Unhappy wit, like most mistaken things, // Atones not for that envy which it brings.”
“All seems infected that th’ infected spy, // As all looks yellow to the jaundic’d eye.”
“’Tis best sometimes your censure to restrain; // And charitably let the dull be vain:”
I delighted in this poem. It’s full of food-for-thought, and reads remarkably well for a piece from the year 1711.
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Quotations Stumbled Upon [Recently]
To survive in this world you have to be many times a coward but at least once a hero.
Adam Johnson, The Orphan Master’s son
The metaphysical assumptions upon which you want to build your life cannot be an inherited duty.
Patrick levy, Sadhus
It is true that if there were no phenomena which were independent of all but a manageably small set of conditions, Physics would be impossible.
Eugene wigner, the unreasonable effectiveness of mathematics in the natural sciences
I feel about literature what Grant did about war. He hated it. I hate literature. I’m not a literary West Pointer; I do not love a literary man as a literary man, as a minister of the pulpit loves other ministers because they are ministers: it is a means to an end, that is all there is to it.
Walt whitman, as quoted in Yone Noguchi’s the spirit of japanese poetry
Know that all the sects in existence are a way to Hell.
Nichiren, as quoted by yone Noguchi in the spirit of japanese poetry
It is so easy to convert others. It is so difficult to convert oneself.
oscar wilde, the critic as artist
If you meet at a dinner a man who has spent his life in educating himself — a rare type in our time, I admit, but still one occasionally to be met with — you rise from the table richer, and conscious that a high ideal has for a moment touched and sanctified your days. But Oh! my dear Ernest, to sit next to a man who has spent his life trying to educate others! What a dreadful experience it is!
Oscar wilde, tHE CRITIC AS ARTIST
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Pause Bloat [Free Verse]
A pause hangs in the air like poison gas. It threatens to devour more moments: good moments, sacred moments, moments that could've been something. It envelops all, encasing minds in psychic concrete, entombing thoughts so hushly that not even the thinker can hear them. Through the ear-ringing hours, nothing is said & nothing is heard -- not a word or a scream or unsolicited fashion advice -- nothing but the high tone that slits through silence.
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DAILY PHOTO: Whitewater & Pines
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BOOK REVIEW: The Critic as Artist by Oscar Wilde
The Critic as Artist: With Some Remarks Upon the Importance of Doing Nothing by Oscar WildeMy rating: 5 of 5 stars
Amazon.in Page
Free to Read Online
In this dialogue, the characters of Ernest and Gilbert reflect upon the value, nature, and limits of artistic criticism. Ernest serves largely as foil and questioner, taking the everyman view that critics are failed artists and that criticism is a puny endeavor that isn’t good for much. Gilbert, on the other hand, defends criticism of art as an art unto itself, and a difficult one at that, one that requires revealing elements and ideas of the artistic piece that the artist didn’t put in the piece in the first place. Throughout, Gilbert lays down his counterintuitive bits of wisdom about the job of the critic, the characteristics of good critics, and – also – about artists and art, itself. [Ideas such as that all art is immoral.]
Oscar Wilde was famed for his wit, quips, and clever – if controversial – turns of phrase, and this dialogic essay is packed with them. A few of my favorites include:
“The one duty we owe to history is to re-write it.”
“Conversation should touch everything, but should concentrate itself on nothing.”
“If you wish to understand others you must intensify your own individualism.”
“Let me say to you now that to do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual.”
“Ah! don’t say that you agree with me. When people agree with me I always feel I must be wrong.”
“…nothing worth knowing can be taught.”
This is an excellent essay, and I’d highly recommend it for anyone who’s interested in art, criticism, or who just likes to noodle through ideas. You’re unlikely to complete the essay as a convert to all of Gilbert’s tenets, but you’ll have plenty to chew on, mentally speaking.
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Tiger Riding for Beginners 