MASTER WORKS: The Taming of the Shrew by William Shakespeare

The Taming of the ShrewThe Taming of the Shrew by William Shakespeare

My rating: 5 of 5 stars

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This is one of Shakespeare’s most controversial works, and debates still rage about whether its misogyny was written tongue-in-cheek, was a product of the times, or was indicative of a dark side of The Bard.

The plot revolves around two sisters, Katharina and Bianca, and their suitors. The younger sister, Bianca, is a catch and has many suitors vying for her affection. However, Katharina is, in the terms of Shakespeare’s day, shrewish. She is out-spoken, strong-willed, and on occasion downright bitchy; characteristics that weren’t particularly marriageable back in the day.

The father of the two girls will not allow Bianca to be wed until Katharina, his elder daughter, is also engaged. However, no man is willing to take that bullet so that one of his buddies can marry the much beloved Bianca. That is until Petruchio enters the scene with his friend Lucentio. Petruchio could use the lucrative dowry and believes himself equal to the task of taming the shrewish Katharina. Petruchio’s decision makes Lucentio (not to mention Gremio and Hortensio, i.e. the other suitors) extremely happy.

Petruchio’s approach to taming is to be hyper-sensitive to Katharina’s complaints. She gets no food to avoid her inevitable gripes about the food’s quality. Since no gown would be good enough, she gets no new clothes. These actions are designed to train Katharina to bide her tongue.

Like all Shakespeare, the language is phenomenal.

Like all Shakespeare, everyone should read this work.

I’m curious about people’s feelings regarding this play.

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BOOK REVIEW: A Dead Hand by Paul Theroux

A Dead Hand: A Crime in CalcuttaA Dead Hand: A Crime in Calcutta by Paul Theroux

My rating: 4 of 5 stars

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A Dead Hand opens with the protagonist, Jerry Delfont, receiving an unexpected and unusual letter. Delfont is a traveling writer who is temporarily in Calcutta. The letter is from an American businesswoman and philanthropist who seems to have gone native in India. The woman, Merrill “Ma” Unger, asks Delfont to investigate a mysterious event involving her son’s boyfriend, a young Indian man named Rajat.

Rajat claims to have woken up one night in his cheap hotel room to find the dead body of a boy on the floor. Rajat panicked and left, and is living in fear that he will be picked by the police.

The book in part traces Delfont’s investigation of this mysterious body, and in part describes his burgeoning relationship with “Ma” Unger. The former is slow going through the first 2/3 of the book, and at some points one wonders if Delfont has forgotten about the investigation altogether.

The title has a dual meaning. It describes both the writer’s block Delfont is suffering at the beginning of the book and the actual physical hand that turns up as the sole remaining trace of the dead boy who turns out really was in Rajat’s room.

Coming from famed traveling writer Paul Theroux, it’s no surprise that the development of setting is phenomenal. Theroux not only gives one a sense of the sights, sounds, and scents of Calcutta, he also gives the reader insight into the human dimension of India through a number of supporting characters. There is a passionate young woman who writes poetry and practices the Indian martial art of Kalaripayattu. She is a strong, bright, and independent woman but is stuck in a world of arranged marriages and sexual repression. Despite the official end of the caste system, we see completely subservient Indians as well as others who think they are beyond talking to a lowly writer.

The plotting is solid. It’s neither exceptional nor so flat or formulaic as to be boring. I, who am not particularly good at foreseeing plot twists, did anticipate the ending–at least in broad brush stroke terms. However, the book kept me interested and reading. There was a clear narrative arc and the main character definitely undergoes a change over the course of the book (more on that below.)

In my opinion, the book’s weakness is in character development, and specifically Delfont’s character. We are introduced to a Delfont who is having a tough time, but is essentially a likable guy with his head on straight. However, as he begins to fall for “Ma” Unger, he seems increasingly pathetic. Specifically, he falls into this weird relationship in which he seems to see her both sexually and maternally, and–like a schoolboy with a crush–he wants to do anything he can to please her and to gain her attention. Now, being pathetic is a little like being crazy. If the character knows or suspects they are crazy, then how crazy can they really be? Because Delfont recognizes he’s being pathetic, he remains a sympathetic character. However, I think Theroux over hammers the degree to which Delfont is smitten until we begin to think he is obsessed. The problem is that it makes his transformation and that of his relationship with “Ma”, which happens like the flip of a switch, less credible.

All and all, I would recommend this book. I think it’s particularly interesting for one who wants greater insight into India and, specifically, Calcutta.

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WRITING DEVICES: The Author Cameo in A Dead Hand

I’ll soon finish reading a novel by Paul Theroux called A Dead Hand. I won’t get into the details of the book in this post because I’ll do a review later, but there’s a writing device in it that really intrigued me. Theroux inserts himself into the novel in a cameo role as a competitor to the protagonist. That is to say, the main character is a traveling writer who writes mostly magazine articles, while Theroux a prolific writer famous for travelogues such as The Great Railway Bazaar and Ghost Train to the Eastern Star,  as well as for many novels which are written with a travel writer’s sensibility for location. (A Dead Hand takes place in and around Calcutta, India.)

I enjoyed the author cameo. It would only work well for a writer like Theroux, one who is both well-known and, because of his nonfiction work, who readers have a feel for as a person. Still, I couldn’t think of another novel I’ve read in which this has been done. I’ve only read Theroux’s nonfiction so far, so maybe this is a running gag with him.

Inserting himself offers some opportunity for adding humor. For example, there’s a part in which the main character’s friend, who is also a go-between who introduces the two writers, says, “He [Theroux] said he wanted to take the train from Battambang to Phnom Penh.”

To which the main character replies, “He would. The bus is quicker!”

This technique also gives one the impression that we are getting some inside insight into the writer. When the main character mistrusts the author, how are we to process that?

Granted it’s a little like an actor looking into the camera and talking straight to the audience.

I’m interested to hear if this is a more widespread technique than I’m aware of? Who else does this?

MICRO-FICTION: Julia Doesn’t Know How Lucky She Is

IMG_2555“Have you completed your mission? The Council grows impatient,” The thought occurred in Safrom’s mind as if he had a split personality rather than an angry disembodied consciousness in his head.

“No, we were very close to planting it last night, but the cat came in squawking and making racket. It woke her up just before we could get it set. Those damn cats will be the death of me.  The preceding night we managed to keep one out all night, but the other slept on the subject maintaining constant vigilance,”  Safrom said aloud as he paced around the sterile white space of his station.

“The subject travels, why don’t you just do it then?” The thought formed.

“Believe me, I would love to, and we make great efforts to do so. But it is not as easy to track a person through thought-space as it is in the physical world. If we can ever get the damn implant installed, that will, of course, change immediately. Most of the time she is not gone long enough for us to find her, and on the few occasions she has been, or we’ve been lucky, she hasn’t slept deeply.”


“RRRrrrarr-eeeow …  RRRARRrrr-eeeow… RRArrra-eeeow,” the noise came from floor level.

Julia pushed herself upright groggily and swept a shock of black hair out of her face. She stared at the gray cat illuminated by a shaft of streetlamp glow that slanted in through her bedroom window, and said, “Really! You’re really waking me up from a sound sleep in the middle of the night?”

The cat stopped its bellowing and sat back on its haunches, looking at Julia indifferently. Then the shorthair trotted out of the room and down the hall.

Julia lay back down melting into a down pillow and drifted back to sleep while wondering what made her cat do that. What makes a cat that has been fed and is never let out at night, repetitively caterwaul until its owner wakes up, and then it just goes back to its indifferent self?


Julia yawned aloud. “Excuse me. My cat woke me up in the middle of the night three times for no apparent reason.”

“Does it do that a lot?” Erma asked.

“It comes in waves, but, it seems to have it down to a science. It always seems to do it when I’m in the deepest sleep, usually in the middle of a weird dream.” Julia elaborated.

“What was your dream about?” Erma asked.

“Ah, you know, it was a dream. It didn’t make much sense. I was being chased?

“Being chased by whom?”

“I don’t know. I never see them, but it always feels as though they are just about to catch me.”

“Maybe the cat is doing you a favor.”  Erma said in a completely somber tone.

“Yeah, right, maybe.” Julia replied with a grin. She assumed Erma was joking, although there was nothing in the older woman’s expression to indicate that she might be.

Erma changed the subject, “So how is your research coming?”

Julia shrugged and said, “I don’t know. I’m feeling a little overwhelmed as of late. I keep pulling up new material, but, as I do analysis, I don’t seem to be converging on an explanation.”

“It’ll come, you’ve just got to keep at it, and never up. If you never give up, a solution will always present itself.” Erma said with a smile.

“I suppose.”

“You know the thing about cats is…” Erma began.

“What’s that?” Julia inquired.

“Aww, never mind.” Erma said.

Evangelists Meet Max Their Match

BING-BONG.

Without even looking up from his computer, Max knew it was church people. They came around trying to sell him a religion now and again. No one sold aluminum siding, encyclopedias, or ice cream door-to-door anymore. Evangelic proselytizers were the last bastion of door-to-door salesmanship. The sect varied; the approach did not. They were the only ones who ever disturbed his peace.  Well, the only ones who didn’t use the phone.

He went to the door. It was a zaftig woman and a clean-cut young man–both dressed in funeral-like attire.

“Hello!” the pair said with practiced exuberance.

“Hello,” Max parroted with a decided lack of exuberance. Then he added, “May I help you?”

Max didn’t feel like being helpful, but there was the off-chance that it was  a couple of his neighbors who were just looking to borrow a cup of sugar so they could bake cookies for whatever wake they were attending. If so, he’d help them out, but as far as he knew such a request hadn’t happened since 1955. Then he saw their name tags, and not the paper kind. These were black plastic bordered in gold with white letters.

“We’d like to talk to ya ‘bout the Bible,” the woman said.

“Unless it’s the racy bits, I don’t think you’ll hold my interest,” Max said.

“Excuse me?”

“Never mind.”

“Have you ‘cepted Jesus as your personal Lord and Savior?” the woman asked. The young man was silent, apparently just there in case the woman knocked on the door of a Jeffery Dahmer-type.

Max was distracted by the words “personal lord”, and how odd the phrase seemed. Can I get my Messiah in Mocha with a burgundy robe?

After an awkward pause, he said,  “No, I’m an atheologist.”

They gave a coordinated grimace as if he’d dropped a deuce at their feet. “You’re an atheist?”

“No. I said atheologist. An atheist is one who does not believe in God. I believe in God. I just don’t believe in religion.”

“You cain’t have Gawd without religion.” The woman said.

“I beg to differ.”

“How’d ya know Gawd, elsewise?” The woman continued.

Max swept his hand outward in a gesture meant to draw the pair’s attention to the flowering dogwood in his front yard and the sky beyond. Their forehead creases indicated that they were both perplexed. The meaning of his gesture was lost on them.

“You cain’t know Gawd without religion,” the woman repeated, as if Max just hadn’t heard her the first time and if she said it more emphatically he would get it.

“You can repeat a gratuitous assertion ad infinitum, and it will remain an assertion,” Max said.

Neither evangelist gave any indication that they understood what Max was saying.

He sighed, stepped out onto the porch with them, and said, “Look. First, let’s ask what God gives us.” He leaned out under the eaves to look at an azure sky feathered by white wisps of cirrus clouds. This time they followed his gesturing arm and looked out with him at the bounty of nature. “Now, let’s consider what religion offers us. May I?”  He said as he reached for the thin little magazine that they had prepared to leave with him.

Max was taking a risk. He couldn’t know exactly what it the magazine would contain, but he’d seen enough of them to make an educated guess. There it was, right on the cover. He didn’t even have to flip through in search of it. The cover artwork was a dark sketch of a treeless city with brooding clouds drifting at the tops of buildings. The buildings were in ruins, and there were human-shaped lumps on the ground –meant to be either corpses or homeless people. It was a story about the fall of man or the coming apocalypse or some doom upon whose cusp humanity sits.

“Here we have it. Religion doesn’t show us beauty. It wants me to be afraid. It wants to scare me. It wants carnage and chaos to be my lodestar. It shows me horrors so that it can be my life-preserver. It wants to be my life-preserver so that I’ll substitute its will and wisdom for my own. It wants me to believe its leaders are infallible so that I’ll feel good about giving up control. It wants me to behave as its people behave. Most insidiously, it wants me to hate the people who it hates… This is why I don’t believe in religion. Thank you for your time,” Max said as he handed the Doomsday Gazette back to the woman and walked back into his house, leaving the two slack-jawed proselytizers in his wake.

Sharing Stories of the Plaguepocalypse

[I’m recycling this from a Figment competition that I once entered–and lost.]

Day 100, Post-Apocalypse

Day 100, Post-Apocalypse

JB and I worked tediously to find and repair damaged insulation on the main from the solar farm down to our bunker. Breaks or cracks in the insulation meant lost energy that we could not afford, but we had to bury the cheap cable available to us because the Mojave sun degraded it too rapidly otherwise. Burying the line invited a whole new problem because burrowing critters then began to gnaw on it. Whenever there was a power drop, two of our trio had to come out and do line maintenance.  Output should have been at its maximum given it was mid-day during the hottest time of year, but, instead, we were experiencing a sixty percent drop in power.

We wore white from head to toe except for a slit in our ninja-like masks where sunglasses covered the unclothed region and protected our eyes from the harsh rays and glints.  This had always been a harsh land, but changes experienced in recent decades made it far hotter.  I sucked a mouthful of water from the bladder that lay next to my body under my baggy white clothes. The water was hot, like a freshly brewed cup of tea—sans the tea.

“Son-of-a…, sweat is stinging my eyes,”  JB said as he removed his sunglasses, and blotted his eyes with his sleeve.

“Put the shades back on. We can’t have you getting burned retinas,” I said.

“Yeah, yeah, if I go blind who’ll come out here with you to dig up line?” JB’s reply dripped sarcasm.

“Exactly, now you’re getting it,” I said.

JB wiped his eyes once more, and then put the glasses back on. Without the shades, the surroundings looked like the Mars of old movies – cast in a reddish hue.

“I think I’ve got it,” JB called out.

“Looks like it,” I replied, leaning over to look in JB’s newly-excavated hole.

A mole rat skeleton had its teeth buried in the insulation.

After removing the rodent, patching the insulation, and putting the sand back, JB and I walked back to the hatch of our bunker.

JB crouched over the opening. He touched the metal lip of the hatch and immediately yanked his hand away while screaming an expletive. The gloves were not thick; they were for keeping the sun off the skin while holding in as little heat as possible.

JB called down the shaft, “Brit!”

“What ‘cha want,”  Brittany replied.

“How’s our power level, we pulled a fried mole rat off the line,” I asked.

“Yum!…,  The power is back to normal,”  She called back.

I followed JB down the long ladder into the bunker. I pulled the hot hatch closed behind me and secured it against some unlikely foe.

“We need to protect that line somehow,” I said

“I’m just glad we didn’t have to hump out to the transmitter. The last time it broke down I was loopy with dehydration by the time I got back. You sure this is the only place for us to live?” JB said.

Brit came in with two cups of water and handed them to JB and myself.  She said, “I’ve got the loop broadcasting again and the receivers are turned up loud.”

“If you can come up with someplace else where we can tap into the energy necessary to keep broadcasting, I’m all ears,” I responded.

“That’s just it. We’ve been broadcasting all this time, and we’re not getting any reply,”  JB said.

“We also don’t know whether this climate is responsible for our good fortune,” I said.

JB had no response.

“Good fortune? Oh, my, I feel like such a princess.” Brit said curtseying with her fingertips bunched up and wrists kinked as if she were holding up a skirt.

“I mean being alive,” I clarified.

There was a silence.

Brit spoke up, “Remember people?… I love you guys, but I’d give anything to meet a stranger. Remember the last time you saw a crowd of strangers.”

 

I did, indeed, remember.

I was planning on going to Union Station to get out the Los Angeles. Before I left my apartment, I saw a news story showing the train station among all the other avenues of disembarkation that were thronged with people.  The streets outside the station were flooded with a throbbing, undulating mass of humanity. As in the mosh-pit of a rock concert, there were two primary classes of people: those who were screaming and those who were suffocating. Mixed in among these were glassy-eyed souls who had the good sense to realize they were the walking dead, and to behave accordingly.  There were images from packed train-less platforms, and the grandiose cavernous waiting area.

I packed my gear and donned boots so as to be prepared to hike out of town if necessary. It proved to be a wise move, because I when I arrived at the train station the wall of humanity was impenetrable.

I hated crowds. Crowds were noisy, hot, and chaotic.  My hatred of crowds saved my life. Nature has its weird ways. I had once read about ants that could take down a fully grown cow. They did this by covering the animal benignly, and then, upon a release of a pheromone from the ants on the creature’s head, they all stung at once. This malady, a hemorrhagic fever of some sort, was similarly impossibly intelligent and geared toward wiping out the entire species. It seemed to know when its victims were within a crowd, by what mechanism I cannot imagine, and it would then send them into sneezing and coughing fits that propelled droplets of virulent blood in a fine mist to those all around.

Now I missed crowds, because they were a sign that one’s species wouldn’t die with oneself.

JB and Brit had taken to telling each other their own last crowd stories, which we’d heard before. We’d heard all of each other’s stories.

Well there was one story that I kept for myself. It was the story of the day before I met up with Brit and JB. It was my nadir.

I had been hiking east from the city. My path merged with the I-40 corridor, and it was the most horrific day of my life. I’d always been an avid hiker and had spent long periods on my own before, but these times of solitude were without signs of humanity. As I came upon I-40, there were people all around -in cars and on the ground, but they were all stiff and had rivulets of brown or red running from their noses, mouths, ears, eyes, and presumably the unseen orifices.

When I saw a monastery on a hillside, I thought I was saved.  Surely the isolated monks or nuns were safe and would help out a weary uninfected traveler? I found an old stone church that was post and beam on the inside. Anyway, my hope faded when I found the pews had been used as hospital beds, and all, patient and caretaker alike, were bled out. The only signs of life were rats on the floor, weeds in the mortar joints, and birds in the rafters. That was my moment of greatest loneliness, for if God had abandoned his own house, what hope was there for me.

Your Life is Hard? Try Working with Ninjas,Pirates, and Smugglers!

Ninjas, pirates, and smugglers aren’t exactly chatty. They burn, or shred, their correspondence. They sow seeds of disinformation to confuse the authorities. They lurk in the inkiest of shadow worlds behind doors we don’t even know exist. Still, who wants to do a hatchet job on a pirate? Right?

Did I mention that these are characters in the novel that I’m currently revising (or did I let you believe I was talking about in-the-flesh smugglers so that you’d keep reading.) Sorry, no one ever accused me of NOT being a deceitful bastard. Well, my friend, you’re now more than Tweet deep in this post; that’s quite an investment; it’s the modern-day equivalent of having read The Iliad, so you might as well keep reading.

Kiss the Cobra (my third working title) features a cast of characters of not only the aforementioned occupations but also monks  (both the scholarly and  kick-ass kung fu varieties), an Emperor, a muay Thai master, and a secret society that makes ninjas look like chatty Cathys. Like all good lies, this novel begins with a seed of truth. That seed is the rescue of Emperor Go-Daigo from imprisonment by an evil (ok, quasi-evil) shogun in 1337.  From that seed, it’s my wild imagination run amok… or is it? The Emperor assigns the loyalist ninja who rescued him, Korando, to travel to Southeast Asia to acquire an artifact that legend has it will help him re-consolidate power.

Cut to the present day, a linguistically-talented young man, Matsuo (a.k.a. “Matt”), comes into possession of a scroll. The scroll is Korando’s journal, written and hidden as a confessional. Matt investigates Korando’s journal on an electronic bulletin board only to find himself being chased by nefarious characters. Matt discovers that there are still people willing to kidnap, kill, or commit treason for the secrets that Korando’s journal may possess.

The novel weaves the 14th century journal with this present-day cat and mouse game between the forces of good and evil. There’s murder and mayhem, love and betrayal, victory and defeat, virtue and vice; in short everything you love in a novel is densely crammed into this book.  There’s even one character who may or may not be a Zombie–I’ll let you be the judge.

Now let me just add this screenshot of me to show you ho

Do you ever get a chill on the back of your neck?

Did you ever get an inexplicable chill on the back of your neck?

BOOK REVIEW: Solaris by Stanislaw Lem

SolarisSolaris by Stanisław Lem

My rating: 4 of 5 stars

Solaris is the  best known work of the Polish sci-fi writer Stanislaw Lem. It’s the story of the planet Solaris’s super-intelligent ocean and the humans that are observing it from an orbiting space station. Scientists discover that the ocean is intelligent because the planet orbits two stars, and the ocean must redistribute itself as ballast to keep Solaris from flying off out of its star systems.

Having had no luck in learning about this ocean, the scientists begin more invasive operations–bombarding the ocean with electromagnetic radiation. The ocean then begins to project human beings into the space station, using blueprints in the minds of the scientists. Each of the scientists begins to see, and eventually interact with, someone from his past. Each “guest” is physically indistinguishable from the person in the respective scientist’s past, but the simulacra are “off.”  These simulacra stir up bad memories.

The most extensive interaction we see between a crew member and one of these manifestations is that of the protagonist, Dr. Kris Kelvin, and his ex-wife. Dr. Kelvin is a psychologist and is the most recent crew edition. (The novel actually starts with him as a new arrival, we learn of the earlier incidents as he does.) His “visitor” is the spitting image of his wife, a woman who committed suicide after the couple broke up.

The novel plays with an intriguing question. What if a person you loved and lost came back from the dead, but you would only be able to experience them as they existed in your mind? In some sense, they’d be more real to you than the actual person. But you’d know they were just a fabrication, and you could never learn anything new about them. At first Kelvin rejects, even banishes, his wife’s doppelgänger, but when she inexplicably returns he finds it hard to maintain his distance.

I enjoyed this book. The translation seemed skilled to me (though I don’t read Polish, and hence didn’t read the original.) I’d recommend it.

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There have been three film adaptations of this novel. I haven’t seen any of the movies, but this is the trailer for the most recent one. The trailer emphasizes the love relationship more and the sentient ocean less than the novel (though the interaction of the protagonist with his imagined wife is central to the work.)

BOOK REVIEW: Steel and Other Stories by Richard Matheson

Steel: And Other StoriesSteel: And Other Stories by Richard Matheson

My rating: 4 of 5 stars

Amazon page

Steel and Other Stories is a collection of 15 short stories from the author of I am Legend. Thirteen of the fifteen stories are from the 50’s, and motifs of that time are common (e.g. Cold War phobia, the Western, etc.)

1.)The title story, Steel, is about android boxers. Viewers of the movie Real Steel, which was loosely based on this story, will find the story not much like the film. In the film the boxers are robots, but in the story they are androids. For those readers who aren’t sci-fi geeks, the difference is that androids look and move like humans. There is more on the line in the final fight in the story than in the film.

2.) Fit the Crime is about a cantankerous old poet on his deathbed. It’s a humorous story and will be enjoyed by those who love language play.

3.) The Wedding is about a superstitious groom who gets on his bride’s last nerve.

4.) The Conqueror is the sole Western in the collection. It features gunfights and a final line revelation.

5.) Dear Diary is a very short sci-fi piece that is written in the form of three diary entries: one in 1954, one in 3954, and one at an undesignated date presumed to be later than the second entry. In typical Mathesonian style, the third entry, only a partial sentence, turns expectations on end.

6.) In Descent two couples are preparing to move underground to survive nuclear holocaust. Confronted with the decision of dying above ground or living a subterranean life, one of the men opts for the former. This creates a dilemma for the man’s wife.

7.) In The Doll That Does Everything two parents of a horrid child contemplate whether the lifelike doll they buy their child really can do everything.

8.) The Traveler is about scholars who go back in time, cloaked, to observe biblical history first hand.

9.) When Day is Dun is about the last man alive, but, unlike I am Legend, the apocalypse is of nuclear annihilation.

10.) Splendid Source is one of the most famous stories in the collection. It’s about a search for the point of origin of ribald jokes. Viewers of Family Guy will recognize its depiction in an episode of that series.

11.) Lemmings is one of the shortest pieces in the collection. It imagines humanity walking one after another into the sea.

12.) In The Edge a man finds that people he doesn’t know know him. This begs the question of whether he has a doppelgänger or he’s lost his mind.

13.) In A Visit to Santa Claus a man reconsiders a contract on his wife’s life that is to be executed on a visit to the mall to see Santa.

14.) In Dr. Morton’s Folly a dentist gets an after-hours emergency case.

15.) In The Window of Time A man travels back in time 68 years by mysterious circumstance, walking familiar territory in transformed in time.

Matheson is a master story craftsman, and this collection is an interesting mix of stories from various genres–some humorous and some dark.

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BOOK REVIEW: Life, the Universe, and Everything by Douglas Adams

Life, the Universe and Everything (Hitchhiker's Guide, #3)Life, the Universe and Everything by Douglas Adams

My rating: 4 of 5 stars

Amazon page

My review of: Hitchhiker’s Guide to the Galaxy

My review of: Restaurant at the End of the Universe

Arthur Dent and company are back for a third volume, and this time they must save the universe. This installment in the Hitchhiker’s Guide to the Galaxy (H2G2) series leaves off where the second stopped.

Readers will recall that at the end of the second volume,Restaurant at the End of the Universe, Arthur and Ford Prefect were marooned on the Earth two million years before their time (i.e. before the Earth was destroyed for a hyperspace bypass.) The two are reunited after Ford spent some time in solitude experimenting with being insane. They catch a ride forward in time on a piece of couch-shaped jetsam caught in an eddy in the space-time continuum.

Arthur and Ford are then picked by Slartibartfast, designer of fjords, who convinces them that they must go on a mission to save the universe from the inhabitants of the planet Krikkit. Actually, he can’t convince Ford of that, but he does convince him to go to the longest running party in the universe. Unknown to Ford, Slartibartfast wants to prevent the Krikkiters from attaining a requisite part that happens to be located at the party.

Arthur plays a particularly important part in this volume. After a run-in with a creature that he has killed numerous times in various bodies, the H2G2 straight man develops the knack for not hitting the ground after throwing himself downward (i.e. he can fly.) This new skill plays an important role in ultimately winning the day.

Arriving at Krikkit, the group finds that the locals aren’t much interested in destroying the universe anymore.This leads the band them to uncover a plot of intrigue and hilarity.

Given that there are two more books, you probably believe that the universe wasn’t destroyed, but I’ll avoid spoilers.

As always, Adams is the master of absurdist science fiction. Sure he gets his characters out of jams by flukes of the infinite impossibility drive or, in this book’s case, randomly appearing and disappearing couches, but it’s the wackiness that we enjoy and not the tautness or logical consistency of the tale.

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