BOOK REVIEW: Why Dylan Matters by Richard F. Thomas

Why Dylan MattersWhy Dylan Matters by Richard F Thomas
My rating: 4 of 5 stars

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Obviously, in the annals of popular music, the work of Bob Dylan matters. To make sense of the title and related objective of this book (which might otherwise seem presumptuous and demeaning) one has to know a little about some recent history of the politics of the Nobel Prize for Literature. (No, not the internal scandal that delayed the issuance of the 2018 Prize to 2019.) In 2016, an American hadn’t won since 1993 (Toni Morrison,) and given the relative volume of publications from America this was coming to be seen as a major “screw you” to the nation’s literary community. The Nobel committee claimed it was because American authors didn’t get their works translated and were too insular with respect to the global literary community. Still, the disparity was on the minds of many. Then, Bob Dylan was issued the Prize. While some who were offended by this disparity were placated, many thought it was an even bigger “screw you” than if the Committee again hadn’t issued it to an American – like it was a “you asked for it, you got it; now shut up for at least the next 15 years!” kind of award. I doubt anyone would deny that, as a pop music lyricist, Bob Dylan is brilliant – if not the best — but for many that still just made him a middling poet. (Dylan wrote one piece of prose poetry, “Tarantula” as well as “memoirs” [that were apparently largely an act of creative writing,] but only his lyrics could feasibly merit issue of the award.)

It was with that mess in mind that Thomas delivers this book. It seems to be his objective to not just prove that Dylan matters — generally speaking — but that Dylan’s work matters as literature – presumably, such that he’s at least as deserving of the Nobel Prize as any living American poet, story-writer, or novelist. The thrust of Thomas’s approach is in showing that Dylan’s work is dialed into the global literary canon. As a classicist, Thomas puts particular emphasis on Dylan’s stealing from, and referencing of, Greek and Roman figures like Homer and Ovid. (I mean “stealing” only in the sense that word used by artists, and there is considerable discussion of that subject, herein.) However, he does also show how Dylan uses and references other poets from Shakespeare to an obscure Confederate poet.

So, the logical question is whether Thomas answers his book’s titular question with enough authority to convince the reader that Dylan does matter. Thomas certainly convinces us why Dylan matters enough to have classes taught about him, like the one Thomas teaches a Harvard. However, I can’t say that I was convinced that Dylan is on-par with… for instance, Cormac McCarthy or Salman Rushdie (who resides in the US, as I understand it) as a major literary figure. While Thomas does show that Dylan’s work is literature because Dylan’s work is wrapped up in literature, the only real argument he offers for whether Dylan is at the highest echelon of literature is his intense fan-boy devotion. We see a lot of comments like: “He had all that he needed to write ‘Masters of War,’ the greatest anti-war song ever written.” Not “one of the best,” not “the best, in my opinion,” not “the best rock-n-roll anti-war song,” but a gratuitous presumption that nothing else could be considered in the running enough for there to be a debate. Thomas’s enthusiasm that Dylan is among the biggest artistic geniuses of our time – if not all time – is certainly potent, but not necessarily compelling.

The book is annotated, has a bibliography and a graphic discography.

I enjoyed this book. I learned a lot about the works of Bob Dylan and I found the author’s fervor for Dylan’s songs contagious — if not altogether convincing that it merits Dylan’s inclusion with Hemingway and Faulkner as an American literary icon. [Though I would not in the least challenge his inclusion as an icon of folk, rock, or pop music.] If you’re interested in Dylan, or this question of whether he’s the best American for the job of Literary Nobel Laureate, this book is worth a read.

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BOOK REVIEW: Dhammapada trans. by Venerable Acharya Buddharakkhita

Dhammapada: a practical guide to right livingDhammapada: a practical guide to right living by Acharya Buddharakkhita
My rating: 4 of 5 stars

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The Dhammapada consists of 423 sayings attributed to the Buddha. There seem to be numerous versions of the Dhammapada as translated by Venerable Acharya Buddharakkhita in circulation, so your results may vary for good or bad from what I report here. (Not to mention there are many other translations which may vary tremendously)

The 423 sutras or maxims included in the book are arranged into twenty-six topical chapters. The version I have presents no analysis, it’s just the text of the verse in Pali (i.e. the Roman / English language alphabet spelling out the phonetic Pali words) with an English translation below.

First, the pros of the edition I read: There are some explanatory notes offered as necessary (38 of them,) there are a few graphics (drawings and photos in B&W,) and there are two indexes. The first of the two indexes wouldn’t be of much use to me, but it would be for the Pali literate because it indexes the Pali verse. The second index is in English and is organized by analogies (i.e. analogies employed in the verses,) and that could be a tremendously useful feature. For the Pali literate, having the original phonetic Pali included must be an excellent feature. (There’s also a page in the front matter that shows how the pronunciation works.)

As for the cons of this edition: First, there were a few typos (mostly of the type that wouldn’t be caught by spellcheck – though this translation was pre-spellcheck — so I’m referring to the kind of typos that aren’t easily caught.) Second, while all the verses are translated, there is some text that remains in Romanized Pali [I suspect prayers, but can’t say for sure.]

This is the second translation of the Dhammapada I’ve read, and I found it worthwhile. It’s easily readable, not too flowery, and not bogged down with needless analysis or exposition. I can’t say how it compares among all translations (either in terms of skill of translation or in accurately capturing the Buddha’s meaning,) but it reads pretty fluidly.

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BOOK REVIEW: Three Tang Dynasty Poets by Wang Wei, Li Po, and Tu Fu

Three Tang Dynasty PoetsThree Tang Dynasty Poets by Wang Wei
My rating: 5 of 5 stars

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This book is in a series put out by Penguin Books entitled “Little Black Classics.” As the series name implies, these are booklets featuring classic works (or fragments, thereof.) This book features a combined 33 poems by three Chinese poets who lived in the eight century.

In the 14 poems by Wang Wei (a.k.a. Wang Youcheng) we see his famed mastery of landscape and nature poems, and we feel the effect of his Cha’an (Zen) Buddhist mindset.

Among the ten poems by Li Po (a.k.a. Li Bai) we are introduced from the beginning to the poet’s legendary proclivity for drink. While it’s not all carousing, human characters do play a more central role in Li Po’s work.
There are nine poems by Tu Fu (or, Du Fu), which share Li Po’s inclination to feature humanity at the heart of each poem, if in a more straight-laced way.

I enjoyed the poems in both their imagery and sound quality. I can’t really speak to how skilled the translation was, i.e. how much better or worse they could have been. The translators were G.W. Robinson and Arthur Cooper, who I know nothing of, but who apparently both translated a considerable amount of classic Chinese literature.

The poems are almost all short form works, so – with one exception – the poems are included in their entirety (i.e. not excerpted.)

The booklet has an appendix that features a two-page prose story entitled “The Story of the Peach Blossom Spring” by Tao Yuanming. The reason for including the story is that it’s the inspiration for the Wang Wei poem that opens the volume.

I enjoyed reading this little booklet of poetry. The translations are easy to follow, and the imagery is appealing. The Zen / Taoist feel that is widespread in these works is pleasant.

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BOOK REVIEW: Acid Dreams by Martin A. Lee & Bruce Shlain

Acid Dreams: The CIA, LSD and the Sixties RebellionAcid Dreams: The CIA, LSD and the Sixties Rebellion by Martin A. Lee
My rating: 5 of 5 stars

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This is a microhistory of America’s interaction with LSD. LSD, commonly called “acid” from its full name Lysergic acid diethylamide, is a chemical substance that was originally derived from ergot fungus, and which causes distortion of perception, an altered state of consciousness, and – in some cases – hallucinations. When I say it’s American history, that’s an oversimplification because many of the events described happen overseas (e.g. LSD’s own story begins in Switzerland with chemist, Albert Hofmann, after all,) but most of the central players are American and the book’s two primary lines of investigation are both centered on America. One of these lines involves the covert research program designed to discover if acid could be used as a truth serum, a mind-control agent, an incapacitant, or otherwise to the benefit of the Central Intelligence Agency (CIA) and other covert agencies. The other line is about the role that LSD played in the countercultural revolution of the 60’s and early 70’s.

The book’s flow begins more heavily focused on the covert programs, then gets into what was happening with the youth in the 60’s, and toward the end discusses where the proceeding lines seem to run together with individuals like Ronald Stark who was a drug smuggler involved with an organization called the “Brotherhood for Eternal Love” but who many suspected of having ties with (if not direct employment by) the CIA – and not entirely without reason (though not with sufficient evidence that firm conclusions are drawn in the book.) I should mention that this just the general flow. The book has a chronological flow with topical segments within, so it’s not like it deals with these issues entirely independently.

If the covert research program had been carried out by competent scientists using accepted methodologies, then the discussion of these programs would probably be at best moderately interesting. (To be fair, some competent science may have occurred, but it’s so unnoteworthy compared to the wild and pranksterish that it draws no attention.) What the reader learns, however, is fascinating because it involves clean-cut and seemingly respectable g-men spiking unwitting subjects with acid like a teenage prankster-idiot might do – but without the “excuse” of being immature, stoned, and having not yet learned to behave responsibly. Perhaps the most bizarre program was Operation Midnight Climax, in which CIA agents hired prostitutes in San Francisco to spike the drinks of their johns so they could find out if the customers got loose-lipped. A CIA agent would watch on, dutifully making pipe-cleaner twists of the various sexual positions performed by the sex-worker and her customer.

The civilian history follows a path from Hofmann’s discovery at Sandoz Laboratories (now owned by Novartis) through the early years of Al Hubbard (the so-called “Johnny Appleseed of LSD”) through the trials of Timothy Leary to others who figured in the heyday of LSD such as Ken Kesey and his Merry Pranksters, and, finally, to the crackdown on psychedelics and the illicit smuggling rings that resulted. There is fascinating coverage of how Federal law enforcement tried to stifle production and smuggling of LSD, particularly with respect to training agents to infiltrate hippie organizations.

This book originally came out in the 80’s (though I read the 2007 edition) and while it has a post-script that discuss a bit of a resurgence that occurred beyond the 70’s, it doesn’t touch upon a more recent thaw in attitudes toward psychedelics as they’ve begun to be legalized (or sought out where they are legal) or the surge in popularity of “micro-dosing.” As of this book’s end all psychedelics remained Schedule I – a label which states that they have no legitimate medicinal value (which cooler heads have realized is blatantly wrong given substantial evidence that psychedelics can be of benefit in conquering addiction, in managing depression, and otherwise.)

I found this book intriguing. It’s a must-read if you are interested in any of the following topics: the 60’s counter-culture revolution, mind-control programs, or how public policy gets hijacked by history.

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BOOK REVIEW: Catching the Big Fish by David Lynch

Catching the Big Fish: Meditation, Consciousness, and CreativityCatching the Big Fish: Meditation, Consciousness, and Creativity by David Lynch
My rating: 4 of 5 stars

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This book consists of a series of topical micro-essays – the shortest being a simple sentence and the longest being a few pages, with the average being about a page. Lynch is most well-known as the director who created such works as “Eraserhead,” “Mulholland Drive,” “Blue Velvet,” and “Twin Peaks.” As the subtitle suggests, the overarching theme of the book is the nexus of meditation and creativity. While many of the essays explicitly touch on how meditation influences consciousness, which in turn influences the creative process, not all of them do. Some of them are more biographical or about the filmmaking process – including discussion of technical considerations (what is the optimal type of camera and how high definition can be too much definition for its own good) and what a neophyte such as myself might call the managerial considerations of movie direction (how to best get one’s vision across through the actors.) Along the way, one glimpses how Lynch shifted from his first artistic love, painting, into the world of cinema.

Lynch is a long-time practitioner of Transcendental Meditation (TM,) which is a mantra-based meditation in which the meditator silently repeats a mantra given to him or her by a teacher. The central analogy posed by Lynch is that meditation expands the consciousness and this allows one to catch bigger fish (more profound and creative ideas) through one’s art. He’s not suggesting that the ideas come directly within the process of meditation, but rather that meditation facilitates one’s ability to deepen the pool and pull up bigger creative fish.

He does engage in a fallacious form of thinking that I’ve critiqued in other books, and so I figure I should mention it here as well – even though I found it a little less troubling because of his free flowing “artsy” approach to presenting ideas. But this fallacious bit of reasoning goes something like this: “See how science is talking about this confusing issue and admitting that no one fully understands it yet? And see here how these scriptures are describing this nebulous idea with a few kernels that sound vaguely similar to what the scientists are talking about? From this we can conclude that they are – in fact — talking about the same thing, and that the ancients actually understood this all in much greater detail than we do today.” He does this mostly with reference to the unified field theory (which still hasn’t unified gravity into its ranks, let alone establishing some kind of oneness of all things.) It’s what dear old Dr. Sherrill used to call the “firstest-is-bestest” fallacy, which is thinking that back in the day they knew everything any we are presently just stumbling around in the dark trying to get back on track. [One should note, there is an equally fallacious counterpart that he called the “outhouse fallacy,” which assumes that because people in the past didn’t have indoor plumbing that they were complete idiots.]

For cinephiles, the book provides a lot of interesting tidbits about Lynch’s filmography. [For non-cinephiles such as myself, some of this will make sense, and some of it won’t. I occasionally had to make a Google run while reading the book to figure out some obscure reference about one of his movies.] For those interested in meditation, there is a great deal of fascinating thought about how creativity happens and how it’s advanced by having a meditative practice.

The most notable ancillary matter is an appendix of interviews with Paul McCartney and Ringo Starr. Lynch has a foundation that works to bring meditation into the educational process and the two former-Beatles support its efforts enough to do an interview. The McCartney interview stays more on the topic of meditation — particularly the Beatles’ interaction with Maharishi Mahesh Yogi, the creator of TM and a guru who taught the band both during a visit to the United Kingdom and in his own home base of Rishikesh. The Ringo Starr interview is actually much more about the musical history of Starr and the band.

I enjoyed this book. It’s a quick read. It’s a little all-over-the-place, but not in a bad way. A lot of the writing has a stream of thought feel that seems appropriate to the subject matter. If you’re interested in the films of David Lynch the book definitely has some inside insight for you. If you are interested in the meditation and the mind, you’ll also receive some good food for thought. If you are just looking for a way to spur creativity, it’s also worth a read.

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BOOK REVIEW: The Hidden Girl and Other Stories by Ken Liu

The Hidden Girl and Other StoriesThe Hidden Girl and Other Stories by Ken Liu
My rating: 5 of 5 stars

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Out: February 25, 2020

 

This smart collection of speculative short stories by Ken Liu is mostly science fiction, but includes a few works of fantasy (including the titular story, which is what one might call “martial arts-fantasy” – i.e. imagine “Crouching Tiger, Hidden Dragon” with more magic.) Depending how one counts up the stories, one could call the collection nineteen stories or sixteen stories and a novella. The novella, broken into three parts, is “storified” enough that its sections are interspersed among the other stories.

Liu doesn’t neatly contain his stories within boundaries of genre. In some cases, he jumps through time — including historical fiction, contemporary / near future, and distant future within a single story. He also takes on social issues like the Japanese internment during World War II in “Maxwell’s Demon” and the blight of technology on social interaction (best shown in “Thoughts and Prayers.”) There are hard sci-fi stories that show intergalactic travelers in a distant future, such as “The Message,” but there are even more that peer into the worries of the near future, such as artificial intelligence or the replicating of human consciousness in computers.

The novella imagines a world in which companies have captured the consciousnesses of great, but dying, minds for their own purposes. It then explores considerations such as: what happens when a great mind gets tired of being trapped as an acorporeal intelligence for the benefit of a company, and what does humanity mean in the context of fully replicated human minds?

I found these stories to be both intriguing and thought-provoking. I enjoy a good story, but stories that make one think deeply hold that much more allure. I’d highly recommend this collection for fiction readers. Whether or not you read genre fiction, you’ll find stories of great appeal.

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BOOK REVIEW: Pain: Considering Complementary Approaches by NCCIH

Pain: Considering Complementary ApproachesPain: Considering Complementary Approaches by National Center for Complementary and Alternative Medicine
My rating: 4 of 5 stars

Online here

 

The National Center for Complementary and Integrative Health (NCCIH) has put out a new edition (dated 2019) of its pamphlet (about 50 pages) about how useful various complementary practices are in helping patients reduce, or cope with, pain. The NCCIH is a center in the National Institutes of Health (NIH) that serves as a clearinghouse for information about how alternative and complementary practices perform in treatment of various ailments. While alternative (instead of mainstream medicine) and complementary (in conjunction with mainstream medicine) are quite different, in almost all cases this work herein is reporting on the latter basis. The complementary practices in question include: yoga, taiji, meditation and mindfulness, massage, acupuncture, chiropractic manipulation, relaxation methods, and others.

Complementary approaches to treatment of pain is a particularly salient topic these days as the mainstream medical approach (giving patients pills to gobble down) has resulted in what many have called a “crisis” of opiate addiction. So, if it’s possible to reduce the grip of pain with practices that at best have numerous other health benefits and at worst do no harm, than that’s a pretty good outcome.

Chapters three through eleven form the pamphlet’s core, and all but the last of those look at one complementary practice each, including (in order): acupuncture, massage, meditation, relaxation techniques, spinal manipulation, taiji (a.k.a. tai chi, or tai chi chuan), yoga, and dietary supplements and herbs. Chapter 11 discusses a few additional (less popular) practices. These chapters follow a three-prong approach: 1.) is it safe? 2.) does it help mitigate pain? and 3.) where can I find more information? [Spoiler alert: In almost all cases the answer to #1 is roughly “Yes, for most people, but possibly not for you. Check with your doctor,” and to #2 is usually something like: “there is some preliminary evidence that in certain cases certain people may have benefited.”] The chapters before (ch. 1 & 2) and after (ch. 12 to 14) provide background context and additional information.

On the positive side, it’s great that this information has been gathered together and packaged into a readable format with pictures and easy to read text.

On the down side, this was clearly a document put together by a committee of bureaucrats in consultation with lawyers. It is so laden with qualifiers and spongy speak that it’s impossible to discern how strong the evidence is for the various practices or how one compares to another. I felt that they could have given the same information in a three-column table in which the first column is the practice, the second column is “can’t hurt to try*” [*provided your physician concurs,] and the third column would be “nah, this stuff is fake.” [Spoiler alert: almost everything besides homeopathy would have the first column checked, but the consensus seems to be that homeopathy is pseudo-scientific quackery designed to sell water at medicinal prices.]

This booklet is available on the web for free, so if you’re interested, check it out. But don’t expect to come away with any profound insights. It’s not that kind of booklet.

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BOOK REVIEW: 100% by Paul Pope

100%100% by Paul Pope
My rating: 4 of 5 stars

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Despite the gritty, futuristic-noir setting of this graphic novel, it’s essentially the intertwining of three love stories. The story opens on the corpse of a dancer found in an alleyway. I thought this was going to be part of the story’s inciting incident or foreshadow it, but — in reality — it just served to establish that we’re on the wrong side of the tracks. The same might be said of a scene involving the purchasing of a gun. [I’ll let the reader figure out whether it was a “Chekov’s gun.” i.e. Chekov famously said, “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.”] The fact that the story set in and around a strip club is apparently insufficient to convey how seedy this neighborhood is.

The love stories are between a dancer and a dishwasher, the club manager and a fighter, and the manager’s best friend and a sound artist. These love stories are nicely woven together, even if they are clichéd. The relationship with the prize fighter is probably the stalest. However, fear of commitment and standing up for one’s art are the well-worn heart of the other two stories. As I think about it, it’s not that those clichéd themes form the heart of the story (one will see the same themes replayed out in great works, past, present, and future,) but instead I think it’s the way we are pummeled over the head with them. It’s much like aforementioned set up of the seediness of the setting. By being so blatant, one can’t help but feel it’s a bit hackneyed.

That said, it’s a fine story, that might have benefited from a little bit of subtlety.

The artwork was well-done as far as I’m able to tell. I have no particular expertise in art, so my only criteria is whether I could follow what was happening, and I could.

The “100%” that is presumably meant to apply to the lengths the characters go to for what / who they love, unfortunately is exceeded in telling the story in a way that draws attention to itself too much for its own good. That said, if you’re looking for sweet stories of love in a seedy setting, this book has got you covered.

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BOOK REVIEW: Hogg by Samuel R. Delany

HoggHogg by Samuel R. Delany
My rating: 4 of 5 stars

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If you’re familiar with Samuel R. Delany, it’s probably as a writer of science-fiction. His most famous works are “Dhalgren” and “Babel-17.” However, this book isn’t science-fiction, and I’m not sure that there is a consensus term for the particular genre that would categorize it. Astute readers will point out that it’s described as “erotica” right on the cover. But, in as much as erotica is a genre whose dominant intention is to evoke feelings of arousal, I’m not sure the majority of people would classify it that way (though I have no doubt there is a fetish community that would.) This isn’t to say that the book isn’t loaded with sexual activity. It is, across virtually every page, but the way those acts are presented — I suspect — will be found more cringe-inducing than arousing to the average reader. I’m specifically talking about the extreme unhygienic behavior that takes place throughout this book – much of which is tied up in sexual activity, but not all of it. Let it be known that I’m not commenting on the nature of the sexual activity, which is pansexual. I’m not even talking about the moral disgust of the fact that most of the scenes in which a woman is present involve rape of a particularly vicious nature, and that child molestation takes place throughout. By the same token, horror isn’t a good classifier either, though the book does have many horrifying scenes, and might best be categorized by a type of horror subgenre. If horror is a genre designed to evoke fear, “Hogg” is a book designed to evoke disgust – and it does so with great success. So, the first thing a reader should be aware of before taking on this book is that you may throw up in your mouth at one or more points during the reading of it.

So strong is aversion to disgust that probably most readers will have given up on this review by now and given up any intention of reading the book. Those who are still here, however, may want to know whether the book has redeeming qualities. The answer is: Yes. It has a smart story, psychological intrigue, and skillful use of language (even if much of that skill is directed at making one physically queasy.) While “Hogg” is often painful to read, it is adroit storytelling.

The book tells the story of the unnamed narrator, a boy who is known throughout only by a slang term for “giver of fellatio.” The narrator spends much of the book in service to the titular character, Hogg. Hogg is about as loathsome a character as one can imagine, and he needs the extra “g” because to call him a hog wouldn’t be an insult to swine. He exercises little control over where he urinates and defecates, and prides himself in unhygienic behavior. His job is contract work, but instead of murder he rapes and beats women who’ve run afoul of despicable and cowardly men. The lead character seems to be motivated by a need to please and / or capture the attention of an individual who has no capacity for human connection. The psychotic Hogg seems perfect target for such “affections,” and that’s why after bouncing from master to master, the narrator ends up with Hogg for such a time.

One of the most psychologically interesting elements of the book is its depiction of the bizarro morality of individuals who have an anarchic mindset. At one point, Hogg decides that he can’t tolerate a customer who insists on explaining his reason for hiring Hogg and his crew. In Hogg’s mind, the fact that the man can come up with a reason for the horrific act, other than the pure bliss of it, indicates that the man is crazy and will ultimately feel guilty and be the ruin of them all.

The story is swept along through its climax and resolution when Hogg’s most junior crew member (not counting the narrator who is only along for the ride) goes on a killing spree after an ill-advised penis-piercing. The reader never learns for certain whether this individual just lost his mind as a result of being drawn into Hogg’s world, if it was toxicity from the rusty metal he was pierced with, or some combination of both. However, we know from his chronic, public masturbation that he was never completely right in the head to begin with.

This book is not for everybody. Reading it is almost an act of courage and discipline. As a piece of literature, it’s intense and thought-provoking, but if you find any of the following intolerable to read about, you’ll not get through it: child molestation, rape, violence, the n-word, or coprophilia.

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BOOK REVIEW: New Theories of Everything by John D. Barrow

New Theories of EverythingNew Theories of Everything by John D. Barrow
My rating: 5 of 5 stars

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This book reflects upon the various elements that any Theory of Everything (ToE) would have to reconcile. A ToE is the holy grail of physics, a theory that would unify the various forces to explain the nature of the universe as we experience it. There have been many attempts to achieve a ToE, but it remains elusive. There is the mathematically beautiful and elegant string theory that suffers that one drawback of having no experimental support. There are those who have given up on a ToE in the sense that the term is normally used, suggesting that the desired degree of unification isn’t possible and that the desire to think it must be is just wishful thinking.

Probably the most useful piece of information about this book for one considering reading it is its readability. As works of popular science go, it’s more challenging that most (but not as difficult as, for example, Hawking’s “A Brief History of Time.”) [I have little doubt that those who read physics textbooks will find it a walk in the park.] It has few equations, and the mathematics it does present is elementary. However, it does explore quite complicated ideas. The book uses graphics to assist, mostly diagrams, but many of these require thoughtful consideration in their own right.

The organization of the book is based on an eightfold way (no relation to the Buddhist eightfold path) – that is, eight ingredients with which a ToE must be consistent. The nine chapters of the book begin with a brief opening chapter that sets up the rest of the book by discussing what a ToE would really explain (“everything” isn’t necessarily the answer in a strict meaning of that word), what the eight components are, how pre-scientific ToE’s operated, as well as introducing the recurring concept of algorithmic compressibility. (The importance of compressibility lies in the idea that in order to make the equations describing the universe more concise it’s necessary that the data describing the universe be “compressible” – i.e. have some underlying order.)

After the intro chapter, the eight subsequent chapters are logically arranged into the aforementioned eightfold way. These are: 1.) laws, 2.) initial conditions, 3.) the nature of forces and particles, 4.) the constants of nature, 5.) symmetries and the breaking thereof, 6.) organizing principles, 7.) Bias and selection effects, and 8.) to what extent mathematics is integral to the universe. Some of these elements (e.g. the laws and constants) we are told couldn’t vary by much and allow us to still exist. So, the question addressed in the book isn’t only how can science get to a theory that explains the existence of a stable(-ish) universe, but further one that can support complex and intelligent life. The chapters on symmetry breaking and selection effects are particularly relevant to this discussion.

One of the most interesting discussions is the last. Chapter nine, entitled: “Is ‘pi’ really in the sky?” discusses the question of how fundamental mathematics is to the universe. It’s long been a topic of scientific intrigue that there seems to be no particular reason for mathematics to be as effective as it is at describing the way the universe works. The discussion has resulted in a wide range of replies from those who say the success of mathematics is more illusory and limited than it appears to be, to those who believe the universe not only is written in mathematics but is math (see: the work of Max Tegmark.) That is, some say that there are parts of a stable universe that must be orderly enough to be described mathematically and those are the only parts we truly understand as of yet. Others say mathematics is the bedrock of the universe.

I enjoyed this book, and found the organizational approach helped a great deal in thinking about the problem. I doubt I grasped everything the author was trying to convey, but it was a book piled high with food for thought for anyone interested in thinking about the nature of the universe. If you’re interested in the grand-scale questions, I’d recommend this book. That said, there are more readable takes on the subject out there if one is looking for light pop science fare.

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