Category Archives: Book Reviews

BOOK REVIEW: Zen Bow, Zen Arrow by John Stevens

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Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from “Zen in the Art of Archery” by John Stevens
My rating: 4 of 5 stars

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Awa Kenzo is variously known as an archer without compare, a Zen master, or as the teacher of Eugene Herrigel. Herrigel was a German philosopher who wrote a thin book entitled, “Zen in the Art of Archery” that gained a global following. Herrigel’s book was about his time as a student of Kenzo and the insight that he gained into both Zen and Kyūdō—Japanese style archery—through his studies. Kenzo lived from 1880 to 1939, a period during which arts like kyūdō were used more for development of character than as fighting arts, and Kenzo was important figure in this transformation.

Stevens’ book is a thin volume (< 100 pages) consisting of three parts. The first is a short biography of Awa Kenzo. One shouldn’t expect a thorough treatment, but that may be for the best (i.e. Kenzo’s life is of interest because of his mastery of archery, but probably only his most ardent fans would want to read a 400 page biography on his life.)

 

The second part is a set of lessons and aphorisms attributed to the master archer. This section includes a few pages by the author to put Kenzo’s brief statements in context. The lessons themselves are sometimes in prose, sometimes in poetry, and occasionally in the form of lists. These lessons offer insight into archery, mindset, and life in general. Archery is portrayed as a lifestyle.

The third section consists of three short (very short) stories in which archery as a means to develop one’s character is at the forefront.

In addition to the three sections, the book includes front matter, annotations, a bibliography, and a few photos.

I enjoyed this book and would recommend it for those seeking insight into the nexus between Zen and the martial arts.

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BOOK REVIEW: Meditations on Violence by Rory Miller

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Meditations on Violence: A Comparison of Martial Arts Training & Real World ViolenceMeditations on Violence: A Comparison of Martial Arts Training & Real World Violence by Rory Miller
My rating: 5 of 5 stars

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I’ve long realized that all martial arts are models. Models are simplifications; they inevitably leave elements out—sometimes because those elements don’t seem relevant and sometimes because they can’t realistically (re: sanely) be included. Those of us trained as social scientists say two things about models. 1.) All models are wrong, and 2.) All models lie. The question is whether your martial art is the least wrong, i.e. tells the most acceptable lie, for your purposes. Rory Miller’s work illuminates the most crucial part of what martial arts leave aside, violence and the context in which it takes place in the modern world. I say the most crucial part because it’s not excluded because it’s irrelevant; it’s left out because it’s impossible to shun safety / encourage violence without the practice devolving into a last man standing competition. (FYI: If you’re saying, “Man, the martial art I study is completely street realistic,” then you need this book more than anyone.)

While it’s important to have safety in a training environment and, therefore, true violence must be prohibited (simulated, but not carried out), it’s important to understand violence so that one can prepare one’s mind for it and train oneself to recognize various types of violence so that one knows the best approach to avoid a bad outcome. One doesn’t want to end up wondering “how could this happen” as one is bleeding out on the ground as martial artists from a range of styles have experienced. I’m not saying martial arts aren’t valuable, and I don’t think Miller is either (he’s long practiced them, as have I.) While martial arts may not prepare one perfectly for a violent conflict, they move one in the right direction. The only real downside is if one allows oneself to be deluded into thinking one is going to roll through waves of enemies without a scratch like Jet Li or Steven Seagal on the silver screen. That’s why it’s important not only to read such a book as this, but to give serious thought to changing the narrative that plays out in one’s mind about the nature of violence so as to move it away from movie / sport fighting towards an approach that is most likely to get one and one’s loved ones out alive.

The book consists of seven chapters, plus front and back matter. The first chapter introduces two matrices as ways to frame one’s thoughts on the conflict. The first, the tactical matrix, looks at different types of attacks one might experience (eg. surprise ambush through preemptive attack) relative to allowable use of force (can one legitimately injure or kill one’s opponent?) The second, the strategic matrix, considers the various types of combative endeavors (e.g. self-defense, duel, sport, combat/military operations) and there goals, approaches, and dangers.

Chapter two is entitled, “How to Think,” and the emphasis is on “to think.” The central lesson is to not take ideas on faith, particularly ideas about the nature of violence from people who haven’t experienced it—particularly when those ideas seem to run counter to reality. Because violence is such a rarity, it is a subject for which there is a great disconnect between expertise and experience. (i.e. Chances are your plumber has unclogged tens to thousands of drains, but also that the person teaching you knife disarms has never been in a single knife fight.) The chapter considers the various fallacies and how they can be resistant to destruction. Emphasis is given to understanding your goals, making them realistic, and having a pragmatic path to achieving them. The take-away quote is, “Do not let yourself be crippled by something that only exists in your mind.” The chapter ends by looking at decision-making at the speed of a fight, which is pretty quick.

Chapter three gets to the heart of the subject, violence. It differentiates various types of violence, and considers the context (setting, timing, and the nature of the interaction) in which violent interactions take place. Much of the discussion revolves around what Miller calls the “monkey dance” -an attempt to exert dominance that often escalates into a fight. This is differentiated from predatory violence that demands a different approach. This section also addresses the neurochemical cocktail that gets shot into one’s system and the effects that it typically has—which is a leading cause of events unfolding differently than expected.

Chapter four describes the various types of individuals with whom one might find oneself engaged in a violent altercation. This is an important topic because the path to a best outcome varies depending upon the nature of the criminal, and so one’s ability to differentiate types of predator and to know how to best deal with each is as essential a skill as knowing the technical nuances of a punch or choke.

The fifth chapter examines training approaches, and how the typical martial arts education leaves one with blind-spots and built-in flaws. The chapter begins by looking at the many ways in which martial arts make modifications from realistic conditions in order to be safe. Most martial artists realize that they are training techniques or drilled responses into their subconscious so that their bodies can respond automatically–without the need for [slow] conscious thought–during a conflict. However, there’s a further assumption that the unrealistic parts of that movement (e.g. slowness or avoiding vulnerable targets) will go away under real life conditions. In an earlier chapter, there was a discussion of the fact that attacks are usually faster, harder, at closer range, and more surprising than expected (Miller calls it the four basic truths), and this chapter considers some ways that one can prepare for those realities.

The sixth chapter considers how one can make self-defense work. It should be pointed out that this isn’t just about how to engage in the fight, but also how to stay out of a fight or get away from it as quickly as is possible. There’s also a discussion of set rules for determining when one must fight. This is the type of notion that one must think about ahead of time, because one can’t expect to think clearly once the adrenaline has been dumped into one’s system. The remainder of the chapter explores how one is most likely to get out of an altercation alive once the fight has become inevitable.

The final chapter delves into the question of what comes after the violent encounter. This is also a subject on which many martial artists have unrealistic notions. If one survives in an unheroic / ungraceful way, one may have guilt or dismay about how imperfectly events unfolded. On the other hand, say everything works out for one, but one kills the predator. Most people seem to think that this won’t be troubling, because it was justified. This misses the fact that there are many traumatized soldiers who were also completely justified, but if you aren’t a hardcore psychopath, you aren’t wired for killing.

I found a lot of valuable food for thought in this book. The author includes many stories (sometimes funny and sometimes disturbing) that help to make the lessons memorable and poignant. Tables, charts, and the occasional photograph are used to illustrate points as well.

I’d recommend this book for anyone who’s concerned about violent altercations. If you’re a martial artist who has no such concerns because you think you have a lock on it, then you probably doubly need this book.

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BOOK REVIEW: Remember When by Scientific American

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Remember When?Remember When? by Scientific American
My rating: 3 of 5 stars

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This book is part of a series put out by Scientific American magazine that collects articles on a specific topic of interest, in this case memory.

I’ll get straight to the point:

Pros: The style is readable and concise, and the book is well-organized and full of fascinating tidbits [Note: when I say “well-organized,” it’s clearly a collection of past articles of various types, and so there are a mix of short pieces, long-ish pieces, and an interview or two. However, these inconsistent “chapters” are placed in sections in a logical fashion. Furthermore, I expected much more repetitiveness from this type of collection than there was.]

Cons: First, the Kindle version that I read had lots of typos, and they were systematic typos. [Fun fact, considering this is a book on memory. My memory was that this book had typos throughout, but when I looked back through to review it, I noticed it was only some chapters, but—influentially—including the last.] By “systematic typos” I mean the same characters were replaced throughout with the wrong character(s.) While this isn’t the kind of typo that leads to confusion, it’s the kind that makes one say, “Did you really not have anyone look this over after it was machine-converted, you lazy …?” Second, because it’s a collection of magazine articles, one might see a piece from recent years right next to one from the 1990’s. This wouldn’t necessarily be anything to concern one, and might even be a positive. However, once one has seen the aforementioned laziness, it makes one wonder whether half the information isn’t outdated.

The 30 pieces that make up this collection are divided among seven sections to provide a logical organization and progression of the material.

Section 1 explains what memory is and why it seems to work so well in some cases but so poorly in others.

The second section explores the neuroscience of memory and how the brain turns experiences into memories.

Section 3 offers insight into the connection between learning and memory. This describes some fascinating discoveries on the importance of white matter (not the cells that store the memories, but the ones that connect those that do) and the role of sleep.

Section 4 is where it really gets interesting. This section investigates amnesia, hypnosis, and déjà vu.

The fifth section considers a few of the many ways that memory can fail. Besides discussing how false memories are created and attempts to erase traumatic memories, the section also explores the connection between emotion and memory.

Section 6 answers why memory gets worse with age, with discussion of a few of the methods for reducing this tendency.

The last section describes some of the methods used to improve memory. Here, I will offer the same warning as I did for the last review I did on a book of this topic (i.e. “Memory: A Very Short Introduction”), which is to say that if this is your primary purpose for buying the book, you probably want to look for a more specialized book. (Where the AVSI book was a cursory summation of proven techniques, this one focuses on the science of the moment [e.g. experimental medicines and blueberries] and not well-established techniques.)

The graphics are those from the magazine, and, therefore, tend to be detailed and “slick.” This can be a disadvantage when reading on a base model Kindle, such as mine. Even with the graphics expanded, the font is tiny and hard to read. Also, the color graphics on a black-and-white device would likely be clearer as simple line diagrams rather than complex computer renderings. However, most of the articles have little to no graphics, and so it’s not a problem that comes up with great frequency.

I’ll compare this book with the Oxford University Press “A Very Short Introduction” on the same topic that I just reviewed because they are clear competitors. This book covers a broader range of topics, including some intriguing ones such as: hypnosis and memory, déjà vu, the role of fitness on memory, and more detailed information about the connection between sleep and memory. In other words, this book is full of the latest (at the time) research of a nature intended to attract popular science magazine readers. However, the AVSI book is more concisely arranged to get a neophyte up to speed on memory without offering extraneous information. I suspect the AVSI book will age better. The Scientific American book has a fair amount of current events reporting that may be overturned (if some of it hasn’t already been) by subsequent research. The AVSI book was much more easily readable on my Kindle.

I found this book to be interesting and informative—though not without significant flaws. Overall, I’d recommend it for those wanting to learn about the research of recent decades on memory.

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BOOK REVIEW: Memory: A Very Short Introduction by Jonathan K. Foster

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Memory: A Very Short IntroductionMemory: A Very Short Introduction by Jonathan K. Foster
My rating: 4 of 5 stars

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Everything we think, do, or say relies upon–or is influenced by–memory, and yet our memories offer a much lower fidelity and more highly corruptible recording than we tend to think. Even those events that lead to “flashbulb” memory (i.e. JFK’s assassination, 9-11 terror attacks, or the 3-11 tsunami in Japan) aren’t remembered particularly well. You may remember where you were and what you were doing in broad brushstrokes, but you probably wouldn’t test well on the actual details of the event. Old memories are constantly over-lain with a corresponding loss of accuracy. This brief introduction explains the basics of how memory works, and—as importantly—how it doesn’t.

The book is part of Oxford University Press’s “A Very Short Introduction” [AVSI] series, and it follows that approach. It’s under 150 pages, and written for someone looking for a “ground-up” explanation of the subject. It has minimal ancillary material, just a couple of pages of “Further Reading” after the book’s seven chapters. There are a few black-and-white graphics throughout the book, a combination of photos and diagrams.

Chapter 1 introduces the reader to what memory is and what it isn’t. One learns about the three-part process of memory (encoding, storage, and retrieval), an idea which will be important throughout the rest of the book because these stages mirror the structure of memory failures and the means to build a better memory.

Chapter 2 explores the landscape of memory, which is a great deal more complex than the short-term v long-term dichotomy that we all learned in school. There’s working memory, procedural memory, semantic memory, and episodic memory.

In chapter 3, the reader learns about how memories are retrieved or recalled and the immense power of context in the process.

Chapter 4 explains the many ways in which memory fails us from simple forgetting to false or corrupted memories. We learn how being knowledgeable improves our memory, but also how it can lead us into error.

The next chapter advances the same theme by looking at amnesia. While amnesia is one of Hollywood’s favorite plot devices, the subject is generally poorly understood because of the simplified and myth-filled nature of the entertainment form of the affliction. Here you’ll learn what one isn’t seeing in the soap operas.

Chapter 6 is entitled the “The Seven Ages of Man” and it looks at memory over the lifespan, with particular attention to the ends of the spectrum. On one end, why do most of us remember nothing from our first few years—and what we do remember is often quiet suspect (false memories from hearing stories about one’s infancy?) At the other end of the spectrum, we are all well aware of how memory degrades with age—particularly those of us buying and reading books on memory. However, one learns that it’s a great oversimplification. While our episodic (event) memory degrades, some elements of memory are quite robust to aging.

The last chapter discusses what does (and to a small degree, what doesn’t) work with respect to improving one’s memory. As it’s a short chapter in a short book, this should be taken as an outline of the subject. If this is one’s main purpose for seeking out a book on memory, one may want to keep looking.

At this point, I’ve read and reviewed many books in the AVSI series, and I found this one to be typical. It’s not among the most engaging of the titles in the series, but it gets the central concepts across in a way that is readable and soundly organized. Because there’s a lot of definitional and conceptual material to cover, there’s not a lot of room for the narrative approach, which isn’t to say that there aren’t brief descriptions of key cases here and there.

I’d recommend this book for someone wanting an overview of the subject of memory.

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BOOK REVIEW: Consciousness by Susan Blackmore

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Consciousness: A Very Short IntroductionConsciousness: A Very Short Introduction by Susan Blackmore
My rating: 4 of 5 stars

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Consciousness remains one of the least understood phenomena of our world. It’s also one of the most intriguing subjects, and fascination with it has spurred debate both between science and religion and within science. While science has been moving toward the belief that consciousness is rooted in the brain, there remain many important questions to be answered. Of course, historically, it wasn’t at all common to think of consciousness as arising from the action of a material object (e.g. the human brain), it was beyond humanity’s intellectual capacity to comprehend how something as grand as consciousness could arise from a 1.2kg (<3lb) organ. Consciousness was intertwined with ideas of “the soul”—a non-material self-ness.

So it is that Blackmore takes on a shadowy subject in which questions are as likely to lead to more questions as they are answers. She lays out the arguments between scholars of science and philosophy as to what exactly consciousness is, how it operates, and how important it is or isn’t.

The book consists of eight chapters. The first chapter attempts to define consciousness and discusses the degree to which there is a lack of consensus on the subject. In doing so, it outlines why consciousness is such an elusive subject.

Chapter two describes the attempt to find correlates of consciousness in the brain, and it describes some of the case of brain damage that support the notion that consciousness is a product of the brain. Many beliefs of duality (i.e. the idea that body and mind are separate) have been in decline because of cases in which brain damage is specifically linked to changes in consciousness. Consider life-long love being uprooted by a scalpel.

Chapter three deals with a number of topics related to time and space, such as whether consciousness lags behind reality. That sounds ridiculous. However, remember that we experience the world from inside the frame of reference of consciousness.

Chapter four examines a number of illusions to which our conscious minds are systematically subject. We have a number of blind spots, many of which result from the fact that a great deal of what the brain does, it does without letting the conscious mind in on events.

In the fifth chapter, the author presents the link between consciousness and perception of self. It has long been taken for granted by most of the world that there is some soul that exists beyond the body, and it’s in this chapter that the author reflects upon whether this is an illusion or not.

Chapter six covers a topic that is integrally linked to consciousness and the idea of self, and that is free will. Free will is another notion that humanity historically took for granted that is coming under fire in the face of our increasing understanding of the brain. Current scientific evidence suggests that free will as we perceive it (i.e. thinking things through consciously and then making a decision at a conscious level) is an illusion.

Chapter seven is about the many altered states of consciousness, including: dreaming, drug-induced effects, meditation, and some of the widely reported experiences that seem to involve separation of consciousness from body (e.g. out-of-body and near-death experiences.)

Chapter eight ponders the evolutionary advantage offered by consciousness (especially if a major part of what we think we use our conscious minds for is an illusion.) One thing is clear; evolution doesn’t hand out vast and complex advances in capability if they don’t serve to make one more likely to survive to procreate. However, could consciousness—majestic as it may seem—be a mere side-effect of a big brain developed to facilitate survival in a world in which we weren’t the strongest, fastest, or most athletic creatures by a long shot?

The book uses a wide variety of black-and-white graphics including cartoons, technical diagrams, and photographs. These graphics help to communicate important ideas and are more likely to do so with levity than technical complexity. The book is readable, considering the challenging topic.

I’d recommend this book for those interested in an overview of the state of understanding and debate about what consciousness is.

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BOOK REVIEW: The Brain: A Very Short Introduction by Michael O’Shea

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The Brain: A Very Short IntroductionThe Brain: A Very Short Introduction by Michael O’Shea
My rating: 4 of 5 stars

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The human brain in 120-ish pages, it’s an ambitious goal considering that the brain is widely considered to be the most complex object in the known universe. Still, this is one of Oxford University Press’s “A Very Short Introduction” (AVSI) series, so the only promise is to give one a concise overview of the subject for beginners. In that task, the book succeeds. In fact, the book takes on some subjects that one might think beyond its scope, such as the historical progression of our understanding of the brain and how technology might be used to repair damaged brains.

The book consists of seven chapters and an epilogue. The first chapter introduces the brain, and it makes this monumental subject manageable by considering reading—a skill that we take for granted but for which the brain conducts miraculous feats from rapid accurate eye movement to turning abstract symbols into meaning. The second chapter takes the reader on a tour of the changing understanding of the brain leading up to the discovery of the neuron—the brain’s basic unit. Chapter three explores how those neurons transmit signals, the fundamental action of the brain. Chapter four examines the evolution of the human brain, both from the perspective of how it could become so complex, and of why it needed to become so. Chapter five is about how the brain receives information and uses this information to conduct activities. A majority of this chapter is devoted to how patterns of light are recognized and turned into the meaningful basis upon which to make decisions or perform actions. Chapter six offers a basic understanding of memory, one of the roles we most closely associate with the brain. Chapter seven considers whether we’ll be able to fix damaged brains, and, if so, using what technologies. A brief epilogue tells us where the future of brain research will go–having gained much understanding since the invention of functional Magnetic Resonance Imaging (fMRI), neuroscience must find new approaches to take itself into the future.

The book uses line drawings to depict concepts that are hard to convey via text. While the graphics are simple black-and-white drawings, they are immensely beneficial. Like other AVSI books, there are no citations or notes, just a couple of pages of “further readings.” That’s not a criticism; it’s perfectly acceptable for this type of book.

I found “The Brain: AVSI” to be informative and interesting. The author uses some illuminating examples and cases to cover a lot of ground in a small package. I’d recommend the book for anyone who wants a neophyte’s introduction into the human brain.

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BOOK REVIEW: Touch by David J. Linden

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Touch: The Science of the Sense that Makes Us HumanTouch: The Science of the Sense that Makes Us Human by David J. Linden
My rating: 5 of 5 stars

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“Touch” is a neuroscientist’s perspective on the human sense of touch, and the profound impact it has on life in our species.

It’s a short book, only about 200 pages of substantive text, arranged into eight chapters. The first chapter considers the role that our sense of touch plays in our lives as social animals. There are a number of studies described in this chapter, but I’ll cite only two that I think give an idea of what the chapter is all about. The first considers why a person holding a cold coffee is likely to be viewed more negatively than if that same person was holding a hot coffee after a handshake. The second reports that survey takers in a mall were more likely to gain compliance if they engaged in gentle, casual, and non-creepy touch—e.g. fingers to forearm.

The second chapter explores the combination of sensors we have in our skin—particularly in our fingers–that allow us to conduct feats of dexterity that (while we take them for granted) are phenomenally difficult. For all the billions put into robotics research, robots are nowhere close to being able to complete tasks that any five-year old can do. The third chapter examines how humans are uniquely geared to be able to give and recognize a particular type of touch sensation, the caress. Throughout the book there are a number of interesting stories, some of them are scientific case studies and others… not so much. This chapter begins with the story of a man on trial for flying into a rage because his girlfriend couldn’t get the pressure right when engaging in manual stimulation. (The author was actually on the jury.)

The fourth chapter delves more deeply and explicitly into sexual contact. Whereas chapter 3, dealt largely with hand against random skin, this chapter deals in genitals and erogenous zones more specifically. There are also a number of fascinating cases / stories herein. A lot of the chapter deals in how we experience and interpret pleasure.

Chapter five explains a specific type of sensation, that of temperature. It considers why crushed chili feels hot but crushed mint feels cool to the skin. While the focus of the book is on human anatomy, physiology, and social interaction, there are many cases from other species throughout the book. This chapter offers a prime example. It explains how Vampire Bats have a unique ability to sense infrared. This is of benefit to them, since they only take blood meals and, therefore, need to be able to sense where the blood is flowing and has the least insulation (fur) over it.

Continuing the examination of specific kinds of sensation, chapter six is about pain. This is where the neuroscientific perspective offers some interesting insight. In particular, because it considers why soldiers who had multiple gun wounds could do their job on the battlefield with nary a peep of complaint, but then would raise holy hell about a bad blood stick a few days later in the hospital. The case of a medic who was badly shot up but not cognizant of it until later is discussed in some detail.

Chapter 7 deals in the itchy, and asks and answers the question of whether or not itchiness is a particular case of low-intensity pain. By low intensity, I’m not speaking of the compulsive behavior sometimes spurred by such sensations.

Chapter 8 is also highly neuroscience influenced. It deals with various illusions of sensation, and how these illusions come about through the interaction of sense and the brain. While the most famous example of such an illusion is phantom limb pain experienced by amputees, Linden addresses less traumatic and more work-a-day tactile illusions for most of the chapter. (This may be because there are a number of popular works of neuroscience that deal in phantom limbs—most notably V.S. Ramachandran’s books.)

I enjoyed this book. It conveys significant technical detail, but does so in a fashion that is easy for a non-expert to follow both because of readable writing and the use of stories. The author uses frequent graphics to help clarify points, and the graphics (mostly line drawings and graphs) do their job by being easy to follow and interpret.

In short, the book was highly readable, concise, and informative. I’d recommend it for anyone interested in the sense of touch.

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BOOK REVIEW: The Sensual Body by Lucy Lidell

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The Sensual Body: The Ultimate Guide to Body Awareness and Self-FulfilmentThe Sensual Body: The Ultimate Guide to Body Awareness and Self-Fulfilment by Lucy Lidell
My rating: 3 of 5 stars

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This is a book about body awareness. It explores the subject by presenting tidbits from a range of movement and posture systems.

The book is divided into three parts. The first is a brief overview of the subject of bodily awareness. This section discusses what it means to be aware of the body, how body and mind / emotion are connected, and it sets up the need for the practices described throughout the rest of the book. The second part deals with a series of solitary activities that one can do to improve one’s quality of posture and movement. It forms the bulk of the book. The nine chapters of this portion of the book can themselves be divided in two. Three of them deal in aspects of bodily awareness: breathing / voice-work, grounding, and sensation. These sections borrow and adapt from established systems in a generic sense (e.g. the section on grounding uses a number of techniques drawn from yoga.) The other six chapters each deal with a system of bodywork, including: self-massage, African dance, Tai Chi, Eutony, Kum Nye, and running.

I’ll describe two of these specifically because they aren’t household names. I suspect most readers can imagine what the following look like: self-massage, African dance (even if it’s from a Paul Simon video), Tai Chi (from old folks in the park), and running. However, it’s probably reasonable to assume that some readers will have no idea what Eutony or Kum Nye are. Eutony is a system developed by a Danish teacher, Gerda Alexander, during the 20th century to use explorative movement to work toward more efficient movement. As far as I can discern, the founder is no relation to F. Matthias Alexander who developed–the more famous–Alexander Technique (AT is mostly well-known among actors, actresses, and would-be entertainers.) However, Eutony might be put in the class of techniques like the Alexander Technique and Feldenkrais that were developed last century and work toward improved use of the human body. However, the approach seems much different from Feldenkrais, which is highly structured, while Eutony is apparently not.

Kum Nye isn’t well-known either, but not because it’s a johnny-come-lately, rather because it’s ancient and obscure. Kum Nye is a Tibetan system of yoga. A lot of the techniques shown seem to be designed to help one gain the suppleness needed for extended sitting in meditation, but there are also “flying” techniques and other standing techniques that will help loosen one up, perhaps to free one up for more meditation.

The third part is shorter: three chapters presenting systems of partner-work. The first chapter is on Aikidō. For those unfamiliar, this is a Japanese martial art founded by Morihei Ueshiba that emphasizes harmony and flow. The chapter features a few basic drills from that martial art. The next chapter is on relating to others in a general sort of way, e.g. body language, emotion, etc. The last chapter is about massage.

Graphics are utilized heavily throughout the book. These include color photographs and drawings. Given what the book tries to do–showing these various approaches to movement–the graphics are essential. In the unlikely event that there are any prudes who read my reviews, you may want to make a note that there is a fair amount of nudity throughout the book. It’s not gratuitous or raunchy, but if you’re one of those people freaked out by nudity, this is probably not the book for you (nor the subject to be studying, for that matter.)

The book’s strengths are its valuable subject, its organization, and its use of graphics. Its weakness is in the number of approaches that it examines. There are too many for one to get any great insight into any particular system, but it’s too few if the goal is to give the reader a menu of movement and bodywork systems from which to find on right for them. I guess I wasn’t really clear what the objective was. If it is to show the reader a variety of paths so they can find the one best for them, the menu is too small. However, if it’s to show the reader one path consisting of all these elements, then it’s muddled. Among Western health and fitness purveyors there’s a tendency to think that if you take anything that’s good and ram it together with anything else that’s good, you’ll get something great. This is clearly not true; sometimes you get a pudding sandwich. This book feels a lot like a pudding sandwich.

If you are looking for a limited survey of movement and body awareness systems, and are okay with the list mentioned, you should check this book out. It also has some good general information about body awareness, though it’s a bit pedestrian for experienced practitioners.

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BOOK REVIEW: The Tibetan Yogas of Dream and Sleep by Tenzin Wangyal Rinpoche

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The Tibetan Yogas Of Dream And SleepThe Tibetan Yogas Of Dream And Sleep by Tenzin Wangyal
My rating: 5 of 5 stars

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I stumbled upon this book in a used bookstore, and didn’t know what to expect–but was intrigued. It’s a book on the Tibetan Bön approach to dream yoga and sleep yoga, written by a Bön lama (monk.) Dream yoga is a term used in Buddhism and other Eastern traditions to refer to what is called lucid dreaming in Western scientific circles. My review will focus on the more than 3/4ths of the book that deals in dream yoga (lucid dreaming.) The 40-ish pages that deal with sleep yoga are outside my wheelhouse. The author suggests that that part is for initiates who are familiar with certain background concepts. I’m not an initiate, and—in fact—I have no idea whether there is any merit to sleep yoga practice. Lucid dreaming is a well-studied and documented phenomena, but, as far as I know, what the author calls sleep yoga remains unstudied. All I can say is that the part on dream yoga is readily comprehensible, despite much of it being couched in spiritual terms, but a lot of the section on sleep yoga is arcane and ethereal.

As it happens, I was pleasantly surprised with the portion of the book about dream yoga. Having read a number of books dealing with the subject recently, I wasn’t sure whether I would learn anything that was both new and useful. But I was exposed to ideas that were new, useful, and mind-blowing. There were a few ideas for helping one to achieve lucid dreaming—mostly through practices carried out during the day—that I’d not seen in other works, at least not put in such clear terms. Also, while there is a lot of reference to the Bön and Buddhist spiritual traditions, this didn’t result in the explanations being needlessly complicated or arcane. There is a lot of information that one doesn’t need if one is a secular practitioner, but many readers will find it interesting, even if it’s not necessary to advance their practice.

The book is organized into six parts: 1.) The Nature of Dream, 2.) Kinds and Uses of Dreams, 3.) The Practice of Dream Yoga, 4.) Sleep, 5.) The Practice of Sleep Yoga, and 6.) Elaborations. The last part has information pertinent to both dream yoga and sleep yoga.

There are some graphics in the book including photos, line drawings, and tables. Most of these aren’t essential, but some make it easier to imagine what the author is describing (e.g. when he discusses sleeping positions.) The book has a glossary and bibliography. The former is useful, and the latter doesn’t hurt (but it’s only one page and offers only a handful of citations.) The glossary is mostly of foreign terms, but includes English terms specific to the religious traditions discussed. It offers both Tibetan and Sanskrit variants of the word if they exist, which is a nice feature. There is also an appendix which summarizes the crucial practices elaborated upon in the book.

I’d recommend this book for those interested in developing a lucid dreaming practice. I will say that it may not be the best first book to read on the subject, unless you are a practitioner of Bön or intend to be. (For that, I would recommend Charlie Morley’s “Lucid Dreaming: A Beginner’s Guide…” which I recently reviewed.) However, this book makes an excellent follow-up once one has read a book that is couched in simpler terms (i.e. not specific to a certain spiritual tradition) and which reports on the science. I found that the book gave me a number of new ideas, and—in fact—offered some insightful ideas.

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BOOK REVIEW: Lucid Dreaming by Charlie Morley

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Lucid Dreaming: A Beginner's Guide to Becoming Conscious in Your DreamsLucid Dreaming: A Beginner’s Guide to Becoming Conscious in Your Dreams by Charlie Morley
My rating: 4 of 5 stars

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Lucid dreams are those in which the dreamer is aware he or she is in the dream and can interact with the dreamscape. Most people experience lucid dreaming only as a happy accident. Some people dream lucidly in their youth, but never as an adult. Some people become aware they’re dreaming under specific conditions, e.g. on a certain medication. However, lucid dreaming has been practiced in some traditions for centuries, most notably by Tibetan Buddhists (though chapters 5 & 6 demonstrate that it’s much broader than just the Tibetans.) Furthermore, having confirmed lucidity in dreams in sleep laboratories, scientists have moved to advance our understanding of the phenomena using the scientific method and by taking advantage of the latest brain imaging technologies.

Charlie Morley has written a couple books on the subject as well as giving a well-received TEDx Talk on the subject. Morley studied under a Tibetan lama as well as studying up on the science of the phenomenon.

There are eight chapters in this book. The first three chapters constitute part one, the basics. This part introduces one to the subject of lucid dreaming, considers some of the reasons why people get into it, and explains how to recognize one is in a dream. The remaining five chapters form the second part, which is about going deeper with one’s practice. The second part explores what one may see in a dream, and how one can use the experience of being lucid for self-improvement. Lucid dreaming is one of the few access points to one’s subconscious mind. The second part also charts the development of lucid dreaming in both the West and the East, as well as offering suggestions about how nutrition may help in one’s practice.

The book is written as an instructional manual, and offers “toolboxes” of techniques to help advance one’s lucid dream practice by teaching one to remember one’s dreams, understand the phases of sleep, recognize one is in a dream, achieve lucidity, and know what to do once one is lucid in a dream. These are handy summaries of the lessons taught in greater detail in the text. All of the chapters but 5 and 8 have one of these toolbox summaries. There are also frequent text boxes of strange but true facts about lucid dreaming, tips from experienced lucid dreamers, case studies, and stories used to make relevant points about lucid dreaming. There are no graphics, but they aren’t missed.

I found this book to be useful and interesting. It’s readable and logically organized. I’d recommend it for anyone interested in developing a lucid dreaming practice—particularly if one is starting from scratch. There are a number of books on the subject, but many will be too ethereal to be of value to a new practitioner, but Morley writes in an approachable fashion and organizes the book to help one get into a practice as efficiently as possible.

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