
the stout limbs
of a kapok tree,
stretch immovably.

the stout limbs
of a kapok tree,
stretch immovably.




deep brown river
drags many fields’ of soil
to the sea each day.
The scent: copper-carpeted pine forest;
A stream rushes through: swirling, burbling;
Blue sky and snowcaps peek through the treetops.
In the distance, fishermen are trawling.
A young lady with flowing hair and gown
Passes gracefully through the thick woodlands.
Eyes move when she moves and stop when she stops,
Following her transit down the valley.
The mind shows not its usual chaos,
But is effortlessly anchored to her.
As if to a huge rising moon.
As if to blazing autumn hues.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the sixteenth of the twenty-four poems.
NOTE: Also referred to as Zorats Karer, this mysterious grouping of rocks in southern Armenia is sometimes called “Armenia’s Stonehenge.” Like Stonehenge, it is a gathering of huge stones whose purpose and rationale of geometric arrangement (circular) is not understood. Also, it’s not known how the stones would have been carried to the site and had nearly perfect circular holes drilled through them. It’s not known whether or not the installation is prehistoric or not, but there are mentions of it from as early as the 13th century.

a little bird,
on a bit of driftwood,
speeds downriver
in the dusky, fading light.
doesn’t it know it can fly?




My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.