Black Cat by Rainer Maria Rilke [w/ Audio]

A ghost, though invisible, still is like a place
   your sight can knock on, echoing; but here
 within this thick black pelt, your strongest gaze
   will be absorbed and utterly disappear:

just as a raving madman, when nothing else
   can ease him, charges into his dark night
 howling, pounds on the padded wall, and feels
   the rage being taken in and pacified.

She seems to hide all looks that have ever fallen
   into her, so that, like an audience,
she can look them over, menacing and sullen,
   and curl to sleep with them. But all at once

as if awakened, she turns her face to yours;
   and with a shock, you see yourself, tiny,
 inside the golden amber of her eyeballs
   suspended, like a prehistoric fly.

NOTE: This translation by Stephen Mitchell. Originally titled, “Schwarze Katze,” the poem in German is:

Schwarze Katze

Ein Gespenst ist noch wie eine Stelle,
dran dein Blick mit einem Klange stößt;
aber da an diesem schwarzen Felle
wird dein stärkstes Schauen aufgelöst:

wie ein Tobender, wenn er in vollster
Raserei in Schwarze stampft,
jählings am benehmenden Gepolster
einer Zelle aufhört und verdampft.

Alle Blicke, die sie jemals trafen,
scheint sie also an sich zu verhehlen,
um darüber drohend und verdrossen
zuzuschauern und damit zu schlafen.
Doch auf einmal kehrt sie, wie geweckt,
ihr Gesicht und mitten in das deine:
und da triffst du deinen Blick im geelen
Amber ihrer runden Augensteine
unerwartet wieder: eingeschlossen
wie ein ausgestorbenes Insekt.

BOOK REVIEW: Rilke: The Last Inward Man by Lesley Chamberlain

Rilke: The Last Inward ManRilke: The Last Inward Man by Lesley Chamberlain
My rating: 5 of 5 stars

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This book surveys the influences on Rainer Maria Rilke’s poetry, and makes the argument that Rilke was the last vestige of a mystically spiritual [Romantic or Romantic-esque] poetic line. Poetry was becoming more political and more influenced by nihilistic philosophies that eschewed inward investigations of meaning and self-realization, constructs that were seen as artificial and empty. Rilke bucked the trend, and while he did become an important poet, Chamberlain believes he paid a price.

The book discusses the influence of sexuality, spirituality, and artistic obsessions on Rilke’s poetry in great detail. It also talks about his life as an influence, both his family life (or lack, thereof) and the key years he spent in Paris. The last couple chapters tie the story together by clarifying what Rilke achieved and how it contrasted with prevailing trends.

If you’re interested in understanding more about the philosophical and spiritual forces impacting Rilke’s work, this is an interesting read. It’s not a biography, strictly speaking, but does unavoidably discuss Rilke’s life in some detail (though always through a literary / philosophical lens.)


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BOOK REVIEW: Duino Elegies by Rainer Maria Rilke [Trans. Vita & Edward Sackville-West]

Duino ElegiesDuino Elegies by Rainer Maria Rilke
My rating: 5 of 5 stars

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Out: February 22, 2022 [In some markets it may be out already.]

This is a reissue of the original English translation of Rilke’s elegies composed on the karst cliffs of northeast Italy in the early 1920’s. The book consists of ten medium-length, angel-laden elegiac poems. [Yes, dude was just that into angels.] The translator’s notes are posted as an epilogue and the volume has a new preface. It should be noted that the translators suggest one think of it as one long elegy in ten parts.

I’m far from qualified to comment on the skill of translation from the perspective of how well it catches the meaning and nuance of the original poems. However, the Sackville-Wests’ words are evocative and impactful in their own right, and I enjoyed and was moved by this collection of poems. [In their notes, the translators say they decided it was most productive to try to artfully paraphrase rather than getting too caught up in strict literal translation.] I’d highly recommend this book for poetry readers.


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