TODAY’S RANT: The War on Rhyming Verse

A fine Hungarian poet who Wrote with and without rhyme

A fine Hungarian poet who Wrote with and without rhyme

it’s my cross, my curse
this rhyme in my verse
rhymers aren’t taken seriously
and are berated furiously

“Oh, your poem is so cutsie,
like little baby bootsies.”
call it banal or call it niche
but “cutsie?”, please!, step off bitch

just because my verse ain’t free
don’t act like I’m a perp to slavery
I spare my words the sting of the rod
they’ve never tasted a cattle prod

I’ve never waterboarded my “ands” or “buts”
or kicked a pronoun square in the nuts
I don’t whip my adjectives to get ’em in line
I stand waiting patiently holding a sign

Why steer my words like some stern brigadier?
because it scratches an itch somewhere in my ear
I know my rhymes sometimes lack cachet
because they’re little too Ogden Nash-ay
but from the hilltops I sing
like that guy Rodney King
hear the words of my song
“Can’t the poets all just get along!”

TODAY’S RANT: The Lonely Omnivore

My salami has a first name, it's B-E-S-S-Y.

My salami has a first name, it’s B-E-S-S-Y.

I’m a member of a group that has long suffered the bitter pill of discrimination. How is it–you may ask–that a white, heterosexual, suburban, graduate-educated male knows the foul taste of discrimination? I love meat, but my wife is a vegetarian.  This makes me a lonely omnivore.  When I go to the market, I can’t find meat packaged for my kind. No individual could cope with such quantities of meat as packaged by supermarkets. Well, that is besides those not averse to contracting colo-rectal cancer from the rotting carcass wedged in his transverse colon, e.g. Adam Richman.

One option–the healthy option–would be for me to go vegetarian. Did I mention that I love meat? I love bacon and beef and poultry and pork and rabbit and reindeer. I would eat meat on a boat. I would eat meat with a goat, and then I’d make a stew out of the goat. Cut off the beak and the bung, and you’ve got yourself a customer. You say you got horse meat in my beef? Sounds tasty. So option one is a nonstarter. I’m out of the omnivorous closet. I’m here; I eat steer; get used to it.

Another option is to find the store butcher and ask him to wrap me a solitary steak.  The problem is two-fold. First, the butcher is never just hanging out at the counter, and so there will be a PA announcement. In the 1950’s, before computers with Facebook and solitaire, the butcher would hang out at the counter, but now he’s in the back–presumably goofing off like 90% of the workforce. The announcement will be quick and neutral, but it will sound enough like the following to garner widespread attention, “Attention in the meat department, there’s a pathetic soul with no one to love him who needs steak for one, I repeat STEAK FOR ONE.” Then everyone in the store has to take a peak at the lonely omnivore. Don’t stare, Johnny, it’s just a hobo.

The second problem is that, while the butcher is smiling and polite, I know he is thinking, We have half a mile of prepackaged meat, and you really want me to take a break from my hectic schedule of playing solitaire in the back office to cut you one steak? Haven’t you heard of a nifty invention called a “freezer?” It should be located somewhere in the general vicinity of your refrigerator  

The third option is, of course, the freezer. If you had any idea how disheveled my mind was, you wouldn’t even suggest this. Using the freezer would require that I anticipate that I will eat again in the future so that I can take the meat out to thaw. Here’s how it really works. I’m sitting here typing and think, That steak would really be good about now! However, presently it isn’t a steak, it’s a block of meatcicle. So I take it out of the freezer. I stare at it for a few minutes, hoping to use my ill-developed Superman-like powers of heat vision. Then I try running hot water on it, but it remains crystalline on the inside. Then I leave it and go back to typing. Then I check on it in three minutes. Then I go back to typing. Then I check on it after two minutes. Sensing the beef will never thaw, I break down and make myself some unsatisfying but filling Top Ramen. The next time I see the steak it’s a soggy and unappetizing lump hanging out in my sink.

Now if you’re an outline-and-note-card kind of writer, you may wonder how a writer could be so unskilled at planning. I’m not that kind of writer. If you haven’t guessed it, if it hasn’t shown through, I just make shit up as I go along. For me, writing is a process of paginated diarrhea, with an admittedly messy cleanup process.

My final option is to go to one of the huge “farmer’s markets” that we have in the area. (I use quotes because I’ve never seen an actual farmer there, and the food is as likely to be from Armenia as it is from Americus, Georgia.) These markets have heaped slabs of meat on ice, they’ll and cut it however one wants. I do this sometimes. There’s a very cool thing about these places. Because they serve such a diverse population, they hire a lot of immigrants.  However, while it’s cool that my butcher is a native Lao speaker, it can be problematic for me as a non-Lao-speaking English speaker. Inevitably, my desire for ONE PIECE of meat is translated into ONE KILO of meat or ONE CRATE of meat. I know, you’re saying that there’s one simple and obvious solution: learn the Lao language.  The problem is that the next time I go I might get the Urdu-speaking butcher.

I don’t like to complain about my plight [which is why I have a regular series of posts called TODAY’S RANT], but we should make room in our society for those of different meat needs.

TODAY’S RANT: Stuck with a Bad Ending

Bonus pages for active readers

Bonus pages for active readers

I miss the days when they put extra blank pages at the end of a book so that you could rewrite an unsatisfactory ending. (Someone once tried to tell me that the extra pages were the result of bulk paper cutting methods. They said it was cheaper to include the blank pages than to remove them. Yeah, I know. How ridiculous, right?) Of course, it wasn’t long before ads began to sully these blank pages, making them less than blank.

I’m not a fan of wastefulness, but if I have to rewrite your ending, why should I incur the cost of paper.

Being lazy, there are not many cases in which I feel compelled to rewrite someone else’s ending. Most books that manage to get published have at least a tolerable ending.

One book always springs to my mind when I think of bad endings. It’s a book called Hostage by a writer named Robert Crais. For those who saw the movie, the movie ending is vastly different–presumably because moviegoers would have insisted on their money back otherwise. While Hostage is not among Bruce Willis’s best, it’s also a prime example of the rare case when the movie is better than the book–for just this reason.

Part of the disappointment stems from the fact that the book has an outstanding premise for a thriller, and in my opinion it was carried off well until the end. (Another reason that I don’t come across too many terrible endings may be that I jettison books that aren’t so good, but this one fooled me.)  Anyway, three delinquent kids rob a house and end up with a  hostage situation with the homeowner’s two kids. The tension is ratcheted up when it turns out that the upscale home where the kids are being held up is owned by a mob accountant. Inside is evidence that could put half the mob away. The mob gets proactive by taking the police chief’s (i.e. the protagonist’s) family (ex and child) hostage and insisting that he get the evidence out before the house is stormed by the sheriff’s department and falls into an evidence locker.

SPOILER ALERT: Ultimately, our hero has no agency in the survival of himself or his family. It’s purely the decision of a mob enforcer that leaves them alive.  I guess it could have been worse. It could have ended with him awaking from a dream.

What book gets your award for “worst-ending-ever”?

TODAY’S RANT: Viral Video Advertising

I recently saw this posted on Facebook. I, being a doofus, believed I had stumbled upon the black box recording that would show archaeologists the moment it all went sour for the human race– the dawn of the rise of the apes. As soon as our self-aware brethren learn to take our technology and use it against us, we are surely doomed. Being damned dirty, the apes will own humans. [Participle dangle intended.]

Of course, I felt compelled to do a Snopes check because– believe it or not– sometimes people put things on the internet which are fake. I know, I know, hard to believe.

It turns out the video is a piece of viral advertising for the next Planet of the Apes movie. “Lesser” primate use of technology is still about right here:

Viral advertising is the latest craze. One leaks intriguing footage onto YouTube and doesn’t label it or say what it is.  Then you hope a bunch of schmucks fall for it, and they will– because that’s the defining characteristic of we schmucks. It’s tautological.  This kind of video will stick in one’s mind and get more media attention than would a regular trailer.

The problem is that movie-makers have the ability to make really convincing fakes. (That’s what they do.) My well-read reader will certainly have heard of the Orson Welles War of the Worlds incident. People who didn’t hear the beginning of the broadcast, which was formatted like a news bulletin, freaked out about the alien invasion. Some people jumped out windows (why, I have no idea. I don’t think they thought the value of that through.) Some people fled to Canada (assuming, of course, that the aliens wouldn’t be interested in that icy wasteland.)

My problem with all this isn’t that people are duped; it’s the “boy who cried wolf” effect. One day when we’re under attack by aliens, apes, or artificial intelligence, people are going to be like, “Dude, that’s a really convincing looking ray-gun… NOT!”

TODAY’S RANT: Stupid is as Cupid Does

Attribution: Ricardo André Frantz Nothing says lovin' like  a prepubescent archer.

Attribution: Ricardo André Frantz
Nothing says lovin’ like a prepubescent archer.

This isn’t a generic rant about Valentine’s Day. I am not the curmudgeon of ardor or the Grinch of St. Valentine’s Day. All I’m saying is that nothing is less sexy than a naked baby archer.

I guarantee that if you polled paramedics who’ve responded to bow-hunting accidents, none would say that their patients reported sexual arousal as a symptom of arrows sticking out of thighs. How being impaled with a razor-sharp implement came to be associated with the transmission of love, I’ll never know. Yes, little boys have been known to sock a girl they like in the deltoid, but breaking out the device single-handedly responsible for Mongol hordes sweeping across Eurasia is taking that dysfunction up a notch.

I have no problem with nudity. Nudity and erotic love is like getting your chocolate in her peanut butter– so to speak. My problem is with prepubescent nudity. All that does is remind one of the end product of amour, and that’s terrifying, not arousing. No one needs that kind of pressure in a budding relationship.

I know I said this wasn’t a blanket condemnation of the holiday, but I’ve got one more sub-rant. What is with flowers and chocolate as the iconic gifts of the holiday? Is it that nothing says everlasting love like a bouquet that will be shedding wilted petals by day’s end. And chocolate says, “I love you so much that I’ll even love you if you get fat. Furthermore, I’m willing to prove it by doing my damnedest to make you fat.”

I won’t even get into the jewelry ads. “Show her you love her by implying that you think she’s in it just for the swag.”

TODAY’S RANT: Continuity Gaffes

For those unfamiliar, a continuity gaffe is a mistake in a movie in which something that shouldn’t change from one instant to the next does. They result from movies being shot over many days in an order unrelated to how the film unfurls before the viewer. Take an example, say a brawler is wearing a green shirt, they cut away to the other fighter, but when they flash back he’s an orangutan in a bikini. If it’s still not clear what I’m talking about, the YouTube clip below shows a horde of gaffes from the first Star Wars trilogy.

Now, from the title of this post, you probably think that I’m some sort of obsessive-compulsive nerd who catches every little niggling mistake in a movie. To this I say, I wish! I’m a not-the-least-bit-compulsive nerd. I don’t catch any movie continuity gaffes– not a single one. Sure, I can see them when they’re circled and the film is run in slow motion, but otherwise I’m clueless. This has made me wonder if there isn’t something defective with my brain. When they are pointed out they seem pretty glaring.

What really bothers me is not that I never catch a continuity gaffe in a movie, but rather that I catch them in my real life all the time. I’ll distinctly remember setting my keys down on the valet, but after a thorough search I’ll find them in the freezer. I’ll remember having written a paragraph, but when I come back to my laptop I find nothing but the cryptic message, “xzsawrwddd&&ppPPP.” I’ll put down Shakespeare’s Sonnets and when I pick the book back up, it’s a James Patterson novel.

I’ve developed two competing hypotheses to explain these gaffes. First, I’m in the Matrix, and Mr. Smith is corrupting the code. Second, my secretly super-intelligent cat is fucking with me.

TODAY’S RANT: TMI in Advertising

I was reading the label of a bottled tea this morning. It said something like:

To offer you the fullest flavor, our leaves are not washed prior to steeping. The first time they experience water is when boiling spring-water is poured over them for brewing. This is why it’s so important that we use organic farming methods. This ensures the product you get is only tea… and water… and trace amounts of poop.

Sometimes I think big advertising is out of control. Nowhere is this more readily apparent than on Sesame Street. Big money letters like “M” get all the play and “Q” ends up being the stumbling block letter in the road-trip “ABC” game. No one wants to make more words starting with “X” or “Z” any more. Sure there’s a grassroots counter-culture movement, such as Ernest Vincent Wright’s short novel called Gadsby. Wright’s book was written entirely without the letter “e.” To be sure, “e” is a big money letter; it’s made more money off of Wheel of Fortune than any other vowel. Vanna turns the “e”s and the whole puzzle becomes clear. I heard e’s manager wanted to make its purchase value higher than the other vowels, but Pat Sajak showed his ugly side and “e” backed down.

You probably thought this post was going to be about the Super Bowl ads. I didn’t get past the first Go Daddy ad, which creeped me out. I still don’t know who Go Daddy is and what he does. (His name sounds a little like a pimp.) Which, by the way, is just like the medicine commercials. They have these ads for medicine that leave me like, “I don’t know whether your product will give me a boner or loosen my bowels, why are you advertising to me– especially if you’re going to end by telling me that, ‘Side effects may include a bleeding rectum?'”

Here’s said Go Daddy ad. Bon appetit.

TODAY’S RANT: Nukes and Ketchup

Why was there no Manhattan Project for Ketchup?

Why was there no Manhattan Project for Ketchup?

How come we mastered the thermonuclear warhead decades before we did the ketchup bottle?

Building a nuke took:

– the greatest scientific minds Hungary ever produced (You scoff, but Hungary’s claim to fame is driving out more Nobel Laureates and top-rate scientific minds than most countries will ever hope to produce. [e.g. Teller, Szilard, Wigner, von Neumann, etc.] If they didn’t let jackwagons run their country, they’d probably rule the world by now.)
– $42 billion in current-year US dollars
– the Project Manager who built the Pentagon
– and a whopping two or three years (for the fission weapon)

Building a decent ketchup bottle shouldn’t have even required an Algonquin Round-table  It could have been achieved by two morons sitting around at a barbecue.

Moron one says, “You knows what would be delightful, if this bottle was squeezable plastic, not glass.”

Moron two says, “Dude, you are so right, and what if they turned it upside-down so that all the ketchup stayed near the hole?”

Bob’s your uncle, the ketchup bottle is perfected.

Do you know what kind of Galactic douche-bags this makes humanity look like? It makes it seem like we don’t care about our condiments.
Oh, but we do. I’ve seen it. I’ve seen a man in Boise use no less than 42 packets of ketchup on his fries. I saw a rotund woman in Phoenix use half a jug of mustard on her hot dogs. I saw a canuck slather mayo on his burger (what is up with that, Canada.) From sea to that other sea, amid the prairie dogs, through the alligator-infested swamps, across those bruised mountains, I’ve seen a divinely inspired love of sauces throughout our great nation (and that ancillary nation to the north.)

No wonder aliens haven’t visited us; they probably haven’t received word across the light-years that we’ve mastered ketchup. Or maybe it’s the fact that we haven’t built a plastic fork whose tines could stick up to a sturdy gherkin. (But that outrage is for another day. Yes, manufacturers of disposable flatware, you too will taste my wrath.)

TODAY’S RANT: Toy Movies

Uggh!

Uggh!

I’m troubled by the devolution of movie source material. As soon as there were movies, there was a desire to convert books into films. This worked great. While it wasn’t always easy to convey the depth of a 600 page novel in a 100 page screenplay, this gave even the least of us the ability to raise ourselves up to the status of pretentious douche-bag with the mantra –say it with me: “The book is always better than the movie.”

Running low on literary fodder, movie-makers decided to shift to making movies from comic books. This worked even better. You could convey the complexity of a comic in a movie, and you had an existing visual media for continuity. The major challenge was finding actresses with huge boobs who could deliver a spinning back-kick (enter Scarlet Johansson), and figuring out what to do about the crotch bulges (or lack thereof) of male superheroes in Spandex.

Pushing the limits, directors turned to video-games. This gave us such hits as Lara Croft: Tomb Raider and Doom.  Okay, a video game may give us a nice action-packed romp of mayhem and carnage– albeit with dialogue like, “Suck on this!” (accompanying a grenade toss.) One can watch such a movie on basic cable on a Sunday afternoon while eating an entire pizza and still leave all of one’s mental faculties for contemplating such deep questions as whether this is the low point of one’s existence.

Movies based on toys and board games are the low point of Hollywood’s existence. I thought they had learned their lesson from the movie version of Clue in the 80’s, but apparently not. 

To show that I am nothing if not flexible, I will say that I’m willing to change my view if any of the studios are willing to develop  my ideas such as:

Lincoln Logs: Zombie Slayer: A rogue ex-cop, Lincoln Logs, takes a break from drinking himself to death after his family is Zombified to lure zombies into poorly constructed cabins, toppling the cabins, he crushes the Zombies to undeath. Tagline: “Eat Log, Bitches.”

Chutes and Ladders: Into Darkness: Two naughty children find out what happens when one chutes right off the board — an express ride to hell, that’s what. In order to get out they have to learn to count to 100, but the devil is teaching them to count: 1, 7, brick, egg, 14, 6, toad, biscuit… They must warm Satan’s heart, and then develop the upper-body strength to climb a ladder out of hell.  Tagline: “Numbers are Hard, Hell is Hotter.”

Lego Box: The Musical: A plucky red-headed stepchild is devastated when his siblings get all the Lego bricks, but he only gets the plastic tub they came in. However, through hard work and dedication, he becomes the lead percussionist for the Boston Philharmonic Orchestra, leaving his horrid family behind. Working Tagline: “Eat Box, Bitches.” 

Bronze People Really Chap My Ass

My dogs barking, having walked for hours, nearing the point of collapse, searching high and low for that mainstay of metropolitan rest, I spy a cast iron armrest around a corner, but inevitably find the last bench in the city to be occupied by a bronze bench-hog.

“Hey, George Hamilton, why don’t you move it along already.”

Nashville, TN

Nashville, TN

Okay, these are old people, but that bench is big enough for at least one more person. Skootch.

When they do leave enough room, they are busy having  an intimate moment. Do know how awkward it feels to sit down to something like this?

Beijing, China

Beijing, China

Oh, I still do it, mind you. Every mother wants more for her son than to be a bus driver. But the place for that talk is at home.

Here’s the worst though, the bench hog who leaves room, but dresses really creepy and puts his arm over the backrest.

Budapest, Hungary

Budapest, Hungary

“Yes, yes, come and snuggle up to ole Death.”

Tallinn, Estonia

Tallinn, Estonia

Here, this guy gives you a little room, but look at the hostile body language: arms crossed, head and torso twisted slightly away. He acts like you’re a filthy, syphilitic leper just for contemplating sitting next to him.

“What makes you so much better than me, Mr. Anton Hansen Tammsaare?… Oh, the fact that they put a statue of you up for eternity in a prominent public park… Touché, well-played, Tammsaare, well-played.”

I’ll save the topic of all the bronze nudists for another occasion. Yes, we get it that you have an awesome tan and metallic abs, but no one wants to see Wee-Willy-Winky while they’re eating their sub sandwich.

Budapest, Hungary

Budapest, Hungary