“The Taxi” by Amy Lowell [w/ Audio]

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of
the night?

“The Blue-Green Stream” by Wang Wei (Lowell version) [w/ Audio]

Every time I have started for the Yellow Flower River,
I have gone down the Blue-Green Stream,
Following the hills, making ten thousand turnings.
We go along rapidly, but advance scarcely one hundred li.
We are in the midst of a noise of water,
Of the confused and mingled sounds of water broken by stones,
And in the deep darkness of pine-trees.
Rocked, rocked,
Moving on and on,
We float past water-chestnuts
Into a still clearness reflecting reeds and rushes.
My heart is clean and white as silk;
it has already achieved Peace;
It is smooth as the placid river.
I long to stay here, curled up on the rocks,
Dropping my fish-line forever.

NOTE: This version was translated by Florence Ayscough and adapted by Amy Lowell in the book: Fir-Flower Tablets (1921) New York: Houghton Mifflin, p. 123

BOOKS: “A Dome of Many-Coloured Glass” by Amy Lowell

A Dome Of Many Colored GlassA Dome Of Many Colored Glass by Amy Lowell
My rating: 5 of 5 stars

Project Gutenberg Page

This was Lowell’s first published collection (1912,) and my 5-stars notwithstanding, it is not everyone’s cup of tea. I think I understand why this is. If you read some of Lowell’s more popular and highly anthologized poems, you might find that this collection is unlike them in several ways. Many of those popular poems are highly imagist, emulate East Asian sparseness, and are free verse. These poems are by and large metered and rhymed verse and I would not be the first to say that they often feel conventional and pedestrian. As I was reading the final section, “Verses for Children,” I figured out what other key feature of Lowell’s poetry was largely missing from the lyric poetry and sonnets that preceded these Children’s poems — playfulness. [Fortunately, it’s on display in the kid’s poems.]
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With all that said, there are some spectacularly evocative images presented within these poems. I particularly enjoyed poems like: “New York at Night” and “A Japanese Wood-Carving.” As I don’t have the aversion to metered verse that many poetry readers seem to have today, I wasn’t as dismayed by the collection as some readers seem to be. Though I will admit that the collection doesn’t just play it safe with form, it also infects the tone and content of the poems.

Still, I found the collection readable and pleasant reading. (But maybe this is because I like a good scavenger hunt for golden nuggets of beautiful verse.)

View all my reviews

“The Pond” by Amy Lowell [w/ Audio]

Cold, wet leaves
Floating on moss-coloured water
And the croaking of frogs --
Cracked bell-notes in the twilight.

“A Recluse” by Wang Changling / Amy Lowell [w/ Audio]

A cold rain blurs the edges of the river.
Night enters Wu.
In the level brightness of dawn
I saw my friend start alone for the Ch'u mountain.
I gave him this message for my friends and relations:
My heart is a piece of ice in a jade cup.
This is the Amy Lowell translation of a poem by Tang Dynasty Poet, Wang Changling (王昌齡) --a.k.a. Shaobo (少伯) 

“Meditation” by Amy Lowell [w/ Audio]

A wise man,
Watching the stars pass across the sky,
Remarked:
In the upper air the fireflies move more slowly.

“Autumn” by Amy Lowell [w/ Audio]

All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.

“A London Thoroughfare. 2 A.M.” by Amy Lowell [w/ Audio]

They have watered the street,
It shines in the glare of lamps,
Cold, white lamps,
And lies
Like a slow-moving river,
Barred with silver and black.
Cabs go down it,
One,
And then another.
Between them I hear the shuffling of feet.
Tramps doze on the window-ledges,
Night-walkers pass along the sidewalks.
The city is squalid and sinister,
With the silver-barred street in the midst,
Slow-moving,
A river leading nowhere.

Opposite my window,
The moon cuts,
Clear and round,
Through the plum-colored night.
She cannot light the city;
It is too bright.
It has white lamps,
And glitters coldly.

I stand in the window and watch the moon.
She is thin and lustreless,
But I love her.
I know the moon,
And this is an alien city.

“A BLOCKHEAD” by Amy Lowell [w/ Audio]

Before me lies a mass of shapeless days,
 Unseparated atoms, and I must
 Sort them apart and live them. Sifted dust
Covers the formless heap. Reprieves, delays,
There are none, ever. As a monk who prays
 The sliding beads asunder, so I thrust
 Each tasteless particle aside, and just
Begin again the task which never stays.
 And I have known a glory of great suns.
When days flashed by, pulsing with joy and fire!
Drunk bubbled wine in goblets of desire,
 And felt the whipped blood laughing as it runs!
Split is that liquor, my too hasty hand
Threw down the cup, and did not understand.