POEM: Wet Market

Water snakes writhe in a plastic pan of clear water.

Massively muscled fish lie eye-up, tail jutting over air, as torsos rest on a bed of shaved ice.

The stout fish lie next to a more flexible species that are nestled into each other, which — in turn — are next to eels that are tangled in each other.

A cat alternately stalks and sprints, testing the air with an upturned nose and the safety of approach with timid feet.

Eyes up, the cat considers a plot to leap-snatch a tiger prawn.

When, like manna from heaven, a small fish — so fresh that it’s capable of “plotting” its escape in muscle spasms more than with its ill-oxygenated fish brain — flips itself off the shallow tin tray onto the ground.

The cat, an instinct-guided missile, snatches the fish in its jaws and runs through a narrow gap in the wall to a favorable dining haunt.

DAILY PHOTO: Birds of Diu: Stork, Egret, and Parrot

Taken on November 30, 2019 in Diu

POEM: Winter Dusk

Stalk-stubbled field dusted white.
Four in the afternoon,
yet drifting into night.
How’s dark descend so soon?
 
Visible breath eddies
from lips dry and cracked.
Shoulders shrugged up ready —
cold collar cataract.
 
Light of low sun passes
through the barren hardwoods.
Moving like molasses,
people wear all their soft goods.

DAILY PHOTO: Langurs at the Watering Hole

Taken at Gir NP on November 29, 2019

POEM: The Jnani Knows

The jnani knows:

  • what rests on the far side of “I’m just” is a lie.
  • one must be as conscientious in destruction as in construction.
  •  the portals of sensation are also doors to heaven and hell.
  •  a person dies once in this world, but many times in his mental world.
  • there’s a profane rot in every unquestioned idea held sacred.

DAILY PHOTO: Churches of Diu

Taken in November of 2019 in Diu; This church was converted to the Diu Museum, featuring Christian artifacts.

This church was owned by a hospital, but appears to be vacant / unused.

This church, St. Paul’s, is the only active church in Diu

POEM: Skipping Stones

I’ve skipped stones —
flat stones with rounded edges,
side slung with a snapping twist of torso,
watching the bounce – bounce – bounce of bounding rock.

Choosing a stone,
rolling it in one’s palm,
feeling its heft;
that’s where the skip is made,
in quiet contemplation of the right rock.

DAILY PHOTO: Young Owls

Taken on November 29, 2019 at Gir National Park.

BOOK REVIEW: The Man in the High Castle by Philip K. Dick

The Man in the High CastleThe Man in the High Castle by Philip K. Dick
My rating: 5 of 5 stars

Amazon page

 

In this counterfactual novel, the Axis powers won the Second World War, and America has been divided between Germany and Japan. I recently re-read this book, having watched the Amazon Prime series that is loosely based upon it. [FYI – the plotting and details are considerably different between the book and the series, and — while many major characters and a few key events are shared between them — they are not recognizable as the same story. Though I believe both are good, each in its own way – and the world is quite similar between them.]

There are a couple subplots that play out to form the larger story. One of these involves Robert Childan, a dealer in Americana who [while he specializes in antiques] ends up dealing in jewelry made by Frank Frink and Ed McCarthy after unwittingly being used as a pawn in their plan to manipulate the two artists’ former employer. This line intersects with that of Mr. Tagomi, a high-ranking Trade Ministry official who is involved in grand strategy level issues, but who is a customer of Childan’s.

The other major line involves Juliana Frink, ex-wife to the aforementioned artist Frank Frink, who meets up with Joe Cinnadella, and travels with him to Denver. Along the way, Joe introduces Juliana to a novel called, “The Grasshopper Lies Heavy,” which is a counterfactual novel in the world of the book that is substantially the same as the world as we know it (i.e. the Allies won the war and America becomes a hegemonic power.) Joe suggests that Juliana and he go to meet the author, who also lives not far within the Rocky Mountain states. “The Grasshopper Lies Heavy” plays an important role throughout the book, and it is introduced to Childan by one of his customers as well. The controversial fictional book is allowed in the Japanese controlled territory, but the Nazi’s have banned it and are rankled about its existence. It’s author, Hawthorne Abendsen, is the same-named “man in the high castle.”

As in the series, the Chinese “Book of Changes” (i.e. the I-Ching) plays a role. However, in PKD’s novel it is a much more substantial role. In the series, it is mostly Mr. Tagomi who relies on the I-Ching. In the book, Frank and Juliana Frink use it heavily — as do other characters. The use of an oracle in conjunction with the alternate history premise of the book puts questions of fate and free will at the fore, providing deep food for thought.

In the interest of full-disclosure, Dick’s portrayal of Juliana Frink comes off a bit misogynistically in places, though she is also shown as a character of great strength and intelligence. [In fact, when we meet her, she is a judo instructor, and her cleverness is put on display as well.] It can also be said that the rendered dialogue of both the Japanese characters and those who strive to emulate them [i.e. the Japanophile / sycophant Childan] is a little “inscrutable Asian / Charlie Chan.” That said, Mr. Tagomi is one of the most mature and self-aware characters in the book. It could be argued that making Juliana shallow and self-obsessed gives her depth of character. The book also came out in 1962, so the approach to presenting characters has changed.

I enjoyed reading this book the second time more than the first, and I got a lot more out of the process. I’d recommend the book for anyone interested in questions of destiny and freedom, or who just wants an entertaining story.

View all my reviews

DAILY PHOTO: Naida Caves

Taken on November 30, 2019 in Diu