BOOK REVIEW: Nightmare in Savannah by Lela Gwenn

Nightmare in SavannahNightmare in Savannah by Lela Gwenn
My rating: 4 of 5 stars

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Out: November 9, 2021

Like New Orleans, Savannah is one of the few American cities that can pull off Old World occult-centered stories in a way that is on par with Prague or Budapest. While this is a fine story, I was underwhelmed at the degree to which it harnessed the promise of that setting. Mostly, the story plays out as teenage drama that could take place anywhere in America, with the novel addition of fairies [as opposed to the overplayed vampires or zombies.] I will say the book does a better job of getting mileage out of Fairy folklore than it does out of Savannah’s spook factor. These are not Peter Pan’s Fairies.

If you are looking for something akin to “Mean Girls” with less comedy, more angst, and a supernatural element, this book is definitely worth checking out. However, if the title “Nightmare in Savannah” has you expecting a deeply disturbing work of gothic horror, this is probably not the one for you.

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BOOK REVIEW: Taboos and Transgressions ed. by Luanne Smith, Kerry Neville, and Devi S. Laskar

Taboos and Transgressions: Stories of WrongdoingsTaboos and Transgressions: Stories of Wrongdoings by Luanne Smith
My rating: 4 of 5 stars

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This anthology collects twenty-four gritty stories of familial dysfunction, lives in poverty, and various forms of wrongdoing. While there is a common theme and all the stories are situated in a realist context, there is a rich variety among the stories. A few are sparse and obscure, but most fit within the usual page range and level of story development for magazine published short stories. But there is considerable diversity to the “wrongdoing” of the story, ranging from subjective peccadillos to outright felonies, with the protagonist sometimes being the perpetrator but other times being victims or witnesses. Most, if not all, of the anthologized stories have been previously published.

Among my personal favorites were: “The God Box” (Michael Gaspeny,) “The Tao of Good Families” (Soniah Kamal,) “I Still Like Pink” (Francine Rodriguez,) “She Sheds Her Skin” (Kyle Ingrid Johnson,) and “Goatmartie” (J.C. Sasser.) That said, your preferences may vary, and the most famous authors with included pieces are probably Kim Addonizio (“True Crime”) and Joyce Carol Oates (“Gargoyle.”)

While the title might suggest erotica or even pornography, the included stories are literary fiction and, while some mention happenings that are properly taboo, few really revolve around those activities. There is some prostitution and unsubstantiated allegations of bestiality, but readers need not be concerned that there is anything sexually or violently graphic among the stories. (Certainly, no more than one would read in Philip Roth or Erica Jong.)

If you enjoy gritty, realist short stories, this collection offers a fine and diverse selection of such works.

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BOOK REVIEW: Fiber Fueled by Will Bulsiewicz

Fiber Fueled: The Plant-Based Gut Health Program for Losing Weight, Restoring Your Health, and Optimizing Your MicrobiomeFiber Fueled: The Plant-Based Gut Health Program for Losing Weight, Restoring Your Health, and Optimizing Your Microbiome by Will Bulsiewicz
My rating: 4 of 5 stars

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This book advocates a high-fiber (i.e. plant-based) approach to eating. The book pairs a pop-sci dimension (explaining the science of why more fiber and plant-based foods would benefit most readers,) with a self-help dimension that supplies readers with a program by which they can pursue such a diet.

The book explains how the body’s microbiome breaks down fiber, producing Short-Chain Fatty Acids (SCFAs,) and discusses all the great things these molecules do for us. Speaking of the body’s microbiome, the book discusses how to keep it operating at its best, explaining all you need to know about prebiotics, probiotics, and postbiotics. It also explores the benefits of fermented foods, and the pros and cons of a range of other foods.

I liked that the book, by-and-large, takes both a scientific / pragmatic approach. For example, Bulsiewicz rejects the hype that everyone needs to abandon gluten (not just those with Celiac Disease.) I can’t say that the book is perfectly scientifically-objective. It does advocate that everyone quit dairy products. The author does present some of the evidence of benefits of dairy, but dismisses these as studies that must be supported by the dairy industry. [While I’m sure the dairy industry does fund studies, I doubt that they have a lock on the scholarly debate, i.e. sending out milk-goons to break the knee-caps of researchers.]

I didn’t find the dietary plan (Ch. 10) to be useful. While I eat a high-fiber / plant-dominant diet, I don’t take the extreme position that all non-plant food must be eliminated. That stance makes some of the recipes impractical. One needs a neighborhood Whole Foods to get some of the ingredients.

That said, the book offers a great explanation of why one should eat more foods that feed one’s microbiome, and it’s an excellent resource for those wishing to learning more.

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BOOK REVIEW: Hurts So Good by Leigh Cowart

Hurts So Good: The Science and Culture of Pain on PurposeHurts So Good: The Science and Culture of Pain on Purpose by Leigh Cowart
My rating: 5 of 5 stars

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Out: September 14, 2021

Humans devote a lot of effort to avoiding unpleasant sensations. I’ve even heard people philosophize that all human activity is about moving toward pleasure or away from pain, but this claim fails on two grounds. First, people don’t invariably flee from pain, sometimes they run into its arms. Second, the dichotomization of pleasure and pain, categorizing them as opposites, also fails for a wide variety of human endeavors.

This book reflects upon a diverse set of cases in which the pleasure-pain dichotomy breaks down, attempting to glimpse why this is the case. Cowart investigates pepper-eating contests, ultramarathons, Polar Bear Club mid-winter dips, flagellation by religious adherents, and sexual sadomasochism. One thing these diverse activities have in common is that individuals voluntarily and purposefully subject themselves to intensely painful sensations. Throughout the book, the author is forthright about the varied ways that she has been attracted to pain, including: ballet dancing, an eating disorder, and sexual masochism.

This book takes a story-centric approach. As the subtitle suggests, it does present scientific findings, but this information is tucked in amid the stories – both her own confessional tales and the stories of the masochists (broadly speaking, i.e. not referring only to sexual pain-seekers) she meets during her research trips.

As a student of both martial arts and yoga, I found that the changing of one’s perception of, and relationship to, sensation is one of the most profound and empowering aspects of these practices. I, therefore, was curious what brought people to the purposeful pursuit of pain and what benefits others found. Not surprisingly, there isn’t just one reason for all cases, and Cowart discusses neurochemical, social, and psychological reasons. If you’re curious about why people engage in pain purposefully and voluntarily, this book is a must-read.

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BOOK REVIEW: When the Sparrow Falls by Neil Sharpson

When the Sparrow FallsWhen the Sparrow Falls by Neil Sharpson
My rating: 5 of 5 stars

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Out: July 8, 2021 [June 29, 2021 some places.]

The Caspian Republic is a Soviet-style dystopia, but set in a future in which it is the sole holdout against rule by Artificial Intelligence (AI,) against virtual living, and against downloading one’s consciousness. When, Nikolai South, an unimpressive agent of the State Security agency is given the seemingly undemanding, yet diplomatically sensitive, job of escorting the foreign widow of a deceased “journalist,” something is amiss. Nikolai’s work philosophy has been to find the sweet spot where he is neither noticed as a shirker nor for his excellence, and his mastery of this Goldilocks Zone has made him nearly invisible to upper management – or so he thought. What makes the job tricky is that the journalist, a man who wrote rants against AI and downloading of consciousness, turns out to be a downloaded consciousness, as is his wife, making her visit a little like the head of the Dalai Lama Fan Club being invited to Beijing.

I found this story compelling. The book perspective jumps toward the end (throughout most of the book, it’s first-person narrated,) but for the most part the perspective shifts aren’t problematic. While this shift away from first person narration isn’t hard to follow, I would say this section goes on longer than I would have preferred. There is a point about two-thirds of the way through at which we lose the the thread of Nikolai, and at that point the story becomes largely a history of a fictional country (which, sans a central character, is a bit tedious,) but then the book resumes a character-centric story to the book’s end (and I resumed enjoying it.)

If you’re interested in books that make you question what being human means, and where the boundaries lie, you’ll find this book intriguing and worth reading.

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BOOK REVIEW: The Kingdoms by Natasha Pulley

The KingdomsThe Kingdoms by Natasha Pulley
My rating: 5 of 5 stars

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The Kingdoms is a cross-genre work of speculative fiction built around the grandfather paradox — not in the narrow sense (no one murders an ancestor) but in the broader sense that the time traveler’s mucking about in the past will kill the version of him that otherwise would have been. It’s a time machine story sans the time machine, just a strange time-portal near a remote coastal village, on one side of which it’s near the turn of the 19th century and on the other it’s about a century later. As a work of counterfactual historical fiction, that time gap is important. It takes one from an age of wooden sailing ships to one of mammoth steel steamers, and a future man might know a great deal (historically and / or technologically) that could rewrite the world.

There’s another dimension to the story beyond the sci-fi time-travel. There’s a love story whose major complication is amnesia, and it’s a big enough complication that it takes the course of the story to bring the relationship into focus.

When we pic up the story, we find our protagonist, Joe, is in a hospital in Londres, the London that would exist if the French had come to rule Britain. Joe is amnesiac, and has the misfortune to learn that he is a slave. Joe will eventually receive a clue directing him to a lighthouse on the Scottish coast near the rift in time.

I enjoyed reading this novel. It’s both thought-provoking and entertaining. It has enough complication that it keeps one guessing, and keeps one reading, in an effort to bring into focus that which is chaotic and cloudy throughout most of the story. But in the end the intrigue is resolved clearly, and oh what a ride one has taken.

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BOOK REVIEW: Seven Shakespeares, Vol. 1 by Harold Sakuishi

Seven Shakespeares Vol. 1 (comiXology Originals)Seven Shakespeares Vol. 1 by Harold Sakuishi
My rating: 4 of 5 stars

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The title and premise of this manga-style historical fiction graphic novel are presumably influenced by Gilbert Slater’s 1931 work that proposed that William Shakespeare as poet / playwright is a myth and that, in actuality, seven different writers produced the canon attributed to Shakespeare. While there remains disagreement and speculation about precisely what was composed by Shakespeare – as opposed to either being heavily co-authored or exploiting his name recognition – I don’t believe this extreme expression of the idea is so popular anymore.

But it doesn’t really matter for the purpose of this story because Sakuishi’s work suggests some truly outlandish, if intriguing, origins of the Shakespeare canon. In the case of this first volume, it is an adorable young Chinese witch (for lack of a better term,) Li, who goes from learning English via crude a pointing-out-concrete-nouns approach to penning sonnets that will be considered some of the best poetry humanity has ever known, and she does so over a period of weeks.

The volume includes light supernatural elements – either that or superstitious people in conjunction with unseen and / or unbelievable activities. So, it’s a cross-genre work. Most of the story revolves around a Chinese community who feel beleaguered by the gods or fates, and who attempt to sacrifice Li to appease said deities.

I found the premise to be intriguing. The art was cleanly rendered in the manga style. The story didn’t feel quite as clean, with some events feeling random and inorganic. If you’re looking to get some lightly dramatized historical fiction, you’d probably feel this is a bit fanciful, but if you’re down for the story’s exaggerated nature, it’s a compelling tale.


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BOOK REVIEW: The Hound of the Baskervilles by Arthur Conan Doyle

The Hound of the Baskervilles (Sherlock Holmes, #5)The Hound of the Baskervilles by Arthur Conan Doyle
My rating: 5 of 5 stars

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A legend tells of a monstrous hell-hound who haunts the moors of Devonshire and who long ago killed the head of the Baskerville estate, a wealthy family and linchpin within the community. When the present head of the Baskerville fortune, Charles, dies suddenly and under mysterious circumstances – i.e. outdoors at night and in the presence of huge paw prints — many neighbors conclude the legendary hound has returned to fulfil the curse of the Baskervilles. The doctor, neighbor, and friend of Charles, Dr. Mortimer, doesn’t know what to think, as a man of science he might dismiss the legend, but he’s the one who found the hound prints. Above all, Mortimer knows that if the new heir to the Baskerville estate is driven away, it would be devastating for the neighborhood. Mortimer thus seeks the advice of Sherlock Holmes.

This is one of the most well-known and beloved stories in the Sherlock Holmes canon (fyi – it’s #5.) One interesting feature is that Holmes, himself, is not present through the middle of the story. As in all of the Sherlock Holmes stories, it’s Dr. Watson who provides perspective and narration, but throughout the second act we see Watson doing the investigating as well. Sherlock is present for the beginning of the story when Mortimer comes to call and the Baskerville heir, Henry, arrives in London, and then he’s there to spring a plot to conclude the case, but in between we learn of only Watson’s activities in Devonshire.

This is an intriguing tale from beginning to end, and it is remarkable how many strange and seemingly disparate strings the story ties up cleverly. It’s a fascinating look at superstition and how it creates converts under the right circumstances. This quick and thrilling read is worthy of your time.


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BOOK REVIEW: Cognitive Neuroscience: A Very Short Introduction by Richard Passingham

Cognitive Neuroscience: A Very Short IntroductionCognitive Neuroscience: A Very Short Introduction by Richard Passingham
My rating: 4 of 5 stars

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This book provides a brief overview of cognitive neuroscience, a discipline that has really only been around for the past few decades, one that uses technologies allowing scientists to see what parts of the brain are active during a given mental activity. The reader learns what parts of the brain are involved in the various activities of being human from perception through action, and what can go wrong with these processes. While that sounds simple and straightforward, the immense complexity of the brain makes it anything but, and there is a lot of medical jargon and qualifying statements to explain how a given relationship between brain location and activity isn’t as simple or well understood as we are frequently led to believe. [Any plain and direct explanation of the brain workings is likely to be at best partial truth, and more likely outright deceptive.]

I found the organization of this book to be logical and conducive to learning about this complex and technical topic. The first chapter, “A Recent Field,” describes what cognitive neuroscience is and where it fits in among the various sciences that deal with mental activity including, psychology, psychiatry, etc. This gives one an idea of both how cognitive neuroscience can contribute to our understanding of mental activity, but also where its limitations lie and why it has not displaced all the other disciplines.

Chapters two through eight make up the core of the book and present an exploration of the various aspects of mental activity and what has been learned about them through studies in this field. The progression is logical and elementary: perception (Ch. 2,) attention (Ch. 3,) memory (Ch. 4,) reasoning (Ch. 5,) decision (Ch. 6,) confirmation / checking (Ch. 7,) and finally action (Ch. 8.) In each chapter practical questions are discussed, questions that will be of interest to readers whose goal is not vocabular expansion, in addition to the discussion of what brain region is involved with what activity. What kinds of questions? How amputees “feel” pain from the missing part of the body? Why humans suck at multitasking, and under what circumstances they can do better at it? How come people who have amnesia remember how to talk and engage in physical activities? Is there free will, and – if so – in what sense? Do we think in language? Etc.

The last chapter reflects upon the future of the discipline. Over the course of the book, the reader learns the limitations of what functional Magnetic Resonance Imaging (fMRI) and Positron Emission Tomography (PET) scans can tell one about what is happening with the brain, and in this chapter one is introduced to the next generation of technologies that may take our level of understanding to another level.

This book has an excellent feature that I don’t recall seeing in other AVSI books. (That is probably, in part, because many of them don’t need it like this one because their subject matter is more readily grasped.) Said feature is a text box at the beginning of the chapter that asks some relatively rudimentary and practical questions, and then – at the end of the chapter – those questions are answered in another box. I think the author recognized that there was a high degree of risk of losing readers if the entire book was, “and when you do decide how many minutes to microwave your Hot Pocket, the temporo-parietal junction works in conjunction with the …” [not an actual quote fragment] he would produce book of limited benefit. [i.e. it would be too technical for the neophyte reader who just wants some practical insight (the AVSI target demographic,) but not technical enough for students of brain anatomy.] These text boxes help keep the reader focused on what is being conveyed while not getting too caught up in arcane terminology.

Other ancillary matter includes graphics (photographs of technology and readouts and diagrams showing where brain areas are located,) references, and a further reading section.

I found this book to have some intriguing discussions on interesting topics. That said, those discussions are interlaced with some necessarily complicated and dense subject matter (that’s the nature of the discipline.) That said, I think the author recognized his challenge and the question boxes and answer boxes that bookended the core chapters were very useful in offering focus for a non-expert reader. It you want a bare-bones overview of cognitive neuroscience, it’s worth reading this slim volume.

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BOOK REVIEW: Henry VI, Part 1 by William Shakespeare

King Henry VI, Part 1King Henry VI, Part 1 by William Shakespeare
My rating: 5 of 5 stars

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Like some of the other histories, this one is not so much about the titular character (Henry VI) as it takes place during his reign, and, in this case, it’s the very beginning of young Henry VI’s rule. In fact, this play begins with Henry V’s funeral. Henry VI does play a role as the naïve, new ruler who has the childlike wisdom of one who can’t see why everybody is getting so upset about what seem like trifling matters (e.g. infighting) when more crucial problems are at hand (e.g. France in revolt.) This is best seen in the young King’s gentle rebuke of the aristocrats for the big deal they are making about the color of rose being worn – which includes Henry’s innocent wearing of a white rose to make a point. (The events leading up to the War of the Roses feature prominently in the story, i.e. the civil war between the House Plantagenet and the House York.)

All that being said, if one were to pick a protagonist for this play it would have to be the great military commander, Talbot (pitted against his French counterpart, Joan of Arc — referred to as Pucelle throughout the play.) Early in the play, Talbot is captured, and this throws the English into a panic because he’s considered the linchpin of their forces in France (and because England is in a fragile state with Henry VI being young and inexperienced.) Talbot’s release is negotiated (the French, perhaps, being dismissive of how crucial the English see Talbot as being.) This dismissiveness is later seen in an episode with the Countess of Auvergne. The Countess, surprised to find Talbot is not a giant – given his reputation, thinks she is about have him arrested. When asked how he obtained such an outsized reputation, Talbot calls for his men, who promptly make an overwhelming show of force, clarifying wherein his power lies and putting to rest the idea that her men can take him. Act IV sees the tragic end of Talbot and his son, who each try to get the other to leave a battlefield dominated by the French, but neither will do so and so they die together.

The reason the great Talbot gets outplayed is two-fold. First, Joan (Pucelle) convinces the Duke of Burgundy to change sides, which significantly changes the balance of forces. Second, the English infighting between Somerset and York plays out in Talbot being denied reinforcements. The tragedy of this being that Talbot is universally-beloved, and it’s through no fault of his own that he can’t get the backup he needs. He is lost due to the pissing contest of lesser men.

Act V shows us how a peace is brokered that hinges on an arranged marriage for the young Henry. This provides us a [kind of] story wrap-up, i.e. a moment of stability. However, it’s no surprise that there are more parts to come, because there is a tremendous amount of divisiveness yet to play out. There is the embryonic War of the Roses, and a related great deal of contention over the deal that was brokered to end the war in France. For one thing, at one point Henry was doubly betrothed, and there was dissention about which fiancé he should pursue. But even if there hadn’t been a second choice, there was still room for conflict over what was seen as a bad deal (no dowry to be paid from the Princess’s side and – in fact – the relinquishment of territories – a reverse dowry if you will.)

A lot of people consider this to be one of Shakespeare’s worst plays. (The insult is often not against Shakespeare as many also believe he only partially penned this play, as well as some of the other lesser-loved plays.) I must say, as Histories go, I found this one to be quite readable. (Of course, I didn’t despise “Titus Andronicus” either – though it is mega-bloody and perhaps not as nuanced a story as the later tragedies.) I think the Act IV tragedy and the political infighting made for some intense emotional resonance. In general, the histories are constrained by how interesting the events are rather than how creative the playwright can order them (though a number of the tragedies follow events – as they were known — fairly closely.)

Part of the complaint may have to do more with language than story, and from this perspective, I must say there are not a lot lines that leap out at one in the manner typical of Shakespeare.

At any rate, I wouldn’t necessarily dismiss this play based on its (relatively) diminished stature, lest one make the same mistake as the Countess.


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