BOOK REVIEW: The View From the Cheap Seats by Neil Gaiman

The View from the Cheap Seats: Selected NonfictionThe View from the Cheap Seats: Selected Nonfiction by Neil Gaiman
My rating: 4 of 5 stars

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Not every writer—not even many literary greats—could pull off a book like this. It’s a collection of random speeches, front matter from books (not his own), liner notes, and the occasional eulogy for individuals living and dead. While the book is organized into sections on topics like other authors, comic books, films, and music, it seems that organization derives organically from the topics on which Neil Gaiman is asked to comment–rather than a desire to tighten the book’s theme.

If you’re a Neil Gaiman fanboy/girl, you’ll need no excuse to read anything that he puts out (even though–if that is the case–you’ll probably have read much of this before in separate outings.) So the question is why the rest of us—who may enjoy Gaiman’s writing tremendously but who don’t qualify as fanboys / fangirls—should read this. The reason that it’s worth reading is that Neil Gaiman is funny, has a way of framing ideas that makes them thought-provoking and interesting, and frequently writes quotable bits of text that are essentially brain candy.

The book’s title comes from an essay on Gaiman’s experience attending the Oscars from the upper balcony. As mentioned, the book is divided into thematic sections–ten of them to be precise. The book starts with “Some Things I Believe,” which presents speeches on the virtue of reading, libraries, books, and bookstores. The next section discusses people he has known and worked with—largely writers and graphic artists. Then Gaiman offers thoughts on the nature of science fiction, again mostly through book forwards on seminal works from the genre. There is a section on films and Gaiman’s experience with them—several of his works have been made into films and many others have been considered. The next part is on comic books and the works and artists that influenced Gaiman. The next section bears the title “Introductions and Contradictions” and it offers introductions for various books (not Gaiman’s but those written for other writers.) There’s a musical section about a few recording artists including They Might be Giants, Lou Reed, and—of course—Gaiman’s wife Amanda Palmer. Next, Gaiman presents some introductions and forwards for works of fantasy. One section includes only a solitary entry–a commencement speech entitled “Make Good Art.” The final section is sort of a catchall of essays that includes the title piece and one on events in Syria.

I’d recommend this book for those who enjoy reading (or writing) in the genres for which Gaiman is known. His comments offer interesting insight, and you may learn about some books and authors that you’d never heard of before.

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BOOK REVIEW: Good Omens by Terry Pratchett & Neil Gaiman

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, WitchGood Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett
My rating: 5 of 5 stars

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Nature or nurture? That’s the question at the core of this funny take on the coming of the apocalypse, written by two masters of humorous speculative fiction—the late Terry Pratchett and Neil Gaiman. The end of days is coming. What if the Antichrist responsible for seeing it through had been switched at the hospital and was raised as a normal kid? Would he be evil enough? If not, how would the apocalypse play out? After a chapter that shows the reader the mix up at the hospital, the bulk of the book takes place over a few days that are supposed to be the last few days of humanity.

There’s an extensive cast of characters including the “gang” of Adam the anti-Christ, the four horse-persons of the apocalypse, angels and demons, witches and witch-hunters, and other sundry characters. However, the characters that most carry the tone and message of the book are Crowley (a demon) and Aziraphale (an angel.) With these two, the authors inject some Taoism into an otherwise Biblical world. That is to say, pure evil and pure good are rarities; there’s always a bit of good amid the bad, and vice versa. Aziraphale can be grumpy, and Crowley’s proclivity to be mischievous has its limits. Being in similar positions, the two bond as low-level managers working for Coke and Pepsi might get on because they face similar demands and have similar complaints about management.

Running through the book are mentions of a book called, “The Nice and Accurate Prophecies of Agnes Nutter, Witch.” This witch’s prophecies are quite unusual in that they are invariably correct, and yet are specific. That is, the prophecies aren’t “right” in the sense that astrologers are often “right” by making vague statements that offer no disprovable propositions. This might lead one to believe that the book would be a marvelous guide for making predictions. However, there is still the issue of having been written centuries ago. Items like automobiles and cellphones, that play a major role in life today, were unfathomable. Furthermore, it’s usually not clear who, exactly, a given prophecy applies to. In short, the medieval writing style results in the fact that the prophecies usually only make sense after the fact.

I’d recommend this book for readers of humorous speculative fiction.

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BOOK REVIEW: The Yoga of Max’s Discontent by Karan Bajaj

The Yoga of Max's DiscontentThe Yoga of Max’s Discontent by Karan Bajaj
My rating: 4 of 5 stars

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Max is a making a good living in New York City, but feels an inexplicable void that leads him to give it all up to travel to India in search of wisdom. This novel is a hero’s journey in which the quest isn’t for adventure (not in the usual sense) but for insight into his mind and a path to bliss. Along the way he finds a teacher and is assisted by others, but must ultimately find his own path. As is appropriate to such a quest, he faces hurdles within and without and it’s not always clear whether he will find what he’s searching for—or even whether it exists.

This book kept me reading. It had humor (particularly in the first part) and maintained awareness that it was a novel throughout. What I mean by the latter statement is that there is temptation for books that deal in spirituality to devolve into a muddle between story and self-help book. However, I think the author avoids that error and keeps advancing the story in a readable fashion. The descriptions of yogic practices don’t bog down the story. Those experienced with yoga will breeze right through said descriptions and know what’s happening, and those without such knowledge won’t lose much by grazing over such segments.

The book consists of 38 chapters divided into three parts. The first part covers the period during which Max moves from the US to India and seeks out a teacher. The second part describes his time studying yoga in a south Indian ashram. The final part is the period after which he’s achieved enlightenment, which he spends in the Himalayas.

I found the first two parts to the most interesting and enjoyable. The first part has all the humor and emotional turmoil one would expect from a well-developed and relatable human character. The descriptions of an austere life amid the harsh landscape of a south Indian ashram that comprise the second part make for a visceral read. Where the third part falls flat for me is that supernatural abilities are introduced, and that makes it more difficult to care about Max anymore. It’s a problem inherent in writing this type of story. While Max becomes wiser in the second section, that part doesn’t fall so flat because the life he’s living is so challenging. It’s certainly not that Max’s life is easy when he moves to the Himalayas, but by then he can speak languages he never learned and create sparks with his mind and as far as the reader knows he may be able to leap tall buildings in a single bound and other superman type magic. I suspect the author was aware of the risk of this because he backs away from having Max start a fire with his mind early in the third part and the last part unfolds much more quickly.

I’d recommend this book for anyone who’s interested in a story about personal transformation. Those who’ve spent time in India will find much that resonates and those who are considering (or curious about) such a quest will glean many insights from this book.

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BOOK REVIEW: The Little Prince by Antoine De Saint-Exupery

The Little PrinceThe Little Prince by Antoine de Saint-Exupéry
My rating: 5 of 5 stars

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A pilot crash lands in the middle of the desert and meets a little traveler who came from a tiny planet. As this “Little Prince” tells of his travels, he shares his child-like (not to be confused with “childish”) wisdom on friendship and how adults misunderstand what are “matters of consequence.” While the Little Prince takes a child’s perspective, one’s responsibility to others is an important theme. Of course, that may just be the theme intended for children. At the same time, the lesson for adults may be to reevaluate what one considers important. (The reader may be familiar with the controversy as to whether this is really a work of children’s literature.)

The book is humorous and light-hearted, but with some serious themes and moments. There are many though-provoking ideas in this classic. Some quotes that struck me as profound are:

“The thing that is important is the thing that is not seen.”

“One runs the risk of weeping a little, if one lets oneself be tamed.”

“’Then you shall judge yourself,’ the king answered. ‘That is the most difficult thing of all.’”

“For it is possible for a man to be faithful and lazy at the same time.”

It’s a tiny book—less than 100 pages, including the many color drawings that feature throughout the book.

I’d highly recommend this book for anyone who hasn’t read it at least once. (There may be a couple of you out there.)

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BOOK REVIEW: Fortunately, The Milk by Neil Gaiman

Fortunately, the MilkFortunately, the Milk by Neil Gaiman
My rating: 5 of 5 stars

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It’s “The Usual Suspects” for kids, but with Gaiman’s humor and imagination. A father goes out to buy a carton of milk for his kids’ cereal. When he comes back after being long delinquent, he’s got a rather extraordinary explanation for why the short run to the corner c-store took so long.

I read in a Gaiman’s new nonfiction collection, “The View from the Cheap Seats,” (due out May 31, 2016) that even he got grief for writing a children’s book in which the lead isn’t a child. But, he’s Neil Gaiman; so they wisely published it anyway. While the book is aimed at the children’s market, there’s enough humor and absurd happenings to keep an adult reading. So the risky choice of protagonist may prove useful. It certainly helps Gaiman’s argument against narrow definitions of children’s versus adult books (also discussed in detail “The View from the Cheap Seats.”)

Apropos of a youth market book, it’s only about 140 pages, but that’s with extensive illustrations (on almost every page, and many are full-page) and large font. Chris Riddell’s black and white drawings match the whimsicality of the text well.

I’d recommend the book for anyone who reads kid’s books (whether they’re a kid or not.)

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BOOK REVIEW: Applied Tai Chi Chuan by Nigel Sutton

Applied Tai Chi Chuan (Martial Arts)Applied Tai Chi Chuan by Nigel Sutton
My rating: 4 of 5 stars

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This book distinguishes itself from the pile of books on tai chi chuan sitting on the shelves of your local bookstore. Most tai chi books are large-format, glossy books with full-color photographs of the various moves of the solo forms–usually the Yang-style short form (also called the Beijing Standard Form [or the like.]) Sutton’s book, on the other hand, is mostly text about the history, philosophy, tactics, and lesser-known dimensions of tai chi chuan. In short, while most books give little indication that there’s more to tai chi than the solo form, Sutton builds his niche in focusing on everything other than the solo form. Those who’ve practiced tai chi will be familiar with the on-going debate about whether the art is primarily chi gong (energy work for health purposes) or a martial art. Sutton comes down on the latter side.

The book consists of 32 short chapters (mostly 2 to 4 pages.) It isn’t written as a how-to manual, but rather as a series of meditations on various aspects of tai chi. As I mentioned, the book deals more with “push hands,” the “san shou” fast forms, and weapons than does most books on tai chi. It doesn’t try to teach these methods, but instead tries to offer insight on them. The book would be of most value to someone who has some experience with the art, but who isn’t an expert. The latter might find it boring, but those without minimal knowledge might have trouble visualizing what the author is attempting to convey.

There are some black & white graphics in the book. They are static photos in a section at the middle of the book. The pictures don’t convey a sequence or details of any particular movement, but instead capture various masters within a movement so as to give the reader a taste of the art. There are also a few line drawings used to show items such as weapons and the yin-yang symbol.

The oddest part of the book is the last chapter (which is far longer than the others and is out of character with the rest of the book.) It consists of extended bios on a number of teachers under which the author has trained. I understand the value of paying homage to one’s teachers, but the bios in this section are long and are inconsistent with the general approach of the book. In essence it’s like a 15 page dedication on a 125 page book. The teachers covered seem to have nothing particular in common other than that the author trained with each of them as some point in his life (i.e. they cover different styles and are from different locales.) That said, there are some interesting nuggets about some of these individuals.

I’d recommend this book for anyone wanting to learn more about tai chi. However, if you’re purely interested in learning the solo forms for chi gong (i.e. you don’t want to know about tai chi as a martial art) then one of those other books may serve you better.

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BOOK REVIEW: A Guide to Chinese Martial Arts by Li Tianji & Du Xilian

Guide To Chinese Martial ArtsGuide To Chinese Martial Arts by Li Tianji
My rating: 3 of 5 stars

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This is a brief guide to the martial arts of China. The bulk of the book (about 150 pages of the book’s 178 pages) tells the reader about three major branches of Chinese martial arts: Chang Quan, Tai Chi Chuan, and Shaolin Kung fu at a general level. (The book devotes space to those arts in the same order–i.e. the largest number of pages discuss Chang Quan, then Tai Chi, and the smallest number to Shaolin. This may be surprising as your average non-Kungfu practitioner is least likely to have heard of Chang Quan—by name anyway. Chang Quan is a general term that encompasses several Northern Styles—some of which might be more familiar to general readers [of martial arts books.]) The book also has a brief chapter that describes the history of martial arts in China from ancient times through the modern era, and one that talks about the many schools of martial arts of China (in no great detail because there are so many of them) as well as the various strengths and purposes of these arts.

The bulk of the illustrations are line drawings used to show typical sequences for each of the three major branches of martial art mentioned above. However, there are some black and white photographs and copies of relevant art works and documents as well.

I found this book to be interesting and informative. There’s a bit too much space devoted to describing techniques for my taste. However, I realize that I may be in the minority in that regard. I don’t believe that martial arts can be taught via books or media, and, therefore, there’s a diminishing value to detailed descriptions of technique. In this sort of book one only needs to get a feel so as to be able to see how the martial arts compare and contrast with others.

I’d recommend this book for someone who wants to learn a bit about the nature of Chinese martial arts. It may not be of much value for an expert, but for a kungfu neophyte it provides some interesting information about the history, tactics, and training methods of Chinese martial arts. It’s originally published by Foreign Languages Press in Beijing, but I don’t suspect there is any more bias than there would be if it was published by anyone else (i.e. it’s the rare martial arts book that doesn’t present the martial art under discussion as the ultimate fighting art.)

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BOOK REVIEWS: The Things They Carried by Tim O’Brien

The Things They CarriedThe Things They Carried by Tim O’Brien
My rating: 5 of 5 stars

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It’s called a novel, but it reads like a collection of war stories and essays about being an American soldier in the Vietnam War. That’s not a criticism. In fact, it’s part of the brilliance of this book. If it were thoroughly plotted, it might not feel so authentic. As war is disjointed, so is O’Brien’s book. Some of the chapters are tiny and some are lengthy. Some read more like essays than fiction, and others are clearly fictitious.

When I say that “some are clearly fictitious,” there’s always a doubt that it might just be a true story–because war is just that absurd. An example that springs to mind is one of the most engaging pieces in the work. It’s called “Sweetheart of Song Tra Bong,” and it’s about a wholesome, young girlfriend to one of the soldiers who [improbably] comes to live in the camp. The girl acclimates to the war, and soon she is going out on patrol–not with the ordinary infantry soldiers, but during the night with the Green Berets. Perhaps the moral is that some people are made for war, and it’s never who you’d suspect. As I describe it, the premise may sound ridiculous, but the way O’Brien presents it as a story told by a Rat Kiley–a fellow infantryman known to exaggerate—it feels as though there is something true, no matter how fictitious the story might be. Before one reads “Sweetheart of Song Tra Bong” one has been primed by a chapter entitled “How to Tell a True War Story,” which tells one that truth and falsehood aren’t so clear in the bizarre world of war.

There are a couple of chapters outside the period during which O’Brien (the character, who may or may not be the same as the author) is actively in an infantry unit. One early chapter describes his near attempt at draft dodging, and another talks of his time stationed at the rear after being injured. Both of these chapters offer an interesting twist in the scheme of the book overall. We find O’Brien to be a fairly typical infantry soldier, and it seems hard to reconcile this with his floating in a canoe and narrowly deciding not to make a swim for the Canadian shoreline. However, what is odder still is realizing how distraught he is to be pulled out of his unit, particularly when he realizes that he has become an outsider and the [then rookie] medic who botched his treatment is now in the in-group. This is one of the many unusual aspects of combatant psychology that comes into play in the book, along with O’Brien’s description of how devastating it was to kill.

There are 21 chapters to the book. As I said, they run a gamut, but at all times keep one reading. It’s the shortest of the Vietnam novels I’ve read—I think. When I think of works like “Matterhorn” and “The 13th Valley,” there seems to be something hard to convey concisely about the Vietnam War, but O’Brien nails it with his unconventional novel. O’Brien also uses repetition masterfully. This can be seen in the title chapter “The Things They Carried,” which describes the many things carried by an infantry soldier—both the physical items they carried on patrol and the psychological and emotional things they carried after the war. It’s a risky approach that pays off well.

I’d recommend this book for anyone—at least anyone who can stomach war stories.

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BOOK REVIEW: Quantum Enigma by Rosenblum & Kuttner

Quantum Enigma: Physics Encounters ConsciousnessQuantum Enigma: Physics Encounters Consciousness by Bruce Rosenblum
My rating: 4 of 5 stars

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Consciousness remains a great mystery. While it has increasingly begun to look like consciousness is an output part of the brain, intriguing questions remain unanswered, and some of these unknowns are hard to reconcile with a materialist model (materialism says all phenomena are born out of matter.) It isn’t just pseudo-scientists and cranks that have a problem with the materialist approach. Major names in physics have pointed out that everything is not accounted for by a model that imagines consciousness as the computational product of the brain. Rosenblum and Kuttner address one such hiccup, the so-called Quantum Enigma that lends its name to the book. In brief, the quantum enigma reflects the fact that physical reality is created by observation. This may seem hard to believe, because it’s only been observed at the levels of the really small—i.e. primarily the atomic and subatomic, though the authors propose that there is theoretically nothing to limit the phenomenon to that level and experiments are being conducted at molecular level.

Rosenblum and Kuttner remind us that while the quantum world behaves oddly, quantum theory is exceptionally successful in scientific terms. Meaning that it has been validated by every single experimental inquiry, and the knowledge gained from quantum mechanics has made possible many of the advanced technologies that shape our world (laser, transistor, CCD, and MRI.) The oddness of Quantum Mechanics can be seen in several issues. One is the two-slit experiment in which atoms and photons behave like either a particle or a wave. Another is quantum entanglement, in which two atoms that have interacted become “wired” together such that changes in one are instantaneously reflected in the other—even if they have been separated by great distances.

The book is a bit repetitive, but perhaps this is necessary. People seem to have trouble grasping the nuances of the arguments being made, and this can lead to some wrong conclusions. For example, some people have leapt to the conclusion that ESP is supported by quantum entanglement, but the evidence doesn’t support the idea that one’s thoughts can control anything. Observation causes some physical reality to coalesce, but one has no influence over what reality displays itself. (In other words, with observation the wave function collapses and some state of being comes into existence from what was a field of probabilities.) Randomness remains. Physicists tell us that this is the problem with the idea of using quantum entanglement for instantaneous communications across light-years of space. A further example of a nuance that is hard to grasp is the notion that quantum probability doesn’t describe the likelihood an atom is a certain place, but rather it describes the likelihood you’ll find it there (and that that is a distinction with a difference.)

One may be wondering how consciousness is central the issue. If a non-intelligent entity observed, would the wave forms collapse? Consciousness doesn’t necessarily equate to intelligence as we know it. Consciousness can be thought of as merely the ability to observe and recognize significance in what is observed. So a thermostat is a very primitive form of consciousness. However, the authors do outline why a robotic observer wouldn’t end the controversy.

I found “Quantum Enigma” to be readable despite the challenging subject being explained. The authors to a good job of both describing the relevant phenomenon in terms the average person could understand (Ch.2 though which doesn’t reflect reality) before going on to explain the experiments in which the phenomena is actually observed (i.e. Ch. 7.) The authors use simple line drawings as graphics as necessary as well as staged dialogues to help make the concept clear by anticipating objections and dealing with them as they come.

I’d recommend the book for those interested in the unresolved questions of science with respect to Quantum Mechanics. In particular, there is the issue of consciousness—though it might not seem as central to the book’s discussion as the subtitle would lead one to believe. The last few chapters do deal in consciousness, though in a way that creates more questions than they answer. (It often feels like another summation of the strangeness of quantum mechanics, but that may be because the issues regarding consciousness remain so unclear. Furthermore, a lot of background is necessary to make sense of these complicated issues.)

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BOOK REVIEWS: Gut by Giulia Enders

Gut: The Inside Story of Our Body's Most Underrated OrganGut: The Inside Story of Our Body’s Most Underrated Organ by Giulia Enders
My rating: 5 of 5 stars

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[I recently posted a review of Mary Roach’s GULP. I mention this because that book is likely to be the primary competitor if you’re looking for a tour of the alimentary canal in book form. While I’d recommend both books and point out that the two have different thrusts, if you’re set on reading just one book on poop and farts this year, the two reviews should help you determine which work is more up your alley.]

In this highly readable and humorous book, medical student Giulia Enders teaches us how to poop, what to do when we can’t, how our bodies extract resources from the stuff we shove in our pie holes, and what the bacteria that outnumber our body’s cells by an order of magnitude do for (and against) us. The book is in part a work of popular science, but it’s also a guidebook to the digestive tract. In other words, Enders not only tells readers about the wondrous job their digestive system does, but she also offers advice as to how to keep it running efficiently.

The book is divided into three parts. The first part lays out what the gut consists of and how it does its job. The second part introduces the reader to the enteric nervous system, which is the part of the nervous system that governs the digestive tract and determines when we vomit, poop, and—to some degree–experience emotional turmoil. The final part addresses the body as an ecosystem. The human body consists of 10 trillion cells and another 100 trillion microbes—cells that could theoretically live independently of your body provided the right conditions.

The strength of this book lies in Enders’s ability to put the complex physiological actions of our body into simple, understandable, and whimsical terms. This may mean anthropomorphizing a colon, but so be it—you’ll still get the drift. A prime example is the “Salmonella in Hats” section that equates antibodies with big floppy sombreros that interfere with the germ’s mobility and virulence. The author’s enthusiasm for this “under-rated” organ is infectious.

The book employs amusing, off-beat line drawings to help convey relevant ideas and to support the stories that the author uses to clarify the complex actions of the gut. The art is well matched to the tone of the text, which makes sense given they were drawn by the author’s sister.

As I mentioned in my GULP review, GUT is a very different book despite all they have in common. Enders spends the bulk of her time in the middle of the alimentary canal, where Roach spends most of her time talking about what happens at the two ends. Enders’s book is about the typical Joe’s digestive system, where Roach specializes in extreme cases and narrow (but fascinating) questions. Enders’s book is more of a tour of the digestive system rather than a series of tales of interesting things that happen in and around it. While Roach’s book deals in bizarre cases, Enders’s book is actually more light-hearted and informal in tone. (Whimsical is a good descriptor for GUT.)

I’d recommend this book for anyone who wants to learn more about how their digestive system works and what they can do to keep it working at its best. It’s funny and packed with fun facts.

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