PROMPT: Law

Have you ever unintentionally broken the law?

Unintentionally, intentionally… there are a lot of laws, and some of them are, quite frankly, ridiculous. I would not have been able practice the martial arts that contributed so much to my personal growth and development if I had complied with all the state weapons laws of the various places I have lived. Unlike guns (speaking about the US here) which have a big lobby and voter block, the martial arts community is small and those who practice systems with weapons are a sliver of that. This means that any time some random yahoo does something nefarious with a nunchuck or samurai sword, the weapon gets banned without a moment’s thought for those who have benefited from practicing historical traditions that include said weapons.

I recognize the law as an instrument to prevent people from harming others through violence, fraud, etc. Also, to set common standards necessary for safety – i.e. rules of the road. I do my best to conduct my life in such a way as to not injure or adversely impact the lives of others. I would do this as an ethical matter regardless of the laws, but believe in the value and necessity of many laws.

However, like H.D. Thoreau, I believe there are laws on the books that it’s our moral duty to disregard. For example, if we don’t have liberty within our own skin, there is really no way in which we can be said to be free.

PROMPT: Power

If you had the power to change one law, what would it be and why?

It would be whatever law gave one person the power to unilaterally change a law. That would be a terrible thing.

PROMPT: Political Views

How have your political views changed over time?

While pretty much the same place on the spectrum, they have softened with the realization that abstract principles may have value for understanding, but for a system of governance to work it must be in tune with human nature ( which is far too messy for dogmatic principles.) In short, my political views have become more pragmatic.

Most importantly, I have come to believe that the governance we get comes of a dialectical battle of ideas, and – therefore – a wide diversity of views in the fray is beneficial. Far from wishing our political opponents would go away, we should hope they force us to do our best by putting their best argument out there in the most astute and persuasive way. It will always be messy, with some cover hog temporarily stealing the warmth, but ultimately it’s better (less bleak and cold) than sleeping alone.

It does require sound and strong rule of law, select depoliticized domains (i.e. the military and judiciary,) a willingness of people to accept that ideas they hate can only be defeated by engagement and persuasion (not by silencing or canceling – i.e. intellectual courage is essential,) but it will yield something better (if often messier) than any political ideology.

BOOKS: Mad World by Slavoj Žižek

Mad World: War, Movies, SexMad World: War, Movies, Sex by Slavoj Žižek
My rating: 5 of 5 stars

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Release Date: November 27, 2023 (Jan 11, 2024 in some markets)

I can see why Slavoj Žižek is one of the most successful popular philosophical authors out there today. For one thing, he deals in provocative topics straight from the headlines: politics, pop culture, war, and sex. Furthermore, like the authors of such books as Freakonomics, he picks cases that are fascinating, if inconsequential / frivolous (e.g. in the case of this book, the question of a proposed massive Ukrainian orgy to be carried out in response to a Russian nuclear strike.) For another thing, while philosophy tends to be nigh unreadable owing to the philosopher’s need to be defensively precise (which, in turn, leads to overuse of complex jargon and tedious qualifiers,) Žižek is quite readable owing to an ability to make clear and confident statements.

Of course, there is a downside to this confident clarity. Many a reader will find too many gratuitous statements for his or her taste. Žižek is often willing to say “clearly, x means y” about things for which there is no consensus, whatsoever. An example seen more than once in this book is in discussing what Žižek believes to be the unambiguous meaning of symbolism in artistic works. Of course, there is a name for the fallacy of believing one knows what an author or artist meant to convey, i.e. the intentional fallacy.

That said, the author provides many intriguing ways of thinking about the absurdity of the modern world. For example, to (deceased) former Secretary of Defense Donald Rumsfeld’s tripartite epistemological nomenclature (i.e. known-knowns, known-unknowns, and unknown-unknowns) Žižek asks us to consider a seemingly impossible fourth sector, unknown-knowns (i.e. we don’t know the question, but we have an “answer.”) Žižek’s self-described “pessimistic realism” appeals to the reader’s sense of martyrdom even as it frustrates, by-and-large telling us that the modern world is screwed and there’s little chance of saving it.

If you’re interested in popular philosophy, this book is worth giving a read. However, if you are used to scholarly philosophy, you may find it a bit sloppy and trivial.

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BOOKS: Bohemians: A Very Short Introduction by David Weir

Bohemians: A Very Short Introduction (VERY SHORT INTRODUCTIONS)Bohemians: A Very Short Introduction by David Weir
My rating: 5 of 5 stars

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This book examines the brief life of the Bohemian artistic lifestyle, exploring how it came about, what it looked like in its heyday, what led to its demise, and by what / whom it was replaced (e.g. the Beats.) It is an intriguing examination of the subject. I will say, there were points that I felt the book had become lost in the weeds, but at other points I found it fascinating. I concluded that my own calculus was to find it interesting when it discussed the lives and works of artists who are still deemed to have relevance and influence today (e.g. Baudelaire, Picasso, and Whitman,) and not so much when it was elaborating on artists and works that have fallen into obscurity among the general populace (e.g. Henry Murger’s Scenes of Bohemian Life.) So, that may be more a reflection on me than on the book.

The author touches upon the fictional influences that inspired Bohemianism, the places where the lifestyle thrived (e.g. Paris and New York,) the philosophy and – particularly – the political philosophy of the Bohemians (e.g. often Anarchists or – at least – anti-government.) One of the topics that most interested me is how the successor artistic communities differed from the Bohemians.

If you’re interested in who the Bohemians were and how they differ from other artistic communities (before and after,) this book is well worth the brief read required.

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BOOK REVIEW: Asimov’s Foundation and Philosophy ed. by Heter Joshua & Josef Thomas Simpson

Asimov's Foundation and PhilosophyAsimov’s Foundation and Philosophy by Heter Joshua
My rating: 5 of 5 stars

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Release Date: August 24, 2023 [Paperback; ebook is out]

When I was a budding social science grad student, I learned that Asimov’s “Foundation” series was impetus for many young nerds of the previous generation to enter fields like Economics and Poli-Sci. The reason? At the heart of the story is a fictional discipline called Psycho-history, a mathematical field that’s premised on the idea that [while one can’t reliably forecast what an individual (or even small groups) will do,] given a large enough population one can make grand over-arching predictions about what will happen to society as a whole. It’s an idea that Asimov drew from his education in Chemistry, a field where one couldn’t say much about individual molecules but you could accurately model collective parameters (e.g. temperature.) It turns out that humans and their interactions are more complicated than gas molecules and so Psycho-history only works as a powerful plot device (a fact that Asimov discovered himself, supposedly driving mid-course corrections in the limited space he had to make them.) Anyhow, the idea that one might predict the unfolding of societal, economic, and international events was a powerful scholarly aphrodisiac for individuals who might otherwise have dismissed study of the social world as hopelessly and absurdly chaotic.

With that background generating curiosity and having read a number of Asimov’s books, I was eager to investigate this book that explores the philosophic underpinnings of Asimov’s fictional world. I was not disappointed. The imaginative “Foundation” series of books provides plenty of situations and ideas to which one can apply the lens of philosophy, from the limitations of reason and symbolic logic as tools to solve humanity’s problems to the morality of manipulation and questions of transparency that follow from it to what kind of free will — if any — can exist in a universe where Psycho-history works. This anthology of essays considers questions of mind, logic, morality, free will, identity, and existence, as well as various ideas from the Philosophies of History, Religion, and Science. The twenty-one essays are grouped into six parts by philosophic subdiscipline.

There are so many of these “pop culture meets philosophy” books out there, but I think this one does better than most because Asimov’s creative mind really offered such a rich assortment of ideas upon which to reflect.

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Mythical Kings [Common Meter]

Don't sell us benevolent kings,
  such creatures can't exist.
 An unchecked mind won't self-censor,
  and lame dogma persists.

The Good, the Bad, and the Bat-Shit Crazy of The Republic by Plato

INTRODUCTION: The Republic is the most read and discussed of the Socratic dialogues written by Plato, and for good reason. It offers some intriguing ideas that have influenced philosophy, politics, religion, and even science fiction to this day. That said, the book isn’t without its stinkers, and many people have reasonably asked whether a state or nation employing all of Plato’s guidance wouldn’t be more dystopian than utopian. To avoid the error committed by many religious people regarding scriptures (and probably by a few scholars regarding Plato’s work,) we shouldn’t ignore the parts that are — let’s say…, complete lunacy, and also shouldn’t contort language and reason to make the questionable ideas palatable. With that in mind, we’ll start with a couple of The Republic‘s banana ideas before examining a few that have stood the test of time.

PLATO’S WAR AGAINST POETRY & THE ARTS: In The Republic, Plato goes on a tirade against the arts on the basis that they aren’t truthful and that they encourage readers and viewers to behave from the lesser elements of their “soul” – the emotional and desirous bits. Plato’s condemnation of art is informed by two of his major teachings. First, the “tripartite soul” in which reason is king and emotion and desire are lesser elements of humanity that should be checked by reason. Ergo, he doesn’t like that reading Homer makes people weepy or riled up. Second, in Plato’s conception of forms, for any given thing under the sun there’s an ideal form that was made once by god, then there are actual items made by craftspeople, and then there are the imitations made by artists. In Plato’s mind, this leads to a warped situation in which the craftsmen stray from the ideal by copying what artists presented, rather than seeking the divine ideal, and Plato is all about the pursuit of the ideal.  

Plato would grant artists the opportunity to prove that their works are of service to the state, but barring their demonstration that the art advances reason and is truthful it would be outlawed. To me, it sounds a lot like the Soviet Union where art was mostly jingoistic pieces that encouraged a Stakhanovite effort. At any rate, I’ve got to give this one to Aristotle who saw the cathartic value of art and poetry. There is value in the existence of a wide variety of modes of expression and ways of thinking about the world. It allows us to break new ground. I was just reading a book by Yeats in which he wrote: “Everything exists, everything is true, and the earth is only a little dust under our feet.” This may not seem like sound thinking in our rational age, but I like that such a counterweight exists.

THE SHARING OF WIVES & CHILDREN BY THE RULING CLASS: Plato’s Republic would be ruled by a philosopher-king, and it requires the ruling class to be specially educated and controlled to avoid pursuit of wealth and comfort. One such control is that the aristocrats can only have kids (unaborted ones, at least) under certain conditions, but the children wouldn’t know who their biological parents were.

Plato is no fan of democracy. In fact, democracy is the stage right before tyranny in Plato’s model of political devolution. [It starts with Plato’s ideal, Aristocracy, which devolves into Timocracy with the declining character of leaders (because they’re not well-trained philosophers.) Timocracy devolves into Oligarchy as the lesser quality ruling class becomes obsessed with wealth. This leads to Democracy because people get fed up with the oligarchs having all the money and they revolt. But since anyone can become leader, a tyrannical type will eventually rise to the top and use an iron-hand to maintain power.]

There’s a reason why, to my knowledge, this approach has never been tried, despite the immense popularity of Plato and The Republic. It relates to a previously mentioned point as it pertains to Plato’s ineptitude with regards to human psychology. Plato [like several other philosophers of the ancient world] believes one can kill emotion and desire through the power of pure reason. Reason maybe our smartest mental activity, but it’s neither fastest nor particularly capable of steering the ship. At any rate, this joint parentage scheme makes me think of the Harry Harlow experiments in which baby monkeys were put either with a wire mesh or cloth-covered “mother surrogate.” We’ve learned a lot about how psychopaths are made since the days of Plato. I think Plato’s guardian class would be chock-full of lunatics.

THE SUPREME IMPORTANCE OF GEOMETRY: I love a triangle as much as the next fellow, but I think Plato may have gone a little overboard with his views about the transcendent value of geometry.

WHAT PLATO GOT RIGHT: There are definitely ideas in The Republic that continue to contribute to humanity’s understanding of itself and the world. Here are a few good reasons to read The Republic — despite all that junk mentioned above.

THE ALLEGORY OF THE CAVE: Because of sci-fi works such as The Matrix, this is probably the most widely cited bit of The Republic. However, it’s not just a fictional or hypothetical idea anymore. One will also see references to Plato’s cave in nonfiction works of neuroscience and physics that deal with how our perceived world doesn’t equate to the objectively real world. Plato offers a very clear thought experiment in Book VII.

PLATO’S GENDER PROGRESSIVISM: In The Republic, Plato argues that women can be guardians of the state as well as men, and that women must receive the same education in order to do so. Lest the feminist jump all-in on Plato, it should be noted that he maintained some pretty misogynist / patriarchal views (e.g. women being like children,) as well as some bizarre ones (e.g. the wandering womb hypothesis.) However, in at least that one regard, Plato was ahead of his time.

KNOWLEDGE ACQUIRED UNDER COMPULSION OBTAINS NO HOLD: Given that Plato’s Republic would feature some harsh limitations of individual freedom, from lack of artistic expression to inability to know one’s own mom, it’s nice to see that he held some freedom-loving views, as well.

COURAGE IS STAYING SPIRITED IN ONE’S DECISIONS IN THE FACE OF PLEASURE OR PAIN: Much of The Republic is an attempt to define and distinguish the cardinal virtue of justice. In fact, in many Socratic dialogues, the primary objective is to understand virtues, and they’re often discussed at length, not always resulting in a firm conclusion. I like the definition of courage provided in The Republic. One makes a decision based on the virtuous path, and sticks with it even when pleasure or pain might divert one.

THE TENDENCY TOWARD DIMINISHING EFFECTIVENESS IN POLITICS: While I share neither Plato’s enthusiasm for aristocracy nor his pessimism about democracy (there’s a reason the world has abandoned the former in preference for the latter,) I do think there’s a potential grain of truth in his model of political devolution that’s mentioned in Books VIII & IX. I think there can be a proclivity towards weaker and less effective leaders over time under certain systems of governance. One can see this in the Soviet Union, and arguably in North Korea. It seems possible that there are systemic causes for devolution of political effectiveness, at least under certain approaches to governance. (I’d argue this is one of the reasons that democracy is best, because it can fully overturn the apple cart of governance rather than struggling with whatever continuity issues contribute to declining effectiveness.)

READ THE REPUBLIC, both for its great and for its dystopian ideas, because even when it’s bad, it’s stimulating.

Under Pressure: Or, A House Divided [Free Verse]

A construction worker once told me -
    for a building to last -
 depends not so much on
    its materials,
    nor even on its foundations,

but rather on the building being
    in balanced strain throughout.

A building stays up when its 
    parts press into each other firmly,
    or pull at each other strongly,
    but never too out of balance.

This web of unseen forces
    allows the building stand solid
    against any huffing, or puffing,
    the world might throw its way. 

A democratic society works the same.

It must have an establishment.

It must have a counterculture.

And these two elements must 
    constantly pull at each other
    or mash into each other:
    tension & compression,
    compression & tension,
    tug-of-war & sumo.

If one side is unopposed, or too weak,
    the state will crumble into some kind of
    authoritarianism by another name.

Destroy your enemies at your own peril.

BOOK REVIEW: Introducing Hegel: A Graphic Guide by Lloyd Spencer

Introducing Hegel: A Graphic Guide (Introducing...)Introducing Hegel: A Graphic Guide by Lloyd Spencer
My rating: 5 of 5 stars

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This book combines a biography of the German philosopher Hegel with a quick and dirty overview of his most well-known philosophical ideas. Today, Hegel is best known for his approach to dialectics (thesis confronts antithesis, resulting in synthesis,) and for having a profound influence on the thinking of Karl Marx. However, the book addresses a broad collection of philosophical ideas including those in aesthetics, political philosophy, philosophy of history, and philosophy of religion. (With respect to the latter, it should be noted that Hegel was a believer [of the Protestant Christian persuasion,] lest one think that, given frequent co-utterances of Hegel and Marx [of the “religion as opiate of the masses” persuasion,] that the two philosophers were in complete lockstep; they were not.)

I found this book to be readable, and to be successful in conveying Hegel’s philosophical ideas – at least in a rudimentary form. It’s useful that the book wraps up by reflecting upon whether Hegel is even relevant in the world as we know it, and – if so – why? Hegel might have been a name lost to time if he hadn’t come to be so enthusiastically cited by Marx, a scholar who left a huge imprint on twentieth century history.

If you’re interested in the life and philosophy of Hegel, but don’t want to be inundated by minutiae or complexity, this is a fine work to investigate.


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