Music Limerick

There once was a player of the banjo
Who took out his act as a roadshow.
A tour by demand,
(The demand of his band.)
Crowds felt the same and suggested he bongo.

Trail Tune [Senryū]

opera singers
sing a duet on the trail:
 acoustics quest?

PROMPT: Nostalgic

What makes you feel nostalgic?

In order of frequency: 1.) music; 2.) some random memory; 3.) a pattern of colors.

Night Drums [Common Meter]

The pounding sound of rhythmic drums
   shatters stillness this eve.
 I know not whether snares are banged
   to celebrate or grieve.

The pace isn't slow enough to guide
   a somber procession,
 nor does it race at the pace of 
   jocular expression. 

It's a well-kept beat, approaching,
   that makes the windows shake,
 but seems suitable only for
   keeping me awake.

Percussive Parade [Haiku]

drums & cymbal crash:
 a parade of percussion
  outside my window.

PROMPT: Album

What’s your all-time favorite album?

I couldn’t even begin. I have favorite albums of some particular acts (e.g. “Let it Bleed” Rolling Stones; “Born to Run” Springsteen; “Rumours” Fleetwood Mac; “Sgt. Pepper’s…” The Beatles; “Toys in the Attic” Aerosmith; etc.) but not overall.

I think MIPSO’s “Dark Holler Pop” is pretty much a perfect album, and I’m quite fond of Ben Sollee’s “Learning to Bend.”

But I have no favorite album.

PROMPT: Music

Daily writing prompt
What would your life be like without music?

I would not like it. Music is a fastpass to bliss.

BOOKS: The Creative Act by Rick Rubin

The Creative Act: A Way of BeingThe Creative Act: A Way of Being by Rick Rubin
My rating: 5 of 5 stars

Amazon.in Page

This book offers Rick Rubin’s philosophy of creativity and art. For those unfamiliar with Rubin, he’s a ZZ Top-looking music producer who contributed to a lot of successful albums, ranging from hip hop to the rock-n-roll of Tom Petty. He was a major player behind the Run DMC cover of Aerosmith’s “Walk This Way” that blew peoples’ minds in the 80’s. Interestingly, Rubin is neither a musician nor a technologist, and I heard him say in an interview that his great value-added was having an extremely high level of confidence in knowing what he liked. Rubin has a persona that is as much guru as music producer, and this book reflects this broad insight and wisdom.

In the book, Rubin lays out his view of the creative process and the mistakes people make with it, but along the way he offers insight into such interesting questions as why some artists only seem to have one major work in them. While Rubin’s experience is mostly with music (though he also worked with comedian Andrew Dice Clay on Clay’s albums,) his book is broadly targeted towards all artists, and he seems to use as many examples from literature and graphic arts as he does from music.

Rubin does sound a bit woo woo here and there, but I found that many statements — e.g. those that spoke of the universe’s role in artistry — could be interpreted in a way that wasn’t necessarily superstitious. While woo woo sounding statements often get on my nerves, I felt Rubin’s use was poetic and spoke to a broader truth.

I’d highly recommend this book for artists and creative types, regardless of field.

View all my reviews

PROMPT: Listening

Daily writing prompt
What do you listen to while you work?

Nothing whatsoever. I can tolerate instrumental music, but I find anything with human voices isn’t conducive to cognitive activity.

PROMPT: Music

What is your favorite genre of music?

I don’t like music by its genre, much to the chagrin of the streaming service that would like to make recommendations but is stumped by the mix of folk, symphonic, rock, instrumental, jazz, international, country, heavy metal and easy listening music that I bounce through.