Category Archives: Biography

BOOK REVIEW: Going Solo by Roald Dahl

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Going SoloGoing Solo by Roald Dahl
My rating: 5 of 5 stars

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This is the second installment of Roald Dahl’s autobiography, and it covers the period from the time when the famous children’s author left home to work Shell Oil in East Africa, through his adventures as a pilot in the Royal Air Force (RAF) during World War II, concluding with his return home to England. In short it covers the earliest years of his adulthood, before he wrote such classic books for children as: “BFG,” “Matilda,” and “Charlie and the Chocolate Factory.”

In fifteen chapters, Dahl discusses his mysterious shipmate on the ship to Africa, a lion attack, an unwanted visitor in the form of a green mamba snake, and Dahl’s early experience of the war before he became a pilot. Becoming a pilot represents a shift in the book’s tone. From that point, it’s more of a war story, with the higher tempo of life and death situations that entails. That isn’t to say there’s no life and death in the first part, but it’s more quirky and humorous. In the chapters about his life as a pilot, Dahl describes crash landing in the desert and his subsequent recuperation, how he was posted to Greece where the German Air Force had a fleet of planes that made Britain’s look minuscule by comparison, and then his squadron’s move to Palestine to what would be his last battle-filled days before he was relieved from flight operations and sent home.

The stories throughout are as well crafted, as one might expect from a master storyteller. Dahl follows the advice (often-attributed to Elmore Leonard, but which has been around for decades in some words or another) to, “…leave out all the parts readers skip.” There is a tension throughout the book. It’s a much different approach than the previous volume, “Boy” which plays off the dramas of the adult-child interaction.

There are many graphics throughout the book, mostly black-and-white photos, but also maps and documents, but no other ancillary matter.

I’d highly recommend this book. If you want to know how to write a memoir that people will read, this is how it’s done. Dahl doesn’t try to take us from cradle to grave. He’s happy giving us the parts we won’t skip.

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BOOK REVIEW: Lab Girl by Hope Jahren

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Lab GirlLab Girl by Hope Jahren
My rating: 5 of 5 stars

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This book is in part the autobiography of a female scientist with a career in a field that is both male-dominated and in which basic science is the meat and potatoes—by which I mean a discipline with few of the commercial applications at which companies, foundations, venture capitalists, and governments are willing to throw millions. Interspersed into the autobiographical chapters are short essays on trees and the ways they survive, grow, and interact with each other and their environments. So it’s a mix of biography and pop science, and was one of the most well-received science-themed books of last year (2016.)

The book is arranged into three parts. The first 11 chapters are entitled “Roots & Leaves” and these cover Jahren’s path to becoming a scientist from her childhood in an unexpressive Scandinavian family in rural Minnesota, through her college job in a hospital lab, and onto her graduate education. Part II consists of 12 chapters that cover Jahren’s years as a junior faculty member, most of which takes place at (my alma mater and former employer) Georgia Tech. The title of this chapter, “Wood & Knots,” gives one some indication of where the author’s story sits in this part of her life. She experiences both growth and set-backs during her time in Atlanta. The last part, “Flowers & Fruit,” describes the period in which not only her professional life, but also her personal life begins to bear fruit. During these years she moved her lab to Johns Hopkins, got tenure, built a family, and eventually moved to Hawaii to work for the University of Hawaii.

Besides Jahren, the only other major character in the book is her side-kick Bill, who was an undergraduate where she did her doctorate in California. The two met when Jahren was the Teaching Assistant for a course that Bill took, and subsequently he followed her from lab to lab as her research assistant. Bill’s mix of workaholic diligence, nerdiness, dysfunction, and adroit sarcasm made him a sort of soulmate of science. Their strange, platonic relationship is at the heart of the book, and is in part what keeps the reader wondering and turning pages. Her dog, her husband, and her child are all secondary characters by comparison (perhaps not in her life but in the science-centric story she is telling) though her son becomes a central player near the book’s end. The other people are cameos by grad students and other faculty members.

Jahren’s use of language is skillful and at times poetically beautiful. There’s a great deal of humor in the book, much of which stems from the dialogue between her and Bill. While the parts of the books about trees didn’t wow me as much as Wohlleben’s “The Hidden Life of Trees,” that may be because I read his book first and, therefore, was clued into some of the fascinating arboreal secrets. That said, these botanical sketches are intriguing and readable. The only place that the book bogged down for me was in incessant complaints about the difficulty of keeping a lab funded. (And this is from a person who was paid from grant money—job perpetually at risk–at the same Institute where Jahren struggled. But now I’ve lived in India for the past four years so… first world problems, right?)

I’d recommend this book for readers generally. I think it may be particularly insightful for young women choosing a career in science, but the book shouldn’t be shunted into a parochial box. There are a number of elements that will keep one reading. For some it will be a fascination with the unexpectedly complex life of trees. For some, the tension of this life story may have a lot to do with the mental health issues that Jahren struggles with. These issues aren’t put front and center in the book, but there are points at which their impact is felt. A few will just be wondering what exactly is going on with her relationship with Bill.

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BOOK REVIEW: Boy by Roald Dahl

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Boy: Tales of ChildhoodBoy: Tales of Childhood by Roald Dahl
My rating: 4 of 5 stars

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This is the first of a two-volume autobiography of the writer of children’s books, Roald Dahl. You probably know of Dahl from his fictional works such as: “Charlie and the Chocolate Factory,” “Matilda,” “The BFG,” “The Twits,” or “Fantastic Mr. Fox.”

I initially picked up the second part, “Going Solo,” which is about Dahl’s adult life–particularly his early post-school years in which he was an expat serving with Shell Corporation in Africa and—when the war broke out—a fighter pilot. I figured I should read the first part first because it’s short, readable, and might have bearing on his later life. I’m glad that I did, but not because it’s necessary to make sense of “Going Solo.” Rather, because this volume provides great insight into Dahl’s body of work.

Dahl was Norwegian, but spent his school years in Britain, attending boys’ schools and a boarding school. The English schools provided much inspiration for Dahl’s villains and fueled his adversarial view of the child-adult interaction—a view that serves writers of children’s literature well. While I suspect the teachers and administers were just strict and reserved as one might expect at a prestigious school in Britain, it’s easy to see how this lack of affection becomes villainy in the mind of a child. (Not to mention the upperclassmen, who too easily become like the kapos from Nazi concentration camps.)

One feels this child’s perspective throughout the book. The book is written for an audience of children, not so much in the language [which is approachable for young readers] as in the attitude. Dahl presents the world from a kid’s-eye view. He also makes occasional notes to emphasize to children the ways in which the world was changed. Travel and communication for today’s youth are completely different enterprises than they were in the interwar years.

Besides seeing how the teachers, administrators, and upperclassman provided Dahl with villains for books like “Matilda,” one also learns about the origins of “Charlie and the Chocolate Factory.” Dahl and his classmates were given sampler boxes of prototype chocolates from Cadbury in exchange for a product review. This started Dahl thinking about laboratories and research facilities inside a chocolate factory, and a book and movie enterprise was born.

Quentin Blake, illustrator for most of Dahl’s books, provides numerous illustrations in the style of the other books. However, there are also many photos and notes from Dahl’s personal archives. The back of the edition that I have has a number of short ancillary features that are oriented toward kids.

I’d recommend this for anyone who is interested in Dahl’s life specifically, but also for anyone who’s interested in writing for children. I think writers can learn a lot from how Dahl presents his childhood in this book.

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BOOK REVIEW: Houdini: The Ultimate Spellbinderby Tom Lalicki

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Houdini: The Ultimate SpellbinderHoudini: The Ultimate Spellbinder by Tom Lalicki
My rating: 4 of 5 stars

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This is a biographical sketch of the life—mostly the professional life–of Harry Houdini. I call it a sketch rather than a biography because it’s a short work (less than 100 pages) and it’s not the case that Erik Weisz (a.k.a. Ehrich Weiss, a.k.a. / stage-name: Harry Houdini) led a life too dull to merit full-length biography. There are several biographies available. I present this not as a criticism, but to make the reader aware that one will be reading the condensed version of Houdini’s story. If what you seek is a short and sweet description of the highlights of Houdini’s life, this is the book for you. If you are a huge fan and want to know as much as you possibly can including the intimate nitty-gritty, you might start with one of the full biographies and / or even the books written by Houdini [Full-disclosure: most of them were ghost-written as I understand it.]

Houdini was a fascinating person in many ways. Parallels have been drawn between Houdini and fictional heroes, notably Bruce Wayne / Batman. At first this seems like an inappropriate comparison because Houdini was a showman to the core—not one to hide his light under a bushel. However, what such comparisons get to is that Houdini was preternaturally fit for his time and his approach to illusions relied not only on his smarts but on his conditioning. He developed some tricks that other magicians couldn’t repeat even if they knew the trick in great detail. The average man just wasn’t physically capable of pulling them off. Today there are artists such as David Blaine who follow in Houdini’s footsteps, but Houdini blazed a trail in this regard.

There’s another way in which the Batman comparison may be more apropos than it first seems. While Houdini didn’t fight violent criminals like the Joker or Bane, he did take on the con artists—most notably mediums who preyed on grieving family members. Like most magicians today—notably Penn & Teller and James Randi—Houdini was adamant that his tricks were products of skill and involved no supernatural powers whatsoever. As I say, today magic is heavily populated by science nerds who love that magic is the exploitation of the limitations of our sensory and nervous system organs, and who reject the supernatural, but in Houdini’s day there were still many frauds and charlatans in the industry. (It should be noted that Houdini invariably discovered these medium’s tricks or the restrictions that he insisted upon to study the act were unacceptable and the mediums and they backed out, but when he put out a challenge that he could figure out any magic trick he was shown three times he was stumped. However, the magician who stumped him, Dai Vernon, made no claims of supernatural abilities. He was just a supremely skilled close-up magician and—to be fair—showed Houdini multiple versions of the same trick, making it virtually impossible for Houdini to pin down the trick. Note: this story isn’t in Lalicki’s book, but is something I read in another book, I think in “Fooling Houdini“.)

The book has quite a few graphics, notably photos and old posters. There is also a brief chronology and a biography at the book’s end.

I enjoyed this book. While it’s concise, it’s not colorless. It reads well. If you are looking to get a quick look at the life of this fascinating person, check it out.

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BOOK REVIEW: Zen Bow, Zen Arrow by John Stevens

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Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from “Zen in the Art of Archery” by John Stevens
My rating: 4 of 5 stars

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Awa Kenzo is variously known as an archer without compare, a Zen master, or as the teacher of Eugene Herrigel. Herrigel was a German philosopher who wrote a thin book entitled, “Zen in the Art of Archery” that gained a global following. Herrigel’s book was about his time as a student of Kenzo and the insight that he gained into both Zen and Kyūdō—Japanese style archery—through his studies. Kenzo lived from 1880 to 1939, a period during which arts like kyūdō were used more for development of character than as fighting arts, and Kenzo was important figure in this transformation.

Stevens’ book is a thin volume (< 100 pages) consisting of three parts. The first is a short biography of Awa Kenzo. One shouldn’t expect a thorough treatment, but that may be for the best (i.e. Kenzo’s life is of interest because of his mastery of archery, but probably only his most ardent fans would want to read a 400 page biography on his life.)

 

The second part is a set of lessons and aphorisms attributed to the master archer. This section includes a few pages by the author to put Kenzo’s brief statements in context. The lessons themselves are sometimes in prose, sometimes in poetry, and occasionally in the form of lists. These lessons offer insight into archery, mindset, and life in general. Archery is portrayed as a lifestyle.

The third section consists of three short (very short) stories in which archery as a means to develop one’s character is at the forefront.

In addition to the three sections, the book includes front matter, annotations, a bibliography, and a few photos.

I enjoyed this book and would recommend it for those seeking insight into the nexus between Zen and the martial arts.

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BOOK REVIEW: Imi Lichtenfeld: The Grandmaster of Krav Maga by Gaetano Lo Presti

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Imi Lichtenfeld - The Grand Master of Krav MagaImi Lichtenfeld – The Grand Master of Krav Maga by Gaetano Lo Presti
My rating: 2 of 5 stars

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I bought this book because it’s the only English language biography of Imi Lichtenfeld (a.k.a. Imrich Sde-Or) that I could find, and by all accounts the man led a fascinating life. Lichtenfeld is most famous for founding the Israeli martial art known as Krav Maga. For those unfamiliar, Krav Maga is a self-defense system that prides itself on using as much of the human body’s natural instinct as possible in defense. It eschews the fancy and unrealistic techniques widely found in martial arts in favor of simple and direct tactics. However, it’s not the founding of Krav Maga that makes Lichtenfeld’s life so intriguing. (Believe me, there are plenty of founders of martial arts whose lives would less than engrossing reads.) Lichtenfeld was also a Holocaust survivor / resistance fighter, a circus performer, and a skilled athlete.

The good news for biographers is that there is still plenty of room for a bestselling biography of this man. There are two major problems with this book. I should point out that both problems result from the fact that this book is written by an apparently dedicated student of Krav Maga, and not by a professional writer, a biographer, or a master of creative nonfiction. I suspect the author did as good a job as he could, given that a proper primary source-based biography would take over a person’s life, is an art and science that must be learned, and—unfortunately—a lot of sources are now deceased / destroyed.

Anyway, back to the problems: First, it’s a translation that seems to have been done without the help of a translator or editor with native English competency. In fact, some of it reads like it was put through Babel Fish or Google Translate. As far as I know, the original Italian edition maybe a brilliantly written, if brief, biographical outline of Lictenfeld’s life. Second, the book is an outline of Lichtenfeld’s life, and it doesn’t offer enough detail to give the reader the visceral reading experience that learning about this man’s life should have been. There’s no in-depth research of the dramatic events in which Lichtenfeld was involved. Contrary to popular advice on writing, the author tells–not shows.

The book is actually a short biographical sketch of Lichtenfeld, followed by what might be considered a “biography” of Krav Maga, and that is followed by bio-blurbs of some of the more well-regarded students of Lichtenfeld.

On the positive side, the book is a cheap and quick read. It will give one some insight into Lichtenfeld, but—I fear—will leave many readers with a craving to know more. I wouldn’t recommend it for someone who wants a biography of Lichtenfeld, but, if you’re looking for a biographical sketch or are interested in the lives of prominent martial artists, it will probably serve your purpose.

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BOOK REVIEW: Budō by Morihei Ueshiba and Kisshōmaru Ueshiba

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Budo: Teachings of the Founder of AikidoBudo: Teachings of the Founder of Aikido by Morihei Ueshiba
My rating: 4 of 5 stars

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This book is really three separate booklets bound into one. In this case, I believe the three parts work together quite well, and it doesn’t feel like a trick of padding to make a pamphlet into a salable book. I only mention this to point out that the three sections are quite different on several levels (i.e. authorship, subject, and content), and to put the reader on notice of it.

The first part is an “Introduction” by Kisshōmaru Ueshiba. The reason I put introduction in quotes is that it’s really a brief biography of Morihei Ueshiba (often called Ōsensei by practitioners of his art.) At 16 pages, it would be somewhat long for an introduction to the (130pg) book, but it introduces the martial arts master who founded the martial art of aikidō and who wrote the second part of the book nicely. The bio is a good use of space. Morihei Ueshiba wasn’t only an accomplished martial arts master, but he led an interesting life as well. I found this biography to be intriguing, and it made me want to read a full biography of the man. I must point out that there are a couple spots that will trigger the BS-meter of any rational skeptic (i.e. comments about Ueshiba being bulletproof or invincible.) Even though I don’t believe for a minute that the man was either bullet-proof or invincible, I think that most of this biography is true, and even that which isn’t gives one insight into the man as a combat veteran (and it certainly says something that some of his students literally deified him.) In addition to biographical text, this part includes various photos from both inside and outside the dōjō.

The second part is the beating heart of the book. This is a manual on martial arts written by Morihei Ueshiba, himself. It features prose, photos, technique descriptions, and even poems. While the bulk of the section consists of descriptions of techniques along with illustrative photos, there’s some philosophy of martial arts in both the early text and poems at the beginning and ending of the section. This section is almost 50 pages long, and the translator provides explanatory end-notes that help to make sense of the text for non-specialists.

The last section is technically the longest. However, it contains almost no text other than a translator’s introduction and technique names. It’s a series of technique sequence photos. The photos were taken in 1936 and were taken at the behest of the president of Kodansha Ltd. at the time, Seiji Noma—hence, they’re referred to as the “Noma Dōjō Techniques.” The shots of the sequences are tight enough that one can follow the flow of Ueshiba’s movement. For me, this section wasn’t particularly valuable. However, for practitioners of Aikidō, I can imagine how it could be invaluable. In other words, if one is familiar with the techniques, one might spot something that would give one a new insight. For the rest of us, this section just gives a crude taste of the nature of Aikidō.

I found this book to be interesting and informative. I’d recommend it not only for aikidō practitioners, but for those interested in the martial arts more generally. There is certainly insight to be gained from this phenomenal martial arts master.

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BOOK REVIEW: The Invention of Nature by Andrea Wulf

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The Invention of Nature: Alexander von Humboldt's New WorldThe Invention of Nature: Alexander von Humboldt’s New World by Andrea Wulf
My rating: 5 of 5 stars

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If you’re like me, you had no idea who Alexander von Humboldt was prior to this surprisingly well-received book. So why read a book about him? Well, you’ve surely heard of the people he influenced: e.g. Darwin, Thoreau, Jefferson, Bolivar, Wordsworth, Samuel Taylor Coleridge and John Muir—to name a few.

Humboldt was one of the top scientists of his time, but his influence extended far beyond that aspect of his life. Much of the thrill of this book comes from Humboldt’s expeditions to Latin America and Russia. He faced alligators, electric eels, a capsized ship, and natural disasters. He also made Herculean efforts to arrange a Himalayan expedition, but politics and personalities intervened to delay him until he was too old to make the trip. (It should be noted that when Humboldt summited Mount Chimborazo in Ecuador in the early 1800’s, it was believed to be the highest peak in the world [at 6268m, or 20,600ft.] Needless to say there was a lot unknown about the Himalaya at the time—e.g. Everest is 8848m, or over 29,000ft.) While Humboldt produced specific breakthroughs and discoveries (e.g. inventing isotherms and discovering the magnetic equator), much of the inspiration he provided was in showing the interconnectedness of nature and the potential for unintended consequences.

As a Prussian aristocrat, Humboldt was born into a position to have influence but it was his ideas and his personality that made him so sought after. He could be arrogant, but was humbled in the face of nature. He was charismatic, but did not suffer fools kindly. He was adamantly anti-slavery and strongly opposed efforts of religion to stymie science in order to delay the toppling of their sacred cows.

The book is arranged into 23 chapters, divided among five parts. Part I describes his youth and the time leading up to the American expedition that would make him a legend. Part II describes his experiences gathering specimens and observations in Latin America, with a chapter about his meeting with Thomas Jefferson on his way back to Europe. Part III covers the period he spent in Europe after his expedition to the Americas. It was during this time that he wrote up his observations and hypotheses about nature. It was a productive time, but Humboldt missed nature. Part IV covers two important topics: the expedition through Russia and some of the more important ideas and people Humboldt influenced—e.g. Darwin. By this time he was well-known, and the books that had thus far come out were much in demand. Part V continues the theme of Humboldt’s influence on great thinkers, but with a focus on ideas that were a bit slower to develop.

I enjoyed this book. Interestingly, it follows a chronological format. That may seem a less than profound observation for a biography, but it’s less common to begin with the earlier years of life because those are typically the boring bits and there’s a desire to get into the meat of the story. (To some degree the author does this with a prologue that describes the Chimborazo trek.)

I’d recommend this book for those who are interested in science, ecology, and nature, as well as those interested in what it was like to make a scientific expedition in those days, well before Darwin.

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BOOK REVIEW: The Road by Jack London

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The RoadThe Road by Jack London
My rating: 5 of 5 stars

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If you’ve ever wondered what it would be like to be a freight-hopping hobo, you need look no further than Jack London’s autobiographical account of the hobo life. If you’re like me, you probably didn’t know London had been a hobo, or anything about the man other than that he wrote a book called “The Call of the Wild” that you read in high school. When you read “The Road” you’ll learn skills like how to avoid getting kicked off a train, how to survive being jailed for vagrancy, and how to tell a story that will get one a free meal. The events of this book took place in the 1890’s, during the worst economic depression prior to the Great Depression, and London—like scads of others—was out of work. (However, London does admit that the appeal of this adventurous lifestyle was a major factor in his own movement in these circles.)

The early part of the book deals with London’s life as a free-wheeling hobo riding the rails, and the latter part delves into his time in Kelley’s Army—a.k.a. Coxey’s Army. This was a confederacy of out-of-work men who engaged in protests and lived off the charity of compassionate folk.

It’s a short book, only about 200 pages. In nine chapters it tells London’s story over this phase of his life. Sometimes it reads like a memoir, and sometimes it reads like a manual.

I’d highly recommend this book. It was readably written and fascinating. While it was written and published during first decade of the 20th century, it’s about the late 19th century—and, let’s face it, the 19th century got short shrift in our education because—except for the Civil War—it just wasn’t sexy. But London will intrigue you with stories of America’s dark underbelly.

[Oh yeah, and you can get it for free on Kindle. And, it’s one of the most interesting and readable public domain free reads that I’ve gotten.]
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BOOK REVIEW: The Art of Peace by Morihei Ueshiba and John Stevens

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The Art of PeaceThe Art of Peace by Morihei Ueshiba

My rating: 5 of 5 stars

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The edition of The Art of Peace that I read is divided into three parts. Part I is a brief biography of Morihei Ueshiba, who was known as Ō-sensei to Aikidō practitioners and other admirers. Part II contrasts the art of war to Ueshiba’s art of peace. Part III is a collection of aphorisms and brief statements outlining the art of peace.

Ueshiba is the founder of Aikidō, a martial art that was derived in part from Daitō-ryū Aiki-jūjutsu, but which is distinct from that art in many ways. (e.g. the lack of set forms and emphasis on randori.) Along with Jigorō Kanō, Gichin Funakoshi, and a few others, Ueshiba is one of the pioneers of gendai budō, modern Japanese martial arts that take as their primary aim non-bellicose objectives like sport and self-defense. This is in contrast to the koryū budō (kobudō) which evolved primarily for war fighting. In contrast to Kanō’s Judō, which was first and foremost a competitive sport, Ueshiba’s Aikidō offered a particular approach to self-defense that was purely defensive and in which movement was harmonized to the opponent’s actions so as to perpetrate the least violence possible.

The biographic portion of the book is intriguing, but on a few occasions drifts from biography to hagiography. I feel that the suggestion of supernatural abilities does a disservice in the telling of Ueshiba’s story. By all accounts, Ueshiba was an accomplished and highly skilled martial artist, and I would like to read a full biography of his life (a biography exists, but I can’t comment on how well written it is yet.) Given Ueshiba’s pacifistic views, it would be easy to dismiss him as a pie-in-the-sky idealist who had no idea of the realities of the world. I don’t believe that is the case. However, when the biography tells stories of god-like superpowers, it makes it hard to take the man seriously as a martial artist. Either Ueshiba was skilled as an illusionist / mentalist (a distinct possibility) or some of the stories were embellished to deify the man. The story that comes to mind is one in which Ueshiba voluntarily faced a firing squad and emerged unharmed due to either ninja-like or Hollywood vampire movie style actions. This story is attributed to one of his students, Gozo Shioda, who passed away in the 1990’s.

We may get an indication of the roots of this appeal to the supernatural in an early statement about Ueshiba’s childhood fascination with individuals like En no Gyoja and Kukai who are themselves attributed supernatural abilities in stories. Ueshiba is clearly a man of faith. He suggests life should be lived on basis of 70 percent faith and 30 percent science. Full disclosure: I’m more skeptical than Descartes, and obviously favor an outlook more firmly rooted in science and rationality.

Part two includes extensive quotes from Ueshiba himself. It contrasts the arts of war with Aikidō in mental and physical aspects. A core theme of the book is that the martial arts shouldn’t be about learning to die, but rather learning to live. Ueshiba criticizes the past Shoguns who used the art of war to control people. Ueshiba’s views on the purpose of martial arts are stated in this part. From a physical point of view, Ueshiba emphasizes the lack of forms in Aikidō (Bruce Lee echoed similar sentiments on this subject.) There is an interesting comparison of Ueshiba to swordsman and Zen master Tesshu Yamaoka (about whom John Stevens also wrote a biography.)

Part three reads like the work of an ancient yogi in places, and, in other places, offers the stern admonitions to train hard that one would expect from a martial arts teacher. A recurring theme is that the martial artist should purge himself of pettiness, be it in the form of being judgmental, materialistic, fearful, selfish, or malicious. He goes as far as to say, “Be grateful even for hardship, setbacks, and bad people.”

Another theme is that one should strive to be natural and to make one’s movement natural. Ueshiba’s advice in this book is about virtue and the mind, and rarely strays into the subject of physical tactics. It does offer a little advice about types of distancing, where one should place one’s gaze, the power of circular movement, as well as discussing technique in the abstract. This is not a criticism. There are other books to learn more about physical technique. However, one should be aware that if one would like to know what Aikidō looks like, this isn’t the book for you.

This thin book provided me with a great deal to think about. I’d recommend it for martial artists, as well as for those interested in the life of this extraordinary man.

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