Mythical Kings [Common Meter]

Don't sell us benevolent kings,
  such creatures can't exist.
 An unchecked mind won't self-censor,
  and lame dogma persists.

The Good, the Bad, and the Bat-Shit Crazy of The Republic by Plato

INTRODUCTION: The Republic is the most read and discussed of the Socratic dialogues written by Plato, and for good reason. It offers some intriguing ideas that have influenced philosophy, politics, religion, and even science fiction to this day. That said, the book isn’t without its stinkers, and many people have reasonably asked whether a state or nation employing all of Plato’s guidance wouldn’t be more dystopian than utopian. To avoid the error committed by many religious people regarding scriptures (and probably by a few scholars regarding Plato’s work,) we shouldn’t ignore the parts that are — let’s say…, complete lunacy, and also shouldn’t contort language and reason to make the questionable ideas palatable. With that in mind, we’ll start with a couple of The Republic‘s banana ideas before examining a few that have stood the test of time.

PLATO’S WAR AGAINST POETRY & THE ARTS: In The Republic, Plato goes on a tirade against the arts on the basis that they aren’t truthful and that they encourage readers and viewers to behave from the lesser elements of their “soul” – the emotional and desirous bits. Plato’s condemnation of art is informed by two of his major teachings. First, the “tripartite soul” in which reason is king and emotion and desire are lesser elements of humanity that should be checked by reason. Ergo, he doesn’t like that reading Homer makes people weepy or riled up. Second, in Plato’s conception of forms, for any given thing under the sun there’s an ideal form that was made once by god, then there are actual items made by craftspeople, and then there are the imitations made by artists. In Plato’s mind, this leads to a warped situation in which the craftsmen stray from the ideal by copying what artists presented, rather than seeking the divine ideal, and Plato is all about the pursuit of the ideal.  

Plato would grant artists the opportunity to prove that their works are of service to the state, but barring their demonstration that the art advances reason and is truthful it would be outlawed. To me, it sounds a lot like the Soviet Union where art was mostly jingoistic pieces that encouraged a Stakhanovite effort. At any rate, I’ve got to give this one to Aristotle who saw the cathartic value of art and poetry. There is value in the existence of a wide variety of modes of expression and ways of thinking about the world. It allows us to break new ground. I was just reading a book by Yeats in which he wrote: “Everything exists, everything is true, and the earth is only a little dust under our feet.” This may not seem like sound thinking in our rational age, but I like that such a counterweight exists.

THE SHARING OF WIVES & CHILDREN BY THE RULING CLASS: Plato’s Republic would be ruled by a philosopher-king, and it requires the ruling class to be specially educated and controlled to avoid pursuit of wealth and comfort. One such control is that the aristocrats can only have kids (unaborted ones, at least) under certain conditions, but the children wouldn’t know who their biological parents were.

Plato is no fan of democracy. In fact, democracy is the stage right before tyranny in Plato’s model of political devolution. [It starts with Plato’s ideal, Aristocracy, which devolves into Timocracy with the declining character of leaders (because they’re not well-trained philosophers.) Timocracy devolves into Oligarchy as the lesser quality ruling class becomes obsessed with wealth. This leads to Democracy because people get fed up with the oligarchs having all the money and they revolt. But since anyone can become leader, a tyrannical type will eventually rise to the top and use an iron-hand to maintain power.]

There’s a reason why, to my knowledge, this approach has never been tried, despite the immense popularity of Plato and The Republic. It relates to a previously mentioned point as it pertains to Plato’s ineptitude with regards to human psychology. Plato [like several other philosophers of the ancient world] believes one can kill emotion and desire through the power of pure reason. Reason maybe our smartest mental activity, but it’s neither fastest nor particularly capable of steering the ship. At any rate, this joint parentage scheme makes me think of the Harry Harlow experiments in which baby monkeys were put either with a wire mesh or cloth-covered “mother surrogate.” We’ve learned a lot about how psychopaths are made since the days of Plato. I think Plato’s guardian class would be chock-full of lunatics.

THE SUPREME IMPORTANCE OF GEOMETRY: I love a triangle as much as the next fellow, but I think Plato may have gone a little overboard with his views about the transcendent value of geometry.

WHAT PLATO GOT RIGHT: There are definitely ideas in The Republic that continue to contribute to humanity’s understanding of itself and the world. Here are a few good reasons to read The Republic — despite all that junk mentioned above.

THE ALLEGORY OF THE CAVE: Because of sci-fi works such as The Matrix, this is probably the most widely cited bit of The Republic. However, it’s not just a fictional or hypothetical idea anymore. One will also see references to Plato’s cave in nonfiction works of neuroscience and physics that deal with how our perceived world doesn’t equate to the objectively real world. Plato offers a very clear thought experiment in Book VII.

PLATO’S GENDER PROGRESSIVISM: In The Republic, Plato argues that women can be guardians of the state as well as men, and that women must receive the same education in order to do so. Lest the feminist jump all-in on Plato, it should be noted that he maintained some pretty misogynist / patriarchal views (e.g. women being like children,) as well as some bizarre ones (e.g. the wandering womb hypothesis.) However, in at least that one regard, Plato was ahead of his time.

KNOWLEDGE ACQUIRED UNDER COMPULSION OBTAINS NO HOLD: Given that Plato’s Republic would feature some harsh limitations of individual freedom, from lack of artistic expression to inability to know one’s own mom, it’s nice to see that he held some freedom-loving views, as well.

COURAGE IS STAYING SPIRITED IN ONE’S DECISIONS IN THE FACE OF PLEASURE OR PAIN: Much of The Republic is an attempt to define and distinguish the cardinal virtue of justice. In fact, in many Socratic dialogues, the primary objective is to understand virtues, and they’re often discussed at length, not always resulting in a firm conclusion. I like the definition of courage provided in The Republic. One makes a decision based on the virtuous path, and sticks with it even when pleasure or pain might divert one.

THE TENDENCY TOWARD DIMINISHING EFFECTIVENESS IN POLITICS: While I share neither Plato’s enthusiasm for aristocracy nor his pessimism about democracy (there’s a reason the world has abandoned the former in preference for the latter,) I do think there’s a potential grain of truth in his model of political devolution that’s mentioned in Books VIII & IX. I think there can be a proclivity towards weaker and less effective leaders over time under certain systems of governance. One can see this in the Soviet Union, and arguably in North Korea. It seems possible that there are systemic causes for devolution of political effectiveness, at least under certain approaches to governance. (I’d argue this is one of the reasons that democracy is best, because it can fully overturn the apple cart of governance rather than struggling with whatever continuity issues contribute to declining effectiveness.)

READ THE REPUBLIC, both for its great and for its dystopian ideas, because even when it’s bad, it’s stimulating.

Under Pressure: Or, A House Divided [Free Verse]

A construction worker once told me -
    for a building to last -
 depends not so much on
    its materials,
    nor even on its foundations,

but rather on the building being
    in balanced strain throughout.

A building stays up when its 
    parts press into each other firmly,
    or pull at each other strongly,
    but never too out of balance.

This web of unseen forces
    allows the building stand solid
    against any huffing, or puffing,
    the world might throw its way. 

A democratic society works the same.

It must have an establishment.

It must have a counterculture.

And these two elements must 
    constantly pull at each other
    or mash into each other:
    tension & compression,
    compression & tension,
    tug-of-war & sumo.

If one side is unopposed, or too weak,
    the state will crumble into some kind of
    authoritarianism by another name.

Destroy your enemies at your own peril.

BOOK REVIEW: Zeno and the Tortoise by Nicholas Fearn

Zeno and the Tortoise: How to Think Like a PhilosopherZeno and the Tortoise: How to Think Like a Philosopher by Nicholas Fearn
My rating: 5 of 5 stars

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This book presents twenty-five philosophical tools or concepts fundamental to thinking philosophically. Fearn does an excellent job of making these ideas comprehensible while exploring how they can be of practical value in philosophizing (as opposed to diving into conceptual minutiae and the conflicts and debates around them.) The author uses stories, metaphors, and examples extensively, while avoiding jargon or complicated expressions and explanations.

The book is entirely Western-oriented, and one won’t see any discussion of ideas originating outside Europe (or North America by way of immigration from Europe.) That’s not uncommon for English language popular philosophy books, and I don’t think there’s anything nefarious to be read into it, though some will find it a shame. The philosophers whose ideas are addressed span from pre-Socratic Greece to Richard Dawkins (who I’m pretty sure is the only one still living.) The reader learns about reductionism, relativism, the Socratic method, analogy / allegory, teleology, thought experiments, parsimony, pragmatism (of sorts,) induction, skepticism, social contract, utilitarianism, dialectics, falsifiability, memes, deconstruction, and more.

I found this book to be readable and absorbing and would highly recommend it for anyone who would like an overview of the major ideas of Western philosophy and how they can be applied to thinking more philosophically.


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BOOK REVIEW: Free Speech: A Very Short Introduction by Nigel Warburton

Free Speech: A Very Short IntroductionFree Speech: A Very Short Introduction by Nigel Warburton
My rating: 5 of 5 stars

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Get Speechify to make any book an audiobook

This concise guide outlines the debate on the perennially precarious issue of freedom of speech and expression. What factors (if any) should determine whether speech is restricted or not? Only when harm will be done to other individuals or to society at-large? Under a set of predefined conditions designed to advance societal harmony, or, perhaps, jingoism?

Some of the most interesting discussions in the book involve questions of whether any individuals or entities should have special privileges vis-a-vis freedom of speech? Historically, religions have claimed to be beyond criticism, but even as blasphemy restrictions have been softened (or applied equally to minority as well as majority religions,) there are still other groups seeking special status. For example, should a renowned artist who produces something that would otherwise violate public decency standards be able to publicly display said work because it has some redeeming artistic merit? (One can imagine the challenge presented by this question, given the inherently subjective nature of “artistic merit.”)

The book generally describes two or more opposing stances on any given issue, almost ensuring there will be points with which one agrees and others with which one doesn’t. I found the book thought-provoking, which led to a couple interesting realizations. For one thing, while I’ve been dismayed about how some groups are trying to carve out sacred spaces in which they are beyond criticism, challenge, or even [the nebulous] “being offended,” I was reminded that this is nothing new, and that whether it’s royal families or “the Church” there’s always been some group who wanted “freedom from” offense, challenge, or critique. It’s just a question of which groups make said demands that’s changing. For another thing, while I’m generally about as close to a free speech absolutist as one sees, I did learn that there is one question on which I don’t take the most pro individual liberty stance (in part because I didn’t recognize it as part of the debate.) The issue in question is copyright protection. There are those who argue that access to knowledge should be free and unimpinged, and that – furthermore — this would advance creativity. [I don’t really understand this stance as it seems to assume that creators of intellectual property will work even harder if they don’t get paid, but that’s a discussion for another time.]

If you’re interested in questions of free speech, particularly as they pertain to religious beliefs, pornography, and the changing state of intellectual property, you may want to read this book.


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BOOK REVIEW: Anarchism: A Very Short Introduction by Colin Ward

Anarchism: A Very Short IntroductionAnarchism: A Very Short Introduction by Colin Ward
My rating: 4 of 5 stars

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Despite having graduate level education in Political Science, I never learned about anarchism. Even as an individual holding libertarian [classically liberal] beliefs, I dismissed anarchism as a philosophy without practical merit, one that failed to grasp the realities of human nature. And I apparently wasn’t alone as all those professors who built the curriculum that I studied didn’t find anarchism worthy of more than a passing mention as the theoretical endpoint on a continuum, a point that could never be reached in reality.

I read this little guide to the history and political philosophy of anarchism to help rectify this gap in my education, and to determine whether I was correct to dismiss anarchism as a pie-in-the-sky ideology of no practical value.

This introductory guide makes the point that anarchists have had influence in areas like labor and education policy. In essence, the book suggests that anarchism isn’t as bleakly devoid of success as it would appear. While we don’t see any functional and long-lived political entities devoid of governance by an organization with a monopoly on use of force, that doesn’t mean anarchist ideas haven’t made an impact.

The book starts with definitions and an overview of those thinkers who made anarchism seem potentially viable. It examines anarchist history and how anarchism related to competing ideologies. There’s a chapter that looks at the individualist / libertarian approaches to anarchism (in contrast to the leftist / socialist strains that dominated the early history of anarchism.) There’s a chapter that investigates the connection between anarchism and federalism. The book ends with a discussion of the green anarchists and how anarchism might move forward (to the degree it does so.)

This was a fine overview, offering insight into anarchist history, philosophy, and the divergences of thinking between anarchist scholars. It’s dry reading, and while that’s almost unavoidable in a book that’s brief, scholarly, and on a specialized subject, I’d say this volume is probably in the lower half of VSI titles for readability. Still, if you’re interested in the subject, it’ll give you the gist in a small package.


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BOOK REVIEW: Philosophy for Gardeners by Kate Collyns

Philosophy for Gardeners: Ideas and paradoxes to ponder in the gardenPhilosophy for Gardeners: Ideas and paradoxes to ponder in the garden by Kate Collyns
My rating: 5 of 5 stars

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Out: March 1, 2022

This book can benefit not only gardeners interested in philosophy, but also philosophers interested in gardening. [If you’re in the intersect of people expert in both philosophy and gardening, the book probably won’t hold a great deal of intrigue as it’s written for a more general audience.] The gist is examples and analogies from gardening applied to elucidating philosophical concepts. In a few cases, these examples feel a bit forced. In most cases, they work just fine. But in a few other cases, the gardening analogies offer a powerful and unique insight that one would be unlikely to take away from a single-axis philosophy guide. For example, I found the relating of utilitarianism to the gardener’s dilemma of whether to start with a wildly overgrown bed or a relatively clean one offered a fresh perspective on the topic.

The book’s twenty chapters are divided into four parts. The parts are labeled “Soil,” “Growth,” “Harvest,” and “Cycles;” which I took to apply to fundamentals, change, outcomes, and the cycle of life and death. Part I, “Soil,” investigates topics in metaphysics, governance, and taxonomy. The second part, “Growth,” explores evolutionary adaptation, altruism / cooperation, the blank slate (and its critique,) and Zeno’s paradoxes. The penultimate section, “Harvest,” delves into topics such as forms, aesthetics, the reliability of senses, epistemology, and economic philosophy. Finally, “Cycles” discusses identity, logic and linguistic limitations, ethics, and pragmatism.

The book uses retro illustrations that look like the plates one might see in a book from the 19th century. There’s a brief bibliography, primarily of philosophical classics.

I’m always on the lookout for books that consider the perspective that humans exist within nature and our ways can’t be understood divorced from our place in the natural world. In that sense, I believe the book has much to offer.

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BOOK REVIEW: Introducing Political Philosophy: A Graphic Guide by Dave Robinson

Introducing Political Philosophy: A Graphic Guide (Introducing...)Introducing Political Philosophy: A Graphic Guide by Dave Robinson
My rating: 4 of 5 stars

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This book offers a concise overview of the philosophy of governance and political affairs. After a few pages that describe the domain of political philosophy and the questions that guide it, the book takes a chronological approach to exploring the shifting landscape of political philosophy from Ancient Greece through the Postmodernist schools of thought. Along the way, it presents the ideas that have undergirded a range of forms of governance from anarchy to authoritarianism.

Political philosophy hinges on a number of key questions, such as: Is man fundamentally good or evil? [the Hobbes – Locke debate] What rights do individuals have? What makes a government legitimate? There is widespread agreement that societies need some form of governance to avoid devolving into Mad Maxian wastelands. However, any power that a leader or government has to govern inherently restricts the freedom of other entities (i.e. individuals, businesses, organizations, etc.) Attempts to think through how this dilemma can best be managed have resulted in a huge and longstanding body of philosophical thinking.

Furthermore, there is no indication that these questions will resolve themselves in a consensus agreement about what kind of governance (or lack thereof,) is best. While democracy, rule of law, protection of minority rights, and a strict limitation of the State’s monopoly on use of force have gained widespread following across an increasing number of nations, those ideas haven’t ended the debate altogether.

I found this to be a fine overview of the subject. As with other books in the series, it uses short sections and cartoon graphics to make the material readily digestible. It’s highly readable and well-organized.


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BOOK REVIEW: Gorgias by Plato

GorgiasGorgias by Plato
My rating: 5 of 5 stars

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Project Gutenberg

This Socratic dialogue explores what rhetoric is, and whether rhetorician is a real job, like plumber or secretary, or whether it’s more like “bottled water sommelier” or “social media influencer” – i.e. an undertaking by which one can make loads of money without contributing society one iota. It starts out (as usual) with Socrates questioning someone, in this case the rhetorician Gorgias. This exchange can be summed up by the ideas that: 1.) rhetoric is persuasion; 2.) the ignorant are more persuasive to the ignorant than are those with knowledge. [Gorgias boasts that he has been able to convince patients to take actions that their physicians couldn’t. Because Gorgias had to admit he didn’t know as much about facilitating health as a physician, he was forced to agree to the sad absurdity that people will often comply with slick talkers who know nothing (a plight which may prove to be the downfall of our species.)] There’s a fine epistemological discussion of the difference between belief and knowledge that is used by Socrates to show that rhetoricians aren’t concerned with knowledge so much as beliefs.

Then Polus and Callicles (young rhetoricians) take up the questioning role, turning the tables and asking Socrates what is the art of rhetoric. [And we know they’re not going to like the answer.] Socrates denies rhetoric is an art, and calls it the counterfeit part of politics. Socrates compares rhetoric to cookery, where cooks pretend to be experts in what food should be eaten but, while people often love the cook’s meals, it’s the physician who actually knows what food is best. Socrates doesn’t consider rhetoric an art because it isn’t rooted in knowledge or virtue, but rather in momentary preferences. Much of the argument hinges on the fact that the young men believe it is worse to suffer injustice than to do injustice and that being able to exert control (be it for good or ill) equates to power and happiness. Socrates accepts neither premise, and systematically refutes both. Callicles’ tack is along lines of natural justice — the strongest do as they please and pursuit of pleasure is noble. [The truth is that while Socrates may have the more sound and supportable position, the rhetoricians describe the way the world operates more accurately.]

This is a sharp and insightful dialogue, and given its surprising relevance to the present day, I’d highly recommend reading it.

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BOOK REVIEW: Introducing Plato: A Graphic Guide by Dave Robinson

Introducing Plato: A Graphic Guide (Introducing...)Introducing Plato: A Graphic Guide by Dave Robinson
My rating: 4 of 5 stars

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This is a concise guide to the philosophy of Plato. Its numerous short (page-length) sections are logically arranged: beginning with background context – e.g. life in ancient Athens and the ways of Plato’s teacher, Socrates — and ending with discussion of the post-Platonic world of Aristotle and later philosophers influenced by Plato’s work. Through the heart of this book, it explores the various dimensions of Plato’s philosophy: his epistemology, his take on virtue ethics, his political philosophy, his form-based conception of metaphysics, his thoughts on rhetoric, and his surprising rejection of art and poetry. Along the way, the book discusses about ten of the Socratic dialogues, specifically (others are mentioned in passing as they relate to topics under consideration,) as well as many of the well-known ideas that came from these works (e.g. Plato’s Cave from “Republic.”)

The book uses graphics to help convey ideas, mostly drawings that emphasize key points. There is also a “Further Reading” that lists some works that elaborate on Plato’s philosophy and life from various perspectives, as well as listing a number of the Socratic dialogues and whether they fall into the early, middle, or late phases of Plato’s career. (Note: There isn’t complete agreement on how many Socratic Dialogues were written by Plato – 35 is a disputed number, but one often cited. The importance of the period is that Plato appears to increasingly present his own ideas, rather than those of Socrates, who continues to serve as the central character in Plato’s writings.)

This book is highly readable, but skims the surface. Whether it will serve one’s purpose depends upon what one knows about Plato and his canon to begin with. I would recommend it for a neophyte who doesn’t want to get bogged down in a lot of obscure ideas or complex explanations.

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