Macbeth Limerick

Macbeth and Banquo Meeting the Witches;
Théodore Chasséria (1855)
There was a great General named Macbeth.
All that kept him from kingship was a death,
but - as with a Pringle -
he couldn't do a single.
So, he showed seven more their last breaths.

No Christmas in April Blues [Blues Poem]

The dust is risin' down that dirt road;
someone is comin' my way fast.
The dust is risin' down that dirt road;
someone is comin' my way fast.
Hope it's not the f#@kin' tax man.
Maybe it's Santa Claus, at last.

Slack Flags [Haiku]

prayer flags hang still.
i hear them go silent
as i sit - eyes closed

BOOK REVIEW: American Poetry: A Very Short Introduction by David Caplan

American Poetry: A Very Short IntroductionAmerican Poetry: A Very Short Introduction by David Caplan
My rating: 5 of 5 stars

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This book does a great job of helping the reader understand what distinguishes the American strain of poetry from other poetic traditions, particularly the one from which it sprang and to which it’s most closely related, linguistically speaking: i.e. English poetry. Among the unique aspects of American poetry are a shift toward more idiosyncratic poetry, a shift that flows from America’s individual-centric orientation, the employment of American idiom – especially informal language, the connection to other American artforms (e.g. Blues music,) the diversity of form and style that resulted from being a diverse population, and the loud and clear expression of dissenting voices.

The page limitations of a concise guide keep this book from drifting wide in its discussion. The reader will note that it’s focused on mainstream poetry, and there’s little to no mention of counter-cultural movements, e.g. the Beats (e.g. Ginsberg and Synder) are not discussed. However, even within the restriction to mainstream poets, there’re only a few poets that are discussed in depth. Of course, these include the two poets largely considered the pillars of the American form: Walt Whitman and Emily Dickinson. It also includes two poets who were challenging cases for a discussion of national poetic movements: W.H. Auden, a Brit by birth who spent most of his poetry writing years in America; and T.S. Eliot, who was an American by birth but moved to Britain. Both poets produced poetry of importance while on both sides of the Atlantic, and, so, the question is whether anything of note can be said about their poetry vis-a-vis its location of origin (and, if not, have we exited the era in which nationality of poetry is worth discussing?)

I learned a great deal from this book. Again, if you’re looking for a broad accounting of American poetry, this isn’t necessarily the book for you, but if you want to gain a glimpse of the interesting and unique elements of American poetry through a few of its most crucial poets, this is an excellent choice.


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Kapok Tree [Haiku]

Taken at Lal Bagh (Bangalore) in 2021
sinuous roots
of the silk-cotton tree;
are they moving?

Bad Anthropologist [Free Verse]

Today, I read about an anthropologist
who was living among an isolated tribe, 
[as anthropologists tend to do]
a tribe who believed that twins
weren't really people,
and that twin babies 
should be left to die 
of neglect. 

This anthropologist, 
like all good anthropologists,
was trained to respect 
indigenous beliefs and 
to not go mucking around
and breaking the "Prime Directive"
[well, that term is from Star Trek,
but good anthropologists have similar
directives -- or, at least, proclivities --
i.e. to be objective,
and - to the degree one can't be -
to recognize one's biases and try to 
note the role they might play.] 

This anthropologist was doing a
grand job of being an anthropologist,
until a woman in the tribe had twins...

Mad Mind-Fire [Free Verse]

My brain is an angry sac of neurons:
hot wired / electrified.

Sizzling synapses ready to snap
and spew seedy scenes
upon this world.

But no one hears a scream
in the dark void of a barren mind:

though the scream radiates outward
as a painful wave of unknown
origin & purpose,

a tremor in the fabric of us

Urban Garden [Haiku]

the city's curated 
garden is both more & 
less than wildflowers 

In Tall Grass [Free Verse]

Do you feel unease,
walking in tall grass?

Visceral tension?

A primal impression from a time
when a wounded beast
[on its belly, &
with labored breath]
retained enough energy
for one last lurch
to impale its hunter?

A raspy groan or bloody burble,
and the jerky wave of the grass
might be all the warning one got
before 
The End.