“If thou must love me” [Sonnet 14] by Elizabet Barrett Browning [w/ Audio]

If thou must love me, let it be for nought 
Except for love's sake only. Do not say,
"I love her for her smile -- her look -- her way
Of speaking gently, -- for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day" --
For these things in themselves, Beloved, may
Be changed, or change for thee -- and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity's wiping my cheeks dry:
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love's sake, that evermore
Thou mayst love on, through love's eternity.

Urban Monkey [Haiku]

urban monkey stops
& turns on an urban vine --
nary a tremor.

Ducks [Haiku]

as the pond duck
slips & glides through water,
the shore duck is still.

“Raven at Dusk” by Matsuo Bashō [w/ Audio]

on a barren branch
a raven has perched —-
autumn dusk

Post Crow [Haiku]

crow on a post,
on rocky desolate ground;
waves lap ashore.

“Second Fig” by Edna St. Vincent Millay [w/ Audio]

Safe upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!

The Slow Flow [Haiku]

teal mountain stream
flows past rock's fluid striations,
proof flow can be slow.

Jungle [Common Meter]

They say jungles are chaotic.
I find them as silent
As the world that is aquatic...
Though no less violent.

“An Akan Lullaby” by Anonymous [w/ Audio]

Someone would like to have you for her child
but you are mine.
Someone would like to rear you on a costly mat
but you are mine.
Someone would like to place you on a camel blanket
but you are mine.
I have you to rear on a torn old mat.
Someone would like to have you as her child
but you are mine.

NOTE: I have no specific author or translator information for this poem. (The former may not be surprising as it may be lost to history.) At any rate, my source is Classic Poems to Read Aloud, an anthology selected by James Berry (1995; Kingfisher Publications,) and it was titled “Lullaby.” That book cites a Cambridge University Press volume entitled African Poetry, edited by Ulli Beier, as its source.

The Right Angle [Haiku]

overgrown: ruins
hidden from the side are
revealed from above.