“Circular Portrait” by Ikkyū [w/ Audio]

The monk’s entire body is present
in this great circle.
Xutang’s true face and eye
emerge from it.
The blind singer’s love song delights
flowers for ten thousand springs.

Translation by Kazuaki Tanahashi and David Schneider in Essential Zen (1994) HarperSanFrancisco.

BOOKS: “Essential Zen” ed. by Kazuaki Tanahashi & David Schneider

Essential ZenEssential Zen by Kazuaki Tanahashi
My rating: 5 of 5 stars

Google Books Page

This is a collection of short writings (poems, koans, and prose excerpts) on Zen Buddhism arranged into loosely themed sections. The writings tend toward the artistic, creative, and metaphorical, with relatively few straightforward descriptions of technique or philosophy. The writings range from those of Chinese and Japanese monks who lived hundreds of years ago to present-day poets and Zen practitioners. Among the more frequently drawn from sources are: Hanshan, Ikkyu, Dogen, Ryokan, Hakuin, Gary Snyder, Robert Aitken, Seung Sahn, John Daido Loori, Thich Nhat Hanh, and Peter Levitt. But there are many others, including some who have only a single piece included.

There’s a substantial “Notes” section that gives source, translation, and — in some cases — background information. Most of the translations (both Japanese and Chinese) are by the editors, Kazuaki Tanahashi and David Schneider. There are illustrations, but they are all ensō (circular brush paintings) and related forms.

This is a highly readable and insightful collection of short writings, and I’d highly recommend it for individuals interested in Zen or Eastern Philosophy more generally.

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POEM: Rambling on a Koan

“What is your original face?”

Original? Does that mean I have one now?

Perhaps when I mirror gaze.

Otherwise, if I have a face, it resides in the minds of those who look upon it.

He who takes a scaffold built of patches of matter, varying distances from his eye

and reflecting various spectra of light, and fleshes it out in subjectivity owns the face.

That mean thing,

thing of glee,

that by which cantankerousness is displayed

thing of sorrow,

thing of madness,

that ugly-pretty, disheveled topography of flesh

is a faceless face,

or — perhaps — a thoughtless thought.