“Beggar to Beggar Cried” by William Butler Yeats [w/ Audio]

"Time to put off the world and go somewhere
And find my health again in the sea air,"
Beggar to beggar cried, being frenzy-struck,
"And make my soul before my pate is bare;

"And get a comfortable wife and house
To rid me of the devil in my shoes,"
Beggar to beggar cried, being frenzy-struck,
"And the worse devil that is between my thighs.

"And though I'd marry with a comely lass,
She need not be too comely -- let it pass,"
Beggar to beggar cried, being frenzy-struck,
"But there's a devil in a looking glass.

"Nor should she be too rich, because the rich
Are driven by wealth as beggars by the itch,"
Beggar to beggar cried, being frenzy-struck,
"And cannot have a humorous happy speech.

"And there I'll grow respected at my ease,
And hear amid the garden's nightly peace,"
Beggar to beggar cried, being frenzy-struck,
"The wind-blown clamor of the barnacle-geese."

“Flood” by James Joyce [w/ Audio]

Gold-brown upon the sated flood
The rock-vine clusters lift and sway:
Vast wings above the lambent waters
brood
Of sullen day.

A waste of waters ruthlessly
Sways and uplifts its weedy mane,
Where brooding day stares down
upon the sea
In dull disdain.

Uplift and sway, O golden vine,
Thy clustered fruits to love's full
flood,
Lambent and vast and ruthless as is
thine
Incertitude.

“The Magi” by William Butler Yeats

Now as at all times I can see in the mind's 
eye,
In their stiff, painted clothes, the pale
unsatisfied ones
Appear and disappear in the blue depths of
the sky
With all their ancient faces like rain-beaten
stones,
And all their helms of silver hovering side
by side,
And all their eyes still fixed, hoping to find
once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial
floor.

“Leda and the Swan” by William Butler Yeats [w/ Audio]

Correggio’s Leda and the Swan (1532)
A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

“A Coat” by William Butler Yeats [w/ Audio]

I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat;
But the fools caught it,
Wore it in the world's eyes
As though they'd wrought it.
Song, let them take it
For there's more enterprise
In walking naked.

“Gratitude to the Unknown Instructors” by William Butler Yeats [w/ Audio]

What they undertook to do 
They brought to pass;
All things hang like a drop of dew
Upon a blade of grass.

“Sailing to Byzantium” by William Butler Yeats [w/ Audio]

I

That is no country for old men. The young
In one another's arms, birds in the trees,
-- Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

II

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

III

O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

IV

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

“He Wishes for the Cloths of Heaven” by William Butler Yeats [w/ Audio]

Had I the heavens' embroidered cloths,
Enwrought with the golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

NOTE: This poem is also sometimes entitled, “Aedh Wishes for the Cloths of Heaven.”

“Memory” by William Butler Yeats [w/ Audio]

One had a lovely face,
And two or three had charm,
But charm and face were in vain
Because the mountain grass
Cannot but keep the form
Where the mountain hare has lain.

“When You Are Old” by W. B. Yeats [w/ Audio]

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.