BOOK REVIEW: The Tao of Bruce Lee by Davis Miller

The Tao of Bruce Lee: A Martial Arts MemoirThe Tao of Bruce Lee: A Martial Arts Memoir by Davis Miller

My rating: 3 of 5 stars

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While one expects this to be a biography of Bruce Lee, the first half of it is much more an autobiography of the author that is loosely themed around Bruce Lee’s influence on his life. It’s an unusual book in this regard. However, while my description may induce visions of a dismal read by a self-absorbed author, it’s really not so bad. The latter half of the book is much more tightly focused on the events of Bruce Lee’s life—or, more dramatically, his death.

To be fair, there’s not much material for a Bruce Lee biography. Few lights have shone so bright that, while brief, they provided decades of afterglow. Bruce Lee was just in the news last week as he was made a character in a new MMA video game—over 40 years after his death. (It might seem odd for Bruce Lee to be featured in an MMA game, but while movie Bruce Lee showed us high-flying, high-kicking kung fu, Bruce Lee the founder of Jeet Kune Do emphasized the ability to fight at all ranges, against opponents of any style, and in a pragmatic fashion.) But Bruce Lee the movie star delivered only four completed movies as an adult (though he had a childhood acting career unrelated to Kung fu.) Martial Artist Bruce had only one real fight that anyone knows about and even it remains a subject of great controversy to this day. There are competing claims about who came out on top, to what degree, and how. According to the book, there’s not even much of a sparring record of which to speak.

With the proceeding information in mind, it might not be such a surprise that the author took the tack he did and still produced only the slim volume that he did. Miller’s description of his own life pulls no punches and he spares himself none of the embarrassment incumbent in being a young man seeking to emulate the squealing man with the fists of fury. He doesn’t come across as the narcissist that one might expect from a person who devotes at half of a biography of a global superstar to his own obscure juvenile years. In fact, his profile is of a scrawny kid who got his fair share of wedgies and other bully-induced torments. The autobiographical parts are more homage than self-aggrandizement.

Just as Miller is honest about his own lost pubescence as a scrawny kid, he will win enemies with his frankness about Bruce Lee and those in the gravitational pull of the kung fu superstar. Those who deify Lee will no doubt be displeased to read intimations that he died not on a walk with his wife and from a rare adverse side-effect of a prescription—but non-illicit–drug, and instead died on the bed of a lover from a hash or pot overdose.

Furthermore, Miller tells of how Bruce Lee told his students to stop teaching Jeet Kune Do, because Lee was worried about where it was going. Miller goes on to report about how Bruce Lee’s martial art went awry according to many. Then there is the suggestion that Lee had little first-hand fighting (or sparring) experience on which to build such a combative art in the first place.

However, the overall portrait of Lee is of an exceptional human being, and one who had such a wide range of influence, from fitness to philosophy. While the Bruce Lee physique is now much sought after and regularly seen among movie stars, all the leading men of Lee’s era were doughy by comparison. (One may look no further than his Way of the Dragon nemesis, Chuck Norris.) Lee wasn’t just a movie star and martial artist; he was also a philosopher and thinker. While it’s true that he didn’t produce much in the way of novel ideas, by Hollywood standards he was a regular Algonquin Roundtable member. Lee oozed charisma so powerfully that after all these decades he’s almost as likely to be seen on a T-shirt as Che Guevara—don’t ask me why the Latin American Guerrilla fighter is so popular in silk screen, but that’s beside the point.

To sum it up, this isn’t a book about Bruce Lee, it’s about how his life and death shaped so many other lives—starting with Miller’s. While I didn’t count pages, there seems to be about as much space devoted to the events surrounding Lee’s death as the events of his life. Of course, there’s a bit of sensationalism, but inquiring minds want to know. People are intrigued about how a man who looked to all appearances to be one of the healthiest men on the planet could have died so young. (It’s an interesting irony that Bruce Lee’s almost complete lack of body fat—estimated at under 1%–could well have exacerbated his oversensitivity to whatever substance killed him.)

I’d recommend this book for anyone curious about the life and death of Bruce Lee.

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BOOK REVIEW: Ip-Man Portrait of a Kung Fu Master by Ip Ching, et. al.

IP Man: Portrait of a Kung Fu MasterIP Man: Portrait of a Kung Fu Master by Ip Ching

My rating: 3 of 5 stars

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Ip Man led an interesting life. The master of Wing Chun Kung Fu lived through tumultuous times that included the Boxer Rebellion, the Sino-Japanese War, and China’s Communist revolution. After the Japanese occupation he served for a time as a police chief. Coming from a wealthy family, he experienced a riches to rags fall when the Communists took over. He had to move from his home in Foshan to Hong Kong. His use of kung fu was not restricted to the training hall, but, rather, included a few real world altercations. A couple of films have been made(loosely) about his life.

All that being said, this book doesn’t do a great job of capturing the life of this intriguing man. To be fair, the book isn’t really a biography proper–though the title might lead one to believe it was. However, it’s not entirely clear what the book is. Its fifteen chapters are each built around a principle and use vignettes from Ip Man’s life to illustrate how the Grandmaster lived virtuously. This makes the book seem more like treatise on martial arts philosophy and/or strategy. However, some chapters do a better job of making clear what the actual principle is and how the events of Ip Man’s life exemplify them than do others. In some parts it does a great job but in others it’s only lackluster.

There are some fascinating stories about the man’s life in the book, but they are generally told in a lifeless manner. In part this may be done on purpose as we are told that Ip Man eschewed embellishment and favored humility, but it makes the reading experience less than gripping. It’s also probably that some of the details were lost when Ip Man died in 1972. This lack of detail leaves one at times wondering. Throughout most of the book we get a picture of Ip Man as a virtuous warrior. However, there is one vignette in which we read about the Grandmaster picking a fight with a man by taunting him with humiliating insults about the man’s appearance. Ip Man does this to teach his student a lesson in courage. His lesson notwithstanding, this behavior paints Ip Man as anything but virtuous–rather than a humble martial arts master he becomes a pathetic bully. The author, Ip Man’s son Ip Ching, suggests that this might have been a setup for the student’s benefit, but with the prior assent of the bullied man. At any rate, there was no fight because the bullied man backed down–whether because it was staged or out of genuine fear remains unknown.

For some readers the most surprising omission will involve a lack of any mention of the man who was far and away Ip Man’s most famous student, namely Bruce Lee. There may be a number of reasons for this omission, including a desire to prevent the teacher’s story from being overshadowed by his student’s fame. However, most readers would probably like some inkling of how the ill-fated superstar came to train with Ip Man and what he learned from him. In fact, the only reference to the entertainment aspect of kung fu is a picture caption that shows Shek Kin, the villain “Mr. Han” from Enter the Dragon, at Ip Man’s funeral.

I would recommend this book only for those that have a particular interest in martial arts. It does offer tidbits of interesting events from Ip Man’s life as well as a few great life lessons. It benefits from being a concise book, and thus is not a major time investment to read. However, I don’t know that–short as it is–it would hold the interest of the general reader. Hopefully, someone will take on a more extensive English-language biography of this fascinating man’s life while there are some key people still alive to be interviewed about his life story.

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BOOK REVIEW: Buddha by Karen Armstrong

BuddhaBuddha by Karen Armstrong

My rating: 4 of 5 stars

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Karen Armstrong’s book is a biography of Siddhatta Gotama (a.k.a. Siddhartha Gautama), the man who became the Buddha. However, in the process of telling this man’s life story, she introduces the reader to the basic tenets of the religion he inspired.

Siddhatta’s story is an interesting one that many non-Buddhists know the gist of from the Herman Hesse novel entitled Siddhartha. As a boy, the Buddha-to-be was the son of a wealthy, high-caste man who attempted to shelter his child from all the ugliness of the world, e.g. poverty, disease, and death. Despite these attempts, the young man eventually sees the true world and realizes that he has been living an illusory life. Ultimately, the young man abandons his comfortable life in search of an enlightened view-point.

The Buddha’s life is what one might call “novel-shaped.” That is, the arc of Siddhatta’s life as we know it is ideally suited to being conveyed as a story. It’s a warrior’s quest tale, but one of the mind rather than physical adventure. Armstrong’s book takes advantage of this arc and is arranged accordingly. The six chapters of the book are:1.) Renunciation; 2.) Quest; 3.) Enlightenment; 4.) Dhamma (the doctrines or teachings); 5.) Mission; 6.) Parinibbana (the final rest.)

Renunciation refers to Siddhatta’s abandonment of the world he knew. The quest describes his life as he strikes out in an attempt to become enlightened. The third chapter outlines how he came upon enlightenment. This might have been the conclusion of the story of the man, but that’s when the story of the Buddhist religion becomes entwined with the story of the Buddha. Chapters 4 and 5 deal largely with how the religion spread.

If one is looking for a good overview of Buddhism, Armstrong’s book is a good place to start. It’s readable, and, by tying teaching into the Buddha’s life story, interesting as well.

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BOOK REVIEW: The Lone Samurai by Wm. Scott Wilson

The Lone Samurai: The Life of Miyamoto MusashiThe Lone Samurai: The Life of Miyamoto Musashi by William Scott Wilson

My rating: 4 of 5 stars

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[Note: this was previously posted in my martial arts blog, Jissen Budōka.]

This is a concise and well-researched biography of one of Japan’s most famous swordsmen. Miyamoto Musashi, however, wasn’t just a swordsman, he was also a writer, a painter, a sculptor, a Zen Buddhist, a poet, a philosopher, and a strategist. In short, he was a renaissance man. While The Lone Samurai focuses heavily on Musashi’s many duels as a traveling warrior, it also describes his artwork as it paints a portrait of a complex and beguiling character.

Musashi holds a curious allure among figures in Japanese history. The Japanese tend to be strictly bound by societal conventions, and being respectful and well-mannered is valued above all else. Musashi flouted convention whenever it served him. He used irreverence for strategic advantage. He was an astute reader of men. He often showed disrespect in order to get into his opponent’s head. This is most famously exemplified in his Ganryu Island duel with Sasaki Kojiro.

Musashi adopted a life of musha shugyo, or warrior errantry, though he could have been much wealthier and more comfortable had he chosen to be. He enjoyed simplicity, and only owned a few possessions. In his travels, he engaged in over 60 duels, and is usually credited with being undefeated [Note: I’ve heard some dispute the outcome of his second duel with Muso Gonnosuke. Wilson calls it a draw, but I’ve heard it called Musashi’s only defeat as well.] He fought as a samurai in battle at Sekigahara as well, but his adulthood was a relatively peaceful time.

One fascinating, but controversial, claim is that Musashi had no teachers–neither in swordsmanship nor in any of the fine arts he practiced. Musashi said this himself, but some historians dispute it. If true, it really takes being an extraordinary person up a notch. It should be noted that Musashi was only 13 when he had his first duel.

There is much about Musashi that is lost to the ages, but this book does a great job of pulling together what is known and weaving it into a portrait of the man.

There is an extensive series of appendices providing background information, notes, a glossary, and even a collection of pop culture (e.g. movie and novel) depictions of Musashi.

It’s well worth the read if you’re interested in strategy, history, or the biographies of incredible people.

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Book Review: Takagi Oriemon, Budo Hero of Shiroishi

9781447769033Takagi Oriemon: Budō Hero of Shiroishi by Mamiya Hyoemon

My rating: 4 of 5 stars

This is an English translation of a book that was written long ago. The translation is by the Jinenkan Honbu Dojo — specifically Manaka Unsui (the head [Kancho] of the Jinenkan) and his students Robert Gray, Maurizio Mandarino, and Eric Shahan. The original is entitled Budo Shiroishi no Ei and was written in Japanese.

The book is the story of the seven-year warrior pilgrimage (musha shugyo) of a warrior named Takagi Oriemon who lived from 1625 to 1711. Takagi founded a martial arts school that, as was typical, branched out over the centuries. As I understand it, there are two or three descendant schools still in existence today.

Takagi was legendary for his strength. The book offers many accounts of descriptions of both his physical strength (from moving boulders to help farmers to chopping down a house to create a fire break) and his strength of mind (e.g. staying where others were afraid to because of hauntings.) However, mostly it portrays Takagi as a supremely humble and virtuous man. He misses no opportunity to assist those in need of help, and always humbly declines reward. He does not use his great power for wanton destruction, but does punish the wicked when no other choice remains.

Unlike Musashi’s Book of Five Rings or Yagyu’s The Life-Giving Sword, which are mostly about strategy, this book is mostly examples of virtuous living with a few strategic concepts thrown in.

I can offer a test for whether a reader might enjoy this book or not.

You’ll love this book if you:
– are fascinated by biographies of great martial artists.
– enjoy learning about life in Japan during the Tokugawa period.
– enjoy morality tales and the example set by great men and women.
– like to be inspired by people who really had their stuff together.
– don’t mind the occasional ghost story.

You won’t like this book if you:
– are an editor or English teacher and things like errant apostrophes make your head explode.
– are turned off by the flouting of conventional writing style (multi-speaker paragraphs of dialogue abound in this book.)
– find that ghost stories or supernatural elements completely ruin an otherwise down-to-earth read.
– find typos grate on your nerves.
– are really grossed out by gory manga-style line drawings (they are not all like that, but some are.)

I had to deduct at least a star for the many grammatical and formatting deficiencies of the book, but I still think everyone would gain from reading it and seeing the life example set by Takagi Oriemon: Budo Hero of Shiroishi.

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