BOOK: Transient Worlds by Arthur Sze

Transient Worlds: On Translating PoetryTransient Worlds: On Translating Poetry by Arthur Sze
My rating: 5 of 5 stars

Publisher Site — Copper Canyon

Release Date: April 14, 2026

Just as people are fond of saying, “the book is always better than the movie,” there is an idea — widely accepted as truism — that goes, “a translation can never be as good as its source poem.” I don’t buy either of those views, but there’s certainly truth to the notion that a poetic translation can never perfectly echo style, tone, sound quality, and meaning at once. Each language is unique, and the more different two languages are the more one has to make decisions about what one will emulate and what one will craft. It’s also true that any translation will represent a drift away from the culture of the original (which is not identical to being worse.) In short, any poetry translation that seeks to be good had better be a work of art unto itself.

The current US Poet Laureate (as of this writing,) Arthur Sze, has written a book to help readers intelligently navigate the troubled waters of poetic translation. Sze certainly has insight, having not only translated Chinese poems himself, but also being Professor Emeritus at the Institute of American Indian Arts, he has multiple cultural lenses with which to view poetry.

This book consists of fifteen chapters exploring poems and poetry excerpts from around the globe — and their translations. The twelve diverse source languages include: Chinese, Navajo, French, Ancient Greek, Hebrew, Danish, and Russian. The original poets include Tao Qian, Guillaume Apollinaire, Homer, Kobayashi Issa, Pablo Neruda, Marina Tsvetaeva, Aime Cesaire, Najwan Darwish, and Mirabai. Many of the chapters include multiple translations, offering the reader a means to see how different translators take to the task. Others offer only a single translation but turn their attention to specific considerations of translation. In one case, there is an interview with the translator. I enjoyed this varied approach to the exploring the topic. It made for a book with zero monotony and many facets.

If you are a poet or a poetry reader who enjoys reading poetry from varied languages or source languages, I’d highly recommend this book.

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“Drinking Wine, no. 5” [饮酒·其五] by Tao Qian [陶潜] (a.k.a. Tao Yuanming [陶渊明])

Taken in Hartwell, Georgia.
I live amid a busy town,
But traffic sounds are never heard.

How can this possibly be true?

Deep in the mind, all is remote.

Picking 'mums by the eastern fence,
I peer at distant South Mountains.
Sunset flares in garish color.
Birds flock home in lines and clusters.
The scene conveys some great meaning,
But words to express it fail me.

NOTES: “Drinking Wine, no. 5” [饮酒·其五] is one of Tao Qian’s [陶潜] “Twenty Poems on Drinking Wine” [饮酒二十首.] It is the best-known piece from the collection. The original poem in Simplified Chinese script is:

结 庐 在 人 境,
而 无 车 马 喧.
问 君 何 能 尔?
心 远 地 自 偏.
采 菊 东 篱 下,
悠 然 见 南 山.
山 气 日 夕 佳,
飞 鸟 相 与 还.
此 中 有 真 意,
欲 辨 已 忘 言.

I’ve started reading a review copy of Arthur Sze’s Transient Worlds (from Copper Canyon Press, due out April 14, 2026.) The first chapter discusses this poem and various translations of it, encouraging readers to make their own translation. This is mine. For more information about the book, see: https://www.coppercanyonpress.org/books/transient-worlds-arthur-sze/

BOOKS: “Silk Dragon II” ed. & trans. by Arthur Sze

Silk Dragon: Translations from the Chinese (Kage-an Books)Silk Dragon: Translations from the Chinese by Arthur Sze
My rating: 5 of 5 stars

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Release Date: May 28, 2024

Let me begin with a note of clarification: The edition that I read was the “Silk Dragon II” collection, which is due out in May of 2024. I mention this because there is potential for confusion in that this book looks like a sequel (i.e. a completely new set of poems,) but really it is something between a new edition and a sequel. That is to say, while it has a substantial amount of new material, it is built on the original “Silk Dragon” volume. This edition adds eighteen new poem translations, most of which are from poets of the modern era (I mean that loosely, not technically, so 20th century onwards.) I’d recommend readers get this edition, but not both this and the original.

This collection includes a wide range of poems from ancient times through China’s various dynasties to the modern day. It includes translations that are extremely well-known, such as Li Bai’s “Drinking Alone with the Moon” and Liu Zongyuan’s “Snow on the River.” But it also includes many pieces that are likely to be new to most poetry readers, particularly given they will be reading translations (i.e. Non-specialists in Chinese poetry.) As mentioned, the bulk of the new poems are from recent decades and tend to be free verse. [Though there are four new classical poems, as well.]

I found the translations to be evocative and approachable. I am unable to comment on how well Sze captures the feel of the original, but I can say that the translations of poems I’m familiar with were at least on par with other translations that I’ve read. The translations don’t always display the sparseness one sees in classical Chinese poetry, but the challenge of conveying form and meaning and metaphor through translation is immense and, at some level, impossible.

I’d highly recommend this poetry collection for readers of poetry and translated literature.

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