ESSAY REVIEW: Confessions of a Book Reviewer by George Orwell

Confessions of a Book ReviewerConfessions of a Book Reviewer by George Orwell
My rating: 5 of 5 stars

Amazon.in Page

Available free through the Orwell Foundation

An amusing essay that reveals the dirty secrets of book criticism, while proposing that the vast majority of books don’t merit a review. Just a few pages long.

View all my reviews

BOOK REVIEW: Better Living Through Criticism by A.O. Scott

Better Living Through Criticism: How to Think about Art, Pleasure, Beauty and TruthBetter Living Through Criticism: How to Think about Art, Pleasure, Beauty and Truth by A.O. Scott
My rating: 4 of 5 stars

Amazon.in Page

There’s a chasm between title and book. The title, which is clearly meant to play on the Dupont motto turned recreational drug user motto that substitutes the word “chemistry” in place of “criticism,” suggests a book that will be directed toward a reader, teaching said individual how to hone his or her skills of art criticism. This book, on the other hand, reads more like a review of the criticism industry that is meant to be received by an audience. In other words, it feels more like you’re in a Ted Talk than that you’re having a private lesson or conversation. It’s a fine book, witty, thought-provoking, and insightful by turns, but not the book one would expect from the title, subtitle, and blurb.

This essay (or collection of six shorter essays – if you prefer) examines the life and livelihood of art critics and how the endeavor has ebbed and flowed over the years. While the author is a film critic, he adeptly uses examples and stories from across the arts: poetry, paintings, music, theater, etc. In addition to the six chapters, there are three dialogues that are presumably meant to be reminiscent of Oscar Wilde’s essay / dialogue “The Critic as Artist,” a piece that is referenced and quoted in the book.

While the book is generally readable, it would probably benefit from more clarity of message while dialing down attempts to be witty and interesting. It seems like the author may have aimed to do what the films that film critics tend to love do, leave one walking away wondering what it is that one just consumed.

If you want to know more about the criticism “business,” i.e. who does it and how the job has changed (and continues to change,) you’ll enjoy this book. On the other hand, if you’re looking for a book that (as this book’s subtitle suggests) will help you better understand “how to think about art, pleasure, beauty, and truth,” then this might not be the book for which you’re looking.


View all my reviews

Rock Agama [Tanka]

a Rock Agama
peeks over a rock, stops,
and tries to be
inconspicuously
bright orange

DAILY PHOTO: Rhododendrons of Many Colors

Taken in West Sikkim on the Goechala Trail in May of 2022.

Discovery Distance [Free Verse]

Mountains are best viewed at a distance,
despite humanity's "closer is better" bias.

Up close, one is invariably in a cloud,
looking at an undifferentiated mass
of gray-white:
ice -- granite -- snow -- fog.

One may climb a mountain 
to see other mountains in the distance,
but standing eye-to-rock with a mountain
offers little spectacle & grandeur.

Massive things can be too close to see.

I wonder whether I'm also
 better viewed from a distance.

Not everything is.

Consider the opposite mistake:
People say things such as, 
"My Great White Whale is out there."

But Great White Whales are  
always found looking inward --
not out in the distance.

Nocturnal [Kyōka]

owl sticks its head out,
staring in silent rebuke
as if to say:
"Hey! I'm nocturnal.
What's with all the ruckus?"

DAILY PHOTO: Scenes from Ahmedabad

Taken in October of 2017 in Ahmedabad

BOOK REVIEW: An Essay on Criticism by Alexander Pope

An Essay On CriticismAn Essay On Criticism by Alexander Pope
My rating: 5 of 5 stars

Amazon.in Page

View free at The Poetry Foundation

This essay is a poem, i.e. heroic couplets in iambic pentameter, to be precise. It advises both poets and critics of some of the mistakes made in their respective pursuits (though at the outset he warns that bad criticism is a bigger sin than bad poetry.) To critics, Pope advises against nit-picking, as well as failure to recognize the tradeoffs inherent in poetry – i.e. sometimes the better sounding line is grammatically strained, or the wittier line may be less musical. To poets, he lays out a range of insights from stylistic to psychological, and it is an essay both about improving the product of writing as well as improving the relations between writers and critics.

Those unfamiliar with the essay will still be aware of a few of its lines, these include: “A little learning is a dang’rous thing;” “To err is human, to forgive, divine.” “For fools rush in where angels fear to tread” and anyone who’s learned to write iambic pentameter (and the sins, thereof) will remember: “And ten low words oft creep in one dull line.”

But those everyday aphorisms are by no means the full extent of this essay’s wise words and its clever phrasing. My favorite couplets of the poem include:

“Some neither can for wits nor critics pass, // As heavy mules are neither horse nor ass.”

“Trust not yourself, but your defects to know, // Make use of ev’ry friend – and ev’ry foe.”

“For works may have more wit than does ‘em good, // As bodies perish through excess of blood.”

“Words are like leaves; and where they most abound, // Much fruit of sense beneath is rarely found.”

“True ease in writing comes from art, not chance, // As those move easiest who have learn’d to dance.”

“Some praise at morning what they blame at night; // But always think the last opinion right.”

“Unhappy wit, like most mistaken things, // Atones not for that envy which it brings.”

“All seems infected that th’ infected spy, // As all looks yellow to the jaundic’d eye.”

“’Tis best sometimes your censure to restrain; // And charitably let the dull be vain:”

I delighted in this poem. It’s full of food-for-thought, and reads remarkably well for a piece from the year 1711.


View all my reviews

Quotations Stumbled Upon [Recently]

To survive in this world you have to be many times a coward but at least once a hero.

Adam Johnson, The Orphan Master’s son

The metaphysical assumptions upon which you want to build your life cannot be an inherited duty.

Patrick levy, Sadhus

It is true that if there were no phenomena which were independent of all but a manageably small set of conditions, Physics would be impossible.

Eugene wigner, the unreasonable effectiveness of mathematics in the natural sciences

I feel about literature what Grant did about war. He hated it. I hate literature. I’m not a literary West Pointer; I do not love a literary man as a literary man, as a minister of the pulpit loves other ministers because they are ministers: it is a means to an end, that is all there is to it.

Walt whitman, as quoted in Yone Noguchi’s the spirit of japanese poetry

Know that all the sects in existence are a way to Hell.

Nichiren, as quoted by yone Noguchi in the spirit of japanese poetry

It is so easy to convert others. It is so difficult to convert oneself.

oscar wilde, the critic as artist

If you meet at a dinner a man who has spent his life in educating himself — a rare type in our time, I admit, but still one occasionally to be met with — you rise from the table richer, and conscious that a high ideal has for a moment touched and sanctified your days. But Oh! my dear Ernest, to sit next to a man who has spent his life trying to educate others! What a dreadful experience it is!

Oscar wilde, tHE CRITIC AS ARTIST