Category Archives: martial arts
Principles of Muay Thai
Walking around the lobby of the Muaythai Institute [MTI] is an education unto itself. There are many photos, articles, and memorabilia–as well as a few educational placards. Over the office and weight room there are a series of old photos from an earlier era in the development of this martial art. Of course, Muaythai already had a long history before there were cameras around to document it. (As witnessed by the presence of boxing gloves in the photo above [and most of the other photos here.] Gloves were probably a relatively new addition from the previous rope hand-wraps at the time of many of these photographs.)
Yesterday, I noticed the following poster describing the principles of Muaythai:
As it’s difficult to read, I’ll paraphrase the contents:
First, the three principles of Muaythai:
1.) Feet apart
2.) Elbows close to the body
3.) Hands guard the head
Second, there are the five principles for professional Muaythai fighters:
1.) Use all Muaythai weapons [i.e. fists, feet, elbows, and knees.]
2.) Protect oneself completely.
3.) Be powerful.
4.) Tolerate (persevere) attacks.
5.) Be clever.
I started to think of these guidelines in terms of the concept of budō-kun, which are the guiding principles of a given school of martial arts or even a specific teacher. The budō-kun concept is seen in Japanese martial arts, and at first blush it seems quite different from the muaythai principles stated above. While budō-kun typically have a philosophical / moral bent, the Muaythai principles seem quite pragmatic.
However, one can see broader meanings in these simple statements.
1.) The admonition to use all Muaythai weapons can be seen as a suggestion to be flexible and adaptable, and not to latch onto a single approach. I find the talk in judō about “favorite” or “match-winning” techniques (tokui waza) to be intriguing. Historically, martial artists seem to have avoided giving the impression that they had a favorite techniques. The logic behind this secretiveness can be described by Ralph Waldo Emerson’s quote: “If I know your sect, I anticipate your argument.” Or, expanding further, if I know your feelings on a subject I can respond to them to my advantage.
2.) “Protecting oneself completely” can be seen as valuing one’s body over one’s ego. In Thaiboxing, as in almost all combative sports, one sees instances in which a fighter drops his guard to either encourage an attack or just to showboat for the audience. Sometimes this works out as desired, but often it results in the fighter waking up on his back.
3.) Be powerful seems self-evident, but incumbent in the statement is the need to train hard. One doesn’t become powerful without working hard to develop both form and fitness.
4.) Being able to tolerate being under attack is another point that may seem less than profound, but it speaks to the realization that both fitness and capacity to “take a licking and keep on ticking” matter. Sometimes the outcome hinges on the durability and resilience of a given fighter–much as we might like to think that technique always and everywhere trumps all.
5.) Being clever speaks to the creative element. One must be able to adjust to changing circumstances, and sometimes victory hinges on actions that are unconventional.
I’m curious about the interpretations of others on this subject.
Saving the Knees: Preventing Knee Injuries in the Martial Arts
The knee is a hinge joint. It’s designed to flex and extend with the thigh bone (femor) and the shin bone (tibia) in the same plane. A healthy joint can tolerate a certain amount of torquing or poor distribution of the body’s weight on occasion, but repetitive movements of that nature and /or severe uncontrolled movements can lead to permanent damage. Healthy knees are stable when straight (extended), but become slack when bent (flexed.)
Knee damage among martial artists is all too common, and the causes may or may not be self-evident. Martial artists whose practice includes kicks that require pivoting on a support leg or which involve landing leaping maneuvers may be intimately aware of the risks. However, the first martial art that I ever trained in had no twisting / pivoting kicks and few leaps (that were rarely practiced), but knee injuries were epidemic. The culprit in this case was low postures which required the thigh to be turned out (externally rotated and abducted) with the knee deeply flexed.
Well, I should say those postures were the culprit in conjunction with lack of flexibility and/or strength in all the right places. This isn’t to say that the individuals who developed knee problems weren’t strong or flexible, but the areas that needed work weren’t necessarily the big muscle groups that leap to mind when workout time comes around. Emphasis on the big muscle groups (quadriceps and hamstrings) with neglect of the muscles involved with adduction, abduction, external rotation, internal rotation and stabilization can create some problems. If you’re a runner or a weightlifter (with good form) you may be able to get away with such a stretching and strengthening emphasis. [Note: I’m not advocating such an approach for anyone. What I’m saying is that if your knee is only worked with the knee straight below the hip and pointed forward in a hinge fashion, your risks are not the same as someone who works with a flexed knee with the thigh turned out. The likely injuries are different.]

Note: Knees pointing the same direction as the toes. (The back knee might be a little far back but that’s an issue for the ankle health post.)

WRONG: Note: if one dropped a line down from the knee it would be well inside the foot. That means the ligaments are having to work too hard and your skeleton isn’t doing enough
To do a posture like the one above, one needs the flexibility to keep the knee wide enough so that it points the same direction as the toes. The joint shouldn’t be wrenched or torqued with load on it. The four ligaments (Anterior Cruciate Ligament [ACL], Posterior Cruciate Ligament [PCL], Medial Collateral Ligament [MCL], and the Lateral Collateral Ligament [LCL]) and the surrounding musculature keep the joint snug during movements. And, as mentioned earlier, when the knee is deeply flexed it’s more sloppy than when extended.
-Increase flexibility in the muscles that internally rotate and adduct the thigh: When one goes into a wide-legged stance, one’s thigh is pulled away from the body’s center-line (abducted) and the thigh externally rotates. If the muscles that act in the opposite direction (pulling the thigh back on center and rolling the thigh inward) are too tight to allow the knee to move into proper position, then the load of the body weight will be going into the ground through a kinked joint. Furthermore, one will end up torquing through the joint as one moves. Below are a few hip openers that will help one achieve the requisite range of motion.

Utkatakonasana (often called goddess pose) variations will show you whether you’re getting your knees and toes in line.

Place one foot on top of the opposite knee (and vice versa for the other side) carefully shift weight forward. This puts an intense stretch on the hip-joint to help rotate the thigh sufficiently

Upavistakonasana: put legs at about 90 degrees relative to each other, and then lean forward with a flat back placing the stomach, chest, and chin on the floor (in that order.)

Padmasana (lotus): If you meditate in padmasana, you probably already have the range of motion necessary. Note: if padmasana hurts your knees, you need to go back to hip openers and discontinue the practice.
-Strengthen the muscles that stabilize the knee-joint. One begins this process with the usual suspects of leg exercise. One just needs to focus intently upon alignment. Here are a few of the exercises you may already be doing.

The basic lunge: can be done stepping forward, backward, or both (the latter in an alternating fashion)
As one needs more challenge, one can achieve it in the usual ways (single-legged, unstable surface, add weight, or combinations thereof.) Below are a couple of variations that combine single-limbed work with an unstable surface.
-Save static stretching for after the joint has warmed up. It used to be common to begin a workout with static stretching. While few do this anymore, it’s a practice that needs to be replaced. Stretch warm.
-Don’t neglect the opposing muscle groups: When I said that one needs to increase flexibility in adductors and internal rotators, that doesn’t mean to ignore the opposing muscles. Nothing good comes of stretching or strengthening in an unbalanced fashion. Your musculature works as a team with agonists, antagonists, and stabilizers all working in conjunction to produce effective movement.
-Don’t go overboard with stretching: If your aim is to be a contortionist, then by all means go ahead. However, highly flexible martial artists need to be concerned about joint laxity. Laxity is when the joint gets so loose that it’s vulnerable to popping out-of-place. A martial artist needs a balanced style of fitness. Extreme flexibility results in weakness and lack of joint robustness, just like extreme strength training produces a body that lacks range of motion and stamina.
Most importantly, don’t ignore pain when it’s still at the minor twinge point. If you have knee pain you’re doing something that joint doesn’t like. One should reevaluate your movement and, if necessary, considering stepping back from your current practice to work on capacity building exercises.
DAILY PHOTO: Tai Chi in a Natural Setting
“Ankō” Itosu Transforms a Thug
One day Yasutsune “Ankō” Itosu walked down to the waterfront to have lunch at a local restaurant. As the renowned karate master rounded a corner, a ruffian leapt forward, launching a punch at Itosu-sensei’s midsection. The elderly Itosu subtly shifted his position and the punch glanced harmlessly off his ribs. But Itosu trapped the thug’s arm before the young man could retract it. Pivoting to face the same direction as the young hoodlum, the karate teacher scanned his surroundings seeing that the young man had friends nearby, but they weren’t coming to his assistance.
Maintaining a vice-like grip on the young man’s forearm, Itosu-sensei switched the arm under his other arm–attacking pressure points as he did.
Establishing control and taking the fight out of the young man with jolts of pain, Itosu said, “Come join me for lunch, we have much to talk about. But first, what is your name.”
“Kojo, everybody calls me Kojo,” the young man said through gritted teeth
“Pleased to meet you, Kojo. My name is Ankō Itosu,” the karate master said.
Itosu led Kojo into the restaurant. At a cursory glance it looked like the older man was walking arm-in-arm with the younger. The two sat down side-by-side.
“So, Kojo, do I know you? Have I done something to lead you to give an old man such a start?” Itosu asked.
“No. My friends dared me. They told me you were Itosu-sensei. We often come down here to test our skills,” Kojo explained.
“And how does your karate teacher feel about this?” Itosu asked.
“Uh… well, I don’t have a teacher,” Kojo replied.
“Ah. Then that’s the problem. You’ll become my student. Your technique could use improvement, and you need to stop this brawling, and especially stop trying to scare old men,” Itosu explained as he released the young man’s arm.
Kojo was taken aback, but didn’t dare turn down the teacher’s offer. He never brawled again, and eventually became a committed student.
What Are Your Thoughts on “Dick Move Mondays” in a Dojo?
So, the whole “dick move Mondays” concept may require clarification. First of all, some readers may be saying, “Every day is dick move Monday at our dojo.” However, readers who train at more orthodox schools may be wondering how such an apparently ludicrous idea would even come up. The idea’s origins are the result of seeking a martial art’s correlate to the “bad pass Fridays” that have been instituted in many basketball practices in recent years. On “bad pass Fridays” coaches give players passes that are catchable–but just barely. I’ll get into the scientific argument for this kind of training below, but for now suffice it to say that the idea is to have regularly scheduled instances in which the individual is taxed to his or her limits and forced to try to cope with worst case scenarios. While there needs to be some limitations for safety’s sake, I’ll argue that there’s some advantage to applying this concept from the sports science and motor learning literature to martial arts training. [Note: if your objective in practicing martial arts has nothing to do with being able to succeed in the context of a sporting match, an actual combat situation, or both (i.e. a situation in which an opponent is trying to clobber you and vice versa) then this isn’t really relevant to you. But feel free to read it any way.]
Here’s some low-down on the science. Historically, it’s been popular to teach / coach sports (and non-sport martial arts) using a “partial and blocked” approach. This method is extremely popular because: a.) it’s simple to organize and conduct practice sessions, b.) short-term growth is rapidly visible, and c.) it looks neat and tidy. “Partial” means that a particular skill (or even sub-skill) is extracted from the overall skill set of the activity at hand and practiced in isolation. This could be a throw, a strike, or a means of receiving or defending. “Blocked” practice means that one skill or sub-skill is practiced over and over again under the exact same conditions until it’s deemed time to move onto the next. “Whole and random” practice represents the opposites of “partial and blocked.” “Random” means that one drills a skill under an ever-changing situational context (e.g. one may still be drilling hip throws repetitively, but not against a static partner who’s standing in the same place–there’s movement and pushing and pulling, and possibly a few dick moves.) “Whole” practice simulates the actual event that one is practicing for–whether it’s a Muay Thai match or a parking deck brawl.
For a good explanation of the problems associated with blocked practice, watch the video by Trevor Ragan of “Train Ugly” that’s linked below. (fyi: “Train Ugly” is an apropos name for an approach that involves more “whole and random” practice because there will be more short-term failure and one won’t look masterful at what one is doing by the end of a practice session. However, long-term skill retention and the ability to integrate those skills and sub-skills into a more realistic environment is higher.)
As Ragan points out, the random approach requires one read the situation and environment and respond in a way that won’t leave one worse off. (I don’t like the word “planning” applied to martial arts because there’s never time to do any planning in the sense of using one’s conscious mind. However, I’d say reading is a very apropos concept, and there is a need to adjust to one’s context.)
So what would “whole and random” training look like in a martial art? First of all, one should realize that one doesn’t need to make every training session “whole and random” from the very beginning. In the beginning a lot of “partial and / or blocked” practice is necessary. The problem is that if one doesn’t ever move beyond that, one’s performance will be hindered. Second, all practice doesn’t have to be both whole and random; one can spend a lot of time with random drilling of a particular skill. One can drill a particular skill while moving around freely, applying counters, making timing more random, and making the approach less regimented. “Whole and random” practice in the martial arts involve sparring or randori. Jigoro Kano did a brilliant thing in making the techniques and practice environment safe enough that randori (free form) training became possible. For many years, I would have said that Kano Sensei made a system that was less “realistic” by paring out the dangerous elements of jujutsu. However, today I don’t see it that way. I’ve come to realize that the ability to train randori keiko actually added back in a great deal of realism. Who’s to say what the net effect on realism is. I certainly see the advantage over the old way in which one trained in a regimented fashion devoid free form components for years and then one day one went out on musha shugyō (warrior’s errantry) and may be the day you learned of a deficiency in your technique was the day you died.
So “dick move Mondays” is really a way to add randomness into training. One can’t ignore the reading portion of the attack because one never knows what whacky ass attack one’s opponent is going to come up with.
If you do implement “dick move Mondays” in your school or gym, you may want to review this instructional video by Master Ken because the “bitch slap” is sure to enter into your training.
[Disclaimer: Master Ken video included as farce. Readers are advised not perform any techniques suggested by Master Ken or his Amer-i-do-te practitioners.]
The Legend of Nai Khanomtom: Hero of Muay Thai
In 1767 the Ayutthaya Kingdom of Siam fell to the Burmese. Burma occupied Siam only briefly because Burma’s king, King Hsinbyushin (a.k.a. King Mangra), was forced to withdraw his troops to combat a Chinese invasion to his homeland. The Thais were fabled to be valiant fighters and even had a numeric advantage, but they were easily put into disarray by Burmese forces. Even King Mangra was said to have declared that he couldn’t have taken Ayutthaya had the leadership of the opposition been more effective. [Keep in mind that even if he did say this, it might have been more a dig at his Thai counterpart than an expression of his true feelings.]
The Burmese captured a many prisoners during their Thai campaign and true warriors were particularly coveted as prisoners. One such fighter was Nai Khanomtom (fyi: it’s also written Nai Khanom Tom.) Nai Khonomtom was renowned for his skill in Muay Boran, an early Thai fighting style related to Muay Thai. This made him a logical choice to headline for the Thais in a tournament that would pit Muay Boran against Thiang–i.e. the indigenous martial arts of Burma (e.g. Lethwei and Bando.) The tournament would be part of King Mangra’s seven day festival in honor of Buddhist relics, the festivities of which would also include plays, comedians, and sword fights.
Nai Khanomtom was pitted against a Burmese champion, a man who was clearly the audience favorite. Timed rounds didn’t exist in those days. Fights stopped when one of the fighters was physically unable to continue, and not before. The Burmese fighter wore a kind of sarong that was the usual attire for the men of Burma, and Nai Khanomtom wore a loin cloth tied up in the traditional Thai style (see the statue pic above.) Each fighter wrapped only ropes on their forearms and hands, and each may have had some padding over the groin–though not as insurance against an accident, but because crotch kicks were fair game.
Nai Khanomtom began with a Wai Kru, which perplexed the Burmese. Wai Kru is a pre-fight ritual that has several purposes, the most important of which is to show respect for one’s teachers, deities, and the audience. The practice can take several minutes and some variants of it can be physically demanding.
When the fight started, Nai Khanomtom charged over the fight space taking the fight to his opponent and laying down a barrage of kicks, knees, elbows, and punches. By some accounts, his victory was declared invalid by a judge, who’d been distracted by other festival events (and who–no doubt–wasn’t pleased by the swift defeat of the Burmese champion.) The decision was made despite the fact that the Burmese fighter had been knocked unconscious.
The King was thrilled by the fight and offered Nai Khanomtom his freedom if he could fight nine more Burmese fighters. Nai Khanomtom didn’t get breaks between these fights, and as soon as an opponent went down the next was queued up to come after the Thai fighter. And so it was that Nai Khanomtom took on the Burmese fighters in an ironman fashion. The last of his opponents was a famous martial arts master teacher from Rakhine, a coastal region in Burma’s southwest. Nai Khanomtom went after the Rakhine master with flurry of kicks. It’s worth noting that in those days Burmese fighters were said to have relied much more heavily on hand strikes than kicks, and so the kicks may have given Nai Khanomtom a range advantage while presenting his opponent with attacks that the Burmese fighter was less practiced at defeating.
At the fight’s end, King Mangra honored his agreement, and Nai Khanomtom was granted his freedom and provided safe-conduct back to Siam. There are varying accounts that say that Nai Khonomtom returned home with either two Burmese wives or a number of his fellow prisoners as an additional payment for providing a spectacle that the Burmese king found gripping. In these accounts, Nai Khanomtom is usually said to have turned down a cash payment.
There’s a quote that’s often attributed to King Mangra that goes, “Every part of the Thai is blessed with venom, even with his bare hands he can fell ten opponents.” [FYI-It should be noted that seeing the same words quoted by several sources isn’t proof of truth, because the quotes could have a common (and false) point of origin. So take it all with a grain of salt.]
[Note: The details of this story vary. So you may hear–or have heard–a slightly different version of events. The exact details are likely lost to history and–when that happens–embellishment may creep in. That said, the variations that I’ve heard are neither great nor particularly significant. It’s also worth noting that these events are celebrated in Thailand every March 17th on what is called Boxer’s Day or National Muay Boran Day.]
The 4% Rule, Yerkes-Dodson, and Finding the Sweet Spot in Martial Arts Training
I was watching one of Michio Kaku’s Big Think videos recently that addressed American science education. The question of interest was how America continues to do so well in science and technology given that the American (primary and secondary) educational system isn’t up to par in science and mathematics with its technological competitors. The bulk of his talk (re: the H-1B visa and importation of brain power) isn’t germane to this post. It’s Kaku’s mention of a second secret weapon that caught my attention, and that’s how America is able to do a better job than many of its competitors in identifying and nurturing top talent. While math and science education is better in many Asian countries, those countries (e.g. Japan, Korea, or China) don’t excel at skimming off the cream of the crop. Dr. Kaku explains that this is because Confucian values teach students to conform, and students are loathe to stand out–even for exceptional performance. Even if a student wanted to show their talent in hopes of having it fostered, the large classes, lecture-centric teaching, and testing of memorization and standardized processes doesn’t offer much opportunity to grow one’s individual strengths.
Kaku’s statement resonated with me because I’ve been thinking about the pros and cons of traditional approaches to martial arts instruction. I’m particularly interested in the gulf between the traditional approach and what martial arts teaching would look like if one took advantage of the wealth of scientific knowledge about mind and body development. Most of the martial arts instruction I’ve received over the years is consistent with Confucian thinking. All the students are doing the same practice (or faking it to the best of each’s abilities if it’s beyond one’s current capacities), and each is trying to closely emulate the teacher-presented ideal as much as possible. There’s not much consideration of the individual student’s weaknesses or strengths. Emphasis is on trying to convey as high-fidelity a replica of the techniques that have been handed down through the ages. (While this may be a laudable goal, I’ll later offer explanations as to why I think it’s both death for retention of students and ultimately counterproductive.)
Let me first say that there are a number of advantages to the traditional approach to martial arts instruction. First, it’s easy to teach many students at once. This was probably a huge advantage when there were armies of men having to learn these skills. Second, [theoretically] it helps students reduce their egotism through discipline and conformity. The highly hierarchical nature of this approach means students spend years in a lowly position, with the hope that some humility may stick. (NOTE: I’m not certain that this works out in practice.) Third, it creates a disciplined learning environment that is conducive to helping a student keep his or her head in the game.
What the traditional approach isn’t so good at is producing students who all perform at the best of their abilities. I suspect that the traditional approach doesn’t do so well for student retention either. It’s a system in which new students are forced to drink through the fire-hose; while students who’ve been around for a while often feel like they’re stagnating. As I’ll get to below, there’s good reason to believe that a proper match between the challenge of a task and the performer’s skill level is critical to creating an intrinsically rewarding activity and to helping students perform at their best.
My thoughts on this topic have been heavily influenced by learning and teaching yoga. While one’s vision of a yoga class may be rows of students doing the exact same posture (and huge classes and / or poor instructors may result in that condition), but there’s often a degree of variation in a class. This variation results from two concepts that I’ve been thinking about quite a bit lately, namely modifications and capacity building.
Modifications are a two-way street. If the task at hand is beyond the student’s current abilities, he or she may be given an easier variant that allows him or her to work toward the fundamental form. On the other hand, if the task of the moment is old hat, a student might be offered a more challenging version on occasion. I’m not suggesting that one shouldn’t drill the basics throughout one’s martial arts career. Repetition of fundamentals is key to drilling them down into one’s nervous system. However, the brain loves novelty and hates drudgery, and it will become harder and harder to remain engaged if the overall challenge level doesn’t rise. The science suggests that one needs to keep upping one’s game if one wants to perform at one’s best.
The nature of modifications in martial arts may not seem as clear as it is with respect to yoga postures. For randori, sparring, and other free-form training, it’s easy to envision how one can adapt the practice to reduce or increase the challenge to a level more apropos of the student’s skill level. One can practice a restricted form. For example, one may work only on sparring with boxing rules to kicks or grappling out of the equation until a student builds up his or her confidence and abilities with recognizing and responding to punches. Alternatively, an advanced student might be presented with armed or multiple attackers. There are some practices, such as specific techniques, for which modifications may not be an option, but that doesn’t necessarily let a teacher off the hook for helping a student who’s challenged by the technique. That may be where capacity building exercises come into play.
Capacity building goes beyond offering an easier modification to suggesting exercises to help the student build the physical capacity to do the technique repetitively WITHOUT INJURY. I emphasized those last two words for a reason. In some martial arts, the need for capacity building exercises maybe clear because of the acrobatic insanity involved. However, practitioners of more pragmatic martial arts may say, “We don’t do all those fancy spinning back kicks, so we don’t need capacity building. Anybody can do our techniques because they’re simple and direct.” Maybe that’s true, but if multiple members of your school have the same (or similar) repetitive stress injuries, it’s not true at all.
What kind of capacity building are we talking about? If the technique involves jumping or leaping and the individual is gravitationally-challenged, then plyometrics might be the prescription. On the other hand, if the problem is the inability of the student’s joints to withstand the technique, there might be need for exercises that build up stabilizing muscles, help him / her to cut weight, or both. If a student can’t do a throw without risk of injury, maybe that individual needs to spend time practicing with elastic bands or inner tubes or working on their balance.
What is this 4% rule? I read about it in Steven Kotler’s The Rise of Superman. As background, there’s a state of mind called “Flow” that’s associated with performing at one’s best. In this state of mind, which some call “the zone” and others probably once called satori or samadhi, one’s concentration on the task at hand is at its greatest, unnecessary features like sense of time and sense of self fall away, one’s inner critic shuts the hell up, and–at least afterwards–there’s a blissful state. Flow can be described as the shutting down of specific elements of the pre-frontal cortex (PFC)–largely involved with the consciousness mind. It can also be defined neuro-chemically by the hormones released (i.e. Serotonin, Endorphins, Dopamine, Anandamide, and Norepinephrine) and neuro-electrically in terms of one’s brainwaves (around 8 Hz.)
There are conditions that favor achievement of Flow, notably: 1.) clear goals, 2.) immediate feedback, and 3.) a good match between the level of the challenge and the level of one’s skill. Flow is a key factor in why some activities are intrinsically rewarding (whether or not they are rewarding in other ways) and why almost any activity can be intrinsically rewarding if it’s sufficiently challenging relative to one’s abilities. What’s sufficiently challenging? That’s where 4% comes into the picture. While it’s by no means an exact or universal value, it turns out that when a task presents a challenge that is roughly 4% above one’s present skill-level is when this state of mind is most accessible. This is why one may see students drop out if they find the level of challenge stagnant. On the other hand, one may not keep new students either if the challenge is constantly beyond their abilities.
How about that Yerkes-Dodson? The two early 20th century scientists for whom the Yerkes-Dodson Law are named discovered that performance increases with arousal (one might do best to think of this as anxiety level rather than the colloquial use of that word) up to a certain point, beyond which performance either levels off or plummets–depending upon the nature of the objective. The point is that keeping the training environment too sterile has it’s disadvantages. In free-form practices like sparring, a little nerves can be a good thing, but being overwhelmed can be detrimental.
Adjusting one’s instruction to the abilities of one’s students is challenging. Traditionalists may hold that it’s far more important to keep the tradition intact than it is to cater to the individual needs of students. That is, said teachers may prefer to focus on the aforementioned high-fidelity transmission of the teachings of the lineage. There was a time during which I probably would have echoed that sentiment. However, it increasingly occurs to me that producing the best and most engaged students is the best way to keep a tradition alive.
2015 Martial Arts Movies, Revisited
As promised, I’m updating this post at mid-year because in January there’s a lot of uncertainty about what movies will actually come out and when. If you’re comparing notes, my original 2015 Martial Arts Movies post was here.
Wild Card (January 30 in US): This may be a cheat given what I said above. However, it’s a Jason Statham film, and like the “Transporter” films it probably doesn’t amount too much without the ass-kickery. Let’s face it, you’re not going to see Jason Statham for his extensive acting range.
Dragon Blade (February 19 in China, March for India, September for US): Featuring Jackie Chan, John Cusack, and Adrien Brody. This is a period piece, and–as you can tell from the casting–is big budget as martial arts flicks go.
Wolf Warrior (April 2) [China]: This looks like more of a shoot-em-up action film than a martial arts film, but some have listed it as a martial arts film and the close quarters action is definitely reminiscent of a martial arts film.
Skin Trade (April 23, direct to DVD): This film stars Tony Jaa and Dolph Lundgren as the good guys and Ron Perlman as the villain. As the title suggests, it’s set around a theme of human trafficking.
Kung Fu Killer (April 24 in theaters, July 21 on DVD): A Donnie Yen action flick in which Yen is in prison.
Pound of Flesh: (May 15 limited theater, June 23 to DVD, etc.): Jean-Claude Van Damme. The blurb says: “A man’s heroic attempt to help a woman in distress ends up with him waking up the next day without a kidney and plotting his revenge.”
Redeemer (June 12 in theaters, August 31 to DVD): A hit-man goes good. This is a 2014 movie that’s receiving an expanded international release.
SPL (Sha Po Lang) II / A Time for Consequences / SPL2: Rise of Wong Po (June 18): This Hong Kong film will feature Thai superstar Tony Jaa. (Like Donnie Yen, this guy is in everything. I don’t know whether they’re cloning these guys or what. Maybe they just don’t need to sleep, eat, or poop like the rest of us.)
The Monk Comes Down the Mountain (July 3): This movie is based on a popular Chinese novel entitled Dao Shi Xia Shan (A Monk Comes Down the Mountain) and is a comedic kung fu flick.
Underdog Kids (July 7, straight to DVD / online): Looks like The Karate Kid but with a lower budget but more [karate] kids. Here is the trailer:
The Boy and the Beast (July 11) [Japan]: This is an animated film, but martial arts is a prominent and necessary feature of the movie. (I believe I included one of the Kung fu Panda movies in one of my past posts, so I think this is fair game.)
Brothers (July 31) [India, in Hindi]: An Indian remake of the American film Warriors. In the American movie, two estranged brothers must fight each other in an MMA bout. (Hence the name of the Indian version, Brothers.)
The Martial Arts Kid (August 21): As the unimaginative title (a generic knock-off of the alliterative “Karate Kid”?) suggests, this is a low budget work, and the acting–if the trailer is any indication–is atrocious. It features competition martial artists-turned actors Don Wilson and Cynthia Rothrock.
Crouching Tiger, Hidden Dragon: The Green Legend (August 28): Interestingly, this sequel to an immensely popular film will be released on Netflix and IMAX simultaneously. If this were some risky, low-budget film, going straight to Netflix wouldn’t be at all surprising, but this is the sequel to the highest grossing foreign language film in America.
The Transporter: Refueled (September 4): Another “Transporter” film, but Ed Skrein plays the role of Frank Martin in this one. As with “Wild Card” it may be a cheat to include it as a martial arts film, but car chases and shoot-outs don’t get these movies all the way to watchability.
Skiptrace (December 24): This is a martial arts comedy featuring Jackie Chan and Johnny Knoxville as buddies on the lam.
Movies with unspecified release dates:
The Bodyguard (undesignated release) [China]: Featuring and directed by Sammo Hung. The lack of trailer makes me not optimistic for a 2015 release, but who knows…

The Chemist: A grain of salt on the 2015 release. This is an “assasin-who-can’t-bear-to-kill-his-victim-and-ends-up-protecting-her-instead” film. It’s been in post-production for a while.
Iceman 2 (in post-production): This Donnie Yen sequel doesn’t have a set release date and I expect a 2016 release, but it’s still listed as a winter 2015 film. It’s a Kung fu Encino Man. I haven’t seen any publicity, but the plot blurb is: The imperial guard and his three traitorous childhood friends ordered to hunt him down get accidentally buried and kept frozen in time. 400 years later pass and they are defrosted continuing the battle they left behind
Close Range (in post-production): A guy is looking for a girl. It looks like a low budget Taken, but the fight scenes may be better.
Unlikely 2015 Releases:
White Tiger: Another film with Don “the Dragon” Wilson and Cynthia Rothrock.
A Man Will Rise: A Tony Jaa and Dolf Lundgren film with a “delayed” release status.
Black Salt: (in post-production): The blurb is: With time winding down towards world-ending devastation, the fate of mankind rests in the hands of Interpol agent Samuel Tharpe.
The Jujutsu Murders, Plus Some Brain Science
Imagine you’re a detective in Edo Period Japan (1603-1868), and you’re told to investigate a case in which three highly-trained practitioners of one of the most well-respected jujutsu schools have been stabbed to death. Each of the three bodies has only one mark on it–the lethal stab wound. The wound is on the right side of the abdomen in all three cases. There are no signs of a prolonged struggle, despite the fact that each of the three had many years of training and none of the men was an easy victim. The stabbings happened independently, and there were no witnesses to any of the killings. So, who or what killed these three experts in jujutsu?
Nobody knows who killed them, but a rigid approach to training contributed to what killed them. As you may have guessed, the killer took advantage of knowledge of the school’s techniques, i.e. their “go-to” defense / counter-attack for a given attack. It’s believed that the attacker held his scabbard overhead in his right hand, and his weapon point forward in a subdued manner in his left. All three of the defenders must have instinctively responded to the feigned downward attack as the killer stabbed upward from below with the unseen blade.
It’s a true story. I read this account first in Jeffrey Mann’s When Buddhists Attack. That book offers insight into the question of what drew some of the world’s deadliest warriors (specifically, Japan’s samurai) to one of the world’s most pacifistic religions (i.e. Buddhism–specifically Zen Buddhism.) Mann cites Trevor Leggett’s Zen and the Ways as the source of the story, and Leggett’s account is slightly more detailed.
This story intrigues because it turns the usual cautionary tale on its head. Normally, the moral of the story would be: “drill, drill, drill…”
Allow me to drop some brain science. First, there’s no time for the conscious mind to react to a surprise attack. The conscious mind may later believe it was instrumental, but that’s because it put together what happened after the fact and was ignorant of the subconscious actors involved. (If you’re interested in the science of the conscious mind’s stealing credit ex post facto [like a thieving co-worker], I refer you to David Eagleman’s Incognito.) Second, our evolutionary hardwired response to surprise is extremely swift, but lacks the sophistication to deal with something as challenging as a premeditated attack by a scheming human. Our “fight or flight” mechanism (more properly, the “freeze, flight, fight, or fright” mechanism) can be outsmarted because it was designed to help us survive encounters with predatory animals who were themselves operating at an instinctual level. (If you’re interested in the science of how our fearful reactions sometimes lead us astray when we have to deal with more complex modern-day threats, I refer you to Jeff Wise’s Extreme Fear. Incidentally, if you’re like, “Dude, I don’t have time to read all these books about science and the martial arts, I just need one book on science as it pertains to martial arts,” I just so happen to be writing said book… but you’ll have to wait for it.)
So where do the two points of the preceding paragraph leave one? They leave one with the traditional advice to train responses to a range of attacks into one’s body through intense repetition. Drill defenses and attacks over and over again until the action is habitual. This is what most martial artists spend most of their training effort doing. A martial art gives one a set of pre-established attacks or defenses, and it facilitates drilling them into one’s nervous system.
Of course, the astute reader will point out that the three jujutsu practitioners who were killed had done just what was suggested in the preceding paragraph, and not only didn’t it help them but–arguably–it got them killed. I should first point out that the story of the three murder victims shouldn’t be taken as a warning against drilling the fundamentals. As far as their training went, it served them well. However, there’s a benefit to going beyond the kata approach to martial arts. One would like to be able to achieve a state of mind that once would have been called Zen mind, but–in keeping with our theme of modern science–we’ll call transient hypo-frontality, or just “the flow.” This state of mind is associated with heightened creativity at the speed of instinct. (If you’re interested in the science of how extreme athletes have used the flow to make great breakthroughs in their sports, I’d highly recommend Steven Kotler’s The Rise of Superman.) Practicing kata won’t help you in this domain, but I believe randori (free-form or sparring practice) can–if the approach is right.



















