BOOK REVIEW: A Very Irish Christmas by Various

A Very Irish Christmas: The Greatest Irish Holiday Stories of All TimeA Very Irish Christmas: The Greatest Irish Holiday Stories of All Time by Various
My rating: 5 of 5 stars

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Out: September 14, 2021

This anthology contains fourteen previously published pieces by prominent Irish authors, including: Joyce, Yeats, and Colm Tóibín. It’s mostly short fiction, but there are a few poems as well as a couple of excerpts from longer works. All the pieces are set around (or reference) Christmas, but the degree to which that plays into the story varies a great deal. The anthology is very Irish, but not always very Christmassy. Meaning, if you’re expecting a collection of pieces like Dickens’ “A Christmas Carol” where the joy or melancholy of the season is front-and-center throughout and the holiday, itself, is a pivotal story element, you won’t find that in a number of these selections. Often, the season is just an element of ambiance or of short-lived emotional resonance.

That said, the selections are all artfully written and each is intriguing in its own way. In the case of Joyce’s “The Dead” the appeal is the evocative language and creation of setting (though the piece does have more explicit story than, say, “Ulysses.”) Whereas, for pieces like Keegan’s “Men and Women” or Trevor’s “Christmas Eve” the point of interest might be the story, itself. Besides the Irish author / Christmas reference nexus, the included works cover a wide territory including contemporary works (keeping in mind the authors are mostly from the 20th century) and those that hearken back to days of yore. Some are secular; while others are explicitly Catholic.

I enjoyed this anthology, finding it to be a fine selection of masterfully composed writings.

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BOOK REVIEW: Richard III by William Shakespeare

King Richard IIIKing Richard III by William Shakespeare
My rating: 5 of 5 stars

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Like Macbeth, this is the story of one man’s unchecked ambition bringing about his ruin. Richard wants to be king. The problem is that his eldest brother (Edward) is already king. The good news for Richard is that Edward is sick. The bad news is that Edward has two sons (and a daughter,) and there’s another elder brother (i.e. Clarence.) While Richard is willing to let nature take its course with Edward, he’ll have to get rid of everyone else between himself and the Crown.

Richard is different from Macbeth in that Richard’s psychopathy is more like that of Iago from “Othello.” Macbeth is conflicted and, though he keeps digging himself deeper, the burden of guilt leads to a descent into madness. Richard is anxious, but it’s not clear that he feels bad about what he’s done (i.e. having his brother’s boys killed, as well as his own brother, his wife, and a number of aristocrats.) When his own mother tells him she wishes she’d strangled him to death with his umbilical cord it rolls off him with the cool detachment one expects of a psychopath. That said, in the last act, he is visited by a series of ghosts. These visitations and his subsequent monologue might give indication that he’s realized how awful he is, but one could also argue that he’s just worried about the precarious state of his kingship.

The hammer drops when Richmond, a nephew of Henry VI, leads forces against Richard. In part, the aforementioned ghosts (which could be interpreted as bad dreams) psychologically do in Richard. (Though the ghosts also visit Richmond with the opposite message, a positive one.) But also, Richmond has proven his leadership skill by forging alliances with the French and the Scots, and turning Lord Stanley (despite Stanley having a son held hostage by Richard.)

While this play not only lacks the character nuance of Macbeth as well as The Scottish Play’s brilliant poetic language, it does have more great lines than the other “War of the Roses” plays (i.e. Henry VI, Pt. I – III.) [e.g. It opens with “Now is the winter of our discontent” and, of course, there’s “A horse! A horse! My kingdom for a horse!”]

This conclusion to the War of the Roses story is well worth reading.

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BOOK REVIEW: The Old Man and the Sea by Ernest Hemingway

Old Man And The SeaOld Man And The Sea by Ernest Hemingway
My rating: 5 of 5 stars

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This novella is a masterpiece of American literature. The story is straightforward, but visceral and provocative. Santiago, an old Cuban fisherman, has been having the dry spell of all dry spells, having not returned with a fish in over eighty days. Santiago recently lost his assistant / apprentice, a boy named Manolin, but the age-mismatched pair remain friends. After a scene in which the two hang out and share a meal one evening, most of the rest of the book is only – literally – the old man and the sea.

The next day Santiago goes out much farther than usual in an attempt to rectify his losing streak. Soon, he hooks what he can tell is a massive fish. It turns out to be an eighteen-foot marlin, and it ends up dragging his boat around for the better part of three days before Santiago can sink a harpoon into it. But the three days of raw fish meals, almost no sleep, and gashed hands (from the line) are only the start of Santiago’s problems. The marlin is far too big to fit in Santiago’s tiny boat. The fisherman has to strap the fish to the outside of the boat. It’s not long before a shark sinks its teeth into it, and – while Santiago kills the shark – the blood and meat dripping into the sea attract additional sharks. By the time Santiago gets back to port, there’s nothing but a skeleton attached to his boat. Locals are impressed by the fish skeleton, buy Santiago has nothing to show for all his tenacity.

I was reading a book that dealt with the challenges of modernity (Camus’ “The Fall”) around the same time I read this book, and it occurred to me that this is, in an important sense, the opposite of “The Fall.” While Santiago may be struggling to prove that he’s still the man who once won arm-wrestling matches against brawnier challengers, he’s also at-ease in a way that seems rare. Santiago knows who he is. His fear of death is minimal. He can endure because he has the confidence of one who has mastered himself via the forge of nature.

This short book is definitely worth reading.

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BOOK REVIEW: The Fall by Albert Camus

The FallThe Fall by Albert Camus
My rating: 5 of 5 stars

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This is a novel for someone who revels in philosophizing. It’s not a book for those who like to get lost in a story. It reads as if one sat down at a bar next to an obviously intelligent, but also obviously tipsy individual, who proceeded to tell his life story reflectively and analytically – without emphasis on thrilling exploits.

It falls among books that deal in the crisis of modernity – by which I mean, the challenges that arise from being evolutionary optimized to live a certain kind of life, while living one that is completely different. (i.e. It’s like “Fight Club,” but both far more boring and less broadly introspective.) The protagonist, Clamence, tells us about how he once got hit in public and how angry he was with himself for not getting in a lick of his own. He also describes hearing a woman jump / fall into the Seine, and not lifting a finger to help – despite hearing the woman’s screams. Adherence to laws and norms (in conflict with animal impulse,) disconnection from community, and ethical ambiguity are recurring themes in such books. What one does in a post-god world is also reflected upon. Religion and belief, like it or loathe it, fulfilled a function for humanity, and a vacuum was created for people for whom the cons of belief came to outweigh the pros.

Personally, I’m prone to philosophizing, and so I did get into this book – despite not finding it engaging as a story. When I read one particular line, I learned I was a suitable drinking companion for Clamence: “I have never been able to believe, deep inside, that human affairs are serious matters.” [Virtue or vice, I can relate.]

If you’re prone to philosophize, check out this book.

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BOOK REVIEW: The Clouds by Aristophanes

The CloudsThe Clouds by Aristophanes
My rating: 5 of 5 stars

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This play scoffs at philosophers and sophists (in general) and Socrates, in particular. An old man, Strepsiades, is beleaguered by creditors, having purchased a horse and chariot for his son, Pheidippides. Strepsiades tries to get Pheidippides to study philosophy because the old man believes it will allow his son to argue away the debt. Pheidippides refuses, and so Strepsiades takes it upon himself to enroll as Socrates’ student. After some strained conversations and ill-timed masturbation, all parties conclude that the old dog can’t learn new tricks, and so Stresiades again tries to recruit his son. This time Pheidippides does join Socrates’ “think-shop” (called “the Thinkery” in some translations.)

Socrates’ characterization isn’t fair to the philosopher in some regards. If the works of Plato and Xenophon hold water, Socrates was neither a know-it-all nor was he obsessed with grandiose topics – rather, he claimed to know little and was said to have been only concerned with questions of how to live a better life (as opposed to lordly enigmas like the origin of the universe or the nature of reality.) However, this isn’t to say that Aristophanes has no valid point. That intense and abstract philosophical debate doesn’t change the hard facts of the world is a legitimate point. Debts aren’t erased by the creditor’s inability to successfully argue niggling points of grammar. Being stabbed by a jilted lover is no less painful if love is an illusion than if it equates to beauty or is a fundamental truth.
Much of the play’s humor is weakened (if not killed) by a lack of common context, but that’s not to say there aren’t jokes that still fly in the 21st century.

This short play is worth reading, as it presents a beneficial counterpoint to the Socratic dialogues.

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BOOK REVIEW: The Valley of Fear by Arthur Conan Doyle

The Valley of Fear (Sherlock Holmes, #7)The Valley of Fear by Arthur Conan Doyle
My rating: 5 of 5 stars

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This (book seven of nine of the Sherlock Holmes canon) follows a pattern set by the first Holmes novel, A Study in Scarlet. Both books are arranged into two parts, the first of each is a typical Sherlock Holmes story in which the detective investigates a puzzling crime in England; the second skips back in time (and across the Atlantic) to tell a compelling tale that provides motive and context for the first story.

In “Valley of Fear,” the first story involves the gruesome death of a country gentleman in his own home by sawed-off shotgun blast to the face. While suicide is quickly eliminated, the clues present mixed signals. While it’s not, strictly speaking, a locked-door mystery, its occurrence inside a moat-enveloped manor house leaves open the possibility of an inside-job, but there is confounding evidence that suggests someone fled the scene.

The second story takes place in a mining town in the United States, in a place insinuated in the first part to be “the valley of fear.” This valley, properly named Vermissa Valley, earned this epithet because it was run by a thuggish group of violent men who used a secret society as a cover for the corrupt gangland-like practices they carried out as “the Scowrers.” This story focuses on a new arrival, McMurdo, who we are led to believe was a gangster in Chicago who fled to this quiet – yet gangster-ruled – place to disappear into the protective company of fellow criminals. But, of course, nothing is as it seems.

While this book may be self-derivative, I still found it engrossing. While the two novels use a similar narrative scaffolding, each is unique in its details. In both cases, the second part is especially compelling.

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BOOK REVIEW: A Farewell to Arms by Ernest Hemingway

A Farewell to ArmsA Farewell to Arms by Ernest Hemingway
My rating: 5 of 5 stars

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This novel is set in Italy during World War I. The protagonist, Frederic Henry (like Hemingway, himself) volunteered to drive an ambulance in Italy during the war. The story is informed by, if not based upon, Hemingway’s personal experiences. Central to the story is a romance between Henry and a British nurse named Catherine Barkley. Their tentative flirtations deepen when Henry is wounded and spends a considerable amount of time at the hospital while recuperating. Barkley becomes pregnant with Henry’s child in the middle of the war. Henry returns to service for only a short time before he finds himself in the midst of a chaotic retreat from the swift advance of the Austrians and Germans. This retreat continues to go sour for Henry, leading to a flight for his life as he attempts to get back to Catherine so that he can get them both (plus the unborn child) to safety.

There’s a [variously-attributed] quote about war being: “long periods of interminable boredom punctuated by sheer terror.” This book captures that feel, but even during the moments of quiet from the opening through Henry’s rehab to the weeks hiding out in the Swiss mountains, Hemingway keeps the story engaging by shining a light into the protagonist’s psychology – and, occasionally, through wit. Then there are the thrilling moments like the shelling that wounds Henry or his various narrow escapes.

I found this book to be highly engaging. It has some beautiful language, exemplified by the famously well-composed opening paragraph, mixed with the taut suspense of life in a war zone. If you’re interested in war stories or classic American literature, it’s a must-read.

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BOOK REVIEW: Selected Poems by John Keats

Selected Poems (Macmillan Collector's Library Book 189)Selected Poems by John Keats
My rating: 5 of 5 stars

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This collection of sixty-one poems from the early 19th century British Romantic poet contains a diverse cross-section of poems. While 61 poems might not seem like a substantial selection by today’s standards, this volume includes several long form poems such a “Lamia,” “Hyperion,” and a long excerpt from “Endymion.” It includes all of Keats’ most popular and anthologized works, including: “Ode to a Grecian Urn,” “To Sleep,” “Bright Star…,” “To Autumn,” and “Ode to a Nightingale.” Among the works included are short, medium, and long poems; rhymed verse and blank verse; sonnets and ballads; love poems, nature poems, Greek Mythological fan fiction [in verse,] and homages to important influences — e.g. Shakespeare.

Keats died at 25, making it all the more impressive that he had a body of work from which such a fine selection could be pulled. His imagery is vivid, and his lyricism is musical. I’d highly recommend this collection as an excellent overview of Keats’ poetry.


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BOOK REVIEW: Kafka: A Very Short Introduction by Ritchie Robertson

Kafka: A Very Short IntroductionKafka: A Very Short Introduction by Ritchie Robertson
My rating: 5 of 5 stars

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Kafka’s life story presents us with one of the greatest literary counterfactuals: What if Kafka’s friend, Max Brod, had honored the writer’s deathbed wish to burn his novels and other unpublished works? After all, Kafka had an outsized influence on modern literature; “The Trial” and “The Metamorphosis” alone have had profound reverberations across the world of literature. It’s with this hook that we are pulled into Kafka’s short, tragic, but brilliant life.

This book presents sketches of both the life and the body of work of Kafka, but subsequent chapters apply three different lenses to Kafka’s canon. The first of these is the body. It’s easy to see this theme’s influence in “The Metamorphosis” (in which the protagonist wakes up to find he’s a huge bug,) but Robertson shows us how the body cuts through other works and was influenced by skinny Kafka’s turbulent relations with his imposing father as well as by his difficulties in intimate relationships.

The second lens is institutions. Again, one of Kafka’s more famous works springs to mind, “The Trial,” but we also see that this, too, is a recurring theme — not only with respect to government / bureaucratic institutions (e.g. “In the Penal Colony”) but otherwise, as well. The final lens is religion and secularity. Kafka was living in the wake of Nietzsche and other nihilist and existentialists, and the atheist worldview was coming to dominate among the erudite segment of society. But Kafka straddled a line; the spiritual had appeal for him, but his life felt governed by nihilistic patterns.

I learned a great deal from this book. I think it offers important insight into Kafka and his writings.

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BOOK REVIEW: The Atheist in the Attic by Samuel R. Delany

The Atheist in the AtticThe Atheist in the Attic by Samuel R. Delany
My rating: 5 of 5 stars

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The first two-thirds of this book is the titular novella. It’s a cerebral work of historical fiction that will be loved by readers interested in philosophy and history, but which will be dry and claustrophobic to those expecting a gripping tale. It’s not that there are no stakes. The story is about a clandestine meeting between Leibniz and Spinoza during a turbulent time in the Dutch Republic. That said, the bulk of the story is discussion and internal monologuing about philosophic ideas. Leibniz speaks with Spinoza, but also with household staff – offering insight into his psychology. In short, for perspective into the psychology and philosophy of the time, it’s intriguing, but it’s no thriller.

The last one-third of the book consists of two nonfiction pieces. The first, there’s an essay that Delany wrote on racism in science fiction. In it, he discusses some hostility he was subjected to at a Hugo Award ceremony early in his career. He also describes how he is repeatedly put on panels with other black writers (whose work is different from his own) rather than with those whose work is most closely related to his. It’s an interesting look at the varied faces of racism from blatant through well-intentioned to accidental. The last piece is an interview that rambles over a wide expanse of topics touching on Delany’s career.

I enjoyed this book a great deal. That said, I’m an admitted philosophy nerd. I think someone who only read the cover blurb might expect the novella to be more story driven and less character- and philosophy-centric. The essay on race features both stories from Delany’s career and his views on racism as a system. If you like cerebrally-engaging reading, check it out.

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