DAILY PHOTO: Two Sculptures, Sir JJ School of Art
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The best “futuristic” can aspire to is to become retro-chic —
like the ship sets from the 60’s Star Trek.
Yet, we can’t help but try to capture tomorrow, today —
only to create today’s vision of tomorrow’s dystopia.
If Asimov wrote about a man who finished his work at a typewriter
only to catch a trans-galactic shuttle —
what hope could Le Corbusier have of finding the future?
Le Corbusier’s Chandigarh features elegant, broad boulevards —
running straight, intersected only by other broad boulevards.
Perhaps, the future has arrived:
Where else in urban India can one drive a mile
without rounding a corner to stop for livestock, playing children, or a parked truck.
One can cross Chandigarh in twelve minutes flat.
Crossing Bengaluru requires four hours,
non-inclusive of stops for gas and a hardy biryani.
But that massive tic-tac-toe grid is built
of neighborhoods constrained inside block walls.
As one speeds through town, with nary a car in sight, one wonders
where is the life?
is this still India?
have I slipped through a trans-galactic teleportation portal?
Perhaps, the future has arrived:
Where else in urban India can one see:
battleship gray unadorned by marigolds or ochre
and wonder where the windows of the future went
and whether people of the future
ever idly peer off out toward the horizon?
NOTE: The name of this museum has changed. I’m using the old name not as a passive-aggressive, underhanded offering of support for colonial oppression, but rather because the new name is “The Chhatrapati Shivaji Maharaj Vastu Sangrahalaya” and — like Twitter — I think my title block has a character limit. So if they’d like me to use the new name, they need to stop spinning the wheel and buy a vowel, already.
Taken on June 29, 2018 in Mumbai.



Taken on July 1, 2018 in Mumbai.

Taken on June 30, 2018 in Mumbai.
Taken on June 29, 2018 in Mumbai.
