
conscious.
be, do, sleep, repeat…
unconscious.

conscious.
be, do, sleep, repeat…
unconscious.
A sign that hangs on down the street proclaims to one and all that coming soon there will be a Lonely-Hearts Club Ball. A dance of manic turbulence where singles 're all & none. You can come all by yourself, but you'll never leave as one. You'll be swept into unity with undulating hoards. Bound by bindings you'll feel, not see; you'll never cut these cords. So, welcome to the end of you, as only you can know. And welcome to the beginning of the everlasting flow. For an end is a beginning of something bold and new. And a beginning is an end: 'cause we're just passing through.

the white walls
of the funerary bath
glow with morning light
Hangman... Axeman... Guillotine art-eest... Stool-kicker... Lever-yanker... Elongator of necks... His motto: "Making them deader than your average beheader." Sharpening his blade, Split hair-testing Precise as the Taoist butcher -- blade between bone, no nicks allowed Killer of killers, an audience thriller Step right up... Any last words? Masked & shirtless + pudgy & sweaty He's the hangman, the axeman, a killer of killers.
One burning moment -- taffy-stretched to the edge of reason: stretched so broadly that one can't fathom escape - like Monkey on the Buddha's palm One burning idea -- cloned, and then carved to make infinite variants, and painted infinite shades: the dark tone of each darker than the last Burning ideas populating the vast expanse of a burning moment, until the urge to escape insists that one carve a hatch into living tissue But what is it that does the stretching of the burning moment & the cloning of the burning idea? Can't that stretcher and cloner be wound back, scaling all to proper proportions? And can't it be done before that terminal instant is carved in jagged stone?
The Midnight Circus was not as it seemed. It was bright colors: motion-blurred. It was the tinny monotony of music box-style tinkling tunes & organ tones. One could even make out the scent of fried foods and cotton candy, among the many other [uncircus-like] odors. But there was also the story a mind wrote to dance sensory facts into sensory fictions; that was where the falsity lie. If one opened one's eyes, letting them focus: there'd be sparking wires, & flames licking ever closer. The shrill organ tones would become screams. The summer night's humid heat would become third degree burns. The circus smells would become dust and death and acrid burnt combustibles. So, he didn't open his eyes to war or his impending demise, but let his mind march into that big musty, canvas tent, surrendering to its irreality.