Category Archives: Comic Books

BOOK REVIEW: Second Chances by Ricky Mammone

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Second Chances, Vol. 1Second Chances, Vol. 1 by Ricky Mammone
My rating: 4 of 5 stars

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Out: March 22, 2022

This is essentially a hard-boiled PI story, except, instead of being a private investigator, the protagonist runs what is basically a commercial witness protection program for individuals who are trying to escape from someone (but aren’t witnesses and – thus – can’t get the government to provide a new life on the taxpayer dime.) The story follows the fallout of a case gone wrong, in which the lead, Leblanc, finds himself being pursued by a sexy hit squad and must protect his clients at all cost.

It’s not the most innovative of stories and relies on action a great deal. The action being all the more important because our hard-boiled lead experiences little to no growth throughout the story. That said, it’s no worse than a great deal action stories, and better than some. It has a coherent storyline, lots of action, and characters that are interesting – if in a clichéd sort of way.

The illustration is monochrome but detailed, presumably the black-and-white format is meant to contribute to the noir / pulp feel.

If you like action stories, this is a fine one – but not necessarily one that differentiates itself from the pack.


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BOOK REVIEW: Shang-Chi, Vol. 1: Brothers & Sisters by Gene Luen Yang

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Shang-Chi by Gene Luen Yang, Vol. 1: Brothers & SistersShang-Chi by Gene Luen Yang, Vol. 1: Brothers & Sisters by Gene Luen Yang
My rating: 4 of 5 stars

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This five-issue story arc tells the tale of an intra-family battle for control of the Five Weapons Society, a kung fu dynasty that dates back at least to the Boxer Rebellion. With the patriarch deceased, sides form behind Shang-Chi, on the one hand, and Sister Hammer, on the other. While close as young children, Shang-Chi and Sister Hammer grew up separated, and could not have turned out more differently. Shang-Chi (aka. Brother Hand) has been reluctantly drawn into the conflict by virtue of his being the “chosen one,” and by having the support of Brother Sabre and (to a lesser degree) Sister Dagger. Sister Hammer has raised an army and is bent on taking over the dynasty by whatever means necessary.

So, this is one of those stories that’s not about a purely good hero against a purely evil villain, the latter needing to be completely destroyed, but rather it’s about the need for catharsis and reconciliation. But that doesn’t keep the comic from being loaded with action. We also see a protagonist who experiences a change, which is a story convention that is often jettisoned in the action genre. Shang-Chi must move past his reluctance, and embrace his role in the family.

I found this comic to be compelling and worth reading.


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BOOK REVIEW: Jagannatha of Puri by Gayatri M. Dutt

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Jagannatha of puriJagannatha of puri by Gayatri Madan Dutt
My rating: 4 of 5 stars

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I recently visited Puri, and – seeing the little, big-eyed Jagannath idols and images all across Odisha – I was curious to learn about the mythology behind the Puri temple and its tripartite deity. This 30+ page comic may not be the most scholarly or detailed account, but it may be the quickest way to get the gist of the story. And the comic does present an intriguing morality tale that includes lessons of patience and unselfishness.

The story begins with a king who is obsessed with finding a fabled cave-shrine that he was directed to in a dream. The king sends his best men out in search of the cave as its whereabouts are unknown. In time, one of the men stumbles upon a village whose chieftain is said to regularly make secretive visits to the cave and its idol. And from there, the race is on to get the king to the cave. But the deity is elusive, and insists that its followers work together harmoniously.

It’s a clear and well-developed story. It blends intriguing trippy elements like time-travel and messages in dreams with traditional religious mythology.

If you’re looking for a brief explanation of the Puri temple and the Jagannaths, it’s worth giving this short comic a look.


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BOOK REVIEW: Tales of the City, Vol. 1 by Armistead Maupin (w/ Isabelle Bauthian & Sandrine Revel)

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Tales of the City Graphic Novel (Volume One)Tales of the City Graphic Novel by Isabelle Bauthian
My rating: 5 of 5 stars

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Out: May 3, 2022 [may vary in your area]

Set in San Francisco in the 70’s, this graphic novel based upon a 1978 novel by Maupin adeptly moves between about half a dozen story arcs. All of these stories are connected by key characters being residents of a Barbary Lane rooming house run by a maternal and jovial hippie pot-grower landlady named Anna Madrigal.

In a sense, the lead character is Mary Ann Singleton, a new arrival at 28 Barbary Lane. Singleton isn’t the kind of lead that the entire story revolves around; there’s plenty going on that takes place outside her perspective. However, Singleton does make a great focal point because she’s a fish out of water. Being Midwestern and straight, she’s a run-of-the-mill character in Ohio (her home,) but in SF, she’s the oddball. Her extreme ordinariness among outcasts both generates tension and highlights the unconventionality of the Barbary Lane rooming house.

The story is soap opera-like. It’s loaded with drama and low-level intrigues – extramarital affairs, closeted gays with out of the closet partners, drugs, etc. – but the pacing of these low-level intrigues keeps the flow of the story intense.

I never read the original novels, but I thought the artists did a great job of not only of illustrating the work, but also of organizing the story into a graphic format.

I’d highly recommend interested readers check it out.


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BOOK REVIEW: Venom vs. Carnage by Peter Milligan

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Venom vs. CarnageVenom vs. Carnage by Peter Milligan
My rating: 4 of 5 stars

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This story revolves around the strange social dynamics of symbiote reproduction, which echoes the filial infanticide seen in many earth-bound species, whereby a family member tries to eliminate the competition while it can still be readily killed and eaten. There’s a shifting landscape of alliances as a new symbiote is birthed into existence.

Besides the titular characters, Venom and Carnage, the story’s other major characters are Toxin (the new symbiote on the block,) as well as Black Cat and Spiderman. It’s a simple, but action-packed, story.

I read the e-version of the book and the art was strange and rubbery. I think it’s meant to be hyper-realistic, but it tripped the uncanny valley for me. That said, it’s fairly easy to follow what’s happening. (And to the degree that it’s not, it’s not a problem with the artistic style, but rather with the chaotic stringiness of symbiote combative interactions.)

I enjoyed the story. It’s a quick read, and is thrilling entertainment fare. If you know nothing about the symbiotes of the Spider-verse, it’s not the best place to jump in because it assumes you know a bit about what’s what and who’s who.


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BOOK REVIEW: Y: The Last Man, Vol. 1: Unmanned by Brian K. Vaughan

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Unmanned (Y: The Last Man, #1)Unmanned by Brian K. Vaughan
My rating: 4 of 5 stars

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This graphic novel has a fascinating premise, a dystopia in the aftermath of the extinction of all males – except for one man (of whom we know.) The “Y” in the title is a reference to the Y chromosome that no doubt factors into the cause of the eradication of males, and some genetic mutation presumably explains why there’s this one male survivor. The state of the world is as seen in any apocalyptic dystopia in which a huge proportion of the populace dies off, leaving governance and essential services broken down, being replaced by anarchy. However, there’s also the unique feature that the clock is ticking on the last generation of humanity (and some other species,) unless something can be done about it.

The protagonist is a love-struck man-child who wants nothing more than to get to the other side of the world (to Australia from America) because it’s his fiancé’s last known location. However, given that the key to continuation of the species may lie within his chromosomes, what remains of the government insists he be studied. Other segments of the population have their own ideas about what they’d like to do if they get their hands on him. All of this makes international travel infeasible.

I’m a bit torn on this book. On the positive side, not only does it have a compelling premise, but it presents a thoughtful examination of some of the problems that might arise — such as political bodies being tremendously thinned and that the remaining women politicians wouldn’t necessarily be proportionately distributed between political parties. On the negative side, the volume doesn’t have a substantial climax and conclusion, and thus isn’t a satisfying standalone read. This isn’t uncommon among comic books written with vast serialization in mind. My problem with such writing is that if the first volume doesn’t provide a satisfying self-contained arc, I don’t trust that the story will ever conclude satisfyingly – especially if it’s something that turns out to be popular.

If you’re committed to reading the whole series, you’ll find this volume to provide a gripping and humorous start. However, I can’t say I’d recommend it as a standalone read, and I can’t speak to the overall story.


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BOOK REVIEW: Night Mary by Rick Remender

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Night MaryNight Mary by Rick Remender
My rating: 4 of 5 stars

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In this graphic novel, the protagonist is a young woman, Mary, who is a talented lucid dreamer – i.e. being conscious in one’s dreams. While lucid dreaming is a real thing, the sci-fi “magic” of the story world is that, using an experimental medication in conjunction with skilled dreamers allows the lucid dreamer to observe and take part in the dreams of another person. Said experimental medication was developed by Mary’s father, who’s a bit of a shady “evil scientist” type, and he employs Mary as his lucid dreamer (even though she is still a high school student.)

The story is intense and provocative. Character development is good and we learn that Mary is dealing with her own mental health issues, presumably PTSD-like traumatization related to an automobile accident she was in with her mother, but she may have already been anxiety prone. Mary’s father is a complex character throughout. He’s cold and distant as a father and obsessive as a scientist, but not altogether dastardly. I enjoyed falling into the story and found it to be narratively taut. That said, it wasn’t with out some problems of pacing and villain monologuing around the climax.

The artwork by Kieron Dwyer succeeded in creating a visceral horror / surreal feel. Also, the use of different color palettes for the real world versus various dream worlds helps to clarify where one is, which is useful in a story that shifts between the real (waking) world and dream scenes.

If you enjoy stories set in dreams and the sci-fi of the unconscious mind, you may want to look into this one.

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BOOK REVIEW: St. Mercy by John Zuur Platten

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St. MercySt. Mercy by John Zuur Platten
My rating: 4 of 5 stars

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Out: March 1, 2022

This graphic novel combines a Cowboy Western with backstory featuring Incan mythology from pre-Colonial Peru, the latter adding a supernatural element to make a kind of “Unforgiven” meets “Dawn of the Dead” mashup.

It thought the Western narrative was quite well done. The villains were villainous. It’s nothing particularly novel, but the story and characters are skillfully crafted. The Incan story portion forms the origin story for the main character and offers a supernatural element thrown into the gritty realism of the Western. This part of the story is intriguing as well, but there are a couple things I should point out. First of all, I know nothing about Incan gods and monsters lore. Therefore, I can’t say whether the author and artist did their homework, or whether they just made up a generic demon and zombified beings out of nowhere. Secondly, I don’t think the link up of the two storylines was as seamless as it could have been. I found myself unsure of who was whom among carry over characters, and didn’t feel its relevance was sufficient to go back in the middle of what was otherwise an intense story in order to figure it out.

I think the story suffers from two common problems among comic books. First, the mindset of “you can smash any two good things together and make a great thing.” People love Westerns. People love zombies and monster. How could thrusting them together miss? Well, it misses because the visceral emotional quality of the gritty Western tanks in the face of magic and monsters. It misses because the smartly developed Sheriff character is squandered to get him out of the way. Second, this comic suffered from the “cool idea” problem. That’s when someone says “wouldn’t it be cool if…” And then there’s this idea that’s floating out there that you can either do a lot of work to fit into the story so that it makes sense organically, or you can cram it in there willy-nilly and hope the reader says, “cool,” instead of being befuddled by needless complication. I found myself more with the latter.

With a little thought and focus I believe this could have been an excellent story, but – as it is – it’s a bit muddled because it tries to mash together disparate story elements and genres in a way that robs its own thunder.


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BOOK REVIEW: Lucifer: Book One by Mike Carey

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Lucifer, Book One (Lucifer, #1)Lucifer, Book One by Mike Carey
My rating: 5 of 5 stars

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This sixteen-issue collection consists of three issues of “The Sandman Presents: Lucifer” in addition to the first thirteen issues of “Lucifer.” As the former title suggests, this is based on a character from the vast cast of “The Sandman” comics, and this volume does occasionally touch upon the broader Sandman universe, though it largely sticks to the Abrahamic mythology bits.

Each of the five story arcs in the volume standalone, but the last three (i.e. “Born with the Dead,” [1 issue,] “The House of Windowless Rooms,” [4 issues,] and “Children and Monsters,” [5 issues]) form an epic arc with a young girl Elaine and a portal to an alternate dimension at its heart. This larger arc impressively works to biblical proportions, involving grandiose stakes. I will say the first arc [from “The Sandman Presents…] was harder to follow the motives driving the story, but I can imagine it would be much easier for those who’d followed The Sandman comics from the outset. [Also, it’s only fair to have some challenges in finding a direction when dealing with such a massive cast and sprawling over-universe.]


If you’re wondering how this Lucifer compares to the television version, this one is less neurotic (though flawed in many of the same ways) and is more serious and a tad more wrathful. The TV version is lighthearted and comedic to a larger extent, while the comic book version bumps up against horror a bit more, but that’s not to say the comics have no comedy or the television version lacks all intensity. From a broader perspective, the Lucifer comic also not only more frequently touches on the Sandman universe, but also on mythologies outside that of Abrahamic religion – e.g. Lucifer ventures into the realm of Japan’s Izanami / Izanagi in “The House of Windowless Rooms.” It’s always nice to see a show can diverge from the source material and still be good, and I think that’s very much the case here.


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BOOK REVIEW: Radium Girls by Cy

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Radium GirlsRadium Girls by Cy.
My rating: 5 of 5 stars

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Out: April 6, 2022

This is a graphic novel that tells the same story [based on actual events] as the similarly titled, but otherwise unrelated, popular book by Kate Moore. The “Radium Girls” were women who worked at watch factories, painting luminescent numbers on watch dials. Unfortunately, the luminescent material being used was radioactive, and the painting process that these women were taught involved touching paintbrushes to their lips between strokes, causing them to ingest minute amounts of it everyday, often over many years. In today’s world, a person who found themselves glowing in the dark from a job (without protective equipment) would know something was radically wrong, but this took place about a century ago and understanding of radioactivity was much less – though scientists clearly understood that precautions needed to be taken when working with radium.

This book captures the highs and lows of a small group of workers from one of the watch / clock factories involved, the one in Orange, New Jersey. Ultimately, this is a sad story of deteriorating health and premature death, but it also shows a relatively new phenomena of women holding jobs that allowed them to increase control their own destinies. By showing the women as they tasted the good life, the experience of the bottom falling out created a more visceral experience. The women did earn a good wage — not the kind of money that makes cancer worthwhile, but higher pay than the usual salary available to women of the day.

I thought the story was well told and touching. The art was in an interesting style – sure to be the cup of tea of some but not others – but nevertheless clearly conveying events of the story. I’d recommend this graphic novel for readers interested in the subject.


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