BOOK REVIEW: Yoga Assists by Sharon Gannon and David Life

Yoga Assists: A Complete Visual and Inspirational Guide to Yoga Asana AssistsYoga Assists: A Complete Visual and Inspirational Guide to Yoga Asana Assists by Sharon Gannon
My rating: 4 of 5 stars

This is an illustrated guide to making yoga assists, or what are often called corrections or adjustments. The style is Jivamukti Yoga, and the book is written by its founders. The postures will be familiar to practitioners of any form of Hatha Yoga, but the action of the teacher (or assistee) may be quite unlike what one is used to.

This book offers some valuable information for any teacher of yoga, though many—probably most—will find the overall approach unsuitable. (If it is suitable, more power to you; you’ll want to read and re-read this book.) However, even if you’re not likely to use this style of teaching, there’s worthwhile technical information to be gained.

I’ll explain why this won’t be everybody’s cup of tea. First, many of the assists are highly invasive, by that I mean they involve being at an intimate distance with the student for an extended period of time. If you primarily teach experienced students who know and trust you, these invasive assists may be helpful. However, if you’re teaching beginners in studio sessions, one may need to be selective about what one uses and what one doesn’t. The ultimate goal is “chitta vritti nirodhah” (calming mental turbulence) and not to contort the student’s body into a perfect version of the posture. If, instead of facilitating the student’s look inward, you make them feel awkward and self-conscious, you’ve missed the mark. If everybody in question has achieved a monkish state of mind, this won’t be an issue, but history (and many a lawsuit) suggests that this is often not the case.

The second issue follows from the discussion above. By manipulating the student toward some objectively perfect version of the posture, you may encourage them to think that is important—that it’s important to you and that it should be important to them. This may have adverse ramifications such as driving away students who are far from the perfect expression of the pose or making it difficult for them to internalize santosha (contentment with where one is presently.) Being so hands-on may be at odds with one’s philosophy. Not only does it discourage contentment and gradually advancement toward better form, it also detracts from the notion that it’s about the student looking inward. (In other words, so much hands-on assistance thrusts the teacher onto the spotlight of what should as much as possible be the student’s private time and space.) Corrections are needed to avert injuries and to help the student improve, but this level of contact is more intense than required for those goals.

Still, I found this to be an informative and worthwhile read. It’s not every assist in the book that is invasive, and the ones that are still have their use with students with whom one has built trust and rapport, and particularly in workshop settings. The assists are optimized to be stable and safe, which is why they are often close and handsy—at least for those of us who were taught to start with verbal instruction, move to non-touching gestural instruction, and—only when necessary–put hands on the student (and then with care to be at an angle so as to not make the student uncomfortable.) Overall, the book does a fine job of presenting the necessary information.

The authors use both photographs and line drawn diagrams to convey the details of the assists. The organization is logical. After a section of general background, the book proceeds through poses using the standard groupings with which Hatha teachers will be acquainted (standing, forward bends, twists, back bends, inversions, and relaxation poses.) There is textual explanation in a form consistent from one asana (posture) to the next to support the graphics. The poses are the most common of the classic asana, and they cover a good number of the basics that one will teach in classes. They also provide some insight into how to apply the same principles to intermediate and advanced poses that aren’t included.

The book does have its faults. One of them is to wedge in irrelevant information. This can be seen from the get-go with an introductory “Go Vegan” rant. There’s also a bit of a tendency to muddle science with pseudo-science, but all that matters for the most part is basic anatomy–and that’s handled well enough. This isn’t so much criticism as forewarning, but you may find some of the commentary to be like those YouTube parodies of yoga classes—you know the ones that are hilariously far out. But just occasionally.

I’d recommend this book for yoga teachers or intermediate / advanced students who want to increase their understanding of alignment.

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BOOK REVIEW: Kokoro Yoga by Mark Divine

Kokoro Yoga: Maximize Your Human Potential and Develop the Spirit of a Warrior--the SEALfit WayKokoro Yoga: Maximize Your Human Potential and Develop the Spirit of a Warrior–the SEALfit Way by Mark Divine
My rating: 4 of 5 stars

Amazon page

Like many yoga practitioners, I’m never sure whether to be dismayed, amused, or pleased by the explosion of new styles of yoga. It’s nothing new. Yoga has been branching out since its early days. But today’s flavors tend toward the frivolous, usually involve shoving yoga together with something else generally likable, and said two things are in some cases largely inconsistent. There’s marijuana yoga, dog yoga, karaoke yoga, and tantrum yoga. I wouldn’t be surprised if there was a Häagen-Dazs Yoga. Hell, if I was a bit less lazy and more unscrupulous I’d have made a mint from my patented SELFIE YOGA (™ -pending), which involves modifying impressive looking poses so that an individual can take their own pics for FaceBook. (You’re welcome; to whomever the driven sleeze-bag is that turns that idea into a thing.)

I, therefore, tend to approach books like Mark Divine’s “Kokoro Yoga” with a measure of skepticism. That said, I found that this book offered a respectable vision of yoga that might even succeed in bringing a new demographic into the fold. Divine is a former Navy SEAL who developed a fitness empire called SEALFIT, a system that combines fitness ideas from the famous Special Operations unit with ideas from civilian sports and exercise science, such as high intensity interval training (HIIT.)

Incidentally, “kokoro” is the Japanese word for heart / mind (heart and mind were inexorably entwined for Japanese in the era in which the term came into being.) Divine mentions that “Warrior Yoga” would have been his first choice, but that was already taken. The author appeals to warriors with this approach to yoga. He does this in several ways. Firstly, and encouragingly, he doesn’t neglect the mind, but rather puts it front and center by emphasizing the need for mental strength and clarity. My biggest problem with the plethora of new yogas is that they usually forget that it’s ultimately about calming the mind, and instead of providing an environment conducive to looking inward, they embrace or create all sorts of distractions (loud pop music, mirrors everywhere, nudity, animals, ice cream, circus clowns, etc.) Divine doesn’t just make a new fitness fad, he argues for the need for all of the eight limbs of yoga—not neglecting yama and niyama—and emphasizes how yoga served as a calming and clarifying tool for him and not just as a means to be more bendy.

Second, he adds components to balance out the dimensions of fitness. If you are a yogi / yogini, and you want a yoga body; yoga is all you need. However, if you are a martial artist, cop, or soldier, you also need strength, speed (then, by definition, power), and cardiovascular endurance, as well as those aspects yoga offers (e.g. breath control, flexibility, core strength, posture, and mental clarity.) Again, I’m often dismayed by attempts to round out yoga with functional strength building and cardiovascular endurance. I understand the desire to combine them into one workout. Besides the fact that some people need a more balanced approach to fitness, not everybody has time to do multiple workouts multiple times a day. Still, one can’t just ram these components together willy-nilly because if one needs to be in a space to observe one’s breath while being still and one is coming out of having done 100 burpees, it’s probably not going to work so well. I haven’t yet done any of the sequences from the book, but it looks like this shouldn’t a problem, at least not for individuals who are moderately fit. I’m less confident about the value of mixing in elements of chi gong and “cardio kickboxing,” which is suggested by the system. It’s certainly not that I’m opposed to either chi gong or functional martial arts training, but there’s a lot of important detail in those activities and this format risks some horrible half-assery. (Yes, sometimes you get chocolate in peanut butter and get a Reese’s cup, but more often you get sausage in the pudding. Two things being great, by no means ensures they will be great together.)

Finally, Divine puts his approach in the language of soldiers, using concepts like “strategy” and “tactics” and eschewing Sanskrit terminology. The book begins with an anecdote about going into a combat zone as a Reserve officer, which describes his use of yoga to help him get his mind in the right place. He also talks extensively about his practice of martial arts.

There are eight chapters and three appendices to the book. They proceed from the aforementioned story through a look at the general approach, looking at the eight limbs of yoga, before getting into the details. The penultimate chapter sums up research on some of the benefits of yoga, and the last chapter offers advice about how to set up one’s sadhana (personal practice) with the Kokoro Yoga approach in mind. The appendices offer information about functional conditioning exercises, combat conditioning, and module building.

Overall, I think this is a useful book that provides some interesting thoughts on yoga. You may or may not find that it’s the approach for you, but it’s worth checking out. The photos are well-done—though some readers may wish there were more related to the functional conditioning exercises (but he’s got other books for that, it seems.)

I’d recommend this book for those interested in how a yoga practice might be integrated with other aspects of fitness without losing track of the core yogic objectives.

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An Unusual International Yoga Day Post: or, Dream Yoga and Fear Management

"The Sleep of Reason Produces Monsters" by Francisco Goya

“The Sleep of Reason Produces Monsters” by Francisco Goya

I awoke exuberant that I’d achieved lucidity in my dream and that I’d apparently slain a nasty character (picture Hans Gruber on a bad day)–a task that had seemed impossible before my eureka of “I’m lucid!” Only my exuberance was short-lived when I realized that Hans was also me. Do you have the courage to talk it out with your dream world nemesis instead of reacting from fear?

I was thinking that I should do a post on yoga for International Yoga Day (June 21st), but what to write about? My answer came in the wee hours of the morning when I had a minor breakthrough in lucid dreaming–also known as, dream yoga. I know this seems like a stretch because, despite “yoga” being right there in the name, this practice is much more firmly associated with Tibetan Buddhism than Hatha Yoga. But my last couple yoga posts (which were a while back on my experience with RYT300 teacher’s training and teaching a Yoga Kid’s Camp) were fairly conventional, so I’m due one that’s out there. Furthermore, I promise to try to make clear the relevance of dream yoga to my hatha yoga practice. (If you read the aforementioned posts, you’ll see that the theme of freeing oneself by managing one’s fears and anxieties is a recurring theme across all these posts. And that is the crux of the relevance of lucid dreaming to unifying mind, body, and breath [i.e. yoga.])

 

What is lucid dreaming? It’s becoming aware that one is in a dream as one is dreaming. One can then exert influence over the course of the dream. Maybe half of you have had this experience at some point in your lives, and so what I’m saying will not seem far-fetched. For those who don’t actively practice lucid dreaming, it’s much more common among the young, so maybe you had such dreams as an adolescent but don’t have them anymore.

For the other half, the whole idea may seem like poppy-cock. I could easily have been such a doubter. Without following a practice, I almost never remember dreams–let alone dreaming lucidly. At best, I get disappearing fragments of dreams that are ephemeral and hazy. I’m one of those people who might claim that he virtually never dreams, except that I read the science, which suggests that each of us dreams every night that we sleep long enough to cycle through REM (rapid eye movement) mode (and commonly 4 or 5 times a night.) We just don’t recollect these dreams. [However, I have had lucid dreams on rare occasions, and so my skepticism on the subject was curbed.]

 

Why do I practice dream yoga? While it wasn’t part of my formal hatha yoga training, dream yoga isn’t as far removed as one might think. I have been trained in yoga nidra (yoga sleep), which is an exercise that takes place in a hypnagogic state (on the edge between waking and falling asleep.) Commonly, yoga nidra is used as a deep relaxation exercise, but it can also help one to access the subconscious (as is reflected in repeating a sankalpa [a resolution] in the yoga nidra state.) Lucid dreaming is another approach to assessing the subconscious in order to see what’s going on in there and to try to make changes as necessary. Curiosity about the subconscious mind and its–largely unseen–influence on my daily life is what drew me to dream yoga. It’s just another aspect of knowing oneself and trying to expand one’s capacities of mind and body.

 

How does one practice dream yoga? Hardcore practitioners set alarms to wake themselves up when they think they’ll be in REM sleep. This, as I understand it, helps them reconnect with the dream when they drift back and greatly speeds the process. As I sleep with a wife who would clobber me with a brick if I set alarms for random times in the middle of the night, I’m not among those hardcore. My practice consists of three main aspects. First, I make resolutions to remember my dreams and to dream lucidly as I’m drifting off to sleep. Second, when I’m not making said resolutions, I try to just observe the subconsciously generated imagery that pops up as a witness–rather than letting my conscious mind go into its preferred mode of planning for an uncertain future. [One can tell the difference because the subconscious images don’t make a lick of sense, and–for me–are devoid of any verbal/language element–i.e. it’s all imagery.]  Finally, I keep a journal in which I record any dreams or fragments that I can recall–sometimes with drawings to supplement the text (though my artisticness is lacking, to say the least.) The first and last of these are among the most common recommendations one will hear from experts.

I should point out that there are a number of books on the subject by individuals much more qualified than I. Said books give detailed guidance into how one can begin one’s own practice. One that I recently finished reading and would recommend is Charlie Morley’s “Lucid Dreaming: A Beginner’s Guide to Becoming Conscious in Your Dreams.”  At some point, I’ll post a review of that book. Also, there is “Dreaming: A Very Short Introduction” by J. Allan Hobson, which I have reviewed.

 

As I wrote up the entry in my dream journal, I made a resolution to stop attacking the “bad guys” in my dreams and to try to understand them. Note: I don’t recommend this approach for dealing with real world axe-wielding maniacs, but I highly recommend giving it a try in one’s dreams.

 

Sweet dreams.

5 Lessons One Learns Teaching Kids Yoga

During the last half of April, I taught a kid’s camp at a1000 yoga‘s Kormangala studio. Below are some ideas about my experience.

Playful Scorpion

The Playful Scorpion

1.) Kids can’t down shift from 4th to 1st like adults. This was once a major point of frustration for me in teaching kids. When you ask kids to settle down after an activity they were really excited about, there’ll be a lag. There’s a temptation to see this unresponsiveness as a lack of respect, but it probably isn’t. (Which isn’t to say that the kiddies never attempt to test the waters.) The fact is that adults don’t get so amped up, and so it’s not so difficult for them settle down. Instead of getting frustrated with the kids, maybe one should feel sorry for the adults.

 

2.) Kids need a more advanced class, but not because they’re more advanced. Attention to detail isn’t a child’s strong suit. They have difficulty focusing on the finer points of alignment and breath–unless they’ve found a fun challenge in the pose. During the camp, we played with vrschikasana (scorpion pose) during the first few days. That’s not something I would do with adults. Kids get in the zone and, therefore, they don’t tense up and injure themselves so easily.

 

3.) Kids are natural flow hackers. If you don’t know what “flow” is, I’d recommend Mihaly Csikszentmihalyi’s book Flow, Steven Kotler’s The Rise of Superman, or Marer / Buzady / Vecsey’s Missing Link Discovered. (Depending upon your point of interest: psychology, athletics, or business, respectively.)  However, in a nutshell, flow is the state of mind in which we perform at our best because of a combination of concentration and the quieting of one’s inner critic. One of the keys to catching the flow is finding a challenge of the appropriate level. The challenge should be just beyond one’s current capability. If it’s too easy, one gets bored. If it’s too difficult, one gets frustrated. Children instinctively seek out the Goldilocks’s zone in challenges.

I noticed this when we were playing a game in which each kid had to cross the floor walking only on wooden yoga blocks. This helps with balance, which tends to be a weakness among kids. Every time all the kids have finished crossing, a block or two is removed. So, the game gets harder the longer it goes on. The position of the remaining blocks can be adjusted, and, after a while, the kids wanted to adjust the blocks themselves because I was making it too easy. In other words, they wanted to make gaps that they would have to stretch to their utmost to succeed.

 

4.) Don’t assume that kids experience fear the same way you do. I suspect there may be some readers who will say, “that guy had kids doing scorpion on their second day of yoga, he must be a complete lunatic.” But, adults superimpose their fears on children. Kids’ excitement more easily overcomes their anxieties. In my last post on yoga, I referred to a FaceBook meme that I saw recently that said, “A child who falls down 50 times learning to walk, never says, ‘I don’t think this is for me.'” Somewhere along the line, people become mortified of failure or the risk of a bruise, but it’s not in childhood.

Have you ever seen a child fall down and start to get up–everything apparently fine–until he or she sees the gasp from mom (or another adult,) and then the child bursts into tears? If you’re the adult in the aforementioned scenario, let me suggest that teaching kids physical activities isn’t yet for you–at least not until you can manage your own anxiety a bit better. That’s not to say that there’s anything wrong with such people, but a teacher’s job is to show the child a world of possibilities and not to infect them with his or her own limitations.

 

5.) Finding the balance between inner child and outer adult can be a challenge, but is necessary. My working theory is that kids don’t trust an adult whose inner child doesn’t show through at least a little bit. Kid’s yoga is typically taught differently from the adult version. When teaching adults, one doesn’t practice alongside the students, but that’s the norm in teaching kids. (Kids can mimic better than they can follow complex verbal instructions.) The kids enjoy having the teacher participate, but one must also ensure that it remains clear who is the teacher. Otherwise, kids may be confused. When you’ve been participating in practice, playing games, and letting the children have some say in what they do (which is also a sound practice to some degree) they may gradually start to forget about your role as authority figure.

What RYT300 Taught Me About Fear

IMG_2752

I recently completed the RYT300 course at Amrutha Bindu Yoga to obtain my RYT500 yoga teacher certification. (i.e. The 200 hour course–which I completed a couple years ago–plus the 300 hour course are the primary requirements for the 500 hour certification.) The essay below is about one of the key lessons I learned in this phase of training.

 

I walked through the streets of Bengaluru barefoot and with not so much as a 5 rupee coin in my pocket. [If your response to that is “big whoop,” you probably live somewhere like Singapore, Helsinki, Kobe, or Calgary where the streets are immaculate and the rats aren’t so bold. If you’re familiar with what goes on in and near the streets in India, you may be wondering what the hell is wrong with me.]  It was an unconventional teaching tactic to be sure, but it ranks among the most valuable lessons of the training—surpassing no small revelations about postural alignment, pranayama methods, bandha technique, physiology, and yogic philosophy. It was even up there with the experience of advanced shatkarma (cleansing practices) that were completely new to me.

 

What’s the lesson?  If you’re going to teach yoga–particularly at the intermediate / advanced level that RYT500 is intended to prepare you for–you need to work on not being ruled by fear. That isn’t to say one must be fearless. We imagine fearlessness to equate to courageousness, but courage is action under fear. Neuroscience tells us what a fearless person is like. We know from individuals who’ve had the parts of their brains damaged that are responsible for the emotion—they are paralyzed by indecision. Our emotions provide a basis for choosing–at least as a tie-breaker when no clearly superior path exists. We need our fear, just like our other emotions, but if you can’t move forward because of it you may have a hard time keeping learning.

 

Not being ruled by fear isn’t just—or primarily—about being able to keep practicing advanced techniques until you can get a grasp on them.  Yes, mastering a handstand requires a fair amount of falling down (hopefully, in a controlled fashion), and that’s a lot of potential for anxiety, but there’s more at stake.  What precisely? One might start, as many do, with what Patanjali has to say on the subject, and one can start from square one. “Chitta Vrtta Nirodhah.” (Quieting the fluctuations of the mind.) Many of the fluctuations of the mind result from anxieties and our obsession with solving them. Our brains are wired to try to anticipate worst case scenarios so we can develop ready-made solutions for them. This can result in excessive pessimism, extended stress, and all the problems that go along with that stress.

IMG_2642

There’s a popular saying that goes, “money is the root of all evil.” But, I think it’s wrong. Fear is at the heart of all evil—not to mention a fair amount of run-of-the-mill pettiness.

 

So what is the path to anxiety management? Start small, and dispassionately observe your discomfort. Don’t try to squelch the emotion, just watch it while trying to avoid putting good or bad labels on it. Of course, sources of anxiety are personal. As far as prescriptive yoga practices, that depends upon one’s personal anxieties. For some inversions might do the trick, for others extreme back bends, for some external breath retention, for others it may be balancing. Then, of course, there are the advanced shatkarma practices I mentioned earlier–such as vaman dhauti (cleansing by vomiting) or poorna shankhaprakshalana (i.e. clearing out one’s digestive tract via massive ingestion of salt water.)

 

I recently finished teaching a Kid’s Camp (a post about that to come.) At the beginning of the camp, I was telling someone that the kids were fearless, but what I came to discover was that kids just allow their enthusiasm to swamp their anxieties. I had seven-year-olds doing pinchamayurasana (forearm stand) and vrschikasana (scorpion) within the first few days. That would be a hard sell for adults. [I don’t think I’ve ever taught those postures to adults.]  It’s not just that kids are bendy, they’re also ready to get up after they fall down. (And since they’re not stressed about the possibility of falling they don’t tense up and get badly injured.) Someone posted a great meme on Facebook recently. It said, “A child who falls down 50 times learning to walk, doesn’t go, ‘I don’t think this is for me.’”

BOOK REVIEW: The Yoga of Max’s Discontent by Karan Bajaj

The Yoga of Max's DiscontentThe Yoga of Max’s Discontent by Karan Bajaj
My rating: 4 of 5 stars

Amazon page

Max is a making a good living in New York City, but feels an inexplicable void that leads him to give it all up to travel to India in search of wisdom. This novel is a hero’s journey in which the quest isn’t for adventure (not in the usual sense) but for insight into his mind and a path to bliss. Along the way he finds a teacher and is assisted by others, but must ultimately find his own path. As is appropriate to such a quest, he faces hurdles within and without and it’s not always clear whether he will find what he’s searching for—or even whether it exists.

This book kept me reading. It had humor (particularly in the first part) and maintained awareness that it was a novel throughout. What I mean by the latter statement is that there is temptation for books that deal in spirituality to devolve into a muddle between story and self-help book. However, I think the author avoids that error and keeps advancing the story in a readable fashion. The descriptions of yogic practices don’t bog down the story. Those experienced with yoga will breeze right through said descriptions and know what’s happening, and those without such knowledge won’t lose much by grazing over such segments.

The book consists of 38 chapters divided into three parts. The first part covers the period during which Max moves from the US to India and seeks out a teacher. The second part describes his time studying yoga in a south Indian ashram. The final part is the period after which he’s achieved enlightenment, which he spends in the Himalayas.

I found the first two parts to the most interesting and enjoyable. The first part has all the humor and emotional turmoil one would expect from a well-developed and relatable human character. The descriptions of an austere life amid the harsh landscape of a south Indian ashram that comprise the second part make for a visceral read. Where the third part falls flat for me is that supernatural abilities are introduced, and that makes it more difficult to care about Max anymore. It’s a problem inherent in writing this type of story. While Max becomes wiser in the second section, that part doesn’t fall so flat because the life he’s living is so challenging. It’s certainly not that Max’s life is easy when he moves to the Himalayas, but by then he can speak languages he never learned and create sparks with his mind and as far as the reader knows he may be able to leap tall buildings in a single bound and other superman type magic. I suspect the author was aware of the risk of this because he backs away from having Max start a fire with his mind early in the third part and the last part unfolds much more quickly.

I’d recommend this book for anyone who’s interested in a story about personal transformation. Those who’ve spent time in India will find much that resonates and those who are considering (or curious about) such a quest will glean many insights from this book.

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DAILY PHOTO: Upside-Down in Somanathapura

Taken on January 26, 2016 at Kesava (Chennakesava) Temple in Somanathapura

Taken on January 26, 2016 at Kesava (Chennakesava) Temple in Somanathapura

The Good and Bad News About Yoga for Weight Loss

IMG_2643The good news is that yoga can help one lose weight. The bad news is that the mechanism by which this occurs isn’t what most people expect, and it involves the mind a great deal more than the muscles.

 

While many people hope for a secret to weight loss, there’s no secret. Weight loss is a function of calories eaten being less than calories burned.  This simple formula means that one can either eat less or exercise more. Both the diet and exercise matter for good health, but the eating part is more important to cutting weight. This statement may be controversial and seemingly gratuitous—particularly for people who think exercise is going to single-handedly shed excess pounds–and so I’ll take some time to try to make my point.

 

The first thing one should know is that our voluntary activity only accounts for about one-third of calories consumed. The other two-thirds are used whether we move a muscle or not. Between 20 and 25% of our energy consumption is devoted to our brain, and much of the rest is used to keep us at 37°C (98.6°F) because we are, after all, mammals. This means that increasing the intensity or amount of exercise—while it has tremendous health benefits—will achieve only a marginal increase in calories burned. From the Mayo Clinic website, I learned that a 109kg (240lb) individual will burn about 273 calories doing a typical hata yoga class or about 436 calories with Power Yoga. (Compare this to about 327 calories / hr. for tai chi or 654 calories / hr. for hiking.) So your hour of yoga has maybe knocked off a 32oz soft drink or one medium size French fries. Most people have trouble finding more than one hour of time and energy for exercise per day. And as someone who sometimes spends more than an hour a day exercising, I can attest that there is a point of diminishing marginal returns. So while exercise is an important part of weight loss, one can’t go hog-wild in eating just because one exercises.

 

[One should also note that many yoga practitioners experience a reduced basal metabolic rate (BMR) because of the calming aspect of the practice. A lower BMR means that you burn fewer calories just living and maintaining your metabolism. All things being equal, this makes cutting weight all the more challenging—though the effect is certainly counterweighted by the stress reduction aspect of the practice that will be discussed below.]

 

To summarize: unless you’re an elite athlete in training for something like the Olympics, the idea that you can eat whatever you please and cut / maintain a healthy weight is likely to result in disappointment.  A common piece of dietary advice for elite athletes is to daily eat one gram of protein for every pound of ideal bodyweight and eight fist-sized servings of vegetables. Beyond that, they can pretty much eat what they want. But with that much slowly digesting material, they’re probably not going to go overboard—even if they weren’t already, almost by definition, very disciplined people.

 

IMG_2737So if an hour of yoga a day doesn’t even make up for having a Mars bar, what good is it?  For one thing, the yoga student has the opportunity to become more attuned to his or her body and, in doing so, to learn to differentiate physiological hunger from the many other permutations of hunger that overtime merge into a multi-headed hydra of craving. What are these other hungers? First and foremost, there’s psychological hunger, or the use of food as therapy. People use food to reward themselves, to medicate themselves, to take their minds off of their woes. Secondly, there’s sensory hunger in which we have no real need to eat but the food looks or smells too good to avoid.

 

One of the forms of hunger that often remains hidden is social hunger. That is, one eats to be part of the in-group and to bond. For example, imagine you’ve just eaten, are not hungry, and someone offers you food. Depending upon who it is and what your relationship is that person, you may feel compelled to eat even if you don’t need it. The double whammy is that eating as socializing is so deeply engrained and that we humans—contrary to popular belief—are dismal at multitasking. We can’t converse and be aware of what we are eating, and thus one may overeat because one is so engrossed in the distraction of socializing. This isn’t to say that there is anything inherently wrong with social eating. We all have to do it to some degree or another. One just needs to recognize that if it becomes a habit to be distracted from one’s food, one may have problems.

 

Relating back to the idea of psychological hunger, yoga helps one destress.  Stress can be a perfectly healthy phenomenon, but when it’s prolonged it can have many adverse consequences. One such consequence is having cortisol levels remain too high, and this has the effect of ramping up the appetite. Your body has been pressed into fight or flight mode, it expects that you’re hauling ass away from a sabretooth tiger or an angry woolly mammoth mamma, and that you’ll soon need to replenish depleted energy stores. Your endocrine system doesn’t know that you’re curled up on the couch with a pint of ice cream… yeah, let’s call it a “pint.” As a form of exercise, yoga helps reduce this problem. However, beyond exercise, yoga offers many relaxation techniques such as yoga nidra, kaya sthairyam, restorative postures, and some forms of pranayama(breathing exercises) that can help you turn off the “fight or flight” and turn on the “rest and digest”—what Herbert Benson called the “relaxation response.” Sometimes you might delve into an intense practice like Ashtanga Vinyasa or Power Yoga, and other times restorative yoga might be just what the doctor ordered. [Disclaimer: “What the doctor ordered” is a figure of speech. I’m not a doctor, and I haven’t even played one on TV.]

 

IMG_2633There is yet another way in which yoga can help. Yoga helps one dispassionately observe one’s drives and this way one can slowly, over time, rewire one’s attitudes toward food.  One can begin to think of hunger pangs as a sensation, rather than projecting a negative connotation onto them. In this way, one can learn to begin to watch the sensation and learn from it rather than running for the food.

 

Finally, an important benefit of yoga is in teaching one to be contented with oneself, even if one isn’t content to live with one’s present health or physical capability. Santosa is one of the niyama, and it teaches one to be content with who one is–perhaps even while one is simultaneously practicing the austerities of tapas (another niyama) in pursuit of personal development. If one isn’t contented with oneself, one can fall into a shame spiral that may create the kind of persistent stress that I warned about above. Also, if one is at a healthy weight, but has some deep-seated drive toward “perfection,” the lessons of santosa can inform you as well.

 

Best of luck in the pursuit of good health.

BOOK REVIEW: Kalaripayat by Patrick Denaud

Kalaripayat: The Martial Arts Tradition of IndiaKalaripayat: The Martial Arts Tradition of India by Patrick Denaud
My rating: 4 of 5 stars

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There’s a dearth of books on Indian martial arts, in general, and Kalaripayattu, specifically. The few books that do exist, such as Ranjan Mullaratt’s “Kalari Margam” (a fine book which I’ve previously reviewed), focus heavily on the techniques of the martial art. Denaud builds a niche by writing perhaps the only English-language book yet that turns its focus on other aspects of the art, including the art’s history, philosophy, customs, psychology, and its influence on–and interaction with–other systems both in India and abroad (e.g. yoga, Kathakali, Ayurvedic massage, and Tai Chi.)

After three forwards by luminaries and an introduction, the book consists of seven chapters. The chapters cover the history and mythology of the art, Kalaripayattu as a martial art (weapons and techniques in general terms), the psychological aspects of the art, the art’s relationship with Ayurvedic practices—particularly massage, its relationship to other elements of Keralan culture, the results of interviews with modern-day masters, and the influence of India and Kalaripayattu on foreign martial arts.

When I picked this book up, I was somewhat expecting that it would contain little in the way of intriguing and relevant information, and that it would be stuffed with generally known background information. I’ve come across far too many books on topics for which there’s little information, and have become well-acquainted with the many methods by which authors pad out a pamphlet’s worth of information into a book. However, I was pleasantly surprised by how much information on Kalaripayattu this book contained, and how relevant the background seemed. While there’s a fair amount of background, the book doesn’t feel padded. Granted, I can’t be certain how much of this information is accurate. I know common myths are repeated that are now believed to be false (e.g. Bodhidharma spreading Kalaripayattu to Shaolin), but I saw nothing that seemed like pure fabrication (though I’d be unlikely to recognize such a thing.) Denaud does cite his sources (not in bibliographic format, just by attribution of authors and texts) on most occasions and it certainly wrings authoritatively.

I’d recommend this book for individuals interested in martial arts, and the history of martial arts. It’s a rare glimpse into various aspects of Kalaripayattu. Also, some people who are interested in south Indian culture more than martial arts may also find it worthwhile.

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DAILY PHOTO: Balancing on the Keshava Plinth

Taken on January 26, 2016 at Keshava Temple

Taken on January 26, 2016 at Keshava Temple