BOOKS: “Pawan” by Sorabh Pant

Pawan: The Flying AccountantPawan: The Flying Accountant by Sorabh Pant
My rating: 4 of 5 stars

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On one level, the more superficial level, this is a superhero fantasy featuring a Vanara (a supernatural monkey-man creature from Indian mythology,) on another level it’s a political satire that riffs on the geopolitics and the military-industrial complex of India. It’s cleverer as the latter than the former.

The story has some clunkiness, including the occasional hard to follow description and sloppy story elements (e.g. the deus ex machina.) That said, it’s pop genre fiction and with regards sloppy story elements they’re par for the course in superhero fiction. My point being that the fact that it’s amusing and mostly readable means it hits its target, strained credulity and logical inconsistencies aside.

The humor is of the broadest range with occasional laugh-out-loud hilarity, lots of mildly amusing jokes, and a few groan-worthy lines that go down like a lead-balloon. That’s not a terrible ratio for a novel.

If you want to check out a book featuring an Indian mythology-based superhero, and you don’t mind a lot of jokes directed at political and national security apparatus leadership, this book is worth looking into.

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BOOKS: “Batman: Killing Time” by Tom King

Batman: Killing TimeBatman: Killing Time by Tom King
My rating: 5 of 5 stars

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Killing Time is a MacGuffin driven Batman story, though less Batman-centric than most of his eponymous titles. For any readers who might be unfamiliar with the term “MacGuffin,” it’s an object that motivates the characters to heroic and villainous extremes of behavior for reasons about which the reader is largely (or completely) left in the dark. Over the course of the story, the reader is teased information about the MacGuffin, but never with enough certainty or detail that it ever feels like it’s not a MacGuffin. On the other hand, it does feel as though there is self-awareness of the MacGuffin-esque nature of the story, and there are some strengths that I think more than offset what might otherwise be considered the laziest of storytelling.

What are these strengths of which I write? First of all, there is a disjointed, non-linear story presentation that facilitates revelations and maintenance of tension, but it is done artfully enough that one isn’t likely to lose the thread. Second, there are some intriguing characters (and some fascinating character development) in the story. Much of the story revolves around an uneasy alliance between Catwoman and the Riddler, and that is explored in detail. There is also a character known only as “the Help” who is both brought to life in a compelling way, but who also generates tension because he’s every bit a match for Batman in a slug-fest. Thirdly, while the book of epic proportions in some sense, with street criminal melees and the like, it’s quite street-level throughout, not veering into magic or god-tier superpowers. Finally, it is a complete and satisfying story arc. [My biggest pet peeve with comic volumes is that they often don’t feel concluded.]

I enjoyed reading this comic book. It’s fast-paced and isn’t afraid to give supporting characters some space to steal the show. If you’re a Batman fan, it’s definitely worth reading.

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BOOKS: “DCeased” by Tom Taylor

DCeasedDCeased by Tom Taylor
My rating: 5 of 5 stars

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It’s the zombie apocalypse in a world brimming with superheroes. Sort of. As is mentioned a couple of times throughout the story, it’s not really zombies as we know them, and there are a few crucial distinctions. But, basically, zombie apocalypse. What matters is that it is a threat that grows to inexorable proportions because it infects efficiently and spreads rapidly, and no one is immune. The threat is increasingly everyone and everywhere. The source is a viral bit of “programming” called the Anti-Life Equation.

This is about as dark as superhero comics get. The heroes that we are used to saving the day experience only victories of a short-lived and pyrrhic nature, while experiencing defeat after defeat. There are no ex machina saviors, at least not that amount to more than a blip in the scheme of things.

I found this story, depressing as it may be, to be intensely suspenseful. Full Disclosure: I also liked the Avengers “Infinity War” movie much more than “Endgame.” It’s not that I necessarily like seeing villains win, but that a story feels more compelling when there is strong and successful opposition and when costs accrue. And credible opposition and true stakes are often missing from superhero comic book stories.

I’d recommend this book for superhero comic book readers.

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BOOKS: “Saga of the Swamp Thing: Book One” by Alan Moore

Saga of the Swamp Thing, Book OneSaga of the Swamp Thing, Book One by Alan Moore
My rating: 5 of 5 stars

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This volume presents two separate and complete story arcs. The first features the Floronic Man (Jason Woodrue) as the main villain, and it deals heavily in the origins of Swamp Thing and the creature’s struggles to come to grips with who it is and why it experiences the world as it does. The second story makes a shift to a more supernatural threat and shows a Swamp Thing who is more comfortable in its… roots? twigs? foliage? — whatever Swamp Thing has in lieu of skin.

Alan Moore does his usual superb job of creating a clever and satisfying set of tales. Swamp Thing was groundbreaking in its cross-genre mélange of horror, supernatural, eco-fiction, and sci-fi. There is also a certain smartness about the comic. One is led to consider questions of consciousness and humanity’s role in nature through these stories. And solutions are rarely achieved by punching the villain into a stupor. This won’t be for everyone. In some ways, the comic elevates the wise old mentor to the role of hero.

I enjoyed reading this book and would highly recommend it for readers of comic books and graphic novels.

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BOOKS: Batman Arkham: Penguin by Bill Finger, et. al.

Batman Arkham: PenguinBatman Arkham: Penguin by Bill Finger
My rating: 5 of 5 stars

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Drawing from 70 years of stories, this collection of issues involving the Penguin as Batman’s villain du jour really shows the shifting landscape of comic books over the decades. In the early issues, written with a young audience in mind, the Penguin is a skillful thief, but also kind of goofy, camp, and with not really much menace. By the last issue included, we see the hard edge of psychopathy and the gross deformity of this classic villain.

I was pleasantly surprised with this collection. Often these cobbled together comic collections lack coherent storytelling and feel as cheap and lazy as a sitcom clip show, but this volume shows several satisfying story arcs, and — while there is no overarching arc — it makes for a satisfying read.

I enjoyed reading this collection and seeing, through it, the evolution of comic books.

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Hulk Limerick

FEMA Photo by Win Henderson
There was an Anger Management counselor
 who, truth be told, was kind of an amateur.
   His schedule planner
   didn't know the name "Banner."
 So, for his new place, he hired a nerd.

BOOK REVIEW: Thor, Vol. 1: Goddess of Thunder by Jason Aaron

Thor, Volume 1: The Goddess of ThunderThor, Volume 1: The Goddess of Thunder by Jason Aaron
My rating: 3 of 5 stars

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I applaud what they were trying to do with this comic book, to hand the title and powers of Thor to a female in order to shake things up and break readers’ calcified thought processes. That said, I felt the story execution was poor. The art was well done, the dialogue was solid, but the story did not impress.

The story picks up with Thor having spontaneously become unworthy for reasons that are teased but left unclear, and the God of Thunder is pining for his hammer. The hammer, Mjolnir, is inscribed / enchanted with a spell: “Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.” Then Frost Giants attack a Roxxon (Marvel’s Evil Corp) deep drilling facility, with the support of Malekith, the Dark Elf King, to add a cleverer and more competent adversary to the brute power of the giants. Over the five-issue arc, the main action is involved with battling this incursion into Earth (Midgard) by the Frost Giants.

My biggest problem with the story had to do with the fluctuating rules of Mjolnir. First of all, I’m no fan of having all of the power and capabilities of Thor being contained in the hammer. I know that’s what the aforementioned inscription reads, but I think it makes for a poor hero because one has to wonder why the person is necessary, why not just a hammer flying around thrashing enemies. I prefer the way the “Thor: Ragnarök” movie handled this by insisting that Thor isn’t “the god of hammers” and that it is he who holds the power. However, that aside, there’s a point during which [Goddess] Thor becomes separated from the hammer. As I read this, I thought, “This is great, now she will have to do something clever and self-empowered to at least stall or escape.” But she didn’t have to because she was still every bit as powerful as before (maybe more so, it’s kind of hard to judge the wandering power levels of insanely overpowered superheroes.) Long story short, I was tripped up by the “the hammer is the source of all Thor’s power” to “the hammer is irrelevant” quick change. My only other problem with the story was that it felt like they left more unresolved baggage to serve as hooks than they reconciled.

I can see that a lot of people like this story, but I found it unworthy.


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BOOK REVIEW: Doctor Strange: Surgeon Supreme, Vol 1: Under the Knife by Mark Waid

Dr. Strange, Surgeon Supreme Vol. 1: Under the KnifeDr. Strange, Surgeon Supreme Vol. 1: Under the Knife by Mark Waid
My rating: 5 of 5 stars

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Those who know the character of Doctor Strange from either the comics or the movies know that his backstory is as an arrogant – but brilliant – surgeon whose hands are badly damaged in an accident. In his far-flung search for a cure, he stumbles onto the realm of magic and ends up making a career change from surgeon to sorcerer. The premise of this volume is that Strange’s hands are cured and he precariously divvies up his time between the demanding jobs of neurosurgeon and Sorcerer Supreme.

The plot of this six-issue arc revolves around a theft from Strange’s own estate, a theft which grants his unknown enemy and her known henchmen the power to give the Sorcerer Supreme a run for his money, magically speaking. The shift to a two-hat wearing Stephen Strange facilitates him being none-the-wiser about the magically powerful weapons being deployed against him coming from his own forge. It also creates a series of tense periods during which he’s simultaneously urgently needed in the magic and material worlds.

I felt the volume did a good job of building up to a face-off with the big bad while making each issue a worthwhile standalone story. There are false flags and other mechanisms to keep one guessing about how the story will unfold. Some of the issues were more gripping and creative than others. The most brilliant, in my opinion, was the issue three battle in a tattoo realm to which the tattoos of humans – including one of Strange’s patients – drain said individuals’ life-forces. That issue most captured the psychedelic bizarrity that makes Doctor Strange comics so splendidly clever, unique, and enjoyable to read. The concluding story / resolution was also compelling.

I enjoyed this volume and would recommend it for fans of Doctor Strange.


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BOOK REVIEW: Shang-Chi, Vol. 1: Brothers & Sisters by Gene Luen Yang

Shang-Chi by Gene Luen Yang, Vol. 1: Brothers & SistersShang-Chi by Gene Luen Yang, Vol. 1: Brothers & Sisters by Gene Luen Yang
My rating: 4 of 5 stars

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This five-issue story arc tells the tale of an intra-family battle for control of the Five Weapons Society, a kung fu dynasty that dates back at least to the Boxer Rebellion. With the patriarch deceased, sides form behind Shang-Chi, on the one hand, and Sister Hammer, on the other. While close as young children, Shang-Chi and Sister Hammer grew up separated, and could not have turned out more differently. Shang-Chi (aka. Brother Hand) has been reluctantly drawn into the conflict by virtue of his being the “chosen one,” and by having the support of Brother Sabre and (to a lesser degree) Sister Dagger. Sister Hammer has raised an army and is bent on taking over the dynasty by whatever means necessary.

So, this is one of those stories that’s not about a purely good hero against a purely evil villain, the latter needing to be completely destroyed, but rather it’s about the need for catharsis and reconciliation. But that doesn’t keep the comic from being loaded with action. We also see a protagonist who experiences a change, which is a story convention that is often jettisoned in the action genre. Shang-Chi must move past his reluctance, and embrace his role in the family.

I found this comic to be compelling and worth reading.


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BOOK REVIEW: Venom vs. Carnage by Peter Milligan

Venom vs. CarnageVenom vs. Carnage by Peter Milligan
My rating: 4 of 5 stars

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This story revolves around the strange social dynamics of symbiote reproduction, which echoes the filial infanticide seen in many earth-bound species, whereby a family member tries to eliminate the competition while it can still be readily killed and eaten. There’s a shifting landscape of alliances as a new symbiote is birthed into existence.

Besides the titular characters, Venom and Carnage, the story’s other major characters are Toxin (the new symbiote on the block,) as well as Black Cat and Spiderman. It’s a simple, but action-packed, story.

I read the e-version of the book and the art was strange and rubbery. I think it’s meant to be hyper-realistic, but it tripped the uncanny valley for me. That said, it’s fairly easy to follow what’s happening. (And to the degree that it’s not, it’s not a problem with the artistic style, but rather with the chaotic stringiness of symbiote combative interactions.)

I enjoyed the story. It’s a quick read, and is thrilling entertainment fare. If you know nothing about the symbiotes of the Spider-verse, it’s not the best place to jump in because it assumes you know a bit about what’s what and who’s who.


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