Tag Archives: fiction

BOOKS: “The Obscene Madame D” by Hilda Hilst

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The Obscene Madame DThe Obscene Madame D by Hilda Hilst
My rating: 4 of 5 stars

Publisher Site – Pushkin Classics

Release Date: May 27, 2025

This strange novella features a lot of stream-of-consciousness exchanges between the lead and her common-law spouse / lover. Hille, the protagonist, is a woman who’s decided to withdraw from her normal life and live a celibate, hermetic existence in a recess under the stairs of the home she shares with Ehud (her lover / long-time partner.)

It is a thought-provoking and philosophical work and will be most of interest to readers who like such books. On the other hand, it isn’t likely to have much appeal for readers of commercial fiction. It’s not story-driven and isn’t even deeply character-driven. [Except in the sense of showing thought processes that encourage the reader to drill down into the character’s psyche.] This book has been placed in the genre of (and titled as) erotica (or even pornography,) but I would say that it is much less accurately defined as such than other works of that category, including Hilst’s “Letters from a Seducer.” This isn’t to say the book doesn’t use graphic language or mention past sexual activity, but it’s not erotic at the core. It’s not shy about sex or “vulgar language” by any means, but it is a book about a woman who has given up sex along with other activities of ordinary life.

Ultimately, I’d recommend this book for readers of psychological and philosophical literary fiction. It is not intensely readable as a story and is not intensely erotic as erotica, but it does keep a curious person wondering about the motives and future of Hille.

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BOOKS: “Kokoro” by Natsume Sōseki 

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KokoroKokoro by Natsume Sōseki
My rating: 5 of 5 stars

Publisher Site – Pushkin Press

I first read this many years ago in college for a course on Japanese culture. I didn’t have a good reading experience then because this novel is too quiet to hold the concentration of a fidgety mind. However, on rereading it, I found it to be an intense and moving reading experience. It’s a brutally realistic piece of literary fiction, featuring quiet and unexpressive characters who are never-the-less experiencing a kind of agony of living.

The book’s beginning revolves around the relationship between a young man just finishing college and an older, somewhat hermetic, man. By “relationship” I’m not talking about a sexual or otherwise intimate interaction. This strange relationship might best be made sense of by the fact that the young man calls the older, “Sensei” (i.e. “teacher.”) So, it is largely an informal mentor-mentee relationship, but the reader may not really understand why “Sensei” is a reasonable honorific for the old man until the end. The latter portion of the book is Sensei’s “confession,” or the telling of formative events of his life. It is in this confession that we learn that Sensei is not so much a teacher by virtue of conveying abstract scholarly information but rather he teaches by showing the young man his own life story as a cautionary tale.

You must be in a quiet state of mind to keep attuned to this book, but – if you can do so – it is well worth reading. I’d highly recommend it for readers of literary fiction.

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BOOKS: “Strange Tales from a Chinese Studio” by Pu Songling [Trans. by John Minford]

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Strange Tales from a Chinese StudioStrange Tales from a Chinese Studio by Pu Songling
My rating: 5 of 5 stars

Publisher Site – Penguin

This is a collection of short stories, almost entirely speculative fiction, dating from the Qing Dynasty (specifically, the late 1600’s to early 17oo’s.) Ghosts, folkloric creatures, and Taoist magic all feature prominently in the stories. The stories average about five pages, but with a wide deviation from stories scarcely longer than today’s micro-fiction to extensive pieces. The Penguin edition collects 104 out of a much larger collection of stories.

The best of these stories are clever and highly engaging, and there are many such tales. Being from Qing Dynasty China, the stories offer a perspective different from one’s typical horror and fantasy short stories. Many of the stories prominently feature eroticism, but not graphically so.

As for the weakness of the volume, even though it selects only a portion of Pu Songling’s original, there are many stories that blend together, failing to distinguish themselves. This is most notable among the fox-spirit stories, of which there are just so many. [A number of them are fantastically unique, but others are just variations on the same.] So, the book can seem a bit repetitive in that sense. However, before you get to the point where you feel you can’t read one more fox-spirit story, you’re quite likely to read a tale that blows your mind.

I greatly enjoyed many of the stories herein. Perhaps, the volume could have benefited from further abridgement, but it’s well worth the read.

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BOOKS: “Nightwing, Vol. 1: Leaping into the Light” by Tom Taylor

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Nightwing, Vol. 1: Leaping into the LightNightwing, Vol. 1: Leaping into the Light by Tom Taylor
My rating: 5 of 5 stars

Publisher Site – DC Comics

As in a lot of the Batman stories, in this volume, Nightwing (Dick Grayson) is fighting a two-front war. On the one hand, there is a mysterious central villain du jour, Heartless — an augmented masked criminal who is killing in impoverished neighborhoods by (literally) stealing his victims’ hearts. Then, on the other hand, there is the usual systematic corruption and organized crime of his chosen city, Blüdhaven. These two fights bump into each other here and there but are largely independent of one other (at least as far as one can tell in this, the first, volume of a run.) Barbara Gordon and Tim Drake / Robin participate in the story, but other than that the only hero appearances are cameos.

I enjoyed the pacing and emotional arc of this story. My reading pleasure surprises even me because I think I would ordinarily feel the book had a poor resolution to hook ratio. (i.e. I would feel that not enough was resolved to make this feel like as satisfactory standalone story.) However, there was a resolution that offered satisfaction, but it was just not what I (or -probably- the typical reader) would think of as a normal comic book resolution. (i.e. It was not a resolution achieved by kicking and punching, but rather by soul-searching.)

At any rate, I’d highly recommend this book for comic book readers.

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BOOKS: “The Creature Commandos” by J.M. DeMatteis, et. al.

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The Creature CommandosThe Creature Commandos by J.M. DeMatteis
My rating: 4 of 5 stars

Publisher Site – DC

Having recently heard about the impending animated series being made under James Gunn’s aegis, I read this book to learn who, exactly, were the “Creature Commandos.” This volume collects eighteen issues of “Weird War Tales” from the 1980’s and is where this superhero team got its start. It’s not a complicated premise: a team consisting of characters based on classic horror figures is assembled to carry out challenging missions on behalf of Allied powers during World War II. It should be pointed out that these aren’t the original horror characters, but rather were mostly made in the lab using “science.” The core team of Lucky Taylor (Frankenstein’s Monster-like,) Sgt. Velcro (Dracula-like,) and Griffith (a Werewolf) were all produced in such a way by “Project M.” A fourth member of the team, Dr. Medusa (Myrra Rhodes,) got her powers in a laboratory accident (yes, this wasn’t exactly sophisticated storytelling.) An occasional fifth member J.A.K.E., the robotic infantryman, appears in only a few issues.

This collection is definitely from another era. It is written with an audience of children in mind. It’s not just the “science” that lacks cleverness, but also much of the dialogue and some of the story elements. It is also different in that there is no overarching story continuity. Each episode is standalone. This is probably in part because the Creature Commandos didn’t have their own title at this point and were appearing in “Weird War Tales.” In early issues there is a fair amount of repetitive exposition to catch new readers up, but that became less prominent as the series progressed.

Having said all that, many of the stories are compelling and — despite the campiness — the authors do succeed in making the reader sympathize with the core group and their plight as humans turned monster. My only complaint about character development would be with respect to the team’s leader, Lt. Shrieve. I’m sure they were aiming for “gruff, war-hardened, but fundamentally decent,” but through the first three-fourths of these comics Shrieve is completely detestable and has no redeeming value whatsoever. The authors did start to make course corrections toward the end, planting seeds to make Shrieve less loathsome, to make him someone that you can understand (despite his rough edges) why his team might save him instead of fragging him. I suspect that they wanted to make the most physiologically human character the least humane of the characters, but they took it too far.

All and all, I found this collection enjoyable to read — despite being juvenile and camp — and am looking forward to what they will do in the animated TV series. [Note: It is a different slate of characters and is otherwise updated to appeal to an adult audience, but – I suspect – draws from the original source material in some ways.]

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BOOKS: “Sweet Tooth, Vol. 5: Unnatural Habitats” by Jeff Lemire

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Sweet Tooth, Vol. 5: Unnatural HabitatsSweet Tooth, Vol. 5: Unnatural Habitats by Jeff Lemire
My rating: 5 of 5 stars

Publisher Site

This volume carries out two story arcs. The first is a self-contained flashback that offers the reader new insight into the central strangeness of this series (i.e. a plague on humanity and the development of various human-animal hybrids.) The second is the conclusion of the Volume 4 storyline in which Gus, Jepperd, and their human and hybrid traveling companions find an apparent safe haven that splits the group between those who wish to stay and those who want to continue on their original path to Alaska.

Both arcs are visceral and engaging. This is a very satisfying volume. It’s a pity that publishers are so constrained by page count because Volumes 4 and 5 combined together would be a phenomenal book (whereas Vol. 4 – as it stands – is kind of a lackluster read.) Anyone whose been to a movie in India and is familiar with the random intermission placed right in the middle of the runtime (regardless of what is going on in the story at the time) can grasp what I’m saying. It’s a little mean to break the momentum of a good story in progress. However, this volume offers all the satisfaction of resolution and conclusion — while leaving open clear routes for advancing the story overall.

I’d highly recommend this volume and that one read it closely back-to-back with Volume 4.

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BOOKS: “Dark Demon Rising” by Tunku Halim

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Dark demon risingDark demon rising by Tunku Halim
My rating: 4 of 5 stars

Author Site

On one level this is a folklore-based tale of horror, but – on another level – it is a commentary on tribal village life versus modern life in the super-tribal metropole.

The lead character, Shazral, comes from a long line of Shaman — medicine men. However, in the opening chapter we find that he has moved to the big city, Kuala Lumpur, and has become a successful lawyer. He has a nice office, a big salary, and a fashionable sportscar. He thinks he has it all. Then he’s called to return to the village to see his dying father. Son and father haven’t been on speaking terms because the father wanted Shazral to continue the Shamanic line, but Shazral wanted to escape the village and the strained familial situation that existed since his mother died during his youth. His return sets events in motion, events that will both show his beloved city life isn’t all it seems, as well as drawing him into the family business.

I enjoyed the story and think it was well-crafted and evocative. The backstory provides powerful motive, and the characters are distinctive and worthy of the reader’s consideration. There were a number of typos in the edition that I read (none were detrimental to understanding the story, but they could break the flow of reading.)

I’d recommend this book for readers interested in tales of horror rooted in folklore (in this case Malaysian folklore) and shamanism.

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BOOKS: “Sweet Tooth, Vol. 4: Endangered Species” by Jeff Lemire

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Sweet Tooth, Vol. 4: Endangered SpeciesSweet Tooth, Vol. 4: Endangered Species by Jeff Lemire
My rating: 4 of 5 stars

Publisher Site: DC Vertigo

Heading north to solve the mystery of Gus (the titular deer-boy “hybrid” that some call Sweet Tooth, the first-known hybrid child and one who Dr. Singh believes may be integral to understanding the disease that swept through humanity at the same time hybrids started being born,) the ragtag group of hybrid kids and human chaperones runs into its first snag. The group stumbles upon a place that may offer the security and resources needed to live comfortably (i.e. for a post mega-pandemic wasteland.) This threatens to split up the group, most of which longs for the safety and sustainability that this place appears to provide. But the reader is presented crumbs of unease about this place. It feels like this sanctuary might harbor a dirty secret.

I continue to enjoy this series. I didn’t find the arc as satisfying as some of the volumes. It is a thriller, and we are given crucial new information by the book’s end, but the central question of the story arc remains unanswered. That said, the story does a fantastic job of building up internal tension as well as creating unease in the reader. If you’ve enjoyed the story so far, you will want to continue onward.

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BOOKS: “Language” by Xiaolu Guo

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LanguageLanguage by Xiaolu Guo
My rating: 5 of 5 stars

Publisher Site

This book is excerpted from a full-length novel entitled, A Concise Chinese-English Dictionary for Lovers, and it conveys what it’s like to be a stranger in a strange land — particularly when one has only a rudimentary grasp of the local language. Specifically, the story revolves around a young Chinese woman who moves to London to pursue her studies. In London, the young woman becomes involved with an older man, and much of the story looks at how culture — and particularly language — impacts the nature of the relationship. (And, also, how being in a relationship with a native of her new home impacts her language learning.)

Perhaps the most important factor influencing whether a reader will like or loath this book is how one feels about reading broken English. Like the dialectic poetry of Paul Laurence Dunbar, this book isn’t written in grammatically correct standard English. The broken – “learner’s” – English is quite effective at conveying the struggle of language learning and how culture and language are intertwined. But if reading grammatically incorrect writing gives you a headache, then this book is not for you.

As for why this book consists of excerpts, it’s part of a series called “Vintage Minis” that consists of short (or excerpted) works from prominent authors from around the globe, generally with a straightforward unifying theme. [Vintage Classics is an imprint of Penguin Random House.] The fact that the book was an excerpt didn’t create a problem for me. The origin material is a literary fiction novel and doesn’t seem to be significantly plot-driven. It’s much more character-driven, and thus getting a limited picture doesn’t open up a lot of unanswered questions about what will come next. In other words, it felt like it could have been a full piece of short, character-driven literary fiction.

I enjoyed reading this slim volume. I think it offers interesting insight into being a language learner abroad. If you’re interested in the challenges of language and culture in an unfamiliar place, this thin book is well worth reading.

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BOOKS: “Meschugge” by Benni Bodker

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Meschugge: Le Labyrinthe du fouMeschugge: Le Labyrinthe du fou by Benni Bødker
My rating: 4 of 5 stars

Seller Site

This graphic novel reminded me of “The Alienist” TV series (based — itself — on a popular novel,) particularly the Sara Howard (Dakota Fanning) arc in which a young, upper-class woman becomes a detective in the (turn of the 20th century) world which sees women as too delicate to be subjected to such horrors.

While the lead in this book bears striking resemblance to Sara Howard and the settings are quite similar, the book also features major differences that make it its own unique story. First of all, Kabbalistic Judaism plays a central role in the crimes in this book. Secondly, this story creates the impression that the supernatural might be involved. I don’t believe it is unambiguously supernatural, one could explain things in a rational way as well, but “The Alienist” takes a clear rationalist approach.

I enjoyed the story, and it kept me reading. There were a couple points in the story that didn’t make sense to me, particularly an occurrence in which a character is being pursued and seems to be in a dire situation, and then suddenly is free. This mechanism is sometimes used with characters who’ve been established as being extremely capable individuals because it is as if to say, “I don’t even need to show you this person getting out of this spot because it’s not a big enough trouble to fuss about,” (it’s also often done in poor TV and movies for budget reasons,) but this character is not a master escape artist (being out of her depths is part of what creates such great tension throughout the story.)

An exciting premise and interesting characters, but with a few rough edges in plotting.

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