BOOK REVIEW: Running with the Mind of Meditation by Sakyong Mipham

Running with the Mind of Meditation: Lessons for Training Body and MindRunning with the Mind of Meditation: Lessons for Training Body and Mind by Sakyong Mipham
My rating: 4 of 5 stars

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Tibetan Buddhists believe Sakyong Mipham is the reincarnation of a great teacher from late 19th century Tibet. He’s also completed many marathons—nine at the time of this book’s publication. He’s certainly qualified to comment on meditation, running, and the nexus of the two–if there is such a thing. However, it may not be clear that the topics are particularly connected. Readers may have an intuitive sense that they are closely connected, but without sufficient understanding of both elements to draw sound conclusions.

The author, himself, proposes that one should recognize the points of contrast as well as comparisons between the two activities. A couple quotes make this clear:
“People sometimes say, ‘Running is my meditation’… in reality, running is running and meditation is meditation… It would be just as inaccurate to say, ‘Meditation is my exercise.’”
“The body benefits from movement, and the mind benefits from stillness.”
Later in the book, the author suggests that the apparent clarity after running usually has more to do with the “wild horse” of the mind being tired, rather than it being tamed. (Taming the mind being the objective of meditation.) That said, Mipham Rinpoche clearly believes that there are benefits to be had from an interaction between these two activities.

The book is divided into six parts. The first part gives background on basics like base-building, breath, what meditation is, and the challenge of starting to build a regime (either of running, meditation, or both.) The rest of the book is organized by way of a Tibetan Buddhist conception about how new skills are learned. This schema relies on animal symbolism. The first level is that of the tiger, and this is when one works on attentively and conscientiously building one’s technique. The lion level follows the tiger. The lion phase is a joyful one because a base capacity and fundamentals have been built and the initial struggle is in the past. The next phase is represented by the Garuda (a mythical eagle-like creature that features in Hindu as well as Buddhist mythology), and it’s expressed by challenging oneself to more demanding practice. The final phase is the dragon, and it involves moving beyond doing the activity for oneself to doing it for others. There’s a final part, entitled the windhorse, that is based on the notion of an energy that Tibetan Buddhists believe accumulates when one follows the aforementioned 4 phase path. This last part is a description of events that might be seen as the culmination of the author’s running career.

Within the aforementioned six parts, there are 40 chapters—most of which are only a few pages and deal with a specific aspect (or pitfall) of that phase of training.

I found this book interesting. Learning about the four phases (tiger, lion, garuda, and dragon) of skill development was illuminating, and I found myself thinking about how this idea could be more widely applied. It’s a handy conception with broad utility. The author uses stories from his own experience to add credibility as well as light-heartedness to the philosophy lessons being taught. While the book may seem ethereal, much of the discussion is on down-to-earth subjects like dealing with pain and injury. It should be noted that the introductory and tiger parts make up a little more than half the book—suggesting the importance of fundamentals. There’s a lot of valuable information on fear, confidence, and how to view pain.

I’d recommend this book, especially for runners and meditators—but not exclusively so. Many people who are interested in mind / body interaction will be able to draw useful lessons from the book, even if running isn’t your thing.

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BOOK REVIEW: Bruce Lee: The Art of Expressing the Human Body by John Little

Bruce Lee: The Art of Expressing the Human BodyBruce Lee: The Art of Expressing the Human Body by Bruce Lee
My rating: 4 of 5 stars

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Even by today’s standards in which movie stars have personal trainers and scientifically formulated diets, Bruce Lee’s physique compares favorably to the most buff of leading men. In the 70’s there was no one even close. Consider “Way of the Dragon” in which Lee fights a character played by Chuck Norris. At the time Norris was the World Middleweight Karate Champion, a top-ranked athlete, but he looks comparatively doughy set across from Lee. What makes Little’s book intriguing for those interested in fitness is that it answers the question of how Lee achieved such a physique without the benefit of the last few decades of exercise and nutrition science. Sure, he had favorably genetics, but he also had—by all accounts—a sterling work ethic and a conscientious approach to fitness.

I wouldn’t recommend that one follow the programs described in this book wholesale without careful evaluation of the details. While Lee was impressive, he wasn’t free of athletic injuries. Best practices have shifted here and there with regard to the science of human performance. This isn’t meant to denigrate Lee’s approach. In fact, Lee, himself, followed the science of his time and recommended his students do the same. (For those unfamiliar with Lee’s martial art, Jeet Kune Do, its central tenet is to take what is of value and let go of what is not—i.e. never rigidly hold onto set notions.) It should also be noted that Lee—perhaps because of this philosophy—was often ahead of his time on issues like cross-training. I don’t want to leave the impression that there isn’t a lot that holds up well in this book. I’m saying that this is a book about how one man achieved spectacular results, but shouldn’t necessarily be taken as one’s one-and-only guide to fitness (though it does cover much of the relevant territory.) Intermediate and advanced fitness practitioners should know what to take and what to leave, but beginners should proceed with caution.

The book addresses Lee’s approaches to isometrics, weight training, calisthenics, flexibility, nutrition, cardio, and what would today be called functional training (i.e. fitness activities designed to better one’s performance of movements of the sort that one will use in one’s intended activity—in this case martial arts.) It’s important to note that Lee’s approach was optimized to the martial arts. For martial arts one needs a balanced approach to fitness, and it’s not all about aesthetics like it is for bodybuilders. One must be flexible as well as strong and be mobile more than muscly.

The books 24 chapters and ancillary matter are logically arranged. The chapters at the fore provide general information on weightlifting and related topics, the middle of the book is gets into specialized exercises by body part as well as special topics like stretching and nutrition, and the final few chapters get into sequencing and other information about how Lee arranged his fitness activities. Little draws heavily on Lee’s notes, often using his words verbatim.

The one way in which I think the book could be substantially improved would be more relevant photos and graphics, particularly in the sections that deal with specialized exercises. Don’t get me wrong, there are many photos in the book. However, they are all of Lee, and, of course, he had a great deal more photos taken either in action sequences (e.g. flying kicks, etc.) or in candid moments. There are few photos of Lee engaged in “sausage-making” activities like lifting weights or doing calisthenics. However, the subject in the photo need not be Lee. Photos would also allow the author to make the text in those chapters a little less heavy and more readable, and—therefore—it wouldn’t necessarily add to page count as much as one might think.

I’d recommend this book for fitness enthusiasts and martial artists. From beginner to advanced, there’s something for everyone to take away from this book.

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5 Lessons One Learns Teaching Kids Yoga

During the last half of April, I taught a kid’s camp at a1000 yoga‘s Kormangala studio. Below are some ideas about my experience.

Playful Scorpion

The Playful Scorpion

1.) Kids can’t down shift from 4th to 1st like adults. This was once a major point of frustration for me in teaching kids. When you ask kids to settle down after an activity they were really excited about, there’ll be a lag. There’s a temptation to see this unresponsiveness as a lack of respect, but it probably isn’t. (Which isn’t to say that the kiddies never attempt to test the waters.) The fact is that adults don’t get so amped up, and so it’s not so difficult for them settle down. Instead of getting frustrated with the kids, maybe one should feel sorry for the adults.

 

2.) Kids need a more advanced class, but not because they’re more advanced. Attention to detail isn’t a child’s strong suit. They have difficulty focusing on the finer points of alignment and breath–unless they’ve found a fun challenge in the pose. During the camp, we played with vrschikasana (scorpion pose) during the first few days. That’s not something I would do with adults. Kids get in the zone and, therefore, they don’t tense up and injure themselves so easily.

 

3.) Kids are natural flow hackers. If you don’t know what “flow” is, I’d recommend Mihaly Csikszentmihalyi’s book Flow, Steven Kotler’s The Rise of Superman, or Marer / Buzady / Vecsey’s Missing Link Discovered. (Depending upon your point of interest: psychology, athletics, or business, respectively.)  However, in a nutshell, flow is the state of mind in which we perform at our best because of a combination of concentration and the quieting of one’s inner critic. One of the keys to catching the flow is finding a challenge of the appropriate level. The challenge should be just beyond one’s current capability. If it’s too easy, one gets bored. If it’s too difficult, one gets frustrated. Children instinctively seek out the Goldilocks’s zone in challenges.

I noticed this when we were playing a game in which each kid had to cross the floor walking only on wooden yoga blocks. This helps with balance, which tends to be a weakness among kids. Every time all the kids have finished crossing, a block or two is removed. So, the game gets harder the longer it goes on. The position of the remaining blocks can be adjusted, and, after a while, the kids wanted to adjust the blocks themselves because I was making it too easy. In other words, they wanted to make gaps that they would have to stretch to their utmost to succeed.

 

4.) Don’t assume that kids experience fear the same way you do. I suspect there may be some readers who will say, “that guy had kids doing scorpion on their second day of yoga, he must be a complete lunatic.” But, adults superimpose their fears on children. Kids’ excitement more easily overcomes their anxieties. In my last post on yoga, I referred to a FaceBook meme that I saw recently that said, “A child who falls down 50 times learning to walk, never says, ‘I don’t think this is for me.'” Somewhere along the line, people become mortified of failure or the risk of a bruise, but it’s not in childhood.

Have you ever seen a child fall down and start to get up–everything apparently fine–until he or she sees the gasp from mom (or another adult,) and then the child bursts into tears? If you’re the adult in the aforementioned scenario, let me suggest that teaching kids physical activities isn’t yet for you–at least not until you can manage your own anxiety a bit better. That’s not to say that there’s anything wrong with such people, but a teacher’s job is to show the child a world of possibilities and not to infect them with his or her own limitations.

 

5.) Finding the balance between inner child and outer adult can be a challenge, but is necessary. My working theory is that kids don’t trust an adult whose inner child doesn’t show through at least a little bit. Kid’s yoga is typically taught differently from the adult version. When teaching adults, one doesn’t practice alongside the students, but that’s the norm in teaching kids. (Kids can mimic better than they can follow complex verbal instructions.) The kids enjoy having the teacher participate, but one must also ensure that it remains clear who is the teacher. Otherwise, kids may be confused. When you’ve been participating in practice, playing games, and letting the children have some say in what they do (which is also a sound practice to some degree) they may gradually start to forget about your role as authority figure.

What RYT300 Taught Me About Fear

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I recently completed the RYT300 course at Amrutha Bindu Yoga to obtain my RYT500 yoga teacher certification. (i.e. The 200 hour course–which I completed a couple years ago–plus the 300 hour course are the primary requirements for the 500 hour certification.) The essay below is about one of the key lessons I learned in this phase of training.

 

I walked through the streets of Bengaluru barefoot and with not so much as a 5 rupee coin in my pocket. [If your response to that is “big whoop,” you probably live somewhere like Singapore, Helsinki, Kobe, or Calgary where the streets are immaculate and the rats aren’t so bold. If you’re familiar with what goes on in and near the streets in India, you may be wondering what the hell is wrong with me.]  It was an unconventional teaching tactic to be sure, but it ranks among the most valuable lessons of the training—surpassing no small revelations about postural alignment, pranayama methods, bandha technique, physiology, and yogic philosophy. It was even up there with the experience of advanced shatkarma (cleansing practices) that were completely new to me.

 

What’s the lesson?  If you’re going to teach yoga–particularly at the intermediate / advanced level that RYT500 is intended to prepare you for–you need to work on not being ruled by fear. That isn’t to say one must be fearless. We imagine fearlessness to equate to courageousness, but courage is action under fear. Neuroscience tells us what a fearless person is like. We know from individuals who’ve had the parts of their brains damaged that are responsible for the emotion—they are paralyzed by indecision. Our emotions provide a basis for choosing–at least as a tie-breaker when no clearly superior path exists. We need our fear, just like our other emotions, but if you can’t move forward because of it you may have a hard time keeping learning.

 

Not being ruled by fear isn’t just—or primarily—about being able to keep practicing advanced techniques until you can get a grasp on them.  Yes, mastering a handstand requires a fair amount of falling down (hopefully, in a controlled fashion), and that’s a lot of potential for anxiety, but there’s more at stake.  What precisely? One might start, as many do, with what Patanjali has to say on the subject, and one can start from square one. “Chitta Vrtta Nirodhah.” (Quieting the fluctuations of the mind.) Many of the fluctuations of the mind result from anxieties and our obsession with solving them. Our brains are wired to try to anticipate worst case scenarios so we can develop ready-made solutions for them. This can result in excessive pessimism, extended stress, and all the problems that go along with that stress.

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There’s a popular saying that goes, “money is the root of all evil.” But, I think it’s wrong. Fear is at the heart of all evil—not to mention a fair amount of run-of-the-mill pettiness.

 

So what is the path to anxiety management? Start small, and dispassionately observe your discomfort. Don’t try to squelch the emotion, just watch it while trying to avoid putting good or bad labels on it. Of course, sources of anxiety are personal. As far as prescriptive yoga practices, that depends upon one’s personal anxieties. For some inversions might do the trick, for others extreme back bends, for some external breath retention, for others it may be balancing. Then, of course, there are the advanced shatkarma practices I mentioned earlier–such as vaman dhauti (cleansing by vomiting) or poorna shankhaprakshalana (i.e. clearing out one’s digestive tract via massive ingestion of salt water.)

 

I recently finished teaching a Kid’s Camp (a post about that to come.) At the beginning of the camp, I was telling someone that the kids were fearless, but what I came to discover was that kids just allow their enthusiasm to swamp their anxieties. I had seven-year-olds doing pinchamayurasana (forearm stand) and vrschikasana (scorpion) within the first few days. That would be a hard sell for adults. [I don’t think I’ve ever taught those postures to adults.]  It’s not just that kids are bendy, they’re also ready to get up after they fall down. (And since they’re not stressed about the possibility of falling they don’t tense up and get badly injured.) Someone posted a great meme on Facebook recently. It said, “A child who falls down 50 times learning to walk, doesn’t go, ‘I don’t think this is for me.’”

The Good and Bad News About Yoga for Weight Loss

IMG_2643The good news is that yoga can help one lose weight. The bad news is that the mechanism by which this occurs isn’t what most people expect, and it involves the mind a great deal more than the muscles.

 

While many people hope for a secret to weight loss, there’s no secret. Weight loss is a function of calories eaten being less than calories burned.  This simple formula means that one can either eat less or exercise more. Both the diet and exercise matter for good health, but the eating part is more important to cutting weight. This statement may be controversial and seemingly gratuitous—particularly for people who think exercise is going to single-handedly shed excess pounds–and so I’ll take some time to try to make my point.

 

The first thing one should know is that our voluntary activity only accounts for about one-third of calories consumed. The other two-thirds are used whether we move a muscle or not. Between 20 and 25% of our energy consumption is devoted to our brain, and much of the rest is used to keep us at 37°C (98.6°F) because we are, after all, mammals. This means that increasing the intensity or amount of exercise—while it has tremendous health benefits—will achieve only a marginal increase in calories burned. From the Mayo Clinic website, I learned that a 109kg (240lb) individual will burn about 273 calories doing a typical hata yoga class or about 436 calories with Power Yoga. (Compare this to about 327 calories / hr. for tai chi or 654 calories / hr. for hiking.) So your hour of yoga has maybe knocked off a 32oz soft drink or one medium size French fries. Most people have trouble finding more than one hour of time and energy for exercise per day. And as someone who sometimes spends more than an hour a day exercising, I can attest that there is a point of diminishing marginal returns. So while exercise is an important part of weight loss, one can’t go hog-wild in eating just because one exercises.

 

[One should also note that many yoga practitioners experience a reduced basal metabolic rate (BMR) because of the calming aspect of the practice. A lower BMR means that you burn fewer calories just living and maintaining your metabolism. All things being equal, this makes cutting weight all the more challenging—though the effect is certainly counterweighted by the stress reduction aspect of the practice that will be discussed below.]

 

To summarize: unless you’re an elite athlete in training for something like the Olympics, the idea that you can eat whatever you please and cut / maintain a healthy weight is likely to result in disappointment.  A common piece of dietary advice for elite athletes is to daily eat one gram of protein for every pound of ideal bodyweight and eight fist-sized servings of vegetables. Beyond that, they can pretty much eat what they want. But with that much slowly digesting material, they’re probably not going to go overboard—even if they weren’t already, almost by definition, very disciplined people.

 

IMG_2737So if an hour of yoga a day doesn’t even make up for having a Mars bar, what good is it?  For one thing, the yoga student has the opportunity to become more attuned to his or her body and, in doing so, to learn to differentiate physiological hunger from the many other permutations of hunger that overtime merge into a multi-headed hydra of craving. What are these other hungers? First and foremost, there’s psychological hunger, or the use of food as therapy. People use food to reward themselves, to medicate themselves, to take their minds off of their woes. Secondly, there’s sensory hunger in which we have no real need to eat but the food looks or smells too good to avoid.

 

One of the forms of hunger that often remains hidden is social hunger. That is, one eats to be part of the in-group and to bond. For example, imagine you’ve just eaten, are not hungry, and someone offers you food. Depending upon who it is and what your relationship is that person, you may feel compelled to eat even if you don’t need it. The double whammy is that eating as socializing is so deeply engrained and that we humans—contrary to popular belief—are dismal at multitasking. We can’t converse and be aware of what we are eating, and thus one may overeat because one is so engrossed in the distraction of socializing. This isn’t to say that there is anything inherently wrong with social eating. We all have to do it to some degree or another. One just needs to recognize that if it becomes a habit to be distracted from one’s food, one may have problems.

 

Relating back to the idea of psychological hunger, yoga helps one destress.  Stress can be a perfectly healthy phenomenon, but when it’s prolonged it can have many adverse consequences. One such consequence is having cortisol levels remain too high, and this has the effect of ramping up the appetite. Your body has been pressed into fight or flight mode, it expects that you’re hauling ass away from a sabretooth tiger or an angry woolly mammoth mamma, and that you’ll soon need to replenish depleted energy stores. Your endocrine system doesn’t know that you’re curled up on the couch with a pint of ice cream… yeah, let’s call it a “pint.” As a form of exercise, yoga helps reduce this problem. However, beyond exercise, yoga offers many relaxation techniques such as yoga nidra, kaya sthairyam, restorative postures, and some forms of pranayama(breathing exercises) that can help you turn off the “fight or flight” and turn on the “rest and digest”—what Herbert Benson called the “relaxation response.” Sometimes you might delve into an intense practice like Ashtanga Vinyasa or Power Yoga, and other times restorative yoga might be just what the doctor ordered. [Disclaimer: “What the doctor ordered” is a figure of speech. I’m not a doctor, and I haven’t even played one on TV.]

 

IMG_2633There is yet another way in which yoga can help. Yoga helps one dispassionately observe one’s drives and this way one can slowly, over time, rewire one’s attitudes toward food.  One can begin to think of hunger pangs as a sensation, rather than projecting a negative connotation onto them. In this way, one can learn to begin to watch the sensation and learn from it rather than running for the food.

 

Finally, an important benefit of yoga is in teaching one to be contented with oneself, even if one isn’t content to live with one’s present health or physical capability. Santosa is one of the niyama, and it teaches one to be content with who one is–perhaps even while one is simultaneously practicing the austerities of tapas (another niyama) in pursuit of personal development. If one isn’t contented with oneself, one can fall into a shame spiral that may create the kind of persistent stress that I warned about above. Also, if one is at a healthy weight, but has some deep-seated drive toward “perfection,” the lessons of santosa can inform you as well.

 

Best of luck in the pursuit of good health.

BOOK REVIEW: Boxing Fitness by Ian Oliver

Boxing Fitness: A Guide to Get Fighting Fit (Fitness Series)Boxing Fitness: A Guide to Get Fighting Fit by Ian Oliver
My rating: 4 of 5 stars

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How does one skip rope, work the pads, or avoid nipple rash? If you think that boxing would be a fun way to get fit, this would probably be a useful book for you. Oliver shows a range of fitness practices—many specific to boxing, but others that are used in a number of sports and fitness activities—that will help one improve one’s fitness.

The reader will gain insight into bagwork, padwork, and boxing drills–from beginner to advanced. While the book’s emphasis isn’t on boxing technique, there’s a minimal discussion of the basics of footwork and punching designed to allow a reader to safely begin practice of bagwork and padwork. One also learns about roadwork, the basics of weightlifting as it’s useful for boxers, calisthenics, and other exercise routines that boxers use. It’s a small book and, therefore, doesn’t go into great detail on any particular subject. However, it does offer useful tips in a concise form.

There’s a chapter on equipment, but throughout the book the author gives advice on equipment as it’s relevant to the discussion at hand. The same is true of safety tips. There’s a chapter on injury and illness, but you’ll find insights into how to avoid injuries woven throughout.

I liked the approach of this book. While it shows one the age-old practices of fighters, it also describes more recent developments. In other words, it’s neither crusty and obsolete, nor does it try to re-invent every wheel in order to prove itself cutting edge. I also appreciated the author’s pragmatism—e.g. emphasizing the benefit of a strong core over that of six-pack building and suggesting dietary practices that are sound and simple rather than fads and fables.

Graphics include black and white photographs throughout a few diagrams. Most chapters have photographs, and they are generally sufficient to convey the necessary information without being overwhelming.

While this is a book of the basics, I found it to be a beneficial read and I appreciated the way it was arranged and the way information was conveyed. I’d recommend it for anyone interested in fitness for combative sports or who thinks boxing would be a good way for them to stay motivated to get fitter.

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Flexibility & Power in Kalaripayattu: Confessions of a Gravitationally-Challenged Student

IMG_4269Learning third level material was when Kalaripayattu became daunting. Until then, it was just exhausting.

 

I’d been doing a lap of the kalari consisting of high kicks flowing into Hanumanasana (a scissors split.) Each split is on the opposite side from the last. By yoga standards, my split alignment was off. My hips weren’t perpendicular to my legs, but I’d allowed them to twist open to make the split easier. However, that was probably the least of my errors, and–unlike in yoga practice during which one might take minutes to ease into this intense split–the cadence in kalari was kick – split – struggle to one’s feet. [Okay, the “struggle” shouldn’t have been, but it’s an accurate description of my rendition.]

 

This wasn’t the hard part, by the way. I’ll get to that. The structure of the class up to that point was logically arranged to facilitate those splits. The practice started with warm ups of rapid repetitive motions that got the muscles and core warm. Then there were a series of kicking exercises that also served as dynamic stretches. Next, there was a vertical version of the splits done in a static form. With the inner edge of one’s bottom foot posted along the base board, the heel of one’s upper foot is slid up a piece of wood lathe worn smooth that has been tied vertically–perpendicularly to the steel burglar bars that one uses to pull oneself into the stretch. (This is an inner city kalari, and not the traditional version dug into the ground.) Then one revisits a high kick, swinging the leg with greater intensity. Only then does one do the lap of splits.

A traditional kalari looks like this. This is the Kalari Gurukulam in Chikkagubbi (parent school to the one at which I train.)

A traditional kalari looks like this. This is the Kalari Gurukulam in Chikkagubbi (parent school to the one at which I train.)

 

The next piece is where the third level kicked my butt. One’s hamstrings and quads stretched to the max, feeling more like limp noodles than coiled springs, one is now expected to work through a series of leaping maneuvers. There are seven leaping exercises (besides some basic warm-up leaps): a leaping circle kick, a spinning kick that takes one 360-degrees, a split kick in which one leaps up and kicks out laterally in both directions simultaneously, a split kick in which one leaps up spinning 360 degrees [theoretically] and does the same split kick in the middle, a flip kick in which one kicks up and forward and flips one’s body over in mid-air to come down on one’s hands and feet (in a lunged position with palms down next to the feet), and then there are two versions of leaping/spinning kicks that proceed down the length of the kalari.

 

IMG_1661Why does one do these plyometric techniques in the wake of such intense stretching? I suspect that experts in exercise science would tell me this isn’t the best way to improve my leaps. One should do the leaps when one’s muscles are more like rubber bands than al dente linguine. Still, I dutifully comply. Maybe there’s an ancient wisdom at work here. Maybe there’s not. There’s no way to find out without giving it a try. I fall down a number of times that first day, and on all subsequent sessions. As I write this, I’m now learning level five material, but I continue to revisit the leaps every session for two reasons. First, I’m not happy with my abilities. Second, I want to find out whether I can improve my balance of flexibility and power, and whether the kalari approach does the trick. (Note: I’m using the word “power” in the specific sense of work performed per unit time. In other words, it’s not synonymous with strength. It’s a function of both speed and strength.) At any rate, I still fall down.

 

IMG_2278However, looking beyond my own limited capacity to have my cake and eat it too (i.e. retain flexibility as I gain power), I see evidence of the success of this approach. There are a number of advanced people who’ve been using this approach for many years and have a preternatural balance of flexibility and jet propulsion. Said individuals seem to go from deep stretches to phenomenal vertical leaps without difficulty.

 

If nothing else, I’ve learned a great deal about my muscular composition. While I’m challenged by ballistic movements, my stamina is quite respectable. Type I (slow twitch) musculature seems to be disproportionately common in comparison to type II (fast twitch) in my body. While I’m including more power building training in my workouts, my progress is glacial. If I was smart, I’d take up long-distance running or some other endurance activity. But I tend to find such activities tedious, while I love the martial arts. And so I struggle.

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DAILY PHOTO: Fitness Trail

Taken September 20, 2015 in Jatujak Park

Taken September 20, 2015 in Jatujak Park

 

Thailand has some of the best parks in the world. They make the pursuit of fitness easy whether you’re an athlete or an elderly grandma.

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BOOK REVIEW: You Are Your Own Gym by Mark Lauren

You Are Your Own Gym: The bible of bodyweight exercisesYou Are Your Own Gym: The bible of bodyweight exercises by Mark Lauren
My rating: 4 of 5 stars

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As the title suggests, this is a guide to bodyweight exercises, and—specifically—periodized callisthenic training without equipment. Periodization is an approach in which the volume and intensity of workouts is in constant flux, as opposed to the regular approach that used to be the norm. It’s with regard to coping with a lack of fixed equipment that this book really seeks to separate itself from the many high-intensity interval training (HIIT) books in bookstores today. Obviously, calisthenics require much less equipment than weight training. However, without at least a pull-up bar and dip bars, it’s hard to get a well-rounded bodyweight workout. You Are Your Own Gym shows the exercises done with makeshift apparatus where necessary. Some of the suggested substitutes look safer than others, and a few of them (e.g. door pull-ups) work muscles a little differently than the basic. However, the examples get one into the habit of considering how one can use one’s environment creatively to get a good workout. [I would recommend exercising caution and safety when using the demonstrated improvised methods.] Even if one has access to equipment in day-to-day life, frequent travelers often have trouble getting a good workout in on the road. This book can be helpful in assisting one in avoiding the dead spots in one’s training regimen due to inability to get to a fitness facility.

The author, Mark Lauren, is a former Combat Controller and Special Operations fitness instructor. For readers who aren’t familiar with the US Air Force, Combat Control is one of two special operations career fields in the Air Force (excepting pilots and crew who fly special operators around.) Combat Controllers usually serve with Army Special Forces, facilitating the provision of air support in the midst of combat operations. Lauren certainly has the bona fides to write intelligently on the subject.

The book consists of 12 chapters, but it’s the penultimate and final chapters that present the meat of the work. Chapter 11 presents a thorough collection of bodyweight exercises organized by the area of the body worked. In most cases, the exercise descriptions include a photo, as well as modifications to provide a more or less strenuous version of the exercise. The latter feature makes Lauren’s program nicely scalable. The reader can optimize exercises to his or her needs.

The last chapter lays out the program. Because varying the characteristics of the workout is the key to the periodization approach, varied workout structures are discussed. These include well-known approaches such as interval sets, super sets, and tabatas, as well as less familiar approaches such as stappers (cycling through a fixed number of repetitions of a few exercises for a set amount of time without rest periods—but with a low enough number of reps to avoid failure) and ladders (i.e. long sets in which one does on rep, rests for one, does two reps, rests for two, etc. up to just before the point of failure, and then working back down to one rep in a symmetric manner.) While one can certainly make up one’s own workout with the knowledge gained to this point in the book, there are 10-week sample programs at four different levels (starting with beginners and working toward advanced practitioners of calisthenics.) If you’re not sure which level is right for you, the author provides a set of exercises that one should be able to carry out as a minimum to begin work at a given level.

The first ten chapters deal with a range of subjects including: diet, strength training myths, motivation, intensity, and the nature of bodyweight exercise. These short chapters lay out basic concepts helpful to engage in the program. There are three appendices that discuss equipment issues, a summary of guiding principles, and a discussion of the science of the program. The latter is beneficial, given some claims by the author that old school fitness buffs might find hard to accept–such as the lack of need for high volume endurance activities for cardio (i.e. one doesn’t need go for a run to get cardio benefits.)

I found this book to be beneficial. I like the fact that Lauren addresses the science of the approach rather than just throwing his approach out there with all the fad workouts. I found the advice to be sound, and have become more creative when considering how I can get a good workout on the road as a result of reading the book. As I write this, I’m in the 10th (and final) week of one of the sample workout sequences. I believe I’ve gotten good strength workouts from the program. I enjoy the scalability of the program, and have taken advantage of both easier and harder variants of the exercises.

I’d recommend this book if you’re looking for a bodyweight exercise program—particularly if you travel a lot, don’t have access to fitness facilities, or just like to workout at home.

View all my reviews

Saving the Knees: Preventing Knee Injuries in the Martial Arts

Public Domain Image from Wikipedia

Public Domain Image from Wikipedia

 

The knee is a hinge joint. It’s designed to flex and extend with the thigh bone (femor) and the shin bone (tibia) in the same plane. A healthy joint can tolerate a certain amount of torquing or poor distribution of the body’s weight on occasion, but repetitive movements of that nature and /or severe uncontrolled movements can lead to permanent damage. Healthy knees are stable when straight (extended), but become slack when bent (flexed.)

 

Knee damage among martial artists is all too common, and the causes may or may not be self-evident. Martial artists whose practice includes kicks that require pivoting on a support leg or which involve landing leaping maneuvers may be intimately aware of the risks. However, the first martial art that I ever trained in had no twisting / pivoting kicks and few leaps (that were rarely practiced), but knee injuries were epidemic. The culprit in this case was low postures which required the thigh to be turned out (externally rotated and abducted) with the knee deeply flexed.

 

Well, I should say those postures were the culprit in conjunction with lack of flexibility and/or strength in all the right places. This isn’t to say that the individuals who developed knee problems weren’t strong or flexible, but the areas that needed work weren’t necessarily the big muscle groups that leap to mind when workout time comes around.   Emphasis on the big muscle groups (quadriceps and hamstrings) with neglect of the muscles involved with adduction, abduction, external rotation, internal rotation and stabilization can create some problems. If you’re a runner or a weightlifter (with good form) you may be able to get away with such a stretching and strengthening emphasis. [Note: I’m not advocating such an approach for anyone. What I’m saying is that if your knee is only worked with the knee straight below the hip and pointed forward in a hinge fashion, your risks are not the same as someone who works with a flexed knee with the thigh turned out. The likely injuries are different.]

Note: Knees pointing the same direction as the toes. (The back knee might be a little far back but that's an issue for the ankle health post.)

Note: Knees pointing the same direction as the toes. (The back knee might be a little far back but that’s an issue for the ankle health post.)

WRONG: Note: if one dropped a line down from the knee it would be well inside the foot. That means the ligaments are having to work too hard and your skeleton isn't doing enough

WRONG: Note: if one dropped a line down from the knee it would be well inside the foot. That means the ligaments are having to work too hard and your skeleton isn’t doing enough

 

To do a posture like the one above, one needs the flexibility to keep the knee wide enough so that it points the same direction as the toes.  The joint shouldn’t be wrenched or torqued with load on it. The four ligaments (Anterior Cruciate Ligament [ACL], Posterior Cruciate Ligament [PCL], Medial Collateral Ligament [MCL], and the Lateral Collateral Ligament [LCL]) and the surrounding musculature keep the joint snug during movements. And, as mentioned earlier, when the knee is deeply flexed it’s more sloppy than when extended.

 

-Increase flexibility in the muscles that internally rotate and adduct  the thigh: When one goes into a wide-legged stance, one’s thigh is pulled away from the body’s center-line (abducted) and the thigh externally rotates. If the muscles that act in the opposite direction (pulling the thigh back on center and rolling the thigh inward) are too tight to allow the knee to move into proper position, then the load of the body weight will be going into the ground through a kinked joint. Furthermore, one will end up torquing through the joint as one moves. Below are a few hip openers that will help one achieve the requisite range of motion.

Utkatakonasana (often called goddess pose) variations will show you whether you're getting your knees and toes in line.

Utkatakonasana (often called goddess pose) variations will show you whether you’re getting your knees and toes in line.

Badhakonasana (often called the butterfly stretch): Work on getting those knees down

Badhakonasana (often called the butterfly stretch): Work on getting those knees down

Place one foot on top of the opposite knee (and vice versa for the other side) carefully shift weight forward. This puts an intense stretch on the hip joint to help rotate the thigh sufficiently

Place one foot on top of the opposite knee (and vice versa for the other side) carefully shift weight forward. This puts an intense stretch on the hip-joint to help rotate the thigh sufficiently

Same as the last from the side

Same as the last from the side

Upavistakonasana: put legs at about 90 degrees relative to each other, and then lean forward with a flat back placing the stomach, chest, and chin on the floor (in that order.)

Upavistakonasana: put legs at about 90 degrees relative to each other, and then lean forward with a flat back placing the stomach, chest, and chin on the floor (in that order.)

Padmasana (lotus): If you meditate in padmasana, you probably already have the range of motion necessary. Note: if padmasana hurts your   knees, you need to go back to hip openers and discontinue the practice.

Padmasana (lotus): If you meditate in padmasana, you probably already have the range of motion necessary. Note: if padmasana hurts your knees, you need to go back to hip openers and discontinue the practice.

 

-Strengthen the muscles that stabilize the knee-joint. One begins this process with the usual suspects of leg exercise. One just needs to focus intently upon alignment. Here are a few of the exercises you may already be doing.

 

Wall squat: just like sitting on a chair with one's back  to the wall--sans the chair.

Wall squat: just like sitting on a chair with one’s back to the wall–sans the chair.

The classic squat

The classic squat

Side lunge: This one is  particularly important to get the knee aligned with the foot.

Side lunge: This one is particularly important to get the knee aligned with the foot.

The basic lunge: can be done stepping forward, backward, or both (the latter in an alternating fashion)

The basic lunge: can be done stepping forward, backward, or both (the latter in an alternating fashion)

 

As one needs more challenge, one can achieve it in the usual ways (single-legged, unstable surface, add weight, or combinations thereof.) Below are a couple of variations that combine single-limbed work with an unstable surface.

 

IMG_1537 IMG_1532

 

-Save static stretching for after the joint has warmed up. It used to be common to begin a workout with static stretching. While few do this anymore, it’s a practice that needs to be replaced. Stretch warm.

 

-Don’t neglect the opposing muscle groups: When I said that one needs to increase flexibility in adductors and internal rotators, that doesn’t mean to ignore the opposing muscles. Nothing  good comes of stretching or strengthening in an unbalanced fashion. Your musculature works as a team with agonists, antagonists, and stabilizers all working  in conjunction to produce effective movement.

 

-Don’t go overboard with stretching: If your aim is to be a contortionist, then by all means go ahead. However, highly flexible martial artists need to be concerned about joint laxity. Laxity is when the joint gets so loose that it’s vulnerable to popping out-of-place.  A martial artist needs a balanced style of fitness. Extreme flexibility results in weakness and lack of joint robustness, just like extreme strength training produces a body that lacks range of motion and stamina.

 

Most importantly, don’t ignore pain when it’s still at the minor twinge point. If you have knee pain you’re doing something that joint doesn’t like. One should reevaluate your movement and, if necessary, considering stepping back from your current practice to work on capacity building exercises.