PROMPT: Dream Home

Daily writing prompt
Write about your dream home.

I think Chōmei said everything that need be said on the matter — and more eloquently than I would — in Hōjōki [i.e. 10-Foot Square Hut.]

For elaboration, see…

HERE

Five Wise Lines from Chōmei’s Hōjōki

drawing by Kikuchi Yōsai

On flows the river ceaselessly, nor does its water ever stay the same.

 Kamo no Chōmei, Hōjōki

No one owns a splendid view, so nothing prevents the heart’s delight in it.

Kamo no Chōmei, Hōjōki

Knowing what the world holds and its ways, I desire nothing from it, nor chase after its prizes. My one craving is to be at peace; my one pleasure is to live free from troubles.

Kamo no Chōmei, Hōjōki

These days, I divide myself into two uses — these hands are my servants, these feet my transport.

Kamo no Chōmei, Hōjōki

When I chance to go down to the capital, I am ashamed of my lowly beggar status, but once back here again I pity those who chase after the sordid rewards of the world.

Kamo no Chōmei, Hōjōki

Reference: Saigyō Hōshi, Kamo no Chōmei, Yoshida Kenkō. 2021. Three Japanese Buddhist Monks. New York: Penguin Books. 112pp.

Available Here

BOOK REVIEW: Three Japanese Buddhist Monks by Saigyō, Chōmei, and Kenkō

Three Japanese Buddhist MonksThree Japanese Buddhist Monks by Saigyō
My rating: 5 of 5 stars

Amazon.in Page

This book collects three essays composed between the twelfth and fourteenth centuries. They are in chronological order, but also in order of increasing length, i.e. Saigyō’s piece is a short excerpt, while Kenkō’s essay makes up the bulk of the book.


An excerpt from Saigyō’s Senjūshō tells the story of the monk’s meeting with a wise reclusive meditator on Mt. Utsu. Saigyō tries to talk his way into living / meditating with the hermit, but the sage convinces him that that wouldn’t be good for either of them. The monk goes away, planning on visiting the hermit on his return, but he wistfully tells us that he took another route.


“The Ten-Foot Hut” is about the benefits of a simple, minimalist existence. It discusses Impermanence, and takes the view that having more just means one has more to lose. A quote that offers insight into the monk’s thoughts is, “If you live in a cramped city area, you cannot escape disaster when a fire springs up nearby. If you live in some remote place, commuting to and fro is filled with problems, and you are in constant danger from thieves.” The author’s solution? Build a tiny cabin in the woods and – in the unlikely event it burns or gets robbed while one is away – what has one really lost?


The Kenkō essay makes up about eighty percent of the book. Its rambling discussion of life’s impermanence delves into morality, aesthetics, and Buddhist psychology. There are many profound bits of wisdom in this piece. Though it’s also a bit of a mixed bag in that some of the advice feels relevant and insightful, while some of it hasn’t aged / traveled well.


I enjoyed this book and found it thought-provoking. Some may be disappointed by finding how little of Saigyō’s writing is included (he being the author of greatest renown,) but I found each author had something valuable to offer.


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