POEM: A Khasi Myth: or, Rodent, Lightening, and Sword

In a sacred forest

a Rodent roamed

who owned a sword

it freely loaned.

This was no hacking

machete blade,

but made of metal

of unmatched grade.

One day Lightening

made a request:

To borrow the blade

believed the best.

Lightening zigged,

sliced, and zagged.

Claiming ownership

 in its boastful brags.

The rightful owner

requested its return.

But the rodent’s

plea met only spurn.

So the critter devised

a clever, sensible plan

in order to bridge

the requisite span.

It needed to climb

from Earth to the sky

because it had no

wings with which to fly.

But it wasn’t just wings

which Rodent lacked.

It had only one item

 to be skyward stacked.

So it piled its poop

as high as it could,

from the base of a tree

past the top of the woods.

Stacking and piling, the

poop nearly touched cloud.

When a thunder crack

struck ear-splitting loud.

Lightening saw rodent

would reclaim the sword

that Lightening had come

to so ardently adore.

Down fell the Rodent

to a pile of fried dung

that had once been its

steps and its ladder rungs.

 You may think that

Lightening got its way.

But the Rodent piles

its poop to this very day.

Someday when Lightening

is momentarily distracted,

Rodent’s sword will be

surreptitiously extracted.

DAILY PHOTO: A Tree Seen Two Ways

Taken on April 23, 2017 at Kaziranga National Park in Assam

DAILY PHOTO: David Scott Trail, Meghalaya

 

 

 

Taken on April 17, 2017 on the David Scott Trail

 

This was the view were we came off the trail near Lad-Mawphlang

 

I’m back after three weeks traveling about the Indian Northeast, i.e. the states of Meghalaya, Assam, Nagaland, and Manipur. And I’ve got a pile of pics.

The David Scott Trail is a hiking trail that was built as a carriage trail from Burma into India at the behest of the British colonial leader whose name it bears. Since it was made for traffic by animal-drawn carriages, it makes for easy hiking. It’s a scenic trail. It should be noted that (like most trails in India) it isn’t well-marked, however, the fact that it is wider than most trails and has old paving stones along much of the route makes it fairly easy to avoid getting lost.

We hiked only the section from Mawphlang to Lad-Maphlang. It’s an easy day hike.

DAILY PHOTO: Prayer Flags, Khardung-la

Taken in the Summer of 2016 at Khardung-la

 

POEM: Sweep

Bristles flex against the flagstone.

Like Bruce Lee with his nunchaku,

she works two brooms at once.

Unlike Bruce,

she lacks fury and showmanship.

She’s oblivious an audience has formed.

Like Bruce, her body is coordinated,

capable of describing two arcs,

in two separate directions,

at once.

The soft scraping sounds

of two bundles of bristles

is the neighborhood’s wake-up call.

The hush whispers of leaves skittering

is the subdued scream

that cannot be ignored.

Like a demonic whisper,

all that’s quiet is not gentle.


[National Poetry Month, Poem #23]

DAILY PHOTO: Brahmashram of Nandi Hills, Inside & Out

Taken in October of 2013 at Nandi Hills

 

 

Brahmashram is an ascetic’s cave located on the hillside at Nandi Hills. It’s most famous occupant was the sage Ramakrishna Paramahansa (1836 – 1886), who was a teacher of Swami Vivekananda.

DAILY PHOTO: Grey Langur in a Tree

Taken in Jaipur in November of 2015

DAILY PHOTO: Sweetheart, It Feels Like Something Is On Your Mind

 

Taken on April 11, 2017 in Bangalore

DAILY PHOTO: Two Tuks and a Billboard: A Bangalore Street Scene

Taken in September of 2013 in Bangalore

POEM: Until You See the Flower Floor

It’s a post-apocalyptic scene.

Until you see the flower floor.


Concrete walls, bare but for paan stains.

Looking like a fresh massacre.

A murderous rampage

written in shotgun spatters.


A pack sits, rhythmically rocking,

hands mindlessly at work.

But with their backs to you,

you can’t see they’re stringing garlands.

Looks like the junky fidgets

of a Zombie horde at rest.

The impulse to tip-toe past, rationally quieted.


Then you peer over the rail to the flower floor.

The flower floor is brightness.

The visual gravity of oranges and yellows

exerts such an aesthetic pull on the eyes

that one can’t see any sign

of dystopian dreariness.


[National Poetry Month: Poem #12]