BOOK REVIEW: A Portrait in Poems by Evie Robillard

A Portrait in Poems: The Storied Life of Gertrude Stein and Alice B ToklasA Portrait in Poems: The Storied Life of Gertrude Stein and Alice B Toklas by Evie Robillard
My rating: 4 of 5 stars

Available March 3, 2020

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This work provides a biographical sketch of Gertrude Stein, her partner Alice Toklas, and their life together in Paris. The vehicle is free verse poetry, although it reads more like a children’s book than poetry. That may sound as though I intended it as a burn, but that’s not the case. The marketing materials for this book present it as a child-friendly picture book, if not entirely marketed in the children’s literature market. What I mean to say is that the writing is simple, literal, and isn’t filled with complex metaphor or cryptic description that one might expect in adult works of poetry.

The book is illustrated in a child-centric manner as well, with whimsical, unintimidating, and colorful art.

I didn’t know much about Stein, and had only heard the title of the book, “The Autobiography of Alice B. Toklas” in which much of this book’s source material presumably resides, and so this was a nice background, without getting too deep in the weeds.

If you’re a Stein fan and are interested in introducing a kid to her biography, or if you have your own limited but adult interest in her life, this is quick read to get you up to speed.

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BOOK REVIEW: Poems to See By ed. by Julian Peters

Poems to See by: A Comic Artist Interprets Great PoetryPoems to See by: A Comic Artist Interprets Great Poetry by Julian Peters
My rating: 5 of 5 stars

Available March 31, 2020

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This anthology of twenty-four classic poems is set apart by the artwork used to convey the illustrator / anthologist’s view of each poem. The poets are all virtuosos, including: Dickinson, Angelou, Cummings, Langston Hughes, Auden, Seamus Heaney, Wordsworth, Shelley, Yeats, Poe, and Eliot. The poems are sometimes, but not always, among the most anthologized of the respective poet’s work. I would say that most poetry readers will probably find something that they haven’t read, but – even if not – it’s worth re-reading them as you enjoy the artwork.

The illustrator, Julian Peters, makes a bold decision to use the widest variety of artistic styles in an attempt to more aptly capture the tone of each poem. I recently reviewed a similar book, Chris Riddell’s “Poems to Live Your Life By,” and that book used a consistent style through out (which isn’t to say that tone and reality / surrealism didn’t change.) I’m not an artist, and don’t really have a vocabulary to describe the various artistic styles employed, but will attempt to give one some insight. There is the obvious shift between monochrome and color strips, but even within each of those categories there is great variation. Some monochrome strips were mostly gray, while others were exclusively black-and-white. Color works ranged from shocking dayglo to subdued pastels to dominant single color (e.g. blue) pics. Various poems were represented by a modern comic book style art, an old fashion comic strip approach, those which looked like paintings, those that were highly realistic, those that were surreal, those that were retro-chic, and even one [for Maya Angelou’s “Caged Bird”] that was in a quilt-like style.

I enjoyed this work tremendously. Most of the poems were short works, single pagers, and the fact that I’d read possibly all of them before wasn’t a problem because these are the kind of poems that should be revisited. Only the postscript poem, Eliot’s “The Love Song of J. Alfred Prufrock” was of substantial length.

I’d highly recommend this book for poetry readers, particularly those interested in are of imagery and how it’s conveyed and perceived.

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BOOK REVIEW: Poems to Live Your Life By selected & illustrated by Chris Riddell

Poems to Live Your Life ByPoems to Live Your Life By by Chris Riddell
My rating: 5 of 5 stars

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This is an anthology of forty-eight poems arranged into eight life-related topical areas. The connective theme is poems that the editor, Chris Riddell, found to contain valuable life lessons. The span runs from Rumi to poets of the present day. It’s a nice selection in that it includes not only old and new (thus varied styles of verse,) but also greater and lesser known poems and poets. [That’s not to say that any of the poets are unknowns, but some of the oldies are remembered through the ages more than others, and some of the newer individuals are better known for other activities – e.g. Neil Gaiman (novelist / storyteller,) Leonard Cohen (recording artist,) and Riddell, himself (graphic artist.)] There are several much anthologized inclusions that almost any poetry reader will have read, including: Frost’s “The Road Not Taken,” Shakespeare’s “Sonnet 18” and the “To be, or not to be” soliloquy from Hamlet, Carroll’s “Jabberwocky,” and Dylan Thomas’s “Do Not Go Gentle into that Good Night.” However, there are many lesser known gems as well, many by masters of poetry such as Seamus Heaney, Christina Rossetti, and Philip Larkin.

The eight topical areas are: Musings, Youth, Family, Love, Imaginings, Nature, War, and Endings. Most of the sections contain five or six poems, though — tellingly — Love contains the most at twelve and War the least at three.

While Riddell not only selected the poems and include a couple of his own, he also illustrates the book. There are beautiful line drawings throughout that offer insight into Riddell’s interpretation of each poem.

I enjoyed this anthology. As I said, it’s a beautiful selection of poems, and the artwork is skillfully done as well. I’d highly recommend this book for poetry readers.

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BOOK REVIEW: The Man in the High Castle by Philip K. Dick

The Man in the High CastleThe Man in the High Castle by Philip K. Dick
My rating: 5 of 5 stars

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In this counterfactual novel, the Axis powers won the Second World War, and America has been divided between Germany and Japan. I recently re-read this book, having watched the Amazon Prime series that is loosely based upon it. [FYI – the plotting and details are considerably different between the book and the series, and — while many major characters and a few key events are shared between them — they are not recognizable as the same story. Though I believe both are good, each in its own way – and the world is quite similar between them.]

There are a couple subplots that play out to form the larger story. One of these involves Robert Childan, a dealer in Americana who [while he specializes in antiques] ends up dealing in jewelry made by Frank Frink and Ed McCarthy after unwittingly being used as a pawn in their plan to manipulate the two artists’ former employer. This line intersects with that of Mr. Tagomi, a high-ranking Trade Ministry official who is involved in grand strategy level issues, but who is a customer of Childan’s.

The other major line involves Juliana Frink, ex-wife to the aforementioned artist Frank Frink, who meets up with Joe Cinnadella, and travels with him to Denver. Along the way, Joe introduces Juliana to a novel called, “The Grasshopper Lies Heavy,” which is a counterfactual novel in the world of the book that is substantially the same as the world as we know it (i.e. the Allies won the war and America becomes a hegemonic power.) Joe suggests that Juliana and he go to meet the author, who also lives not far within the Rocky Mountain states. “The Grasshopper Lies Heavy” plays an important role throughout the book, and it is introduced to Childan by one of his customers as well. The controversial fictional book is allowed in the Japanese controlled territory, but the Nazi’s have banned it and are rankled about its existence. It’s author, Hawthorne Abendsen, is the same-named “man in the high castle.”

As in the series, the Chinese “Book of Changes” (i.e. the I-Ching) plays a role. However, in PKD’s novel it is a much more substantial role. In the series, it is mostly Mr. Tagomi who relies on the I-Ching. In the book, Frank and Juliana Frink use it heavily — as do other characters. The use of an oracle in conjunction with the alternate history premise of the book puts questions of fate and free will at the fore, providing deep food for thought.

In the interest of full-disclosure, Dick’s portrayal of Juliana Frink comes off a bit misogynistically in places, though she is also shown as a character of great strength and intelligence. [In fact, when we meet her, she is a judo instructor, and her cleverness is put on display as well.] It can also be said that the rendered dialogue of both the Japanese characters and those who strive to emulate them [i.e. the Japanophile / sycophant Childan] is a little “inscrutable Asian / Charlie Chan.” That said, Mr. Tagomi is one of the most mature and self-aware characters in the book. It could be argued that making Juliana shallow and self-obsessed gives her depth of character. The book also came out in 1962, so the approach to presenting characters has changed.

I enjoyed reading this book the second time more than the first, and I got a lot more out of the process. I’d recommend the book for anyone interested in questions of destiny and freedom, or who just wants an entertaining story.

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BOOK REVIEW: The Great God Pan by Arthur Machen

The Great God PanThe Great God Pan by Arthur Machen
My rating: 5 of 5 stars

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This speculative fiction novella mixes horror and sci-fi in a genre-bending work of intrigue. When I started the book, I was surprised to learn that it was from the last decade of the 19th century. The opening chapter, which is what I credit as science fiction, presents an argument that reality as we know it is just a veneer beyond which we cannot experience, and it’s stated not unlike what one would hear in today’s cutting-edge science and philosophical discussions. (e.g. It wasn’t greatly removed from what one might hear from Donald Hoffman, for example.) The mad scientist of the opening chapter proposes that he can, with “minor” neurosurgery [to the extent there is such a thing,] open the doors of perception to make available what lies beyond our reality. We are left to think that he has only succeeded in a lobotomization.

The rest of the book is more the Victorian Era horror that one is likely to hear the story described as. We are introduced to a series of mysteries that will gradually be tied together and related back to the book’s opening. A gentleman is approached by a beggar who – it turns out – was his classmate and should have been a well-to-do landowner, but who reported being ruined by having fallen in with the wrong woman – a not unusual story until one delves into the particulars. We further learn that a man had been found dead at this couple’s property before the woman disappeared. Later there are a series of murders that have a certain demographic of society all atwitter.

Despite the shortness of the work, it does present jumping perspectives (not within chapters, but between them.) However, it’s not hard to follow, though it’s a bit jarring when the first PoV change hits because it involves a new cast of characters and it isn’t clear how the events tie together. The reader who sticks with it will be benefited by the shift.

This book was widely panned in its day, more for its shocking sexuality than its horror elements. However, it should be pointed out that the author uses strategic ambiguity for this matter, so there is no graphic sexual content. For example, one character may whisper in another’s ear the acts of depravity, but the reader is left to fill in the blanks according to the twistedness of their own particular psyche. For readers who enjoy the freedom to fill in the blanks, this is an interesting approach – others might not like the withholding of detail.

I enjoyed this book. It’s readable, despite the era from which it came. As I said, in some sense, it’s ahead of its time. The non-linear plotting builds the up the intrigue nicely. I’d highly recommend it for readers of weird stories, horror, or speculative fiction.

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BOOK REVIEW: A Stranger Truth by Ashok Alexander

A Stranger Truth: Lessons in Love, Leadership and Courage from India's Sex WorkersA Stranger Truth: Lessons in Love, Leadership and Courage from India’s Sex Workers by Ashok Alexander
My rating: 5 of 5 stars

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In 2003, Ashok Alexander left a prestigious job at the advisory firm McKinsey and Company to head up the Gates Foundation’s HIV/AIDS prevention program for India. He had no experience in public health and faced an HIV prevention challenge on a scale and of a nature that hadn’t been seen before. This book describes his experiences — and sometimes those of others in Avahan (the Indian HIV Prevention program.) However, the emphasis isn’t on patting himself and his team on the back so much as pointing out the lessons they learned from the high-risk populations they served – mostly sex workers, but also their clientele, as well as intravenous drug users.

The nineteen chapters of this book are arranged into two parts. The first part (Ch. 1 thru 11) explores Alexander’s travels around the country to meet with various high-risk groups and learn about their needs. The second part (Ch. 12 thru 19) takes a deeper dive into the building of Mysore’s program, Ashodaya, which became a global educator on HIV prevention.

Part one offers insight into bits of India that most of us never see. When I mentioned that the problem in India wasn’t just it’s large size, but also the peculiar nature of the environment, that can be seen throughout these chapters. What do I mean by the peculiar nature? In India, not only is prostitution rarely practiced in brothels, but sex workers are largely indistinguishable from the general population. The biggest portion of the group is women in saris who look like much of the female population. Also, the societal stigma is great, which creates all the more incentive to not let your work be known. For these reasons, just finding the at-risk population was challenging, they were dispersed and hid in plain sight. There were also problems of thinking that ranged from politicians who wouldn’t admit there was potential for massive HIV / AIDS in India because they insisted that Indians don’t engage in any of the “immoral” acts seen elsewhere in the world, to johns who honestly believed that drizzling lime juice on one’s manhood would prevent infections.

Among the most intriguing chapters in part one are those that reveal the issues with long-haul truckers (the single biggest demand-side high-risk population), intravenous drug-users in the golden-triangle adjacent states of the Northeast (i.e. Manipur and Nagaland,) and one that explained the unique cultural traditions of the transgender populations in India. There’s also a chapter (Ch. 6) that discusses the leadership traits that were found among the sex workers.

Part II, which dealt with the Mysore program, also had its fascinating elements. Two of the chapters discussed the life stories of two particular sex workers (one female and the other male) who worked in the Ashodaya program. There was also a chapter that dealt with the discussion of violence. That might seem like a diversion, but apparently violence and lack of prophylaxis go hand-in-hand, and had to be dealt with together.

The book has an Appendix of general information on HIV / AIDS and its occurrence in India. Other than that, a few maps and annotations are the extent of the ancillary matter.

I found this book fascinating — if heartbreaking in places. As someone who’s lived in India for over six years, there was a great deal of insight offered into segments of the population of which I had little awareness. Even learning about the trucking industry (divorced from the sex work / HIV angle) was intriguing. I’d highly recommend this book if one is interested in the topics of: leadership, public health, or the unseen side of India. The author uses a narrative approach throughout to great effect.

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BOOK REVIEW: Understanding Mental Illness by Carlin Barnes and Marketa Wills

Understanding Mental Illness: A Comprehensive Guide to Mental Health Disorders for Family and FriendsUnderstanding Mental Illness: A Comprehensive Guide to Mental Health Disorders for Family and Friends by Carlin Barnes
My rating: 4 of 5 stars

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This book is a concise overview of mental illness for individuals who don’t know much about the subject, and who may hold misunderstandings about mental illness and the mentally ill. If that’s what you’re looking for, you’re in the right place. If you’d like to know more about the variations in particular disorders or about relatively obscure conditions, you’ll probably find this book doesn’t meet your needs. The book advocates for doing away with the stigma associated with mental illness and having a better idea of the nature of mental disorders.

The book has fourteen chapters that are mostly logically organized. I say “mostly,” because chapters three, ten, thirteen, and fourteen deal in unique situations facing specific demographics (children / teens, the elderly, women, and professional athletes, respectively.) I’m not sure why these are spread out with topics that have a tighter logic interspersed in between them. I also am not sure why there is a chapter specifically dealing with professional athletes. Mind you, I understand the author’s argument about the unique mental health risks afflicting professional athletes and retired pro athletes. However, it seems like there are other careers that create unique problems (e.g. air traffic controllers) that touch more lives. Given the fact that an important part of the author’s message is about how those with mental health issues are frequently misunderstood and stigmatized, it seems like if one had to pick one career group to represent in the book, one would find one that is bigger and more relatable (e.g. military personnel, cops, social workers, therapists, or even poor / unemployed people.) If it was done to appeal to the general readership’s interest in celebrity, it’s a fail.

Chapters 1 and 2 set the stage by discussing what exactly a mental illness is, how it can be distinguished from the quirks that we all have in varying ways and degrees, and what the various causes are. Chapters 4 through 9 are the heart of the book, and present information on various mental illnesses by type (i.e. mood disorders, anxiety disorders, psychotic disorders, personality disorders, eating disorders, and substance abuse, respectively.) Chapters 11 and 12 discuss suicide and mass shootings, both are worthy inclusions.

The chapters discuss the clinical criteria for various ailments (which often seem arbitrary, but that’s part of the need for such a book – to give readers an understanding of the difficulty of diagnosing the mentally ill.) There are brief case examples included throughout to help the reader recognize the signs. That said, there isn’t a lot of room to deal in the tremendous levels of variation seen within given disorders.

There is an appendix with resources and links. Otherwise, there isn’t much ancillary matter in the book.

I would recommend this book if you are looking for a quick overview of mental illness with some presentation of typical examples. Particularly if you want a handy convenient guide without a lot of searching about. [Which is to say, I don’t think there’s a great deal that one would get from this book that one wouldn’t find doing some internet research.]

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BOOK REVIEW: Chinaman by Shehan Karunatilaka

Chinaman: The legend of Pradeep MathewChinaman: The legend of Pradeep Mathew by Shehan Karunatilaka
My rating: 5 of 5 stars

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“Chinaman” is the tale of an alcoholic Sri Lankan sportswriter, W.G. Karunasena, who is attempting to write a biography of the man he considers the greatest cricketer to ever live, Pradeep Matthew. The two-fold challenge is that Matthew had a short and controversial career before disappearing off the face of the earth, and Karunasena is in a race to finish the book before the bottle finishes him off. [For non-cricket fan readers wondering about the title, Chinaman is a cricket term for a style of bowling. I also learned that a “ponytailed Chinaman” in Sri Lanka is (or was) slang for someone gullible.]

I try to read at least one work of literature from every country I visit, and I chose “Chinaman” for Sri Lanka, and am happy with my decision. While the book is very much cricket-centric, it does offer insight into the familial and community dynamics of Sri Lanka. Given the time frames discussed in the book (i.e. the 80’s and 90’s), we also learn a little about the civil war that was going on at the time. But most intriguingly, one views the politics and underworld that largely remain hidden to tourists, and so the book has that appeal. The book contains many explanations, diagrams, and drawings to help clue those, such as myself, who are ignorant of the game into the fundamentals, but it’s not just about cricket.

The book is presented as a novel that’s only sold as fiction for legal reasons, but my little bit of research [including a short author interview] suggests that that is just a plot device to add to the feeling of intrigue.

The last two of five parts of the book, while less than 15% of the pages, are presented from a different point of view. This is a bit jarring because the reader has developed a great deal of affinity with Karunasena, and that kind of connection doesn’t have time to blossom with his son, the second voice of the book. However, the last to parts do give the reader a satisfying conclusion.

I enjoyed this book. It’s humorous and offers a glimpse into Sri Lankan cricket and everything it touches (which is pretty much everything.) I’d recommend it for fiction readers. Even if you aren’t a big fan of cricket, you’ll enjoy the story and the humorous dialogue. If you are a fan of cricket or want to know more about Sri Lanka, it will be particularly enjoyable.

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BOOK REVIEW: Sonnets by Sri Aurobindo

SonnetsSonnets by Sri Aurobindo
My rating: 5 of 5 stars

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This booklet collects together the 88 sonnets written by Sri Aurobindo. Aurobindo was a guru who set up his ashram in Pondicherry because he was on the lam from the Brits, and Pondicherry was under French control at the time. Sri Aurobindo is a karma yogi (yogi of action and good works) who – together with a partner who the community came to call “Mother” – set up Auroville with the intention of making it a utopia.

The eighty-eight sonnets are arranged in two parts. The first seventy-four were written in the 1930s and 40s, and part II consists of 14 sonnets that were written between 1898 and 1909. The sonnets of the first part are more mystical and also more stream of consciousness. The poems of Part I use vivid language, but aren’t always easy to follow – if one is seeking a coherent meaning from each. The sonnets of part II are less sophisticated (and more easily interpreted) and feature a degree of angst that is completely absent in the latter poems (latter chronologically, earlier in the volume.) The sonnets presented are in varying styles. While they are all fourteen lines of pentameter, the rhyme scheme varies.

At the end of the book there are notes on the collection as a whole, as well as short notes on individual poems. There is also a short section in the back that shows a few of the poems under edits so that one can gain a little insight into the poet’s sausage-making process.

I found these poems intriguing to read. As I suggested, they aren’t always easy to interpret but they have a thought-provoking spirituality to them as well as some beautiful use of language. One needn’t necessarily have an interest in Sri Aurobindo to enjoy the poems, although they are overwhelmingly of a mystical / spiritual nature.

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BOOK REVIEW: Tom Sawyer, Detective by Mark Twain

Tom Sawyer, DetectiveTom Sawyer, Detective by Mark Twain
My rating: 5 of 5 stars

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The adventures of Tom Sawyer and Huck Finn continue in this novella as the duo travels to visit Aunt Sally and Uncle Silas in Arkansas. On the riverboat, they meet an old acquaintance who they didn’t know was still alive, the twin of a man who still lives near Aunt Sally and Uncle Silas. He tells them how he’s in a bind because he conspired in a diamond theft with two partners, and subsequently swindled the two by making off with the diamonds. The reason he’s headed home is because he figures he can hide out there as long as he makes himself look like his twin, as long as no one sees the two twins together, he can play like he’s his brother. While Tom and Huck agree to be helpful, the last time they see this man, he’s jumped ship and is being followed by the two men, and Tom and Huck assume he’s a goner.

In time Tom and Huck arrive at Aunt Sally’s. Shortly thereafter a man goes missing, the twin of the diamond thief. Eventually, evidence mounts that the murderer is none other than Uncle Silas. Despite the fact that Silas has been a little off, Tom doesn’t believe his kind uncle, a pastor, is capable of such a feat. However, Silas confesses, having thwacked the man on the head, he believes that the man must have died from it. Testimony convinces Silas that he must have gone out to bury the man in an act of incredible somnambulism, and while he has no recollection of it, he believes it must be true.

When it comes to the trial, Tom sits in with the incompetent public defender, committed to proving Silas’s innocence — despite his Uncle’s vociferous admissions. At the last second, Tom does figure it out, and explains what really happened. He’s furthermore able to substantiate his claims using no more than the individuals in the courtroom. By the times he’s finished, even Uncle Silas acknowledges that he didn’t commit a murder.

This is a fine little mystery story, but what makes it really enjoyable is the first-person narration by Huck Finn. While Tom Sawyer does the brainwork to solve the crime, Huck offers a telling that is humorous and whimsical.

If you like “Adventures of Tom Sawyer” and “Adventures of Huck Finn” don’t miss this follow-up.

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