BOOK REVIEW: Ashes, Ashes by Jean-David Morvan

Ashes, Ashes #1Ashes, Ashes #1 by JD Morvan
My rating: 4 of 5 stars

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Out: October 5, 2021

[Note: The book I’m reviewing is the 144-page multi-issue story.]

This is the story of a technological apocalypse and a post-apocalyptic Alexander the Great who was born of it. The bulk of the story reveals the cataclysm and life in the early days of its wake. But there is an interspersed subplot that takes place in a present-day that is well after the apocalypse. The big difference between this “world-conqueror” (actually, it seems to be only a small area of what had been southern France) and other power-consolidating titans is his luddism. He vehemently hates [almost] all technologies and insists that all (but one) post-Amish technology be eschewed because he feels human innovation to be cause of humanity’s fall. Otherwise, he checks the boxes: narcissistic, nihilistic, and probably a psychopath.

The story is compelling, and it definitely draws one in. I thought the pacing was well-executed and the concept was intriguing. Both the art and story have a unique feel, though I don’t know that the book will be able to distinguish itself within an extremely bloated dystopian / post-apocalyptic sub-genre.

There were a few elements that felt clunky. First of all, the mid-twenty-first century technological landscape is strange. I didn’t think anyone still imagined flying cars on the near-future time horizon. I think they only existed here to make the moment of doom impressively fiery. Second, a romance is established with great effort that is allowed to flameout to a lukewarm puddle of nothing. Perhaps, this was the point — to show the romance as victim of the demands of life under an anarchic dystopia. (If so, it gets lost amid the more exhilarating happenings.) Third, there is one modern technology that the protagonist is quick to adopt. This might be an intentional way of showing his love of self far exceeds his hatred of technology, but it’s curious.

If you don’t have dystopia fatigue, you may want to give this book a look.


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BOOK REVIEW: Alcibiades I & II by Plato

Alcibiades I and IIAlcibiades I and II by Plato
My rating: 5 of 5 stars

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While these two dialogues feature Socrates questioning Alcibiades (a youth – apropos of nothing – for whom the philosopher has the hots,) they’re different. While it’s not certain that either was written by Plato, it’s much more widely accepted that the first dialogue was so authored. I found the first part to be the more engaging read.

In Part I, Socrates urges Alcibiades to put off going into politics (as the young man is about to do) until he’s more enlightened on the subject at hand – i.e. justice, expediency, and virtue as it pertains to matters of war and peace. In the second part, Socrates convinces Alcibiades that the subject of prayers should not be taken lightly, leading the young man to delay his sacrifice and prayer to a time he can be wiser about it.

The first part is more piquant. In it, Alcibiades on occasion seems to be holding his own (rather than being a talking head.) A great example of this can be seen after Socrates makes clear that Alcibiades’ education in language, the lyre, and wrestling hardly qualify him to advise Athens on matters of war and peace. Alcibiades turns the tables and asks whether it isn’t possible that he could attain the requisite knowledge of justice other than through formal education. Socrates admits that he could by discovery, but just when Alcibiades thinks he has the point, Socrates argues that the only way Alcibiades could make a discovery was if there was a time that the youth didn’t think he already knew. Socrates goes on to show that – even as a child – Alcibiades labored under the impression that he knew what was just.

The most interesting topic of the second dialogue is the question of whether lack of wisdom and madness are the same thing. In Phaedrus, Socrates explores several varieties of divine madness, and I wondered how closely this dialogue might echo that one. (It doesn’t because it’s more about madness that’s not so divine, but Socrates does refute Alcibiades’ equation of the two concepts.)

Definitely read First Alcibiades, and if you have time, the second one makes some intriguing points as well.

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BOOK REVIEW: The Department of Truth, Vol. 1 by James Tynion IV

The Department of Truth, Vol 1: The End of the WorldThe Department of Truth, Vol 1: The End of the World by James Tynion IV
My rating: 5 of 5 stars

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This is the cleverest and most mind-blowing graphic novel I’ve read in a long time. Like the first “Matrix” film, it challenges one’s metaphysical certitude, making one question whether the world might – just might – work differently than we think. But, more importantly, it shines a light on one of the major problems of our age, and it does so in a smart way, recognizing a core conundrum – that there are no clear-cut right answers.

The sci-fi premise at the heart of this book is the idea that collective belief shapes reality, and, thus, conspiracy theories that gain enough of a following can manifest physical evidence of their truth. This is a fascinating concept, but – even without it – the book forces one to reflect upon what might be the single most important dilemma of our age. On the one hand, people would rather believe malarkey that confirms their worldview and ideology than truth that conflicts with it. On the other hand, if people don’t have the freedom to believe whatever they please, in what sense can they be said to be free?

As I read, there were many examples from our present pandemic in which one could see this conflict in action. I saw an article in which a person who took one of the COVID vaccines but mentioned that he felt quite sick afterward was ostracized as an “anti-vaxxer.” While I’m pro-vaccine and took my shots, I’m disturbed by the idea that “off-message” statements are being so vitriolically (and, sometimes, deceptively) attacked. “Truth at any cost” will incur a terrifying cost, I’m afraid. And, therein, lies the point of this book, that the issue is complicated and it’s by no means clear who the good and bad guys are.

I’d highly recommend reading this book.

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BOOK REVIEW: What Makes You Not a Buddhist by Dzongsar Jamyang Khyentse

What Makes You Not a BuddhistWhat Makes You Not a Buddhist by Dzongsar Jamyang Khyentse
My rating: 5 of 5 stars

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This book provides exposition of the Four Seals (not to be confused with the more well-known Four Noble Truths.) As the title suggests, the author believes that accepting the truth of these four propositions is what distinguishes Buddhist from non-Buddhist (rather than many of the more well-known teachings and practices of Buddhism.)

The Four Seals are easily listed, but are challenging to intellectually grasp (hence the need for a book.) 1.) All compounded things are impermanent. 2.) All emotions are pain. 3.) All things have no inherent existence. 4.) Nirvana is beyond concepts. While I came away from the book with largely the same views on the Seals as when they were presented in the Introduction, I did learn a great deal, and had one epiphany (re: an explanation of Samsara and Nirvana.) [My own views remained: 1.) True to the best of my knowledge; 2.) This remains the most controversial teaching of the lot for me, even with elaborations. I think it does just what we should strive not to do, which is attach a value judgment to things; 3.) & 4.) I don’t know enough to have any firm opinion on these.

I found this book to be well-organized, highly readable, and to use humor and examples to good effect. While I remain “not a Buddhist,” the explanations in the book did move the needle on my way of thinking about a couple things. Along with Walpola Rahula’s What the Buddha Taught, I believe this book is an excellent means to gain greater understanding of an oft-misunderstood religion / philosophy. Check it out if you’re curious about whether you’re a Buddhist (whether or not your currently identify that way.)

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BOOK REVIEW: A Very Irish Christmas by Various

A Very Irish Christmas: The Greatest Irish Holiday Stories of All TimeA Very Irish Christmas: The Greatest Irish Holiday Stories of All Time by Various
My rating: 5 of 5 stars

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Out: September 14, 2021

This anthology contains fourteen previously published pieces by prominent Irish authors, including: Joyce, Yeats, and Colm Tóibín. It’s mostly short fiction, but there are a few poems as well as a couple of excerpts from longer works. All the pieces are set around (or reference) Christmas, but the degree to which that plays into the story varies a great deal. The anthology is very Irish, but not always very Christmassy. Meaning, if you’re expecting a collection of pieces like Dickens’ “A Christmas Carol” where the joy or melancholy of the season is front-and-center throughout and the holiday, itself, is a pivotal story element, you won’t find that in a number of these selections. Often, the season is just an element of ambiance or of short-lived emotional resonance.

That said, the selections are all artfully written and each is intriguing in its own way. In the case of Joyce’s “The Dead” the appeal is the evocative language and creation of setting (though the piece does have more explicit story than, say, “Ulysses.”) Whereas, for pieces like Keegan’s “Men and Women” or Trevor’s “Christmas Eve” the point of interest might be the story, itself. Besides the Irish author / Christmas reference nexus, the included works cover a wide territory including contemporary works (keeping in mind the authors are mostly from the 20th century) and those that hearken back to days of yore. Some are secular; while others are explicitly Catholic.

I enjoyed this anthology, finding it to be a fine selection of masterfully composed writings.

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BOOK REVIEW: Hipparchus by Plato

HipparchusHipparchus by Plato
My rating: 5 of 5 stars

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In this Socratic dialogue about “lovers of gain,” Socrates and an unnamed friend debate whether pursuing gains can be wicked. Usually, the title of a dialogue is the name of Socrates’ philosophical sparring partner, but, herein, Hipparchus is a historical figure who Socrates cites as the reason he wouldn’t hornswoggle his friend, quoting “Walk with just intent” and “Deceive not a friend” as credos that he, Socrates, lives by.

The friend tries a number of approaches to argue the loathsomeness of lovers of gain. Recognizing the starting premise will be that a gain is a good, the friend argues that such people (presumably greedy / materialistic types) purse valueless gains. Socrates attacks that as an oxymoron. Next, the friend argues that lovers of gain seek gains that no honorable man would pursue. Again, Socrates argues that a gain is a good and all humans seek good. Since the friend doesn’t want to call the lovers of gain fools (i.e. unable to recognize a gain when they see it,) the friend is stuck. The third approach is to argue that a wicked gain could be considered a loss. This is also swiftly rebutted. The last tack is to argue that some gains are good, while some are evil, which runs afoul of the same argument.

This isn’t one of the best dialogues – in fact, many question whether it was written by Plato. That said, it brings up a few ideas that are worthy of consideration. It felt very much like a conversation I once heard in which a young woman argued, “No one should have that much more than they need.” Which drew the response, “You realize that 90% of the world would say you have tons more than you need?” Which resulted in the instigator walking off in a huff. If you want to engage in debates about the virtue (or vice) of wealth acquisition, this might be a good place to begin your reflection.

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BOOK REVIEW: Lovers by Plato

LoversLovers by Plato
My rating: 5 of 5 stars

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Alternately titled “Rival Lovers,” “The Lovers,” or, simply, “Lovers,” this is one of the Socratic dialogues whose authorship by Plato is in doubt. While it follows the general approach of Plato’s dialogues, it does present a few anomalies, and so some experts include it while others do not.

In the dialogue, Socrates questions two youths, one athlete and one scholar, on the nature of philosophy, whether it is honorable, good, useful, and of what its study should optimally consist. The dialogue opens with Socrates questioning the athlete about what two other young men are discussing, when the athlete suggests that it’s just navel-gazing, Socrates asks the athlete whether he believes philosophizing to be a shameful endeavor. He does, and Socrates ends up spending most of his time questioning the scholar, who has a more flattering view of philosophy.

The scholar proposes that philosophy is learning, and that the philosopher should learn about all subjects – being the intellectual equivalent of the all-around athlete from athletics. Socrates challenges this by suggesting that the philosopher cannot be both useful and a generalist as the scholar claims because then the philosopher will always be of secondary value to the expert. Socrates seems to be setting up that there must be some expertise of philosophy about which the philosopher would be the first-tier expert. In other words, if philosophy is a worthwhile endeavor, there must be some reason that people would seek out a philosopher, rather than someone else. The dialogue ends abruptly, and does not engage in this question. (The ending is one of the reasons why authorship is in question, but it’s not the only Socratic dialogue to set out food-for-thought and leave it on the plate.)

Despite the unclear authorship, I found this dialogue to be worth a read.

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BOOK REVIEW: Cocaine Coast by Nacho Carretero

Cocaine Coast: A Luis Bustos Graphic NovelCocaine Coast: A Luis Bustos Graphic Novel by Nacho Carretero


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Out: September 28, 2021

This is a graphic novelization of a journalistic account of smuggling in Galicia, a jagged coastal region of rocky inlets to the north of Portugal. This region’s entrance into smuggling began not with illicit drugs, but rather with cigarettes that were bootlegged to evade taxation. However, it wasn’t long before it was discovered that this supply chain could be exploited for illegal drugs, notably Columbian cocaine. The Columbian cartels would become a major player in the region and Galicia would become the single biggest entry point for cocaine into Europe.

This mix of graphic novel and journalism is a bit strange, but it does have its advantages. For example, maps and drawings of the coast offer a sense of how geography played into smuggling operations. The art combines a gritty style optimal to the narco- world, but with some beautiful layouts. And, the art does a good job of conveying the changing time periods, as this book covers decades of activity.

I found the book intriguing, with many insights into the hidden world of narcotics smuggling in a location that is famed for its natural beauty. There is a prose appendix that is also compelling. It discusses the response to the book (by criminals, police, and the general public, alike) and what impact that response had (and / or didn’t have) on smuggling in the region. If you’re curious about the business of narcotics trafficking, you’ll likely find this an interesting read.

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BOOK REVIEW: Richard III by William Shakespeare

King Richard IIIKing Richard III by William Shakespeare
My rating: 5 of 5 stars

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Like Macbeth, this is the story of one man’s unchecked ambition bringing about his ruin. Richard wants to be king. The problem is that his eldest brother (Edward) is already king. The good news for Richard is that Edward is sick. The bad news is that Edward has two sons (and a daughter,) and there’s another elder brother (i.e. Clarence.) While Richard is willing to let nature take its course with Edward, he’ll have to get rid of everyone else between himself and the Crown.

Richard is different from Macbeth in that Richard’s psychopathy is more like that of Iago from “Othello.” Macbeth is conflicted and, though he keeps digging himself deeper, the burden of guilt leads to a descent into madness. Richard is anxious, but it’s not clear that he feels bad about what he’s done (i.e. having his brother’s boys killed, as well as his own brother, his wife, and a number of aristocrats.) When his own mother tells him she wishes she’d strangled him to death with his umbilical cord it rolls off him with the cool detachment one expects of a psychopath. That said, in the last act, he is visited by a series of ghosts. These visitations and his subsequent monologue might give indication that he’s realized how awful he is, but one could also argue that he’s just worried about the precarious state of his kingship.

The hammer drops when Richmond, a nephew of Henry VI, leads forces against Richard. In part, the aforementioned ghosts (which could be interpreted as bad dreams) psychologically do in Richard. (Though the ghosts also visit Richmond with the opposite message, a positive one.) But also, Richmond has proven his leadership skill by forging alliances with the French and the Scots, and turning Lord Stanley (despite Stanley having a son held hostage by Richard.)

While this play not only lacks the character nuance of Macbeth as well as The Scottish Play’s brilliant poetic language, it does have more great lines than the other “War of the Roses” plays (i.e. Henry VI, Pt. I – III.) [e.g. It opens with “Now is the winter of our discontent” and, of course, there’s “A horse! A horse! My kingdom for a horse!”]

This conclusion to the War of the Roses story is well worth reading.

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BOOK REVIEW: Charmides by Plato

CharmidesCharmides by Plato
My rating: 5 of 5 stars

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Temperance is the subject of this Socratic dialogue, debated with Charmides and Critias. The opening may feel a bit icky as it’s essentially a few old men obsessing over beautiful youths (of which Charmides is one) in a way that may not explicitly be lecherous, but kind of feels that way. However, they soon get into systematic reflections of the nature of temperance. Charmides is said to have this quality in droves, but, of course, that begs the question of just what it is.

It’s worth noting, they aren’t using “temperance” in the way the English word is typically defined, i.e. the quality of knowing to what degree one should participate in varied activities, if at all. At least, they don’t get to that definition within the dialogue, but – in point of fact – they don’t arrive at any definition. However, they seem to equate “temperance” with “wisdom.” They do try out a series of alternate definitions, which Socrates systematically disassembles, including: temperance as quietness, as modesty, as “doing one’s own business,” as a science of itself and of the absence of science, and as the science of recognizing good and evil. The first couple of these are summarily dismissed, the latter ones take more effort and elaboration to tease out, but ultimately don’t produce a definition that’s both agreeable and useful.

In the process there is a discussion of epistemology as it pertains to what one can know, and whether one can have any clear understanding of one’s “known unknowns” and how they compare to the “unknown unknowns.” The relevance is rooted in a discussion of whether temperance is the ability to know what one knows and what one doesn’t.

This isn’t one of the best Socratic dialogues, but it does provide food for thought.

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