Tag Archives: Georgian Literature

BOOKS: “A Man Was Going Down the Road” by Otar Chiladze

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A Man Was Going Down the RoadA Man Was Going Down the Road by Otar Chiladze
My rating: 5 of 5 stars

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This is the English translation of a novel considered to be one of the most important literary works of Georgia (i.e. the country, not the state) in the twentieth century. The multigenerational tale adapts from Greek Mythology, most notably the story of Jason and the Golden Fleece and Daedalus and Icarus (the former taking place early in the book and the latter towards the end.)

Given its pacing, multigenerational sprawl, and the rambling ordinary life interactions between big events, this book isn’t of the highest readability, but that has its benefits. Supposedly, the author was taking digs at the Soviets and their invasions and operations in Georgia, but – apparently – the Soviet censors never made the connection due to the abstruse nature of the story. Otherwise, we might not have this book to read, today.

Regardless of my comments about readability, the book does have a number of positive things going for it. I found the translation to have some beautiful stretches of language. There was an opening paragraph of one of the latter chapters that floored me. Also, it’s not all soap opera, the more intensely plot-driven bits are compelling, most notably the Golden Fleece story.

I’d highly recommend this book for readers who don’t mind the challenge of literary fiction pacing and everyday minutiae.

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BOOKS: “The Pass of the Persecuted” by Guram Odisharia

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The Pass of the PersecutedThe Pass of the Persecuted by Guram Odisharia
My rating: 5 of 5 stars

Prospero’s Books

I picked up this book at Prospero’s Books in Tbilisi as part of my continuing effort to consume literature from every place I visit. It’s one of those books that’s small in page count (less than 100pp.) but massive in emotional impact. It tells of the author’s flight from Abkhazia (a contested region between Georgia and Russia on the Black Sea) on foot over a high mountain pass in the early 1990’s. It shines a harsh light on the refugee experience (though I don’t know that the term “refugee” is technically correct as Odisharia was both leaving from and going to a country to which he was a citizen.)

Besides being a visceral story of hardship, this thin book is weighty with powerful language, and it offers some vivid philosophical insights — e.g. “Miserable is the country where a bullet is valued more than a kind word, where hatred means more than love.” or “Mountains are like great love. Great love makes a kind man kinder, and a wicked man more wicked, a niggardly man more niggardly, a greedy man greedier, a cowardly man more cowardly, a naive man more naive…”

I found this book to be well worth reading.

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BOOKS: “Ali and Nino” by Kurban Said

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Ali and Nino: A Love StoryAli and Nino: A Love Story by Kurban Said
My rating: 5 of 5 stars

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I read this book as travel literature for a trip to Azerbaijan and was pleased that it both met my needs as travel literature (i.e. offering insight into the local culture(s),) and it turned out to be an engrossing story, as well. You may have caught that “turned out to be.” It’s true that the first one-third to half of the book is a slow-burn on the story front. Through those early chapters, the book is the character-driven, plotless novel one frequently sees among literary fiction. Don’t get me wrong, it is still interestingly written and engaging (if you’re a literary fiction reader,) and it definitely met my needs for travel literature. But just as I’d resigned myself to this character-driven literary fiction formulation, it shifted into being a compelling and even action-packed story.

This is a tale of star-crossed lovers but set in the Caucuses in the WWI era (i.e. the time of the Armenian Genocide, when the Ottoman Empire was in its violent death throes.) Unlike Romeo and Juliet, in which the lovers came from feuding clans that were culturally quite similar, cultural divergence is the crux of the matter for Ali and Nino. While the families of the two kids get along fine enough, Nino is from an aristocratic Georgian family of progressive Western (and Christian) proclivities. The protagonist, Ali, is also from an upper-crust family, but they are of a much more conservative Muslim bent. While Ali, himself, is an educated and moderate personality and somewhat of a bridge between the old world Persian mindset of his family and the liberal European one in which he was educated, he has friends and family that it would not be unfair to call fanatics. So, while the families bless the union, it is ill-fated because the worldviews of Ali and Nino make it so there is no place they can both be happy living, except a Baku that is being contested by the Ottoman Empire and a Russia in the midst of its own transmutation. In Persia, Nino is a soulless possession who is not allowed to interact with anyone but Ali, eunuch and female servants, and her own family when they visit. On the other hand, Ali can’t bear to go to Europe or America, where he’d be so far out of his element. So, they are stuck with a Baku besieged by multiple entities.

The writer made a couple of unconventional but clever choices that I found to be brilliant. I’d highly recommend this book for readers of literary fiction and / or historical fiction.

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