5 of my Favorite Books on Yoga

5.) Sure Ways to Self-Realization by Swami Satyananda Saraswati: All you need to know about meditation and more. The first half of this book examines various yogic approaches to meditation and offers in-depth explanation of said techniques. The second half puts yogic meditation into a larger context by providing a survey of meditative approaches from around the world. It’s as close to one-stop shopping for the yogic meditator as one is likely to find, and the presentation of material on topics such as Jnana Yoga and Tantra is much more balanced and illuminating than many books.

 

4.) Your Brain on Yoga by Sat Bir Singh Khalsa: This Harvard Medical School Guide provides an overview of the scientific evidence for the benefits of yoga practice.

 

3.) A Search in Secret India by Paul Brunton: Brunton traveled India looking for the needles of yogic sagacity amid a haystack of charlatans and posers, and he found a few.

 

2.) Warrior Pose by Brad Willis: As the sub-title suggests, this book is about how yoga saved the life of a war correspondent who suffered from a severe spinal injury that had repercussions beyond his back — re: his state of mind.

 

1.) The Heart of Yoga by T.K.V. Desikachar: This book provides one-stop shopping for building one’s yoga practice, and it does so in a very down-to-earth, secular, and non-doctrinaire way. It also includes a translation and brief commentary of Patanjali’s Yoga Sutras — hence, the reason I didn’t need to include that work on this list.

BOOK REVIEW: Gagamba by F. Sionil José

Gagamba The Spider ManGagamba The Spider Man by F. Sionil José
My rating: 5 of 5 stars

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This short novel revolves around a real world event, the devastating earthquake that struck Luzon, wreaking havoc on Manila, in July of 1990. The novel is written in an unusual format. The chapters could be described as character sketches offering insight into various people who were in (or next to) the Camarin building when it collapses in the earthquake. Rather than the usual narrative approach, F. Sionil José offers captivating slices of the lives of these individuals that include insight into what brought each of them into the doomed building.

In the book, the Camarin Building houses a popular Spanish food restaurant called “the Ermita” that attracts wealthy movers and shakers both for its cuisine and for the ladies-of-the-evening who ply their trade there. The book presents an interesting contrast between the powerful military officers, businessmen, politicians, and expats who came there to dine and the common folk who work or live in the shadow of the building. The latter includes the character for which the book is named. Gagamba means spider in Tagalog, and it’s the nickname of a beloved man who sells lottery tickets outside the Ermita (because his deformity gives him an appearance reminiscent of a spider.) We see how all become equal in the cross-hairs of Death.

What makes these stories about the victims all the more intriguing is that we know from the book blurb that two of the characters (in addition to Gagamba) will survive the building collapse. The author does a good job of creating characters who are intriguing and who we want to know more about. There is the military officer who is aide to a high-ranking General but who is made a lucrative proposal from a superior officer to mule drugs (this being pre-911 days in which VIPs and their assistants might plausibly be exposed to little to no screening.) There’s a Filipino-American who is taking a priest and family friend out for a fancy dinner. The priest’s ominous discomfort with the setting of the meal – a feeling that we can’t tell is (as he says) because he’s uncomfortable with the cost or because he has an unspoken discomfort with the vice know to occur there – makes one wonder. There’s a homeless couple who lived in the alley beside the Camarin with their infant child.

I enjoyed this book. I think it offers some insight into Filipino culture and the chaotic nature of disaster. I’d highly recommend the book for readers of literary fiction, particularly if one also has an interest in foreign literature.

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BOOK REVIEW: The Lathe of Heaven by Ursula K. LeGuin

The Lathe of HeavenThe Lathe of Heaven by Ursula K. Le Guin
My rating: 5 of 5 stars

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This book’s lead character, George Orr, runs afoul of the law for borrowing the prescription cards of friends and acquaintances. But Orr isn’t a run-of-the-mill junky out to get prescription painkillers. Instead, he’s taking medications to keep from dreaming, because Orr’s dreams change reality—sometimes in subtle, and sometimes in drastic, ways. Of course, the world would be chaotic if the dreams only changed the present, but they also retroactively change the past to be consistent with the new present. Orr is the only one who remembers both the new and old timelines, but he’s not happy with these god-like powers–especially given the chaotic and unpredictable possibilities that arise from the subconscious mind. Not unexpectedly, Orr is reluctant to tell anyone this because they will think he’s mad.

Orr gets assigned to voluntary therapy with a psychologist who specializes in sleep disorders. Orr tells Dr. William Haber about his unique condition, but, once the doctor recognizes Orr is telling the truth, Haber draws the opposite conclusion from Orr. Haber thinks that Orr should be using his “power” to make the world a better place, rather than being scared of it and trying to avoid it. Haber presents the classic example of good intentions gone awry. While the doctor does use the hypnotically induced sessions to improve his own career situation, the worst outcomes result from the doctor’s attempts to help Orr (without Orr’s approval or prior knowledge) to improve the world. The law of unintended consequences is ever-present, and the dreams guided by Haber often result in “out of the frying pan and into the fire” situations.

This is an interesting premise in a highly readable book. The contrast between Orr and Haber reflects a broader societal tension between those who think they can engineer a utopian future and those who think that one’s attempts will always blow up in ways that one can’t anticipate. It should be noted that the title comes from “The Book of Chuang Tzu” and the virtue of “wu-wei” or “actionless action” in contrast to the corresponding vice of trying to manhandle the world into a desired state is central to the story.

I enjoyed this book. It’s a short novel with a clear theme that is thought-provoking. I’d recommend the book for fiction readers, and highly recommend it for readers of sci-fi and speculative fiction.

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BOOK REVIEW: A Christmas Carol by Charles Dickens

A Christmas CarolA Christmas Carol by Charles Dickens
My rating: 5 of 5 stars

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There’s a famous quote that has been attributed to various individuals, including both Mark Twain and Blaise Pascal. The wording varies, but the gist is: “Sorry for writing you a long letter, I didn’t have time to write a short one.” While it’s a witty comment, the humorous subversion of expectations doesn’t mean there’s not an underlying truth. It takes work and / or brilliance to convey an idea persuasively with few words. “A Christmas Carol” is an outstanding example of a tight story that powerfully conveys its theme.

Ebenezer Scrooge is a cranky banker who wants nothing to do Christmas. He won’t give his employee, Bob Cratchit, time off so that Cratchit can spend the holiday with his family—including his ailing son Tiny Tim. He chases off charities. He won’t even accept an invitation to attend the Christmas party thrown by his nephew, Fred. Then one night, he’s visited by the ghost of his recently deceased business partner—Jacob Marley. Marley, who was as cheap and crotchety as Scrooge, is burdened with horrifying chains, and the ghost warns Scrooge that if the old man doesn’t change his ways, he—too—will end up wandering through eternity in a similar set of chains. Before disappearing, Marley tells Scrooge to expect visits from three more ghosts.

The three subsequent visits with the famous ghosts of Christmas past, present, and future don’t require much discussion. First of all, the names of the ghosts (e.g. Ghost of Christmas Past) are self-explanatory. Secondly, this story is iconic in pop culture and it’s been remade in every medium in every way imaginable from modern adaptations (e.g. “Scrooged”) to “Simpsons” episodes. At any rate, the first ghost shows Scrooge that there was a time when he wasn’t such a curmudgeon while reminding him that he once had an employer, the beloved Mr. Fezziwig, who was a much better to Scrooge than Scrooge is to Bob Cratchit. The second ghost takes him to see the Cratchits and their meager but blissful Christmas festivities and then to his Nephew’s party as well. The final apparition, The Ghost of Christmas Future, takes Scrooge to the end of his own line. In the wake of the four ghost visits, Scrooge makes some changes to avoid the fate he’s been shown.

The Puffin Classics version that I read has an introduction by Anthony Horowitz and some artwork. That said, I don’t think it matters much what version one reads. It’s about the story.

I’d highly recommend this book for all readers.

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BOOK REVIEW: River of Teeth by Sarah Gailey

River of Teeth (River of Teeth #1)River of Teeth by Sarah Gailey
My rating: 4 of 5 stars

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This alternative history book takes as its premise the “what-if” of: what if feral hippopotamuses had been introduced into the bayous of Louisiana. This was apparently an idea that was considered in the real world, presumably by people who didn’t realize that hippos are one of the most territorial and cantankerous creatures in nature. Those who’ve read the writings of the explorers / adventurers who made their way through Africa in the 18th and 19th centuries will be well aware that hippos were among the most feared creatures faced by those expeditions — rivaling black mamba and lions, and not at all like the cattle they were expected to be.

The first part of the novel consists of a hippo wrangler of British origin, named Winslow Houndstooth, building his team of hippo wranglers Magnificent Seven style. Houndstooth has a contract from the federal government to drive feral hippos out of a marshy river basin called “the Harriet.” Houndstooth also has a plan to do this dangerous job in a way that—if it works—will make the job quick and easy while exacting revenge on his archenemy, a man named Tavers who operates gambling riverboats on the Harriet. The story is as engrossing as it sounds. Dangers abound for our protagonist and his team of misfits – misfits of varying reliability, and —like George R. R. Martin—Gailey isn’t afraid to kill off a character.

The introduction of hippos isn’t the only way in which the story is alt-history. It’s also set in a world in which people of various sexual orientations and gender identities are much more open with their sexuality than they would have been in the Louisiana of the early 20th century as we know it. (Note: It’s not clear whether it was the introduction of hippos to America that created divergence in the parallel timeline that allowed for this progressiveness, whether it was a more open societal outlook on sexuality that facilitated the introduction of hippos, or whether these are independent events.)

At any rate, while gender and sexual orientation issues are quite prominent in the story, there’s only one area in which this disparity between historical reality and the alt-world became a distraction for me. I should point out that there would be no distraction in a science-fiction or fantasy story, as there is in historical fiction, because the author can create or destroy societal mores and norms as she wishes in a non-existent world. Anyhow, the one distraction I referred to had to do with one character, Hero, for whom the plural pronoun is used throughout. I must admit that I spent a few pages trying to figure out whether Hero had two heads like Zaphod Beeblebrox before I concluded that it was an attempt to deal with gender identity (I think.) I will say that the character development is skillful and Gailey does a great job of producing characters that evoke love or hate but not indifference.

I enjoyed this story. It’s a quick read, has likable and loathable characters, and builds tension throughout. There is a second book that I understand can be read independently of this one called “Taste of Marrow.” I have not yet read it, but probably will.

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BOOK REVIEW: A Monster Calls by Patrick Ness

A Monster CallsA Monster Calls by Patrick Ness
My rating: 5 of 5 stars

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A twelve-year-old boy, Conor, is forced into early adulthood when his mother is laid low by a terminal illness. Conor’s father is remarried and lives across the ocean in America (the book is set in England.) When Conor’s mother has to be hospitalized, Conor must go to stay with his grandmother. This is undesirable both because Conor longs for a return to normality and because his grandmother— while a fundamentally caring woman—is much more uptight and prim than Conor’s mother.

Conor has been terrorized by a recurring nightmare of late, and when the Yew tree from outside his window comes to life, the Yew tree monster is, relatively speaking, a welcome relief from the much more dire scene that confronts Conor nightly in his nightmare. The Monster informs Conor that it will tell the boy three stories over multiple nights, and when it is done Conor will be required to return the favor by telling the Monster one true story in return. The book plays out with the monster telling Conor stories as well as encouraging the boy to act out to release the building tension that threatens to destroy him. All the while, the story builds toward a moment of reckoning. The idea of repressed rage building into a monster of its own is central to this work.

The book is generally classed as “low fantasy”—a genre in which a limited supernatural element barges into an otherwise real world story. However, it can arguably be read as more psychological in nature. When the Monster visits, Conor finds evidence of his presence— e.g. leaves and berries—but to my recollection no one ever sees such evidence besides Conor, and so the reader is free to view these clues as harbingers of a descent into madness.

The book, itself, has an interesting back story. Apparently, the idea came from Siobhan Dowd, a writer of children’s / YA literature, when she had cancer. Patrick Ness was brought in after Dowd died to take her characters and premise and turn them into a book. Ness completed the book, which was made into a film a couple of years back.

I’d highly recommend this book. It builds and maintains tension throughout the story and is highly readable.

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5 Gripping Works of Fiction I Read in 2017

NOTE: I previously did posts on books written in 2017 and nonfiction books I read this year.  These are fiction books I read this year that were written in previous years, and which are all awesome in some way. The hyperlinks in the titles are to my reviews on GoodReads.

 

5.) A Confederacy of Dunces by John Kennedy Toole: A pretentious and lazy man-child is forced to get a job to help out the mother who treats him as though he’s twelve.  Hilarious.

 

4.) Challenger Deep by Neal Schusterman: A young man is institutionalized with mental illness and the reader is granted glimpses into both his real life and his delusions.  Evocative.

 

3.) The Guide by R.K. Narayan: An ex-convict is mistaken for a spiritual guru. Thought-provoking.

 

2.) Blood Meridian by Cormac McCarthy: Men of violence being violent the borderlands of Texas. Visceral.

 

1.) All the Light We Cannot See by Anthony Doerr: The fates of a blind French girl and a bright German boy intertwined during the Second World War. Gripping.

BOOK REVIEW: Love’s Labour’s Lost William Shakespeare

Love's Labor's LostLove’s Labor’s Lost by William Shakespeare
My rating: 5 of 5 stars

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King Ferdinand and three of his attending lords (Berowne, Longaville, and Dumaine) make a pact to devote three years to intense study and self-betterment. During this time they are to study arduously while depriving themselves of certain earthly pleasures. Specifically, they will fast one day a week; they will sleep but three hours a night; and— most controversially— they will give up women altogether. Just as military strategists speak of plans not surviving first contact with the enemy, this pact falls apart with the arrival of the Princess of France and her three attending ladies (Rosaline, Maria, and Katherine.) The men each develop a fancy for one of the women, and the pact unravels when the men, spying on each other, realize the others are intending to woo and pursue.

As it’s a comedy, there are a number of opportunities for confusion and comedic relief. Such comedic elements include mix ups in the delivery of love letters, and disguise schemes that go awry. For a comedy, the play ends on an interesting note. As is expected, there’s a reconciliation of who loves whom. However, there are no weddings to suture up the conclusion, but instead another agreement is entered into in which the men and women will see each other again in one year’s time. This leaves readers to consider the question of whether they think the men can be more diligent students when love backs this pursuit (but provides a distraction) than when it works against it.

This is one of Shakespeare’s earlier works, and it’s more original than some. Still, it deals in some common comedic themes about the disruptive force of love and the effects of failed duplicity.

This play is highly recommended.

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BOOK REVIEW: The Guide by R.K. Narayan

The GuideThe Guide by R.K. Narayan
My rating: 5 of 5 stars

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This novel’s lead, Raju, is sitting by a riverside shrine when he’s mistaken for a holy man. In actuality, Raju was just released from prison for forging the signature of a woman with whom he has a complicated relationship. The woman is married to another man but she has a love of dance, and her husband wants her to give up such frivolities. She falls for Raju, who is working for her husband as a travel guide /expediter, because he supports her in the pursuit of dance. [One can see the dual meaning of the title as Raju is a travel guide by trade and becomes a spiritual guide to the villagers of the fictional town of Malgudi.] After experiencing some hard times with the shops left him by his father, Raju finds success by being not only the lover of the dancer but also her Col. Tom Parker (i.e. her promoter /manager.)

The story isn’t told in chronological order, but is easily enough followed and is the more interesting for its nonlinear telling. For example, we learn the details of Raju’s troubles as a confession he makes to the individual who first mistook him for a guru.

The book explores several themes. One is the power of charisma and bumper-sticker wisdom in building a sage. When Raju’s first student hears his confession, the young man is unswayed, following Raju unwaveringly. On a brighter note, one also sees how people’s strong beliefs, ill-founded as they might seem to be, can produce a guru. Ultimately, Raju becomes the teacher that the entire village thought him to be all along.

There’s also the issue of passion versus familial bonds and tradition. While Raju’s mother personally likes the dancer woman, the fact that the girl is of a lower class and caste (not to mention married to another man), creates a tension. Raju must decide between his love of the dancer and that of his mother. We also get to see the hard edge of tradition in the Raju’s uncle who puts all the bias of class and caste in its most explicit form.

I enjoyed this novel. It’s a nice compact story and is very thought-provoking. The character of Raju is well-developed and interesting. The reader finds Raju likable even though at times he’s a bit loathsome in his behavior. There’s more than one comedy of error in the story’s formulation to offer some lightness to contrast the family drama.

I’d highly recommend this book for fiction readers. It was also interesting for me as an ex-pat in India as it offers some insight into the culture. It should be noted that it’s set in a bygone era. But even though it’s dated, one can see the long shadow of cultural proclivities in the story elements.

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BOOK REVIEW: The Claiming of Sleeping Beauty by A.N. Roquelaure (a.k.a. Anne Rice)

The Claiming of Sleeping Beauty The Claiming of Sleeping Beauty by A.N. Roquelaure
My rating: 3 of 5 stars

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This is a bawdy take on the tale of Sleeping Beauty—and, in particular, the aftermath of her rescue and awakening. There are many such adult-targeted books based on children’s fairy tales, but the reader should be particularly aware of the nature of this story because it’s fairly hard-core. Since one may associate the fairy tale with lighthearted stories, many readers won’t be ready for the wide-ranging sexual and sadistic activity that goes on in this book. If you’re a hard-core sado-masochist, you may object that this isn’t so intense in subject matter. That’s probably true for you, but for the run-of-the-mill reader, it’s pretty wild stuff. In essence, Sleeping Beauty enters into a finite period of sexual slavery (technically more sexual indentured servitude) in repayment for her rescue.

Part of the reason that there may be misunderstandings of what this book is, is how it’s been marketed. There was a cover blurb on the version I read that says “If you liked 50 Shades, you’ll love the sleeping beauty trilogy.” This statement is clearly meant to capitalize on the success of those books. While I haven’t read any of the “Fifty Shades” books, I doubt that the claim is true. This book is somewhere between “Fifty Shades” and the works of the Marquis de Sade. While E.L. James’ books work on a one-on-one dynamic that forms an S&M tinged romance, Roquelaure / Rice’s book is about sexual servitude of individuals who are essentially stabled in a more harem-like situation. While they are both books that revolve around the psychology of dominance and submission, the dynamic of the two is quite different. From what I’ve heard about James’s works, Rice’s book is probably better written and it may even be a bit more psychologically sophisticated. However, if you’re expecting that “mommy porn” dynamic in which a man who is extraordinary in every way (billionaire / 6-pack having / philanthropist / speaks ten languages fluently / and has a doctorate in quantum rocket dynamics) takes a mediocre woman merely because she completely submits to him, you’ll probably be disappointed.

Because people’s ideas of what’s hard-core varies, I’ll touch on that. There is a huge amount of bondage and physical punishment. There’s no gore, no breaking of skin, nor any permanent damage /disfigurement. There’s no horror aspect to the book. As far as sexual acts are concerned, they are both heterosexual and homosexual in nature. There are a finite number of options, and I think they’re pretty much all touched on at some point. There’s no bestiality, scat, nor pedophilia—so if those are your limits, you’re safe.

This book was clearly outlined and written with the intention of being a trilogy or multi-part work. That is to say, the story arc is not particularly satisfying as a stand-alone book. This may, in part, also be because of the lack of importance of story to hardcore erotic works, but I suspect that the author / publisher had a thick tome and needed some place to chop it into standard length books to maximize revenue. I probably won’t read the other books, in part because this trend toward putting out books that don’t stand alone as stories cheeses me off a bit. As you might expect, the ending feels abrupt and seems more about leaving the reader dissatisfied (i.e. wanting to read the rest) rather than leaving them satisfied (having seen the character grow and change.)

Instead of making an explicit statement of recommendation, I’ll say that if you read the review and are intrigued, give it a read. If you read the review and are disgusted, avoid it. It’s as simple as that.

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