BOOK REVIEW: Psilocybin: Magic Mushroom Grower’s Guide by O.T. Oss & O.N. Oeric

Psilocybin: Magic Mushroom Grower's Guide: A Handbook for Psilocybin EnthusiastsPsilocybin: Magic Mushroom Grower’s Guide: A Handbook for Psilocybin Enthusiasts by O.T. Oss
My rating: 4 of 5 stars

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This booklet, at around 80 pages, offers step-by-step guidance about how to grow mushrooms – specifically psilocybe cubensis, which are referred to as stropharia cubensis throughout this book. (The book was published in the 1970’s and the mushroom has since been reclassified.) This species is known to induce hallucinations, euphoria, and altered perception in those who ingest it because of the presence of psilocybin, which – converted to psilocin — interacts with serotonin receptors. Most of the information presented could be applied to cultivation of any mushroom (excepting information about identification in Ch. 1, which applies to that one species, and the information about dosage in Ch. 5 that doesn’t matter for edible mushrooms.) The authors did specifically develop this process, but I think that had more to do with the need for a process in between the vagaries of foraging and the large-scale agricultural approach that couldn’t be exploited for the “hobbyist,” than it had to do with the specific needs of this fungi.

The body of the book is divided into five chapters, which follow the progression of steps required to cultivate mushrooms. The first chapter covers locating and identifying psilocybe cubensis as well as how to collect and germinate the spores. The second chapter is about growing mycelial cultures on sterile agar. One of the major challenges presented in the book is keeping mold and other undesirable species from growing on or amongst one’s mushrooms. In the third chapter one learns how to grow the mycelia on sterilized rye. The penultimate chapter explores covering the mycelia infused rye with soil in a process that commercial fungi agriculture calls “casing,” which ultimately results in the generation of the fruiting bodies that we traditionally think of as mushrooms (though in the wild most of the organism is below ground.) The last chapter is about harvesting the mushrooms, preserving them, and determining dosage.

There is a substantial amount of front and back matter book-ending the aforementioned chapters. The front matter gives the reader some history of psychedelic mushrooms as well some insight into their effects. (The Preface and Forward are explicitly written by Terrence McKenna, but it’s said that the entire book is written by McKenna and his brother, Dennis.) The Forward and Introduction are where the book feels less like an agricultural how-to manual, and more like a guide to psychedelics, but the reader should be aware that this book is – first and foremost – a how-to guide. The back matter includes a range of helpful appended sections including a glossary, a bibliography, a timeline of psilocybin mushroom happenings, and a section to help one make conversions — particularly between volume and weights for various materials that are used in cultivation.

There are many graphics employed throughout the book. Most importantly, there are several series of black-and-white photos that help clarify the process being described textually. There are also some line-drawn artworks that depict psychedelic mushroom in their cultural context – both in the ancient shamanic tradition and the more recent wave of use.

This is a quick read that gets into all the processes needed to cultivate mushrooms. The authors compare it to canning preserves in terms of the degree of complexity. (That rings true as both processes rely heavily on sterilization.) It is a how-to guide, and if one isn’t interested in the process of cultivation, one might find the book a bit dry. I found it interesting to learn about the cultivation process as well as the information from the Forward, Introduction, and Chronology about psychedelics, specifically. If you’re interested in cultivating mushrooms or are very curious about fungi, I’d recommend this book.

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DAILY PHOTO: Gazebo, Mysore

Taken in October of 2014 in Mysore

DAILY PHOTO: Balloons, Far as the Eye Can See — Dussehra 2014, Mysore

Taken during Dussehra 2014 in Mysore

POEM: You’re Killing Me, Ms. Dickinson, or: Samurai Surgery


“If I feel physically as if the top of my head were taken off, I know that is poetry.”    – Emily Dickinson

 

It’s mean accuracy and angry power that can cleave the top off a head;
neither merely scalping the reader,
nor decapitating him.

Popping the top to blow the mind is samurai surgery.
Some lines tink against the forehead like a dull knife,
while others — with razor-sharpness — succeed only in shearing an unsightly bald spot.

The fabled Taoist butcher could cleanly slice between the bone ends,
never dulling his cleaver,
but that’s not much help for one seeking to take off the top of a head…

or is it?

DAILY PHOTO: Purple Flaming Flowers

Taken in July of 2017 in the Kerala Backwaters.

POEM: Sunset on the Sea

Will those trawlers haul their nets through the night,
even after darkness has descended?
When clustered stars offer the only light,
and the land-locked day has long since ended?

Are fishing vessels like the dreaded shark,
that swims endlessly when wetted by sea?
No mourning nor merriment owed the dark,
and miles between the hull and the quay.

They persistently glide on ocean tides,
measuring time by space left in the hold.
There’s a secret some sailors will confide,
each outing ends in a death unforetold.

There is the pleasant death of days at rest,
but then there’s becoming Poseidon’s guest.

DAILY PHOTO: Kashmir

Taken in August of 2016 near Sonamarg

DAILY PHOTO: Flower Floor, K.R. Market

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Taken in the summer of 2018 in Bengaluru.

Ninja Nursery Rhymes

Public Domain image from Wikipedia

Ninja be nimble,

Ninja be quick,

Ninja knock you on the noggin with a big stick.

***

Ninja be stealthy… healthy… and wise,

Ninja snatch like a snake, pull out your eyes.

***

Biscuit in a basket,

Ninja put you in a casket.

***

Heading home from the archives,

I met this cat who had five lives.

He’d met four ninja in lives past.

One life was lost in a big blast…

two were stabbed,

and the last one gassed.

Reaching home, ninja at his door,

his lives remaining numbered four.

***

Uh, oh, Ninja,

Have you any heads?

Yes, sir, yes, sir,

Three over in the shed.

One for my Lady,

One for my Lord,

One for the practice,

’cause I got a new sword.

***

Eeny, meeny, miny, egg.

Catch the Shogun by his leg.

If he hollers, make him beg.

Eeny, meeny, miny, egg.

***

Hey, Willie Winkie, you’re making too much noise.

Running around town, checking on girls and boys.

If you’d have done your job, and shut the kid up.

I’d not have had to put Ambien in his juice cup.

***

POEM: Desert Story



Play it out, like a six-gun Western.
Let the sun hang in the mid-day sky.
Have him search for a cool-water cistern.
Croaking and choking that “the end is nigh.”

Hand him a glimpse of clear, clean water,
but let the mirage vanish into sand.
Trotting up to it as lamb to slaughter,
let him know he’s surely been damned.

Then he’ll succumb to a parched stupor.
The light fades from that cowboy’s eyes.
No spur-jangle of a nearing trooper,
but dark clouds off in the western skies.

A good story would see him wake with droplets on his cheeks.
But this ain’t that kind of story, the desert plays for keeps.