in late summer,
thistles flower brightly --
then fluff & cede to wind.
DAILY PHOTO: The Grounds of Festetics-kastély, Dég
PROMPT: Less
Truth be told, the answer is reading, but as hardcore addictions go, the side-effects are better than with heroin or meth (and almost completely opposite, though it does sometimes make me sleepy.) So, I think I’ll go with social media, which I probably do less of than average, but that’s still way too much.
When I Heard the Learn’d Astronomer by Walt Whitman [w/ Audio]
When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.
Darkly Still [Haiku]
Dancing Through the Graveyard [Common Meter]
When you're dancing through the graveyard
you'll get some angry stares.
They'll call you "disrespectful cad"
for failing to show care.
To be carefree won't offend ghosts;
they'll wish they'd done the same.
But mourners act as if, for Death,
you are the one to blame.
Why should one hold the dance within,
when it longs to be out?
Why should expressing such pure glee
be cause to point and shout?
DAILY PHOTO: Hillside Fortifications, Minchukallu Betta
Five Wise Lines from In Praise of Shadows by Jun’ichirō Tanizaki
Have you never felt a sort of fear in the face of the ageless, a fear that in that room you might lose all consciousness of the passage of time, that untold years might pass and upon emerging you should find you had grown old and gray?
But our thoughts do not travel to what we cannot see. The unseen for us does not exist.
This was the genius of our ancestors, that by cutting off the light from this empty space they imparted to the world of shadows that formed there a quality of mystery and depth superior to that of any wall painting or ornament.
I wonder if my readers know the color of that ‘darkness seen by candlelight.’ It was different in quality from darkness on the road at night. It was a repletion, a pregnancy of tiny particles like fire ashes, each particle luminous as a rainbow.
Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of light and shadow.
BOOKS: In Praise of Shadows by Jun’ichirō Tanizaki
In Praise of Shadows by Jun’ichirō TanizakiMy rating: 5 of 5 stars
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Tanizaki’s essay on Japanese aesthetics doesn’t just show the reader the simple, rustic, and weathered traits of Japanese beauty, it fully submerges them in an otherworldly place ruled by different principles of seeing. So enamored with this pre-modern Japanese aesthetic was Tanizaki that we are convinced he would give up all present-day conveniences to see the world this way (but, alas, he recognizes the impossibility of maintaining a household or business in today’s world that way.)
While the book is principally a tour of this Japanese shadow world, moving from architecture to toilets to lacquerware to Noh plays to skin tones to hotels (with other stops along the way,) it is also a critique of modernity, and particularly a modernity shaped by the West by virtue of Western countries building a lead in a number of key technologies. The most crucial of these technologies, and the one Tanizaki most decries, is electric lighting, which does away with the artistic beauty that derives from the interplay of varied toned shadows (and occasionally a little bit of light.) [I should say, he’s not bashing the Western technology or ways, but rather how poorly they work with maintaining Japanese aesthetic ways.]
I’d highly recommend this book for all readers. If you’re interested in aesthetics, art, architecture, culture, or “things Japanese,” then all the more so, but I can’t remember the last time description pulled me into a book as hard as this one. The essay can be a bit rambling and shifts from euphoria to rant and back, rapidly, but that is part of its magic.
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“Out beyond ideas of wrongdoing and rightdoing” by Rumi [w/ Audio]
Out beyond ideas of wrongdoing and rightdoing,
there is a field. I'll meet you there.
When the soul lies down in that grass,
the world is too full to talk about.
Ideas, language, even the phrase each other
doesn't make any sense.
NOTE: Translation from Persian by Coleman Barks & John Moyne in The Essential Rumi published by Harper Collins.
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