“Barter” by Sara Teasdale [w/ Audio]

Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.

Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.

Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.

“Why Fades a Dream?” by Paul Laurence Dunbar [w/ Audio]

Why fades a dream?
An iridescent ray
Flecked in between the tryst
Of night and day.
Why fades a dream? --
Of consciousness the shade
Wrought out by lack of light and made
Upon life's stream.
Why fades a dream?
That thought may thrive,
So fades the fleshless dream;
Lest men should learn to trust
The things that seem.
So fades a dream,
That living thought may grow
And like a waxing star-beam glow
Upon life's stream --
So fades a dream.

“First Fig” by Edna St. Vincent Millay [w/ Audio]

My candle burns at both ends;
 It will not last the night;
But ah, my foes, and oh, my friends --
 It gives a lovely light!

“In the Desert” by Stephen Crane [w/ Audio]

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter -- bitter," he answered;

"But I like it
"Because it is bitter,
"And because it is my heart."

“Curtain” by Paul Laurence Dunbar [w/ Audio]

Villain shows his indiscretion,
Villain's partner makes confession.
Juvenile, with golden tresses,
Finds her pa and dons long dresses.
Scapegrace comes home money-laden,
Hero comforts tearful maiden,
Soubrette marries loyal chappie,
Villain skips, and all are happy.

“I never saw a moor” (1052) by Emily Dickinson [w/ Audio]

I never saw a moor;
I never saw the sea,
 Yet know I how the heather looks
  And what a billow be.

I never spoke with God,
Nor visited in heaven.
 Yet certain am I of the spot
 As if the checks were given. 

“Religion” by Paul Laurence Dunbar [w/ Audio]

I am no priest of crooks nor creeds, 
For human wants and human needs
Are more to me than prophets' deeds;
And human tears and human cares
Affect me more than human prayers.

Go, cease your wail, lugubrious saint!
You fret high Heaven with your plaint.
Is this the "Christian's joy" you paint?
Is this the Christian's boasted bliss?
Avails your faith no more than this?

Take up your arms, come out with me,
Let Heav'n alone; humanity
Needs more and Heaven less from thee.
With pity for mankind look 'round;
Help them to rise -- and Heaven is found.

“Nothing Gold Can Stay” by Robert Frost [w/ Audio]

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

“A Noiseless Patient Spider” by Walt Whitman [w/ Audio]

A noiseless patient spider,
I mark'd where on a little promontory it stood isolated,
Mark'd how to explore the vacant vast surrounding,
It launch'd forth filament, filament, filament out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form'd, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.

BOOKS: “Robert Frost: Sixteen Poems to Learn by Heart” ed. by Jay Parini

Robert Frost: Sixteen Poems to Learn by HeartRobert Frost: Sixteen Poems to Learn by Heart by Robert Frost
My rating: 5 of 5 stars

Amazon.in Page

Release Date: March 12, 2024

This book presents sixteen of Frost’s poems, each with a commentary on the poem, how events in Frost’s life influenced said poem, and assorted background details. It includes the “greatest hits” (e.g. “Mending Wall,” “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening,”) a few of Frost’s more obscure works, and a number that are in-between in status.

I found the commentaries to be interesting and readable, which is important as Frost’s poems are now in the public domain, and so the value of this volume hinges on Parini’s work. Parini includes some stories that offer insight into Frost’s mindset, as with the story of the lady who approached him after a reading to ask the meaning of “Fire and Ice.” Reading Frost isn’t like reading, say, Allen Ginsberg, the latter being one who put it all out there – unabashedly, Frost’s poetry is more guarded and deals more in nuanced metaphor. This makes a volume like this useful if it can offer any insight into the poet’s mindset, which I think Parini does.

I considered reading this book to be an opportunity to learn more about the poems and poet, and – therefore – did not heavily weight the stated theme of presenting poems that should be rote memorized. I mention this because I suspect Parini had other criteria in mind as well. While the book does include poems that are easily memorized (e.g. “Fire and Ice” and “Stopping by Woods on a Snowy Evening”) as well as poems that have messages worth learning by heart (e.g. “Mending Wall” and “The Road Not Taken,”) it also includes poems that aren’t so memorable because they are long, not especially lyrical, or not particularly filled with stand-out ideas or vivid imagery (e.g. “Directive,” “The Wood Pile,” and “Birches.”) This also begs the question, why one wouldn’t include a poem like “Nothing Gold Can Stay,” which is short, lyrical, and has an easily grasped message (i.e. easily memorized.)

As for ancillary matter, there is an appendix that offers tips for memorizing poems as well as a short “recommended reading” bibliography.

That said, I enjoyed reading this book; I got a lot out of Parini’s commentary, and I would recommend the book for poetry readers.

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