BOOKS: “DC vs. Vampires, Vol. 1” by James Tynion IV & Matthew Rosenberg

DC vs. Vampires, Vol. 1DC vs. Vampires, Vol. 1 by James Tynion IV
My rating: 4 of 5 stars

Publisher’s Site

In this opening volume in a series that pits a set of the DC pantheon of superheroes against a shadowy vampire cabal, we learn that the vampires are preparing for attack and that they’ve infiltrated all levels of society to degrees unknown — even the Justice League. This volume focuses heavily on the extended “Bat-Family” along with Oliver Queen’s smaller Green Arrow team, but includes many more superpowered characters in varied roles. Though it also ignores some of the most powerful characters, a big risk for such a huge ensemble cast. (One wants to save some big guns, but it begs the question of whether Superman is fiddling while the world burns.)

I like how tension was built in this story, and how information is revealed to the reader, allowing one to be gripped by questions of how the characters will learn what one already knows and with what consequences. The volume ends with a big reveal, though not with any kind of resolution. So, it’s not a standalone story in my view.

I found the volume engaging, but feel it suffers from the unavoidable problems of having too many characters, particularly characters of the god-tier variety.

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BOOKS: “The Penguin Book of Indian Ghost Stories” ed. by Ruskin Bond

Penguin Book of Indian Ghost StoriesPenguin Book of Indian Ghost Stories by Ruskin Bond
My rating: 5 of 5 stars

Publisher’s Website

This is an anthology of stories of the supernatural set in India or built around characters and contexts of India. About half of the stories are by writers of non-Indian ancestry, though some were born or lived extensively in India (e.g. Rudyard Kipling and C.A. Kincaid.) Not all of the pieces are “ghost stories” in a technical sense, but they all revolve around the supernatural or surreal experience.

I enjoyed all the stories in this collection, but among my favorites were: “The Brown Hand” by Arthur Conan Doyle; “The Strange Ride of the Morrowbie Jukes” by Rudyard Kipling; “The Fire-Jogi” by A.C. Renny; “Fritz” by Satyajit Ray; “Anath Babu’s Terror” by Satyajit Ray; “The Yellow-Legged Man” by Sudhir Thapliyal, and “Topaz” by Ruskin Bond.

If you enjoy scary stories, I’d highly recommend this book.

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BOOKS: “American Vampire, Vol. 3” by Scott Snyder

American Vampire, Vol. 3American Vampire, Vol. 3 by Scott Snyder
My rating: 5 of 5 stars

Publisher site

The third volume of the American Vampire series advances the story into the 1940’s — World War II to be precise. The book contains two distinct storylines, both involving missions behind enemy lines. The first, “Strange Frontier,” is set in the Pacific theater and centers on the character of Henry Preston (the non-vampire husband of benevolent American Vampire, Pearl Jones.) In it, Preston is assigned to an elite fighting squad dispatched to investigate an island that turns out to be infested with a new strain of vampire.

The second story, “Survival of the Fittest,” takes vampiric vampire-hunter Felicia Book as its lead as she is dispatched (in partnership with agent “Cash” McCogan) to Nazi-occupied Romania to investigate claims of a “mad” scientist’s vampire-related research, only to find herself in a completely unexpected and daunting scenario.

I’m enjoying this series. The stories are satisfying and well-crafted, and the books somehow manage to not be just another set of vampire stories. Moving through time allows the stories to be self-contained while making it possible to continue with ever fresh material. (A tactic that works owing to the long lifespans of vampires.) The books also use genre mixing brilliantly, be it detective noir or — in the case of this volume — the war story. Snyder has breathed new life into the vampire story, and I’d highly recommend this series for comic book readers.

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BOOKS: “American Vampire, Vol. 2” by Scott Snyder

American Vampire, Vol. 2American Vampire, Vol. 2 by Scott Snyder
My rating: 5 of 5 stars

Publisher site

This six-issue volume, just like the first, intersperses the story of two American vampires, Skinner Sweet and Pearl Jones. For those who haven’t read Vol. 1, the American Vampire is mutated to have advantages of strength, speed, and UV resistance, but in vampire mode they are much more monstrous. The first four issues focus on a detective noir story set in 1930’s Las Vegas. Skinner Sweet could be said to be central to events in that arc, though not to be the lead character. (That would be the police detective trying to solve a string of gruesome murders.) The last two issues put the Pearl Jones story front and center. That arc is set during the same timeframe, but in Northern California. The first arc is tied up more successfully, but I suspect this has to do with the challenges of interspersing stories (the first arc also has twice as much space with which to work.)

There’s an interesting contrast between the stories. Skinner Sweet is villainous, was villainous before he became a vampire, and is even more so afterwards. The Pearl Jones story is more of a love story between Pearl and her human husband, Henry Preston — albeit a love story in which the couple is being hunted by nefarious forces and must fight to survive. She is trying to be free of the monster life as best she can.

I am enjoying this series. The journey through time and landscapes of America makes this not just another vampire story. If you enjoy comics that mix genres, I’d highly recommend this volume.

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BOOKS: “Saga of the Swamp Thing: Book One” by Alan Moore

Saga of the Swamp Thing, Book OneSaga of the Swamp Thing, Book One by Alan Moore
My rating: 5 of 5 stars

Amazon.in Page

This volume presents two separate and complete story arcs. The first features the Floronic Man (Jason Woodrue) as the main villain, and it deals heavily in the origins of Swamp Thing and the creature’s struggles to come to grips with who it is and why it experiences the world as it does. The second story makes a shift to a more supernatural threat and shows a Swamp Thing who is more comfortable in its… roots? twigs? foliage? — whatever Swamp Thing has in lieu of skin.

Alan Moore does his usual superb job of creating a clever and satisfying set of tales. Swamp Thing was groundbreaking in its cross-genre mélange of horror, supernatural, eco-fiction, and sci-fi. There is also a certain smartness about the comic. One is led to consider questions of consciousness and humanity’s role in nature through these stories. And solutions are rarely achieved by punching the villain into a stupor. This won’t be for everyone. In some ways, the comic elevates the wise old mentor to the role of hero.

I enjoyed reading this book and would highly recommend it for readers of comic books and graphic novels.

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“The Raven” by Edgar Allan Poe [w/ Audio]

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore --
 While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door --
  Only this and nothing more."

 Ah, distinctly I remember, it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
 Eagerly I wished the morrow; -- vainly I had sought to borrow
 From my books surcease of sorrow -- sorrow for the lost Lenore --
For the rare and radiant maiden whom the angels name Lenore --
  Nameless here for evermore.

 And the silken sad uncertain rustling of each purple curtain
Thrilled me -- filled me with fantastic terrors never felt before;
 So that now, to still the beating of my heart, I stood repeating
"'Tis some visitor entreating entrance at my chamber door --
 Some late visitor entreating entrance at my chamber door; --
  This it is and nothing more."

 Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
 But the fact is I was napping, and so gently you came rapping,
 And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you" -- here I opened wide the door; --
  Darkness there and nothing more.

 Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before:
 But the silence was unbroken, and the darkness gave no token,
 And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" --
  Merely this and nothing more.

 Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping, somewhat louder than before.
 "Surely," said I, "surely that is something at my window lattice;
 Let me see, then, what thereat is, and this mystery explore --
Let my heart be still a moment, and this mystery explore; --
  'Tis the wind and nothing more."

  Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
 Not the least obeisance made he: not an instant stopped or stayed he;
 But, with mien of lord or lady, perched above my chamber door --
Perched upon a bust of Pallas just above my chamber door --
  Perched, and sat, and nothing more.

 Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
 "Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
 Ghastly grim and ancient Raven wandering from the Nightly shore --
Tell me what thy lordly name is on the Night's Plutonian shore!"
  Quoth the Raven, "Nevermore."

 Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning -- little relevancy bore;
 For we cannot help agreeing that no living human being
 Ever yet was blessed with seeing bird above his chamber door --
Bird or beast upon the sculptured bust above his chamber door,
  With such name as "Nevermore."

 But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
 Nothing further then he uttered -- not a feather then he fluttered --
 Till I scarcely more than muttered, "Other friends have flown before --
On the morrow he will leave me, as my hopes have flown before."
  Then the bird said, "Nevermore."

 Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
 Caught from some unhappy master whom unmerciful Disaster
 Followed fast and followed faster till his songs one burden bore --
Till the dirges of this Hope the melancholy burden bore
  Of 'Never -- nevermore."

 But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
 Then, upon the velvet sinking, I betook myself to linking
 Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
  Meant in croaking "Nevermore."

 This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
 This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
 But whose velvet violet lining with the lamp-light gloating o'er,
  She shall press, ah, nevermore!

 Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
 "Wretch," I cried, "thy God hath lent thee -- by these angels he hath sent thee
 Respite -- respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
  Quoth the Raven "Nevermore."

 "Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
Whether Tempter sent, or whether tempest tossed thee here ashore,
 Desolate yet all undaunted, on this desert land enchanted --
 On this home by Horror haunted -- tell me truly, I implore --
Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!"
  Quoth the Raven, "Nevermore."

 "Prophet!" said I, "thing of evil! -- prophet still, if bird or devil!
By that Heaven that bends above us -- by that God we both adore --
 Tell this soul with sorrow laden if, within the distant Aidenn,
 It shall clasp a sainted maiden whom the angels name Lenore --
Clasp a rare and radiant maiden whom the angels name Lenore."
 Quoth the Raven, "Nevermore."

 "Be that word our sign of parting, bird or fiend!" I shrieked, upstarting --
"Get thee back into the tempest and the Night's Plutonian shore!
 Leave no black plume as a token of that lie thy soul hath spoken!
 Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
  Quoth the Raven, "Nevermore."

 And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
 And his eyes have all the seeming of a demon's that is dreaming,
 And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
  Shall be lifted -- nevermore!

Willow, Won’t You? [Blank Verse]

When I see some willows -
 down by water's edge,
  drooping in the moonlight,
 or swaying in the breeze -

I think of Blackwood's tale
 of Danube canoers
  who land upon an isle
  to camp among the willows.

And will the willows that
 I see, mark wicked ground,
  and what will they become
 when darkness makes its stand?

It's such a pretty tree...
 now all but ruined for me,
  and that is story's power
 to sweeten or to sour.

For those interested in reading the referenced story:

The Willows by Algernon Blackwood — free at Project Gutenberg

Dark River [Lyric Poem]

flow on, Dark River;
  slip through the night.

midnight's thick clouds
  block the moonlight.

your voice drowned out
  by insect chirr.

a Huck Finn raft
  drifts by at a blur:

the rafters unseen;
  their secret stays hush...

but for those red eyes
  in the underbrush.

BOOK REVIEW: The Sandman, Vol. 1: Preludes and Nocturnes by Neil Gaiman

The Sandman Vol. 1: Preludes & NocturnesThe Sandman Vol. 1: Preludes & Nocturnes by Neil Gaiman
My rating: 5 of 5 stars

Amazon.in Page

In this, the first, eight-issue volume of Sandman, we’re introduced to Morpheus / Dream – the king of dreams & nightmares and one of the seven Endless – when he’s captured by an amateur occultist who was trying to kidnap Death [the (not-so Grim) Reaper and also Dream’s sister.] The story told in “Preludes and Nocturnes” is one of Dream’s captivity, escape, and the subsequent missions to reacquire three magic artifacts that were stolen from him when he was captured (i.e. his bag of sand, helmet, and ruby-like jewel.) That last sentence makes it sound like a far-out fantasy, but it’s really a relatable and human set of stories.

This imaginative and compelling opening volume is at its best with “24 Hours” (as well as “Passengers,” the issue that precedes “24 Hours” and sets up its story.) In “24 Hours,” escaped villain, John Dee, torments the occupants of a smalltown diner by manipulating their reality (a capability he achieved when he came into possession of Dream’s “ruby.”) It’s a story that’s both horrifying and thought-provoking as Dee forces the diners to shed the masks of polite society and get to know the uncensored versions of each other.

Another favorite is the concluding issue, “The Sound of Her Wings,” which is really more of an epilogue, given the story has been brought to a successful and satisfying conclusion with the penultimate issue. “The Sound of Her Wings” introduces us to Death (the kinder, more charismatic, and more articulate Gaiman-version of the Grim Reaper) and shows us interaction between Dream and Death as Dream learns a crucial lesson from his sister.

“Sandman” is an excellent series, and the volume where it all began is no exception. I’d highly recommend it for readers in general.


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BOOK REVIEW: Killadelphia Deluxe Edition, Book One by Rodney Barnes

Killadelphia Deluxe Edition, Book One (Killadelphia, 1)Killadelphia Deluxe Edition, Book One by Rodney Barnes
My rating: 5 of 5 stars

Amazon.in Page

Release Date: November 22, 2022

Just when you think the vampire subgenre has been done to death, a graphic novel comes along that grabs one’s attention and reignites one’s affinity for the trope. As the title suggests, one of the ways that this book establishes itself as something different is to lean into setting, a setting with a unique heritage but no particular connection to vampires, in this case Philadelphia. The book takes cross-genre to the extremes, involving not only speculative fiction / horror but, also, historical fiction and detective fiction.

Killadelphia doesn’t do anything groundbreaking, but it does an exemplary job with an assortment of common tropes and plot devices. Like Seth Grahame-Smith’s Abraham Lincoln: Vampire Hunter, the book mashes up vampires and historical figures, but – in this case – Barnes goes more obscure by using John and Abagail Adams. The book also plays on the dysfunctional father / son relationship as source of tension and character growth. In this case, James Sangster Jr. comes to Philly due to the untimely death of his father, James Sangster Sr., but the father’s death turns out to be more of an undeath, the detective having been caught up in an investigation that led him into a den of vampires. This ultimately plays into a reluctant team up as the Philly vampire scene goes epidemic.

There’s some ancillary material with this deluxe edition, most notably a werewolf comic that takes place in the same universe, called Elysium Gardens. [Otherwise, it’s the usual alternate cover art and author exposition type stuff.]

I enjoyed Killadelphia and would put it in the upper echelon of vampire-inspired graphic novels that I’ve seen of late.


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