BOOK REVIEW: Darryl Openworld by Rémi Guérin

Darryl OpenworldDarryl Openworld by Oliver Peru
My rating: 3 of 5 stars

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Out: July 26, 2022

This fantasy comic book is set in a multiverse where journalists are rock stars, and none more so than the protagonist, Darryl Openworld. It combines high and low fantasy (moving between created / fantastical worlds and our own world – the latter being called the gray world.) It’s Darryl’s quest to solve the mystery of a series of improbable events so that he can get his story, doing so with an entourage of living and dead, human and fairy, and a magician and a magic bird.

At the broad-brush level, the story is interesting and coherent. It’s got the makings of a fine quest adventure with a love triangle on the side. However, when it came to the story details, it was clunky. The biggest problem was a lack of emotional resonance tied to a lack of pacing, a lack of ebb and flow. I found myself on several occasions thinking, “Why is this person being so emotional right now?” I think the author was trying to establish every moment as fraught to the max by showing the characters as being emotional, and because no story can sustain every moment being at max stakes, it just feels like overacting (or that the characters have low emotional IQ, which doesn’t jibe with what we’re told about them – especially not our iron-willed protagonist.)

The art is beautiful and creates a distinct otherworldliness of the other worlds. The one criticism I would present is that many characters had a similar androgenous appearance (including some of the main characters) and it wasn’t always instantly clear who was who.

The book has some unique features going for it. It’s nice to imagine a world in which journalism hasn’t crashed and burned, and where it’s still a respectable profession. But in the end, it wasn’t my cup of tea. Your results might vary. While there were a few small story problems, the bulk of what felt off about it boiled down to feeling like they were trying to keep the emotion dialed to eleven, but that just compressed the emotional arc of the book.


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BOOK REVIEW: Doctor Strange: The Oath by Brian K. Vaughan

Doctor Strange: The OathDoctor Strange: The Oath by Brian K. Vaughan
My rating: 5 of 5 stars

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The story begins with Doctor Strange being hauled into the office of the “Night Nurse,” a doctor (misclassified because of Marvel’s great love of alliteration) who treats superheroes off the books and at all hours. Stephen Strange has been shot in the chest by a burglar, Brigand, who proves more capable than your average thief in the night. The drama is all over a potion. It turns out that said potion is intended to treat Wong (Strange’s valet, ally, and martial arts instructor) who is in advanced stages of cancer. However, there’s more to the potion than Strange realizes. This five-issue arc is a race against the clock to get the potion before Wong succumbs to his disease, but there are those who want nothing more than to keep the potion out of Strange’s hands.

Marvel fans will likely be familiar with the “Thanos was Right” movement, a group of fans who propose that in the last phase of the Marvel Cinematic Universe, Thanos wasn’t really a villain but was, rather, doing what needed to be done. This book plays similarly with ambiguity of villainy, asking the question “would a panacea really be good for mankind?” I enjoy such approaches to story in which its far from obvious who is right, making it completely believable that the story’s villain could see themselves as the hero (not to mention some of the readers seeing them that way.) Virtuous villains and heroes who make tragically bad decisions are one thing that Marvel does right both in the comics and the movies.

This book offers an intriguing story. It’s thought-provoking, though not the kind of trippy, surreal tale that many are looking for when they turn to Doctor Strange comics. It revisits Strange’s origin story, but just in enough detail to provide backstory for an important character. It’s a must-read for fans of Doctor Strange.


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BOOK REVIEW: Cross to Bear by Marko Stojanović 

Cross to BearCross to Bear by Marko Stojanović
My rating: 5 of 5 stars

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Out: July 5, 2022

This Western-Dark Fantasy hybrid tells the story of two men who fled the Old World, seeking anonymity in the American West, two men whose stories tragically intersect. The protagonist is a battle-weary ex-killer for the enforcement arm of a secret society. It’s a twist on the clichéd “man-of-violence who walks away from it all only to be drawn back.” The other immigrant to the West is none other than Jack the Ripper.

I thought the author built a clever story that both drew heavily on the conventions of the Western, but with some atypical elements to give it a unique flavor. While the story draws on the clichés of the genre, by telling it slant they aren’t quite as blinding. The story builds emotional resonance and feels unique despite the fact that the components of the mashup are familiar.

I only felt one clunker in the story, a point during which the protagonist tells another man that he should keep in mind that the protagonist’s son is a Lord and, therefore, is this other man’s better. This would make an American LAUGH and LAUGH. I’m not saying that promise of equality embedded in the American mythos worked out for everyone, but the idea that this deputy would find claims to aristocracy a meaningful basis of superiority (and that the protagonist wouldn’t know better than to say it, having lived there as long as he did) seem unbelievable.

If you like Westerns and cross-genre comics, you’ll probably find this one to be a compelling read.


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BOOK REVIEW: The Dark Room by Gerry Duggan

The Dark RoomThe Dark Room by Gerry Duggan
My rating: 4 of 5 stars

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Out: June 29, 2022

The MacGuffin of this dark fantasy story is a camera that shows scenes not as they appear to the photographer, but in a way that reflects the blessings or curses of the photographic subject. There’s a demon looking for the camera, and he’s focused his search on Dounia, proprietress of a cabinet of curiosity style collection of usual objects. Dounia is a plucky young woman who’s well-connected within the supernatural community.

The setting of the story is a New York that’s a bit like the London of Neil Gaiman’s “Neverwhere” book, which is to say normal on the surface but overlapped with a city of mythic and magic beings.

The art is clearly drawn and uses color boldly, particularly given the ghastly subject matter. Different color palettes are used for different realms, and the cast does move around among the homes of folkloric and fantastical beings. I liked the color and don’t think it detracted from the macabre content, and – it should be noted – that the tone always retains a level of humor and lightheartedness.

I enjoyed reading this comic, and thought the art was skillfully rendered. If you’re interested in dark fantasy graphic novels, you might want to give it a look.

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BOOK REVIEW: Bone Orchard: The Passageway by Jeff Lemire

Bone Orchard: The PassagewayBone Orchard: The Passageway by Jeff Lemire
My rating: 4 of 5 stars

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Out: June 21, 2022

A geologist from the Geologic Survey is dispatched to a remote lighthouse island to investigate an unusual hole in the rock, and what he finds is beyond expectation.

I must admit, I might have found this book more intense were it not for my own recent reading history. In the past year or so, I’ve read more than one book placing a stranger on a lighthouse island, and so it feels cliché. I can’t say for certain whether it’s truly an overused plot device or a fluke of my reading selections (though they were all new releases.) The lighthouse is a visceral setting by virtue of its isolation, with only an antisocial lighthouse keeper for company.

The bigger challenge for me was the decision to let the art do much of the heavy lifting at the climax of the story. This created a great deal of ambiguity, and I couldn’t tell whether it was purposeful / strategic ambiguity or whether it was just a misunderstanding of what the reader would glean from the rapid succession of stylized panels. The artist did a good job of capturing the stark and frightful imagery necessary to achieve the requisite emotional palette for the story. However, I was distracted by so many questions: “Is this meant to be real or a dream?” “Why does the island work that way?” “What is the story’s base reality?” etc.

The book’s art and premise are good (if overly familiar,) but I felt the story was given short shrift, possibly the author was more focused on the overarching story and not enough on this as a standalone entity. Long-story-short: it’s okay, and maybe as a whole the series will be more promising.


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BOOK REVIEW: The Books of Magic by Neil Gaiman

The Books of MagicThe Books of Magic by Neil Gaiman
My rating: 5 of 5 stars

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Timothy Hunter is a young man faced with a big decision: take up magic and become the powerful sorcerer that he’s prophesied to become or live a magicless existence among muggles. The story’s structure is reminiscent of “A Christmas Carol,” except that instead of three ghosts showing the protagonist what a jerk he is, it’s the four members of the Trenchcoat Brigade (John Constantine, Mister E, Doctor Occult, and the Phantom Stranger) introducing Hunter to the good, the bad, and the ugly of the magical world. There’s much more adventure than in Dickens’s story, owing to the fact that there’re many who don’t want a powerful new magician coming on the scene, and so Hunter is being hunted.

This is a quick read and a straightforward story. It’s a little unusual in that Timothy, the protagonist, so often doesn’t have much agency, but in many ways it’s as much a Trenchcoat Brigade story as a Timothy Hunter story. Also, it’s hard to avoid with a character who is just a regular boy among powerful practitioners of magic.

There’s a lot of connection to the Sandman universe as well as references to the broader DC universe of characters.

I found it to be an intriguing story, and I thought the art captured the trippiness required of this kind of story. If you like Gaiman’s DC / Vertigo work, you’ll enjoy this book.


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BOOK REVIEW: Animals in Our Days by Mohamed Makhzangi

Animals in Our DaysAnimals in Our Days by Mohamed Makhzangi
My rating: 5 of 5 stars

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Out: June 14, 2022

Besides being animal-themed or animal-centric to varying degrees, there are a couple of other features common to the stories in this translated collection from Egyptian author, Mohamed Makhzangi. First, it’s truly international in terms of settings. In addition to stories that take place closer to the author’s (i.e. in the Middle East,) there are tales set in Bangkok, Jaipur, Windhoek, and undefined but evocative locales that all feel based on the author’s travels. Second, the stories tend to have a dreamy, surreal quality and / or speculative elements – i.e. they aren’t strictly realist, but more magical realist. At times, stories read like Kafka (e.g. “Brass Grasshoppers”) and at other times like a fairy tale (e.g. “White Bears / Black Bears.”) Where the stories vary is with respect to theme, from war to alienation to the interconnectedness of nature.

The translation by Chip Rossetti is highly readable, and the stories are well-crafted, engaging, and often thought-provoking. I’d recommend this for all readers of short fiction.


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BOOK REVIEW: Shock Treatment by Cullen Bunn, Peter Milligan, & Aaron Douglas

Shock TreatmentShock Treatment by Cullen Bunn
My rating: 5 of 5 stars

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Out: June 7, 2022

This graphic novel consists of three unrelated pieces of short fiction. All of the stories are of the horror / dark speculative fiction genres, but – otherwise – they are distinct both with respect to story and art. I enjoyed them all, but definitely felt there was a variation in quality.

“Piecemeal” (Cullen Bunn) is about a clique of teenagers who stumble onto a long-deserted house, and find formaldehyde-preserved body parts. It’s got a “Final Destination” meets “Freddie Krueger” kind of vibe. I would rate it as my least favorite. Despite an intriguing (if simple) premise, it never achieved a high creepiness factor, and it resolved too easily / cleanly for my tastes. It also had the most chaotic art, which I’m sure was on purpose, but it didn’t do much for me.

“God of Tremors” (Peter Milligan) this is a period piece set in the 19th century household of a prominent Anglican vicar. It’s about a boy with epilepsy whose anti-science father wants to beat the demon out of him (because that’s what used to cause medical conditions.) While his mother tries with limited success to protect the boy, he ultimately gets help from an unexpected source. This was my favorite because it generated emotional resonance and offered evocative character development. It also had the cleanest artistic style of the three, though I don’t know how important that was to my liking it.

“10 Years to Death” (Aaron Douglas) shows a boy’s uncle telling him a disturbing tale that took place at a prison where the uncle works as the head jailer. That may seem completely unbelievable, unless you’ve had an uncle who didn’t know how to interact with kids so he just – for good or ill – treated them like adults. This was my favorite as far as story premise is concerned. The way the story unfolds is compelling and well-presented.

If you like short fiction of the dark / horror genre, you may want to look into this one.

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BOOK REVIEW: Karmen by Guillem March

KarmenKarmen by Guillem March
My rating: 5 of 5 stars

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Out: May 17, 2022

My tagline for this book would be: Neil Gaiman’s “Death” [i.e. from “The Sandman”] meets Paulo Coelho’s “Veronika Decides to Die.” For those unfamiliar with either of those points of comparison, the former is a character that subverts the traditional scary Grim Reaper, replacing the faceless hood with a personable and endearing lass, and the latter is the story of a young woman whose actions force her to learn the lesson of that old chestnut: suicide is a permanent solution to a temporary problem.

While it’s convenient for me to present the book in this “X meets Y” summation, it’s a unique story, diverging from both of those tagline references in many important ways. For example, the model of the afterlife is not Judeo-Christian like Gaiman’s, but is more Buddhism meets bureaucracy. [There I go again with the X meets Y.] I found the story captivating, and thought the character development was skillfully presented, particularly as regards the character of Cata.

I struggled with whether I liked the tone of the ending, but I’ll say no more about that to avoid spoilers — except to say that it grew on me. The art was beautiful and I found it to be an all-around entertaining read. Highly recommended.

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BOOK REVIEW: Shang-Chi, Vol. 1: Brothers & Sisters by Gene Luen Yang

Shang-Chi by Gene Luen Yang, Vol. 1: Brothers & SistersShang-Chi by Gene Luen Yang, Vol. 1: Brothers & Sisters by Gene Luen Yang
My rating: 4 of 5 stars

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This five-issue story arc tells the tale of an intra-family battle for control of the Five Weapons Society, a kung fu dynasty that dates back at least to the Boxer Rebellion. With the patriarch deceased, sides form behind Shang-Chi, on the one hand, and Sister Hammer, on the other. While close as young children, Shang-Chi and Sister Hammer grew up separated, and could not have turned out more differently. Shang-Chi (aka. Brother Hand) has been reluctantly drawn into the conflict by virtue of his being the “chosen one,” and by having the support of Brother Sabre and (to a lesser degree) Sister Dagger. Sister Hammer has raised an army and is bent on taking over the dynasty by whatever means necessary.

So, this is one of those stories that’s not about a purely good hero against a purely evil villain, the latter needing to be completely destroyed, but rather it’s about the need for catharsis and reconciliation. But that doesn’t keep the comic from being loaded with action. We also see a protagonist who experiences a change, which is a story convention that is often jettisoned in the action genre. Shang-Chi must move past his reluctance, and embrace his role in the family.

I found this comic to be compelling and worth reading.


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