Tag Archives: poem

POEM: The Last Word on ultima Thule

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ultima Thule / əl-tə-mə-ˈthü-lē / n. 1. a distant unknown region; 2. the extreme edge of the discovered world



“Where lies the ultima Thule?”
he inquired about the edge of discovery.



“It’s down in cave, beyond the cold,
in a pocket that’s hot and noxious.”



“I’m sure it lies in the Challenger Deep,
far down below the waves.”



“It must be out amid the void of space,
where frozen silence reigns.”



“If it lies not in the recesses of my mind,
I’m sure I’ll never see it.”

POEM: Momentarily Untethered

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For a moment —
a still moment —
belief flat-lined.

I don’t mean belief in gods, myths, or monsters —
that abandoned me long ago.
[Or I abandoned it? Either way, it’s gone.]

I mean recognition that there is a world,
and that I know enough to hum along to its tune.

And as I’m listening to the shrill and steady tone in my ears —
[it really was a flat-line, like in the TV medical dramas]
the world snapped back to normality

&

I almost fell out of the bed.

Gray Day Haiku

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palm trees waving
under gray, stormy skies
delusion rocked

 

foggy city
bridge top corner juts
from river’s cloud

 

monochrome town
fog drained your varied hues,
what feats light works

 

cloudy mountain
layers of gray stay silent
keeping secrets

 

vodka, no ice
peering out a window
into nothing

POEM: Softening a Blow with Poetry

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Nothing, these days, sounds mean or terse,
if you put it in metered verse.
Rhymes make a “screw you” whimsical,
not hostile or inimical.

So if you’d like to ride the fence,
and give insults benign pretense,
just rhyme your lines and count your feet,
they’ll think it jest and call it sweet.

[Ex. 1]
Your breath is Death on crack and meth
gone ten days without a shower.
It’d stop a clock and kill the hour.
“What foul winds blow?” It is your breath.

[Ex. 2]
To say you’re dumber than a post
gives the post too much room to boast.
I’d liken your wits more to toast,
but
one day you’ll be sharp as pot roast.

So if you need make libel or slander,
you can do it with the utmost candor,
if you can make the barb zing like a song,
they will drop their riposte and sing along

POEM: Same Dream in a Different Key

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I have a recurring dream.

It never plays out the same,
never looks the same,
the setting differs,
and, besides me, the cast differs.

But it feels the same,
an identical nuance of feeling,
and there’s always a tower —
a high tower that I don’t think I ever top.
Sometimes, its a bamboo scaffold.
Other times, there’s gilt ornamentation around the elevators,
but there’s some common towericity… towerness?

There’s also a man on the tower who thinks himself a holy man,
but I think he’s a fraud.
I’m not sure whether I think he’s a fraud during the dream,
or only once I wake up.

But they say you are every person in your dream.
So, that makes me a fraud and a self-professed holy man,
but how can a person who never claims authenticity be a fraud?
I’m not sure what genuine means in this mysterious world,
and don’t get me started on what I don’t know about being a holy man.

I have a recurring dream.

POEM: Kyrgyz South Shore

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standing on a green mountaintop
with snowcaps to my back
ahead, angular arid lands
crinkled, as marked by wrack

beyond, a lake still and turquoise
waters frigid as clear
not a sound but for bird or breeze
at habitat frontier

where do desert, beach, and meadow
mingle as in this place?
a thousand square miles condensed
into a hundred acre space

POEM: Room

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There’s a room in your house;
what it’s for you do not know.

It seems to collect odds and ends —
the varied detritus of a life lived.

You’d never invite company into this room,
not a friend, not a lover, not a confidant,
and certainly not your therapist.

Sometimes you’re eager to visit,
but other times you dread it —
at such times, you must be pulled by an unseen force.
You’re never indifferent about it,
because it’s never a boring trip,
because this room is rearranged daily.

How it’s rearranged, you do not know.
To the best of your knowledge,
you are the only possessor of a key.
In fact, to the best of your knowledge,
you are the only one who knows how to find it.

Even you couldn’t draw a map.
Its entrance is deep and concealed.
You get there by intuition —
never by counting corners.

Sometimes you are stunned or startled by what you see when the door opens.
Other times it’s as though you’ve stumbled onto a treasure trove.

But the fear, elation, sadness, or madness is short-lived.
For the room is like a vow of love scrawled in wet sand at low tide.

POEM: god heap

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they scream to gods on hidden hills
who watch and watch and drink their fill
but heavenwise direct their will

to higher gods than thou can know
their hope locks not in glacial flows
but awaits the great call of “go!”

then it crumbles, tumbles, and ‘s gone
to cries of “fair” and “right and wrong”
sung by pilgrims unversed in song

POEM: Dark Passage

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rolling in darkness,
the hull rolling against bone,

insides rolling toward the outside
constant motion without visual reference
spurring other sensory experiences:

retching & wailing,
bile scent & bile taste,
organ churning

creaking,
dampness,
saltiness,

headache,
heartache,

lunacy,
&
oblivion

POEM: Visitors

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Don’t tell me stories about screaming trees.
I’ve heard them in the forest after dark.

Strange boats landed on the shore from vast seas,
carrying saws to make a proper park
of old growth lands that lay beyond the known
and sweep up the sun-dappled leaf litter,
sowing where they’d reaped & reaping what they’d sown,
silencing the chitter of bird and critter.

Rearranging, like bedroom furnishings,
the space of nature’s grand, endless chaos.
Building fences, trapping, and clipping wings.
They spay and spray and pray, and scrape the moss.

The boats, long since rotted, landed near here
between that Taco Bell and the concrete pier.