Tag Archives: Fantasy

BOOKS: “American Vampire, Vol. 2” by Scott Snyder

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American Vampire, Vol. 2American Vampire, Vol. 2 by Scott Snyder
My rating: 5 of 5 stars

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This six-issue volume, just like the first, intersperses the story of two American vampires, Skinner Sweet and Pearl Jones. For those who haven’t read Vol. 1, the American Vampire is mutated to have advantages of strength, speed, and UV resistance, but in vampire mode they are much more monstrous. The first four issues focus on a detective noir story set in 1930’s Las Vegas. Skinner Sweet could be said to be central to events in that arc, though not to be the lead character. (That would be the police detective trying to solve a string of gruesome murders.) The last two issues put the Pearl Jones story front and center. That arc is set during the same timeframe, but in Northern California. The first arc is tied up more successfully, but I suspect this has to do with the challenges of interspersing stories (the first arc also has twice as much space with which to work.)

There’s an interesting contrast between the stories. Skinner Sweet is villainous, was villainous before he became a vampire, and is even more so afterwards. The Pearl Jones story is more of a love story between Pearl and her human husband, Henry Preston — albeit a love story in which the couple is being hunted by nefarious forces and must fight to survive. She is trying to be free of the monster life as best she can.

I am enjoying this series. The journey through time and landscapes of America makes this not just another vampire story. If you enjoy comics that mix genres, I’d highly recommend this volume.

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BOOKS: “Captain America: Winter Soldier, Vol. 1” by Ed Brubaker

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Captain America: Winter Soldier, Vol. 1Captain America: Winter Soldier, Vol. 1 by Ed Brubaker
My rating: 5 of 5 stars

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This is a tale of cloak and dagger intrigue, modern-day intrigue rooted in post-Cold War intrigue rooted in Cold War intrigue rooted in Second World War intrigue. It’s intrigue all the way down, and the book uses flashbacks to gradually fill in the reader on the necessary background.

I liked that Brubaker shows us a Captain America that’s a bit beaten down and jaded. Not beaten down in the physical sense, but in the sense of not being able to maintain his preternatural positivity and virtue in the face of all he’s seen and been through. It makes for a more interesting and textured Captain America.

In issue one of this seven issue collection, the Red Skull is found dead, and the bulk of the remainder of the book is a detective story of political intrigue. [Except the final issue which wraps up a secondary plot point from an earlier issue by telling us the tale of Jack Monroe. Which shows us a darker, grittier side of super-soldiery.]

I enjoyed reading this volume. It was a compelling story arc with plenty of action but also a bit of mystery. If you’re a Marvel comics reader, it’s must-read.

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BOOKS: “Eternals” (2006) by Neil Gaiman and John Romita Jr.

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EternalsEternals by Neil Gaiman
My rating: 4 of 5 stars

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The Eternals is one of the lesser-known superhero groups, a collection of immortal, god-tier heroes who protect the Earth from a specific set of enemies (Deviants) and serve a specific master (Celestials.) [The Eternals are a little better known now, given Marvel’s “every hero, everywhere, all at once” strategy led them to make a movie based on the team, and — like many products of that phase — it was not loved.] I am usually not a big fan of god-powered comic book characters because it’s an uphill battle to make them interesting. However, I am a big fan of the story-crafting of Neil Gaiman, and this story had the promise of the heroes not knowing they were heroes, at least through the early part of the book.

I found the story to be coherent, despite its outlandishness, and I was a fan of having the heroes living under the impression they are ordinary people. I think that device created fine conditions for tension and intrigue. Still, the volume does not read with the visceral intensity one would expect of a story with stakes as high as they are stated to be. There was some distance created by a lack of intense connection to the characters and the clunkiness of the premise.

If you’re looking for stories of a hero team stranger than the Avengers, but not as strange as Guardians of the Galaxy, this may be your cup of tea.

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BOOKS: “Constantine, Vol. 1: The Spark and the Flame” by Ray Fawkes & Jeff Lemire

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Constantine, Vol. 1: The Spark and the FlameConstantine, Vol. 1: The Spark and the Flame by Ray Fawkes
My rating: 4 of 5 stars

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This is your basic “race to acquire the components of a multi-part MacGuffin” story line. There is a magic compass that John Constantine is eager to keep out of the hands of a shadowy organization of powerful magicians. Why do we care? First of all, because this is a vaguely but extremely powerful artifact that can rain utter destruction on the world in some ill-defined way. Secondly, because Constantine is just such an intriguing character. Mostly the latter, because the former is ill-defined and doesn’t merit much emotional traction.

That’s mostly what the story is about, but there are various seemingly haphazard story elements (probably too many for the first volume in a series.) This being marketed as a “Volume One” is where much of the book’s problems lie. We pick up pretty much in medias res and when an event occurs that we’re supposed to care about enough to want to see a resolution late in the volume, it’s really hard to care about because it’s been raced through. If you are picking this up after reading the previous series, it’s undoubtedly much more satisfying as a story. Picking up the story with this “Volume 1” is a bit chaotic and lacking in emotional resonance.

That said, John Constantine is one of the most interesting characters in comics and he’s written and drawn well in this book. (Not to mention supporting characters like Papa Midnight.) The story is fast-paced and the broad brushstrokes of it are comprehensible.

If you’ve read the previous Hellblazer / Constantine works, you’ll probably enjoy this volume. Taking it on as a standalone may leave one a bit befuddled.

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BOOKS: “Pawan” by Sorabh Pant

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Pawan: The Flying AccountantPawan: The Flying Accountant by Sorabh Pant
My rating: 4 of 5 stars

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On one level, the more superficial level, this is a superhero fantasy featuring a Vanara (a supernatural monkey-man creature from Indian mythology,) on another level it’s a political satire that riffs on the geopolitics and the military-industrial complex of India. It’s cleverer as the latter than the former.

The story has some clunkiness, including the occasional hard to follow description and sloppy story elements (e.g. the deus ex machina.) That said, it’s pop genre fiction and with regards sloppy story elements they’re par for the course in superhero fiction. My point being that the fact that it’s amusing and mostly readable means it hits its target, strained credulity and logical inconsistencies aside.

The humor is of the broadest range with occasional laugh-out-loud hilarity, lots of mildly amusing jokes, and a few groan-worthy lines that go down like a lead-balloon. That’s not a terrible ratio for a novel.

If you want to check out a book featuring an Indian mythology-based superhero, and you don’t mind a lot of jokes directed at political and national security apparatus leadership, this book is worth looking into.

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BOOKS: “Batwing, Vol. 1: The Lost Kingdom” by Judd Winick

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Batwing, Vol. 1: The Lost KingdomBatwing, Vol. 1: The Lost Kingdom by Judd Winick
My rating: 4 of 5 stars

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This New 52 spinoff takes the Batman mythos out of Gotham and into the Democratic Republic of Congo. Batman, himself, plays largely a supporting role as mentor and equipment provider to David Zavimbe, a.k.a. Batwing. The book is careful to avoid having Batman play the role of rescuer, but instead, when Batwing and Batman fight together they do so largely as peers.

I’ve got to say that the name had me worried. It’s like a mashup of “Batman” and “Nightwing” and seems lazy and uninspired in a way that I feared might infect the comic. However, character building is a strength in this volume. David Zavimbe is a former child soldier in the Congo, particularly gifted in killing — though tormented by it, torment that reflects itself in PTSD.

While Batwing’s abilities paired with Bruce Wayne’s technology makes the Congolese superhero a force to be reckoned with, Batwing meets his match in a mysterious villain who calls himself “Massacre.” This six-issue volume focuses on the on-going battle between Batwing and Massacre, as the former tries to disrupt the latter’s killing spree.

This arc is stimulating in that it deals heavily in the complex realities of war-torn Africa. There is the issue of redemption, and whether it is even possible for someone who has been a cold-blooded killer. But the story also generates ambiguity about who is right, and even whether “right” is meaningful in a context where everyone has blood on his hands.

I enjoyed reading this book and would recommend it for all comic book readers, especially those who like either Batman, Black Panther, or both.

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BOOKS: “Saga of the Swamp Thing: Book One” by Alan Moore

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Saga of the Swamp Thing, Book OneSaga of the Swamp Thing, Book One by Alan Moore
My rating: 5 of 5 stars

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This volume presents two separate and complete story arcs. The first features the Floronic Man (Jason Woodrue) as the main villain, and it deals heavily in the origins of Swamp Thing and the creature’s struggles to come to grips with who it is and why it experiences the world as it does. The second story makes a shift to a more supernatural threat and shows a Swamp Thing who is more comfortable in its… roots? twigs? foliage? — whatever Swamp Thing has in lieu of skin.

Alan Moore does his usual superb job of creating a clever and satisfying set of tales. Swamp Thing was groundbreaking in its cross-genre mélange of horror, supernatural, eco-fiction, and sci-fi. There is also a certain smartness about the comic. One is led to consider questions of consciousness and humanity’s role in nature through these stories. And solutions are rarely achieved by punching the villain into a stupor. This won’t be for everyone. In some ways, the comic elevates the wise old mentor to the role of hero.

I enjoyed reading this book and would highly recommend it for readers of comic books and graphic novels.

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BOOKS: The Picture of Dorian Gray by Oscar Wilde

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The Picture of Dorian GrayThe Picture of Dorian Gray by Oscar Wilde
My rating: 5 of 5 stars

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This is a book about what happens when you hollow out a person of all the complexity of the human condition and idealize them. At the beginning of the story, Dorian Gray is young, attractive, and preternaturally likable in a naïvely innocent kind of way. Almost to the novel’s end, through the magic of a wish made upon a portrait, Gray is still young and beautiful, though that naive innocence cracks under the strain of the impossible bifurcation of man and his soul. The artist, Basil Hallward, and Lord Henry (a man who will become a mutual friend of Gray and Hallward) cannot see Gray as a fully formed human being, but rather see him as an emblem of youth and beauty. But this unnatural ideal cannot hold, and a string of tragic deaths will be left in its wake.

The book is full of clever witticisms, albeit often of a nihilistic nature. These are almost all spoken by Lord Henry, who is the Polonius of the story – but a hipper kind of Polonius than Hamlet‘s. That said, it’s telling that toward the end of the book Gray does some of this epigrammatic philosophizing. (e.g. Such as when Gray tells Hallward, “Each of us has heaven and hell in him…”) One might dismiss this as Gray parroting Lord Henry, but I think that life has defrocked him of his naïveté, and he begins to think in ways that were impossible in his [true] youth.

This is a must-read. It’s interesting, thought-provoking, and well worth the time.

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BOOK REVIEW: The Sandman, Vol. 1: Preludes and Nocturnes by Neil Gaiman

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The Sandman Vol. 1: Preludes & NocturnesThe Sandman Vol. 1: Preludes & Nocturnes by Neil Gaiman
My rating: 5 of 5 stars

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In this, the first, eight-issue volume of Sandman, we’re introduced to Morpheus / Dream – the king of dreams & nightmares and one of the seven Endless – when he’s captured by an amateur occultist who was trying to kidnap Death [the (not-so Grim) Reaper and also Dream’s sister.] The story told in “Preludes and Nocturnes” is one of Dream’s captivity, escape, and the subsequent missions to reacquire three magic artifacts that were stolen from him when he was captured (i.e. his bag of sand, helmet, and ruby-like jewel.) That last sentence makes it sound like a far-out fantasy, but it’s really a relatable and human set of stories.

This imaginative and compelling opening volume is at its best with “24 Hours” (as well as “Passengers,” the issue that precedes “24 Hours” and sets up its story.) In “24 Hours,” escaped villain, John Dee, torments the occupants of a smalltown diner by manipulating their reality (a capability he achieved when he came into possession of Dream’s “ruby.”) It’s a story that’s both horrifying and thought-provoking as Dee forces the diners to shed the masks of polite society and get to know the uncensored versions of each other.

Another favorite is the concluding issue, “The Sound of Her Wings,” which is really more of an epilogue, given the story has been brought to a successful and satisfying conclusion with the penultimate issue. “The Sound of Her Wings” introduces us to Death (the kinder, more charismatic, and more articulate Gaiman-version of the Grim Reaper) and shows us interaction between Dream and Death as Dream learns a crucial lesson from his sister.

“Sandman” is an excellent series, and the volume where it all began is no exception. I’d highly recommend it for readers in general.


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BOOK REVIEW: Batman: The Complete Hush by Jeph Loeb

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Batman: The Complete HushBatman: The Complete Hush by Jeph Loeb
My rating: 5 of 5 stars

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Over the course of this twelve-chapter story, Batman is pitted against much of his rogues’ gallery, but they’re puppets to a shadowy unknown, a secret villain: Hush. Batman has to do his best detective work, and still faces twist after turn in uncovering this enemy that knows him all too well, who knows all his pressure points. Batman has to battle Killer Croc, Poison Ivy, Harley Quinn, Joker, Scarecrow, and Clayface – and even [due to mind control] Superman and Catwoman, but nothing is as it seems. One might expect that a book this packed with enemies would face problems of pacing and poignancy, but the way the story is crafted (and the villains are effectively subordinated) it’s quite the opposite.

This was one of the smartest comics I’ve read. It’s a mystery that offers foreshadowing, but also false flags. There’s a sub-plot love story between Batman and Catwoman in which the relationship matures, but the question of whether one can ever really trust someone in that world remains ever in the background.

I thought this was one of the best comics I’ve read, and if you’re a Batman fan, it’s definitely a must-read.


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