BOOK REVIEW: The Taiheiki trans. / ed. by Helen Craig McCullough

TaiheikiTaiheiki by Helen Craig McCullough
My rating: 3 of 5 stars

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Let me be blunt, “The Taiheiki” isn’t a book you pick up to read a gripping story. While it’s considered a work of fiction, it reads like a history. In some sense, it is a history. It does follow the broad brush strokes of the events in Japan in the early 14th century. However, there are way too many characters to keep track of, or to remember who is on the side of whom, or even to know whether a given individual is worth remembering or whether they’ll soon die an ignominious death. If you don’t believe me, here are the words of the book’s translator and editor, “In short, the ‘gunki monogatari’ [the war tales of which ‘The Taiheiki’ is one] are not great literature. But the best of them are worth reading.”

I agree with McCullough’s point about these books (and this one in particular) being worth reading, but I would add an “if.” “The Taiheiki” is worth reading, if you have an interest in medieval Japan, samurai, or civil war life. The time period in question was fascinating, and it was characterized by war and intrigue. The Hōjō clan was ousted. (They were the military clan that administered the government.) A compromise had been in effect in which the mantle of Emperor was to be alternated between two opposing lines. However, an ambitious Emperor Go-Daigo refused to relinquish the title, and this led to a war between the courts. It’s a story of both warriors of legendary loyalty (most famously, Kusunoki Masashige) and those of shifting loyalties.

While the book is too fractured to form a clear and interesting story overall, that doesn’t mean it isn’t filled with intriguing episodes of battles, espionage, siege warfare, and even the occasional ghost or goblin story. There are many interesting individuals that are dealt with in sufficient detail to make them intriguing—the aforementioned Kusunoki Masashige stands out among them. The book offers insight into the medieval Japanese mind and to some degree the modern mind as well. There are discussions of philosophy and strategy worked into the narrative that help one to understand from whence the individuals were coming.

The book has a few features that help non-expert readers. The first is an extensive introduction written by Dr. McCullough that serves to provide background for the book and the era in which it took place. The second is frequent footnoting. There are also several plates of artworks and photos interspersed throughout the book. These help the reader visualize the environs and how these individuals would have looked.

If you have an interest in medieval Japan, in samurai, in ninja, or even in pre-modern war generally, I’d recommend this book. (If you’re looking for a gripping tale of intrigue set in 14th century Japan, not so much.)

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BOOK REVIEWS: The Things They Carried by Tim O’Brien

The Things They CarriedThe Things They Carried by Tim O’Brien
My rating: 5 of 5 stars

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It’s called a novel, but it reads like a collection of war stories and essays about being an American soldier in the Vietnam War. That’s not a criticism. In fact, it’s part of the brilliance of this book. If it were thoroughly plotted, it might not feel so authentic. As war is disjointed, so is O’Brien’s book. Some of the chapters are tiny and some are lengthy. Some read more like essays than fiction, and others are clearly fictitious.

When I say that “some are clearly fictitious,” there’s always a doubt that it might just be a true story–because war is just that absurd. An example that springs to mind is one of the most engaging pieces in the work. It’s called “Sweetheart of Song Tra Bong,” and it’s about a wholesome, young girlfriend to one of the soldiers who [improbably] comes to live in the camp. The girl acclimates to the war, and soon she is going out on patrol–not with the ordinary infantry soldiers, but during the night with the Green Berets. Perhaps the moral is that some people are made for war, and it’s never who you’d suspect. As I describe it, the premise may sound ridiculous, but the way O’Brien presents it as a story told by a Rat Kiley–a fellow infantryman known to exaggerate—it feels as though there is something true, no matter how fictitious the story might be. Before one reads “Sweetheart of Song Tra Bong” one has been primed by a chapter entitled “How to Tell a True War Story,” which tells one that truth and falsehood aren’t so clear in the bizarre world of war.

There are a couple of chapters outside the period during which O’Brien (the character, who may or may not be the same as the author) is actively in an infantry unit. One early chapter describes his near attempt at draft dodging, and another talks of his time stationed at the rear after being injured. Both of these chapters offer an interesting twist in the scheme of the book overall. We find O’Brien to be a fairly typical infantry soldier, and it seems hard to reconcile this with his floating in a canoe and narrowly deciding not to make a swim for the Canadian shoreline. However, what is odder still is realizing how distraught he is to be pulled out of his unit, particularly when he realizes that he has become an outsider and the [then rookie] medic who botched his treatment is now in the in-group. This is one of the many unusual aspects of combatant psychology that comes into play in the book, along with O’Brien’s description of how devastating it was to kill.

There are 21 chapters to the book. As I said, they run a gamut, but at all times keep one reading. It’s the shortest of the Vietnam novels I’ve read—I think. When I think of works like “Matterhorn” and “The 13th Valley,” there seems to be something hard to convey concisely about the Vietnam War, but O’Brien nails it with his unconventional novel. O’Brien also uses repetition masterfully. This can be seen in the title chapter “The Things They Carried,” which describes the many things carried by an infantry soldier—both the physical items they carried on patrol and the psychological and emotional things they carried after the war. It’s a risky approach that pays off well.

I’d recommend this book for anyone—at least anyone who can stomach war stories.

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DAILY PHOTO: Military Bulldozer

Taken in December of 2015 at the War Remnants Museum in Ho Chi Minh City

Taken in December of 2015 at the War Remnants Museum in Ho Chi Minh City

DAILY PHOTO: Hue Citadel Fortifications

Taken on December 24, 2015 in Hue

Taken on December 24, 2015 in Hue

 

This was the capital of Vietnam during the Nguyen Dynasty (1802 – 1945.) Inside there is a Forbidden City that, while not as large and impressive as Beijing’s, is beautiful and worth visiting nonetheless. (A Forbidden City is territory in which only royalty were allowed to tread.) Much of the Citadel has had to be rebuilt or repaired because in 1968 it was targeted after extended fighting in and around the city. (Initially, the Citadel was not fired upon because of its importance as a historic site, but eventually the battle became so intense that its protection was deemed no longer an option.

DAILY PHOTO: Credentials Presentation Room, or Swanky Gold Room

Taken on December 20, 2015 in Saigon

Taken on December 20, 2015 in Saigon

 

This room, featuring lacquered furniture and  artwork, is located in the Independence Palace (a.k.a. Reunification Palace) in Saigon (i.e. Ho Chi Minh City.) The palace had been the home of the leader of South Vietnam during the war years, and its fall to the North Vietnamese Army in April of 1975 signaled the unambiguous end of the war. This room was used for meetings with high level dignitaries, Ambassadors, and the like. It’s arguably the most impressive room in the Palace.

Reflections on Vietnam

IMG_0122I was five when Saigon fell. So I can’t say that I remember the war as breaking news. However, by the time I was coming into adulthood, Vietnam remained front and center in the American psyche. Many of the most prominent movies on the war came out when I was in high school or shortly thereafter (e.g. Platoon (1986), Full Metal Jacket (1987), Bat 21 (1988), Casualties of War (1989), and Born on the Fourth of July (1989).) Even films that weren’t explicitly or solely about the war often featured characters transformed by its crucible (e.g. Lt. Dan from Forrest Gump.)

 

It wasn’t just cinema. While many of the most prominent books on the war came out in the 70’s and early 80’s, bestsellers were still coming out during my early adult life (e.g. The Things They Carried (1990) and We Were Soldiers Once… and Young (1992).) Even once the war wasn’t news anymore, discussion of the aftershocks continued to grace news and talk shows. I do remember my father watching an episode of 60 Minutes  which showed footage of helicopters being pushed off of aircraft carriers into the sea as American forces steamed back home. I have no idea what that story was about (perhaps the ecological and environmental effects of the war,) I just thought it was too bad that they were destroying perfectly good whirly-gigs.

 

Terms like “the fall of Saigon” were etched into my consciousness before I had any capacity to understand them. It fell from what? To what? I didn’t know. It’s a city, right? How can a city fall? Balls fall. People fall. Dinner plates, unfortunately, fall. Of course, I’d eventually be taught what it meant, and would mistakenly think I knew what it meant for many years. I thought it meant the defeat of those forces that would keep Vietnam from becoming a totalitarian dystopia akin to the Soviet Union or, even more apropos, Kim dynasty North Korea. Sure enough, one side–the side that America had supported–had been defeated, but otherwise this “fall” was false.

 

IMG_0411As one walks around Saigon today, passing a few Starbucks, a Carl’s Jr, and innumerable Circle-Ks, it’s difficult to imagine how a victory by the other side would have resulted in a more entrepreneurial or vibrant Vietnam. The college kids at the dinner, largely ignoring the friends around them in favor of texting someone else on their iPhones, seem strikingly like their counterparts in Bangalore and Atlanta. They seem mirthful and exuberant. A tour guide lets fly little criticisms about the bureaucracy, and nobody sweeps in and throws a black hood over his head. People just don’t seem scared, brainwashed, or crazy, and–believe me–everybody who survives in North Korea fits one of those criteria. (While I’ve been impressed by cool, gregarious, and well-spoken North Korean diplomats; they’re always accompanied by a sinewy, mirthless “assistant” who I’m pretty sure has a syringe of strychnine in his pocket to silence the diplomat if he goes off script.)

 

I’m aware that it’s difficult to see the dysfunctions of a nation as a traveler or tourist. I also realize that–to twist Tolstoy– “All happy nations are alike; each unhappy nation is unhappy in its own way.” However, what Tolstoy’s quote doesn’t convey is that all families are unhappy in some measure–and the same is true of nations. However, it’s easy enough to see extremes of dysfunction. That’s why the Kims mostly keep foreigners out of the DPRK and carefully select and manage the experience of those they do let in. It’s difficult to imagine a degree to which things could be better in Vietnam that would have made the cost of that war worth it.

 

I also know that hindsight is 20/20, but where fear runs rampant foresight is 20/100 with a nasty astigmatism. In my International Affairs graduate program, I specialized in asymmetric warfare, writing a thesis entitled, “Playing a Poor Hand Well.” While my thesis didn’t focus on Vietnam, one can’t study asymmetric warfare without learning a thing or two about the Vietnam war. One learns that the mathematical, attrition rate-based formulas that analysts love are worthless in deciding a victor when one side is fighting in their backyard and the other is fighting in a place of marginal importance to a population who mostly couldn’t point said country out on a map. Will matters. What made America take on such a burden on the other side of the world?  Many feared a domino effect. If Vietnam was lost to the forces of communism, soon we’d be surrounded by tyrannical totalitarian states blaring “one of us, one of us…” through loudspeakers until we relented–or something like that. In retrospect, it seems like an astounding lack of faith in the appeal of democracy and rule of law, but that’s what happens when one stews in one’s fears.

 

What worries me is that I still see a desire to make mountainous threats out of mere ant hills.